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Exploring Kitchenware Objects and Their Stories at the Camden Museum

Kitchen objects as storytellers

Kitchen objects tell stories of daily human survival, technological innovation, and shifting social traditions before modern automation and electricity entered the home. Kitchenware is a tangible link to a community’s past, women’s daily lives, and their shared heritage within the family and home as mothers and housewives. Kitchen objects can act as physical “time travellers,” helping museum visitors connect with the evolution of the domestic past and previous generations through cultural heritage and social rituals linked to families and the community.

Architecturally, the kitchen was a separate space in the home that physically confined women to domestic routines and separated them from public life within the private sphere. Kitchen work was unpaid reproductive labour, yet many women used their creativity and agency in the kitchen space to express their artistic production, preserve their culture, and gain kudos and prestige.

Willow-brand hanging meat safe

Australians used the meat safe before electricity reached the family home to protect perishable meat from flies, insects, and spoilage during hot summer months in the 19th and early 20th century. They were often hung on verandahs or in the shade of a tree to maximise cooling and keep the meat away from ants and cockroaches. This was just one way Australian housewives tried to stop food from going bad. Electricity and refrigeration arrived in Camden homes in 1929. (Simpson 2015)

A green Willow-brand metal meat safe with perforated panels for ventilation, designed to hang in a cool place to store fresh meat away from flies and pests, dating from c. 1930. The meat safe has a hook on top so it can hang up. There is one shelf inside. They were a common sight in Australian homes before refrigeration or electricity. (I Willis 2026) This meat safe was donated to the Camden Museum in 2000 by Rex Wheeler of Camden (Museum Item 2000.46)

Namco Aluminium 16-pint Pressure Cooker-Canner model 15.

The aluminium pressure cooker-canner was a versatile kitchen appliance that first appeared in Australia in the postwar years. Wartime aluminium-casting technologies enabled Australia to manufacture this type of kitchen equipment. Postwar aluminium pressure cookers were cast or stamped, often using surplus wartime machinery. (Museum Victoria 2026)

The instruction-recipe booklet that came with the cooker-canner said the pressure cooker was meant to bring ‘relief’ to the housewife. It was claimed that the pressure cooker ‘was the most dramatic development in modern times’. The cooker saved ‘time’ and ‘money’ in the ‘cooking of meals’ with ‘extra vitamins’ retained in the food. The cooker could replace ‘numerous pots and pans’ and save the ‘housewife endless time and money’. ‘It is the answer of science to woman’s eternal cry: ‘Save me from endless drudgery in the kitchen’.

The booklet claimed that the Australian housewife ‘lagged far behind other countries in providing aid to housewives’. By using the cooker, the housewife was a ‘woman of intelligence and discernment’ who stayed up to date in the kitchen. She became more productive and efficient in the kitchen, just like ‘a factory technician’. (Namco 1950)

A Namco pressure cooker-canner model 15, Overseas Corporation Australia Ltd, 16-pints with Bakelite handles, around the early 1950s. This cooker has a steam-valve weight and a clamped lid for multi-purpose cooking. There is a steam gauge measures steam pressure, a steam pressure regulator/rocker and an aluminium steam rack lifts the contents off the bottom of the cooker while cooking. The cooker was advertised as safe with automatic steam control so the cook does not have to stand beside it to regulate the steam. This was a stove-top appliance and could hold multiple pint-sized preserving jars or serve as a large-capacity family-size cooker. (I Willis 2026) Hilda Cowell donated the cooker to Camden Museum in 1995. The cooker was the property of her mother, Helen Cowell, and was purchased in 1947 when electricity was supplied to Theresa Park, where she and her husband Charles ran a camellia nursery. (Museum Item 1995.30)

The Powerhouse Museum website states that in the post-war years the Commonwealth Aircraft Factory (CAC) in Melbourne, established in 1936, manufactured a range of aluminium products including pressure cookers. Before and during the war CAC built aircraft at its Fisherman’s Bend facilities. (Powerhouse Museum 2026)

Making aluminium pressure cooker-canners in the postwar years was essential for the economic viability of businesses like the Commonwealth Aircraft Factory, when wartime order ceased. To stay operational and maintain their workforce, these businesses switched to consumer goods. The transition leveraged advanced aerospace casting and technologies developed during wartime. (Museum Victoria 2026)

Safety leaflet that came with the Namco 16-pint pressure cooker, outlining care for the rubber seal on the lid. Steam cookers that were misused or not cared for could be dangerous to use in the kitchen (2026 ebay)

Namco 16-pint pressure cooker-canner came with an instruction-recipe booklet suggesting recipes for the family. It suggested preserving fruit and vegetables in glass jars. (ebay 2026)

The image shows the attachments that came with the 16-pint Namco pressure-cooker canner, including the steam gauge, safety weight, safety leaflet, instruction-recipe booklet, and aluminium partition dividers that let you cook several different dishes at once. (ebay 2026)

The pressure-cooker canner was a stove-top device for a range of cookers that, in the Camden area, included gas stoves, electric stoves, and wood-burning combustion stoves. Domestic gas was supplied to households in Camden from 1912.

Parkinson gas up-right stove cooker

The gas cooker was a woman’s space in the family home, where she cooked family meals and cakes for the Red Cross stall in wartime Camden. Local women gained considerable kudos for their cooking, and many entered the domestic cooking competition at the annual Camden Show. Winners gained considerable notoriety and prestige from their efforts.

An upright gas stove made by Parkinson Stove Co (Australia) Ltd, 1925-1983, likely to be a ‘New Suburbia’ model although the inscription has disappeared. This is a free-standing cast-iron gas cooking stove raised on four iron legs and rack for pots. The outside edge of the door is vitreous-enamelled, and the gas jets are brass. It has four single burners and a grilling rack below. The Parkinson company had a factory on Sunshine Road, West Footscray from the late 1920s to the 1980s. The Melbourne firm was an offshoot of the British firm Parkinson and Cowan. The Parkinson Stove Company (Australia) Ltd had its Sydney showroom and offices at 304 Pitt Street in 1933. The Camden township area has had gas supply since 1912. (Willis 2021) (I Willis 2026) The stove was donated to the Camden Museum in 1995. The stove was purchased by Ben Hodge of Camden in the 1920s, and used by his wife Maud Hodge. After her death in 1953 the stove was used by Ben Hodge’s housekeeper, Mavis Southwell, until Ben’s death in 1979.

Conclusion

Kitchen objects tell stories of women’s roles, cultural heritage, and domestic life. They represent historical survival and innovation in a gender-defined space, showcasing creativity amidst confinement. Artefacts like pressure cookers and gas stoves illustrate the evolution of cooking and community engagement, reflecting women’s agency in the domestic sphere.

The kitchen was a female space where gender expectations confined women to the domestic private sphere away from public activities. Often, the private sphere restricted women, yet others used their agency and domestic skills to gain kudos and prestige within the Camden community.

Camden women put their cooking skills on public display at wartime Red Cross fundraisers, community events, and the Camden Show, where they won cooking prizes each year.

Camden women negotiated all of these issues at a time when there was no electricity, no refrigeration and no appliances. Domestic life for Camden women was hard, with little relief, large families, and the tribulations of rearing children, caring for their husbands, and meeting community expectations at the local church.

The objects in the Camden Museum hint at these stories, but the objects on display have yet to fully explore them.

References

Beebeejaun, Y. (2026). Diasporic Spaces of Conviviality and Domesticity: On the Political Significance of Kitchens in Post-War Britain. Space and Culture, 29(2), 260–277. https://doi.org/10.1177/12063312251386620 Online at https://journals.sagepub.com/doi/10.1177/12063312251386620 Accessed 5/10/25

Fiore, J. (2020). Reclaiming the Kitchen | Magazine | MoMA. The Museum of Modern Art. February 14. https://www.moma.org/magazine/articles/240 Online at https://www.moma.org/magazine/articles/240 Accessed 5/10/26

Museum Victoria 2026. Pressure Cooker – Commonwealth Aircraft Corporation, circa 1947, Museums Victoria Collections https://collections.museumsvictoria.com.au/items/2098646 Accessed 7/10/26

Namco 1950. Pressure-cooker canner, instruction and recipe book, 8 quart, model 15. Melbourne, Overseas Corporation (Australia) Ltd. Online at https://nla.gov.au:443/tarkine/nla.obj-52857458 Accessed 5/10/26

Powerhouse Museum 2026. ‘Model 9’ pressure cooker. Powerhouse Collection. Online at https://collection.powerhouse.com.au/object/263435 Accessed 5/10/26.

Simpson, Margaret 2015. Hanging meat safe, c 1910-1920s. Powerhouse Museum, Sydney. Online at https://collection.powerhouse.com.au/object/263148 Accessed 7/10/26

Willis, I 2021. Mundane objects tell an interesting story. Camden History Notes. October 26. Online at https://camdenhistorynotes.com/2021/10/26/utility-covers-mundane-objects-tell-an-interesting-stories/ Accessed 5/10/26

Camden Museum Information Card for Kitchenware display 2026 (I Willis)

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