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Red Flanders poppies, a field of memories

A flower honours the dead

The red Flanders poppy appeared in Camden in recent years when local identity Frances Warner was inspired to crochet them for Anzac Day in 2013. Frances was inspired by the efforts of two Melbourne women, Lyn Berry and Margaret Knight, who had organised the 5000 Poppies Project. They initiated the project to pay tribute to their fathers’ military service in World War Two, triggering a massive community outpouring of emotions, memories, and commemorations. Frances’ efforts were part of this response.

Wreaths with artificial poppies for the 2023 Anzac Day Ceremony in Camden from Camden Florist (CF 2023)

What is the significance of the red Flanders poppy?

The red Flanders poppies were among the first plants to spring up in the battlefields of northern France and Belgium after the war. Soldiers’ folklore said that the vivid red came from the blood of their fallen comrades.

The poppy symbolises many cultural mythologies, from remembrance to sacrifice, dreams, regeneration, and imagination. In Christianity, the red of the poppy symbolises the blood of Christ and his sacrifice on the cross. The Roman poet Virgil used poppies as a metaphor to describe fallen warriors in his epic tale, the Aeneid, written around 25 BC. (https://www.uniguide.com/poppy-flower-meaning-symbolism)

The Anzac Portal website states that Canadian medic John McCrae recalled the red poppies on soldiers’ graves who died on the Western Front and wrote the poem ‘In Flanders Field’. He wrote the poem whilst serving in Ypres in 1915, and it was published in Punch magazine after being rejected by The Spectator. (https://www.iwm.org.uk/history/why-we-wear-poppies-on-remembrance-day)

In Flanders Fields

by John McCrae (1915)

In Flanders fields the poppies blow

Between the crosses, row on row,

That mark our place; and in the sky

The larks, still bravely singing, fly

Scarce heard amid the guns below.

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

Loved and were loved, and now we lie,

In Flanders fields.

Take up our quarrel with the foe:

To you from failing hands we throw

The torch; be yours to hold it high.

If ye break faith with us who die

We shall not sleep, though poppies grow

In Flanders fields.

https://www.poetryfoundation.org/poems/47380/in-flanders-fields

Red poppies growing in the fields at Flanders remind the community of the soldiers’ lives lost in battle during World War One on the Western Front. (2023, Narellan Town Centre)

In response to In Flanders Fields, American humanitarian and teacher Moina Michael was so moved by the poem that she pledged to ‘keep the faith’ and scribbled down on an envelope ‘We Shall Keep The Faith’ in 1918.

We Shall Keep the Faith

by Moina Michael, November 1918

Oh! you who sleep in Flanders Fields,
Sleep sweet – to rise anew!
We caught the torch you threw
And holding high, we keep the Faith
With All who died.

We cherish, too, the poppy red
That grows on fields where valor led;
It seems to signal to the skies
That blood of heroes never dies,
But lends a lustre to the red
Of the flower that blooms above the dead
In Flanders Fields.

And now the Torch and Poppy Red
We wear in honor of our dead.
Fear not that ye have died for naught;
We’ll teach the lesson that ye wrought
In Flanders Fields.

Moina Micheal used the poppy symbol to raise funds for US ex-servicemen returning from World War One and was known as ‘The Poppy Lady’.  (http://www.greatwar.co.uk/people/moina-belle-michael.htm)

Australia

In Australia, the Returned Soldiers and Sailors Imperial League of Australia (RSS&ILA) first sold poppies for Armistice Day in 1921. The League imported one million silk poppies made in French orphanages. The RSL continues to sell poppies on Remembrance Day to assist its welfare work. (https://www.awm.gov.au/commemoration/customs-and-ceremony/poppies)

People place a red poppy next to a soldier’s name on the AWM Roll of Honour ‘as a personal tribute’. This practice began in 1993 at the internment of the Unknown Australian Soldier. (https://www.awm.gov.au/commemoration/customs-and-ceremony/poppies)

This image shows poppies on the Roll of Honour at the Australian War Memorial in Canberra. (K Alchin, 2021)

United Kingdom

Poppies are used in remembrance all over the world. In the United Kingdom, the white poppy represents an international symbol of remembrance for all casualties of war, civilians and armed forces personnel, and peace.

Artificial poppies were first sold in the UK in 1921 to raise funds for ex-servicemen and their families for the Earl Haig Fund supplied by Anna Guérin in France, who had manufactured them to raise funds for war orphans. It proved so popular that the British Legion started a factory in 1922 staffed by disabled ex-servicemen to produce their own.

The Imperial War Museum website states:

Other charities sell poppies in different colours, each with their own meaning but all to commemorate the losses of war. White poppies, for example, symbolise peace without violence and purple poppies are worn to honour animals killed in conflict.

(https://www.iwm.org.uk/history/why-we-wear-poppies-on-remembrance-day)

 Melbourne’s 5000 Poppies Project

The 5000 Poppies Project started when Lyn Berry and Margaret Knight set out to crochet around 120 poppies to ‘plant’ at Melbourne’s Shrine of Remembrance in 2013 to honour their fathers’ memory. Wal Beasley (14/32nd Battalion – Australian Imperial Forces) and Stan Knight (Queen’s Own West Kent Regiment – British Army). (https://5000poppies.wordpress.com/about/)

 The 5000 Poppy Project has had art installations on Anzac Day and Remembrance Day at Melbourne’s Shrine of Remembrance (2017, 2019) and in Canberra at the Australian War Memorial and Parliament House (2017). The 5000 Poppies Project has gone international with an installation at London’s Chelsea Flower Show in 2016. (ttps://www.rhs.org.uk/shows-events/rhs-chelsea-flower-show/2016/articles/a-field-of-poppies-at-chelsea)

Melbourne’s Shrine of Remembrance with the art installation of 5000 Poppies in 2017 (5000 Poppies)

The 5000 Poppies project has become an international tribute of respect and remembrance to those who have served in all wars, conflicts, peacekeeping operations, their families, and communities. (https://5000poppies.wordpress.com/about/ )

Frances Warner’s Red Poppy Project

Frances Warner has crocheted hundreds of red poppies, sold them for fundraising, and co-ordinated art installations with knitted poppies. All commemorating the memory of local men and women who have served our country in times of conflict and peace.

 Frances said that one red poppy takes around 45 minutes to crochet, and she estimates that she has knitted over 650. She has voluntarily contributed approximately 480 hours of her time, and she is not finished yet by a long way.

Frances says she is very ordinary yet has done an extraordinary job. Frances joins a long list of local women who have volunteered thousands of hours to honour the service of local men and women who have served in conflict and peacekeeping.

Knitted poppies made by Frances Warner (F Warner 2023)
20th century · Adaptive Re-use · Aesthetics · Architecture · Attachment to place · Belonging · Burra Charter · Camden Story · Church History · Churches · Collective Memory · Commemoration · Community identity · Cultural Heritage · Elderslie · Families · Family history · Farming · First World War · Genealogy · Heritage · History · Living History · Local History · Local Studies · Memorial · Place making · Placemaking · Sense of place · St Mark's Church Elderslie · Urban development · Urban growth · Urbanism · Village · Wartime

St Mark’s Church Elderslie, the little church on the hill

A public outcry

In 2009 there was a public outcry when there was a proposal to relocate St Mark’s church and develop the site. (The District Reporter, 16 February 2009) While the church building had remained unused for several years, the public protests posed a conundrum for local authorities. Why was there such an outcry over an empty building?

Small churches like St Marks are vital to small communities and their construction of place and development of community identity. Their potential loss threatens a community’s collective memory and sense of place. The church tells the story of a small farming community that has disappeared through the mists of time.

The history of St Mark’s church is the history of Elderslie, and the church was a special place of community celebrations and commemorations along with family celebrations, traditions, and events. The church has been a gathering place, a sacred site.

This charming image taken by John Kooyman in 1998 shows the church and other buildings under the shade of the magnificent camphor laurel tree. (Camden Images)

An outdoor Sunday School proves popular.

St Mark’s church’s origins go back to 1901 and the formation of an outdoor Sunday School by Elderslie resident Miss Elizabeth Carpenter, a disgruntled St John’s church parishioner. Elizabeth (b. 1863) was the eldest daughter of Elderslie orchardist Horatio Carpenter. According to Elderslie resident Len English, the Carpenter orchard of Fernside was just behind the church with a frontage on Macarthur Road.

According to Harold Lowe, St Mark’s churchwarden and treasurer, the story goes that 38-year-old Elizabeth Carpenter had a falling out with the rector of Camden’s St John’s Church, Rev Cecil John King. (Harold Lowe, File Notes, Camden Museum Archive)

The Sunday School proved popular with local families, and ‘in the summer of 1902…[the Sunday School was] held under the shade of the great stone pines below Mrs Lydia Carpenter’s orchard’. Miss Elizabeth Carpenter brought her ‘American organ down on a slide and led the singing’. During the autumn, with inclement weather, the classes were held in Fernside’s ‘old wine press room’. (Camden News, 18 July 1912)

 The Sunday School continued to be an essential part of the church’s activities, and in 1933 the Camden press reported that the children of St Mark’s Sunday School held their picnic in Mr Bruchhauser’s ‘top paddock’. Showers did not let up until after lunch, but nothing was ‘daunted’, and the picnic was set up by ‘teachers and helpers in the church. ‘A very happy afternoon was spent by all’ after the ground dried out with ‘games and races’. (Camden News, 8 June 1933)

Transcript on the back of the image (Camden Images)
St Mark’s Luker Street Elderslie Sunday School c1955. Bishop Wilston, Ruth Ferguson to R & believed Bishop Wilton, Mary Ferguson next to Ruth. Nancy Ferguson is on the right in a blue dress and white hat. In the front row, children from left Barbara Noble, 3, Lesley Noble, 6, John Bunce, 8, and Pat Higgs girl, in front of the nameplate. Identification by Lorrie Noble (Dec 1998) Photo from transparency by Ina Cameron, 65 Harrington St, Elderslie, who came to Elderslie in 1946 and worshipped at St Mark’s.

A new church

Miss Carpenter led fundraising efforts, ably assisted by RA Cross, Mr Albury, and Mr Bellingham, early in 1902 (Camden News, 5 August 1954), and moves were made ‘for the purchase of a piece of land’ and construction of the church building. (Camden News, 18 July 1912)

A small portion of Thomas Teasdale’s land was acquired by the Church of England and held in the name of the Bishop of Sydney, the Most Reverend William S Smith, and part of the Narellan Parish. (SOHI 2022)

These efforts resulted in the opening of a church building on the site, with the first service on 22 June 1902. (Camden News, 18 July 1912)

A church building was constructed and has been described as

 a traditional vernacular form with a simple gable roof covered in shingles.  It is a good and representative example of a very modest mission church typical of those erected in small country towns in the late 19th and very early 20th Centuries. Built of weatherboard with a corrugated metal roof and a small belfry, it contained two rooms (the nave and a small vestry) plus a porch. The window openings are simple timber sashes with horizontally pivoting openings. Windows are glazed with translucent and opaque domestic glass from the early 20th Century/Inter-War period. (SOHI 2022)

A new Elderslie resident, Mr Fred Carpenter, constructed the first six ‘handsome and comfortable seats of polished Kauri’, and parishioners donated chairs, books, lamps, blinds, alms dish, matting, communion cloth, pulpit cushions and drape. (Camden News, 18 July 1912)

The church was dedicated by The Rt Rev Bishop AW Pain from Gippsland on St Mark’s Day in 1903, April 25. (Camden News, 5 August 1954)  Saint Mark’s Day, or the Feast of Saint Mark, is held on April 25 and commemorates Mark the Evangelist, also known as Saint Mark. Mark the Evangelist is an essential character in early Christianity and is the ascribed author of the Gospel of Mark. Mark the Evangelist is considered the guardian of the earth and harvests and is celebrated in several countries.

According to the Camden press, churchwarden Harold Lowe suggested the church name some years after its consecration. (Camden News, 5 August 1954) According to Lowe, the new church was called St Marks at a St Mark’s Day meeting. (Harold Lowe, File Notes, Camden Museum Archive)

Church of England authorities ‘licensed [the church] for divine service in 1913 and named [it] for St Mark’. (SOHI 2022)

By 1914 the church was known as the St Mark’s Mission Church. (Camden News, 13 August 1914) According to Merriam-Webster online dictionary, a mission church is not locally self-supporting. Still, it depends partially upon the support of mission funds from the more prominent religious organisation that established it.

Church governance

St Marks was part of the Church of England Parish of Narellan, St Paul’s Cobbitty and St Thomas’s Narellan. The rector of Cobbitty’s St Paul’s, Rev Canon Allnutt, conducted services at St Mark’s Church. (Cobbitty 1827-1927)

The first churchwardens were RA Cross, Thomas Albury and John Latty. By 1915 churchwardens were GM Gardner and T Albury, the minister’s warden was H Bellingham, and Miss Brain was the Sunday School teacher. (Camden News, 29 April 1915) Harold Lowe was the church auditor. (Camden News, 11 May 1916)

The church held its yearly vestry meeting, and the re-elected churchwardens for 1933 were T Albury, RA Cross and J Ross. (Camden News, 8 June 1933)

In 1940 the Narellan Parish Log reported that the rector decided to hold an evening service on the third Sunday of the month where he conducted a Lantern Picture Show. (Camden News, 7 November 1940)

This image shows the parishioners in 1955, which was likely taken by Ina Cameron around the same time as the Sunday School image. While a poor image, the charm and character of the period are clearly shown. Most parishioners were women and likely members of the church women’s guild. Gloves, hats and Sunday best were essential fashion items when attending church in the 1950s. (Camden Images)

First World War and Anzac Day

The First World War profoundly affected the church and the Elderslie community.

In 1915 a memorial service was held at St Mark’s for two Elderslie lads who ‘gave their lives for the Empire’ on the battlefield of the Great War and was held to an ‘overflowing’ congregation. They were Lance Corporal Eric Lyndon Lowe, Signaller, 18th Battalion and Bugler Milton Thornton. The local press reported that ‘beautiful wreaths’ were presented by Mrs Faithful Anderson of Camelot and one from the Cobbitty Rectory. Rev Canon Allnutt took the service, and his daughter, Alice, sang the ‘At Rest’ by Aylward during the offertory. An amount of £1/10/6d was collected for the Liverpool Camp Church Tent Fund. (Camden News, 28 October 1915)

The progress of the First World War and patriotic fundraising put pressure on the community and church parishioners. Yet despite ‘the many calls and patriotic funds’, church finances were pronounced ‘satisfactory’ at the annual 1916 vestry meeting. (Camden News, 11 May 1916)

St Mark’s Day coincided with Camden’s first Anzac Day in the Camden district in 1916. In 1919, the Anzac Day commemorative service at St Mark’s church ‘was crowded and especially attended by the families and friends of those who had met a soldier’s death’. (Camden News, 1 May 1919)

In 1934 Rev AF Pain celebrated the Festival of Saint Mark at the church, where parishioners presented ‘a bounteous supply of the fruits of the earth’ that was sent to Camden District Hospital. (Camden News, 15 February 1934) In 1937 there was a combined service for Anzac Day and the Festival of St Mark. (Camden News, 22 April 1937)

The services for Anzac Day commemoration and St Mark’s Day were split years after the Second World War. In 1952 the service with Holy Communion was held by Bishop EW Wilton from Cobbitty on Anzac Day, Friday 25 April 1952, at 9.30 am. The following Sunday, 27 April 1952, the church had the St Mark’s Festival Service. (Camden News, 24 April 1952)

Farewells and church anniversaries

The 10th anniversary of the church celebrations in 1912 was dampened by the departure of church founders Elizabeth Carpenter and her mother, Lydia.

According to rector Canon GH Allnutt, the Carpenter women had made an ‘immense contribution’ to the church’s foundation with service held once a month at Fernside while the church was being built. The rector presented Miss Carpenter with a gold watch for her efforts. She ‘was visibly affected’ as she thanked the assembly in ‘a simple words’ as the presentation had come as a ‘great surprise’. She said, ‘ she felt quite unworthy…as she had only tried to do her duty to the best of her ability’. (Camden News, 18 July 1912)

In 1939 the church lost its long-term organist when parishioner Olive Burford of Camden to Alan Tindall of Rockdale. As a token of thanks, the parishioners gave her a silver hot water jug. (Camden News, 17 August 1939)

In 1952 on the 50th anniversary of the church, attendances were reported as ‘encouraging’ in the Camden press. Bishop Wilton conducted the evening service and said there was a Sunday School and a congregation ‘growing in strength’. The organists were Miss L Cross and Mrs J Bradford. Churchwardens were CS McIntosh, H Rudd, N Hore and Mr Bradford. The supper was organised by parishioners: Mrs Childs, Mrs Teasdale, Miss Teasdale, Mrs Wrench, Mrs N Ferguson, Mrs C Dunk, Mrs R Dunk, Mrs Weiberle, Mrs Harris, and Mrs Wilton. (Camden News, 10 July 1952)

Improvement and additions

There were ‘improvements and additions’ to the church over the decades. (Camden News, 18 July 1912)

The churchwardens at St Thomas Narellan gave parishioners at St Mark’s the ‘old ‘John Oxley’ harmonium’ after they installed a new organ. (Camden News, 18 July 1912)

The church’s original shingle roof was replaced in 1912 with ‘short-sheet corrugated iron painted dark red oxide’. The ceiling and floors were also replaced. (SOHI 2022)

On the death of Canon Allnutt in 1919, Percy Butler was commissioned to construct a communion table in his memory. Local cabinet maker and carpenter Fred Carpenter had built additional seating, a prayer desk, a communion rail and a lecturn.   (Harold Lowe, File Notes, Camden Museum Archive)

A vestry was later added to the building that could act as a chancel when there was a need for additional seating. (Harold Lowe, File Notes, Camden Museum Archive)

The St Mark’s Churchwomen’s Guild held the 1954 church fundraising fair with stalls selling ‘useful goods, including handicrafts suitable for ‘Christmas presents’ at the home of Mrs C Dunk in Luker Street. The fair was opened by Mrs A Pain, the wife of the former rector St Paul’s Church of England, Cobbitty, who held services at St Mark’s church between 1919 and 1940. (Camden News, 4 November 1954)

The construction of Warragamba Dam was advantageous for the church community when the former Nattai Post Office/general store building was brought up from Burragorang Valley and placed at the church’s rear as a hall. (The District Reporter, 2 February 2009). The Women’s Guild and the Elderslie community funded the relocation and fit-out of the hall as a kitchen. (The District Reporter, 16 February 2009; SOHI 2022))

In 1959 a meeting of churchwardens, the Women’s Guild and the rector resolved to create a special fund to finance the purchase of the land adjoining the existing church site. It was decided at the same meeting to repair the organ, which cost £24. (File Notes, Camden Museum archives) The kitchen was extended in 1961; in 1966, the Church of England purchased a small part of an adjoining property. (SOHI 2022) In 1968 a new hall was constructed on the site.

The addition of a new building on St Mark’s church site in 1955 was much anticipated by parishioners who provided voluntary labour for the construction. Images supplied by Ina Cameron, a local Elderslie resident. (Camden Images)

Funerals and remembrance services

Funerals and remembrance services were a time of community grieving and support, and the church had a central role in these events.  

The death of local parishioners was always a loss to the church. A St Mark’s parishioner and ‘keen’ church worker Mrs Ellen Cross recently died aged 66. (Sydney Morning Herald, 6 January 1930) A stalwart of the St Mark’s Sunday School, Mrs FA Goodman died aged 60 years old. She had taken the Sunday School just days before admission to Camden District Hospital, where she died of pneumonia last Saturday, December 5. Mrs Goodman had ‘conducted’ the Sunday School from 1926 to her death. (Camden News, 10 December 1931)

St Mark’s churchwarden James Ross was killed by a motor car as he walked at night between the Cowpastures Bridge and the milk depot in 1938. (Camden News, 29 December 1938)

A remembrance service was held at St Mark’s on the death of Joyce Asimus, daughter of Mr and Mrs Roy Asimus, of ‘The Heights’ Elderslie, who died after a recent operation. Joyce was reportedly a ‘friendly, energetic and affectionate soul held a high place in esteem and affection of the neighbourhood’. The St Mark’s Churchwomen’s Guild was represented by Mrs Funnell Senr, Mrs Wilton, and Mrs Childs. (Camden News, 29 October 1953)

St Mark’s parishioner and Elderslie resident, 89-year-old Mr RA Cross of Macarthur Road Elderslie, died in 1954. Mr Cross had been a churchwarden since St Mark’s church foundation. The Camden press reported that Mr Cross and other parishioners attended St Marks Church within days of his death. Mr Cross was a retired brickmaker and made bricks for famous local properties, including Camelot, Carrington Hospital, and Pomare at Cobbitty. His funeral was held at St Thomas’s church at Narellan, with the service taken by Bishop Wilton and buried in Narellan cemetery. A week later, a remembrance service at St Mark’s was for this ‘faithful and regular worshipper’.(Camden News, 29 July 1854)

The funeral of Mrs Constance AM Ross of Elderslie, mother of Mrs Childs, was held at St Mark’s church in 1952. The Camden press reported that this was the first time a funeral service with the casket was held at the church in its 50-year history. (Camden News, 10 July 1952)

This is a sad image from 2011 of a church past its use-by date, all boarded up, unkempt and unloved. Yet it could still rouse the Elderslie community’s emotions to protect the building’s cultural heritage and the collective memories it possessed for them. The church building is up for sale. (I Willis)

Last service and the loss of a church

Over time, church parishioners died, old Elderslie families moved away, the church congregation grew smaller, and the parish could not financially support the church. Church authorities decided to ‘amalgamate St Mark’s with St Thomas‘s, Narellan, with the final service being held at St Mark’s being held on 21 October 2001. The church was then closed to sell the land’. (SOHI 2022)

 In Elderslie, as elsewhere, the threatened loss of a local church often triggers a passionate response from the local community. The local church, even if unused, is a repository of collective memories and a sacred site that possesses a sense of place and community identity.

In 2009 there was a community outcry over a proposal to subdivide the land surrounding St Mark’s church, relocate the church building, demolish the church hall, and cut down the camphor laurel on the Camden’s Register of Significant Trees. (The District Reporter, 16 February 2009)

Passionate locals voiced their concerns, particularly about the state of the camphor laurel. Councillor Eva Campbell maintained that the church was ‘the most significant building in Elderslie’. (Macarthur Chronicle, 3 February 2009) Later reports show that the camphor laurel tree was planted to celebrate the church’s consecration in 1903.

 In the end, Camden Council voted to cut down the tree and approved shifting the church across the existing site to allow the consolidation of three allotments into two. (The District Reporter, 16 February 2009; Macarthur Chronicle, 3 February 2009)

The Anglican Church deconsecrated St Marks in 2010. (SOHI 2022)

The removal of the camphor laurel tree adjacent to St Mark’s church in 2009 after approval by Camden Council. At the rear of the church site are the kitchen and hall in the process of demolition (I Willis)

The church site and buildings were sold to the private owners in 2011 and converted to a private residence where the new owners became the guardians of the community’s collective memories.  

In 2022 a proposal by the private owners to extend the former church building generated public interest in maintaining the cultural heritage of the church’s history.

This charming image shows the current usage of the former St Mark’s church in 2022 is now in private hands and used as a residence. The character and integrity of the former church building are still intact, with the belfry, entry porch, and church building with sash windows clearly shown here. Adding a picket fence adds to the rustic nature of the original building. This image illustrates adaptive reuse that is outlined in the Burra Charter guidelines for heritage sites within Australia. (I Willis)

Updated on 28 April 2023. Originally posted on 25 November 2022.

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Cowpastures’ memories in monuments, memorials and murals.

A landscape of memorials and memories of the Cowpastures.

Many memorials, monuments, historic sites, and other public facilities commemorate, celebrate and just generally remind us about the landscape of the Cowpastures.

In recent decades there has been a nostalgia turn around recovering the memory of the Cowpastures landscape. This is cast in terms of the pioneers and the legacy of the European settlement.

An applique panel on the Cowpastures Heritage Quilt shows Belgenny Farm, which was part of Camden Park Estate. The quilt is hanging on display at the Camden Library (I Willis, 2022)

Memorials and monuments can be controversial in some quarters, especially in the eyes of those interested in Australia’s dark history.

Apart from monuments and memorials to the Cowpastures landscape, the most ubiquitous form of memorialisation across the Macarthur region are war memorials. Most Macarthur regional communities possess a monument of some kind, dating to the early 20th century commemorating the memory of those killed in action in the First and Second World Wars and the Vietnam War.   

The heyday of building monuments in Australia was in the late 19th century and early 20th century, when the new and emerging nation searched for national heroes. These heroes were overwhelmingly blokes – pale males.

Some of the most significant memorials to the Cowpastures landscape are historical sites, the built environment, and cultural heritage. Many of these are scattered across the Cowpastures region dating from the time of European settlement.

Most of the monuments and memorials to the Cowpastures in the local area date from the mid-20th century. Several have been commissioned by developers trying to cast their housing developments in nostalgia for the colonial past. Only one of these memorials was commissioned by women.

The monuments and memorials can be considered part of the public art of the local area and have contributed to the construction of place and community identity.

The memories evoked by the monuments, memorials, murals, historical sites, celebrations, and other items mean different things to different people.

The Cowpastures Landscape

So what exactly has been referred to by the Cowpastures landscape? In this discussion, there are these interpretations:

  1. The Cowpastures colonial frontier 1795-1820
  2. The Cowpastures government reserve 1803-1820s
  3. The Cowpastures region 1795 – 1840
  4. The landscape of the Cowpastures gentry 1805 -1840
  5. The English-style landscape of the Cowpastures 1795-1840
  6. Viewing the landscape of the Cowpastures 1795-1840

A set of principles for viewing The Cowpastures landscape

The Cowpastures landscape and seven principles of interpretation:

  • Utilitarian – the economic benefit – the protection of the cows and the herd
  • Picturesque – the presentation of the Cowpastures as a result of the burning of the environment by the Aborigines –fire stick farming – the reports of the area being a little England from the 1820s – Hawdon.
  • Regulatory – banning of movement into the Cowpastures to protect the cows
  • The political and philosophical – evils were the true corruptors of the countryside.
  • Natural history – collecting specimens and describing fauna and flora – Darwin’s visit to Sydney – the curiosity of the early officers.
  • ‘New natures’ – the environmental impact of flooding along the Nepean River and clear felling of trees across the countryside.
  • Emotional response – how the European viscerally experienced the countryside – sights, smells, hearing – and its expression in words and pictures. (after Karskins 2009, The Colony)

Examples of memory evocation for The Cowpastures

Monuments and memorials

  1. The Cowpastures Heritage Quilt was commissioned by the Camden Quilters Guild commemorating the Cowpastures Bicentenary in 1995.

2. A public artwork called Cowpastures Story in the forecourt of Narellan Library was commissioned by Narellan Rotary Club.

3. A statue of Governor Hunter was commissioned by a land developer at Mount Annan.

Statue of Governor Hunter in the Governors Green Reserve at Mount Annan (I Willis)

4. A collection of bronze cows in the Cowpastures Wild Cattle of the 1790s was commissioned by a land developer at Oran Park.

5. At Harrington Park Lakeside, public artworks memorialise the Cowpastures commissioned by a land developer.

6. At Picton, the Cowpastures mural is completed by a local sculptor and local school children.

The Cowpastures Memorial Bronze mural at Picton (I Willis, 2021)

7. Camden Rotary Pioneer Mural was commissioned by Camden Rotary Club in the mid-20th century and is located adjacent to Camden District Hospital.

Camden Pioneer Mural was commissioned by Camden Rotary Club in the mid-20th century adjacent to Camden Hospital on the Old Hume Highway (I Willis)

8. A different type of memorial is the Cowpasture Bridge at the entry to Camden, spanning the Nepean River.

Information plaque for the 1976 opening of the Cowpasture Bridge located adjacent to the bridge in Argyle Street, Camden (I Willis, 2022)

9. Memorial to the Appin Massacre at Cataract Dam.

10. The Hume and Hovell Monument on the Appin Road celebrates the departure of the Hume and Hovell expedition to Port Phillip Bay in 1824.

11. Parks and reserves, e.g., Rotary Cowpasture Reserve, opened in 1995 By Rear Admiral Peter Sinclair, Governor of NSW, celebrating 100 years of Rotary.

The Camden Rotary Cowpasture Reserve was opened on 19 February 1995 by Rear Admiral Peter Sinclair, Governor of New South Wales. The reserve is located at Lat: -34.053751 and Long: 150.701171. and the address is 10 Argyle Street, Camden. The reserve is on an original land grant within the boundaries of Camden Park Estate from the early 19th century, which was part of the Macarthur family’s colonial pastoral empire. Camden Park Estate was a central part of the Cowpastures district. (I Willis)

12. In Campbelltown’s Mawson Park is a statue of Elizabeth Macquarie. The bronze statue honours the wife of Governor Macquarie, whose maiden name was Campbell, and Campbelltown was named in her honour. The sculpture was created by sculptor Tom Bass in installed in 2006.

The statue of Elizabeth Macquarie in Mawson Park Campbelltown was created by sculptor Tom Bass and installed in 2006. (C&AHS)

13. The Narellan Community Mosaic Project in Elyard Reserve in Elyard Street Narellan was installed in 2005. The mosaic artwork is a series of concentric rings starting with the Indigenous Story, then the settler society of the Cowpastures, progressively moving outwards to the present urban environment. The Project coordination was through Marla Guppy from Guppy & Associates. It involved Project artist – Cynthia Turner, Ceramic artist – Christine Yardley, Heritage artist – George Sayers and Henryk Topolnicki from Art is an Option.

The outer circle shown here illustrates the historic sites of the Narellan area. The Harrington Park house is in the centre of the image, with the 20th-century house Ben Linden on the left and Bullock teams on the right of the centre. The inner circle represents European settlement from the time of a settler society to the 21st century. (I Willis, 2023)

14. A goanna woodcarving is found in Elyard Reserve on Elyard Street, Narellan. There is no artist attribution.

A wood carving of a goanna climbing a tree in Elyard Reserve at Narellan NSW. There is no artist accreditation. (I Willis, 2023)

15. The artwork Life Blood on the forecourt of the Herbarium at the Australian Botanic Gardens, Mount Annan, NSW.

The artwork Life Blood on the Australian Botanic Gardens Herbarium forecourt (I Willis, 2023)

Cultural Heritage

1. Cowpastures Bicentennial celebrations occurred in 1995 and were a loose arrangement of community events.

Postcard of the Cowpastures Heritage Quilt commissioned and sewed by Camden Quilter’s Guild members in 1955. The quilt is currently on display at Camden Library. (Camden Museum)

2. An art exhibition at the Campbelltown Art Centre in 2016 called With Secrecy and Dispatch commemorates the Appin Massacre’s bicentenary.

3. The Appin Massacre Cultural Landscape, which is the site of the 1816 Appin Massacre, is being considered for listing on the State Heritage Register.

4. Australasian Federation of Family History Organisations Annual Fair and Conference in 2016, called Cowpastures and Beyond, was held in Camden with exciting speakers and attended by various delegates.

Cowpastures and Beyond Conference held in Camden in 2016 (CAFHS)

5. An art exhibition at the Campbelltown Arts Centre called ‘They Came by Boat‘ in 2017 highlighted many aspects of the landscape of the Cowpastures and its story.

6. Paintings by various artists, e.g., ‘View in the Cowpasture district 1840-46’  by Robert Marsh Westmacott.

7. Campbelltown-born architect William Hardy Wilson wrote The Cow Pasture Road in 1920, a whimsical fictional account of the sights and sounds along the road from Prospect to the Cow Pastures.

A fictional account of The Cow Pasture Road written by William Hardy Wilson in 1920 with pencil drawings and watercolours. (I Willis, 2022)

8. Macarthur ‘Bulls’ FC is a football team founded in 2021 named after the Wild Cattle of the Cowpastures and has a training facility established at Cawdor in the centre of the former 1803 Cowpasture government reserve.

Historic sites

1. The Cowpasture Road was the original access route to the colonial Cowpastures Reserve in the early 19th century, starting at Prospect and ending at the Nepean River crossing.

2. The historic site at Belgenny Farm is one of Australia’s earliest European farming complexes in the Cowpastures. The farm was part of the Macarthur family’s Camden Park Estate and is an example of living history.

3. Camden Park House and Garden is the site of John Macarthur’s historic Regency mansion and was part of the Macarthur family’s Camden Park Estate.

A Conrad Martins 1843 watercolour, ‘Camden Park House, Home of John Macarthur (1767-1834)’ (SLNSW)

4. Other colonial properties across the Cowpastures region (in private hands), eg, Denbigh.

5. Indigenous paintings of polled cattle by the Dharawal people in the Bull Cave at Kentlyn

Updated 1 January 2023. Originally posted 22 August 2022.

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Rachel, a great yarn of the bush from colonial New South Wales

Preview

Jeff McGill, Rachel. Allen & Unwin 2022, Sydney. ISBN 9781760879983.

Tonight I had the privilege of attending the book launch for local author and raconteur Jeff McGill’s Rachel at Mary Sheil Centre, St Patrick’s College at Campbelltown.

McGill’s Rachel tells the story of Jeff’s great-great-grandmother from the Coonabarabran area of NSW. Rachel Inglis (Kennedy) was known as Rachel of the Warrumbungles.

Cover Jeff McGill’s Rachel (A&U)

McGill’s Rachel had been brewing for about 40 years and it was only in the 2020 lockdown when Jeff’s freelance work dried up that he got mobile on writing the book.

A friend advised him to send a couple of chapters to two publishers. He sent the work to Allen and Unwin and a small publisher in Melbourne. Allen & Unwin got back to him in two days and wanted to know if he had more material, so he sent off chapters 3 & 4. The rest is history.

Jeff often visited Rachel Kennedy’s farm at Box Ridge and listened to local storytellers at Coonamble and Coonabarabran. He is the sort of writer who walks the ground and soaks up the ghosts of the past. He allowed the landscape to talk to him and embedded himself in the spirit of place.

Remarkable woman

Rachel Kennedy was quite a woman and the Mudgee Guardian and North West Reporter wrote an extensive obituary in 1930 on her death. It stated in part:

The late Mrs. Inglis was one who rarely gave a thought to herself, her one object in life being to help others. She was always to be found at the bedside of almost every sick person in the Warrumbungle district, and has been known to have ridden as far as 20 miles in the middle of the night to reach some sufferer, even when far from well herself. Considering that all her grand efforts were done in an age when motor cars were unknown, it stamps this fine old pioneer as one of the world’s best — a race that is fast vanishing from our midst. The deceased lady had reached the great age of 85 years. (MG&NWR, 11 April 1930)

Rachel’s obituary was also published in the Gilgandra Weekly and Castlereagh (10 April 1930).

At the time of Rachel’s death, it was usual for the country press to publish any sort of obituary of a woman unless she was white and from an influential rural family. The country press was a very white-male institution.

The obituary published in the Mudgee press was an acknowledgement that Rachel was a true local identity and bush character well known in the area. A rare feat indeed. The bush was a male-dominated landscape where women remained in the shadows.

Rachel did not fit the stereotypical 19th-century woman. Yet, she did not seek recognition for her community work and never received it in any public fashion.

The local community understood Rachel’s contribution to their lives and when she was buried in the Presbyterian section of the Gulargambone Cemetery, it was

in the presence of one of the largest gatherings, ever seen at the cemetery. The Rev. G. Innes  Ritter, of Coonamble, performed the last sad rites at the graveside. (MG&NWR, 11 April 1930)

Family History

McGill’s Rachel represents the genealogical genre of family history as it should be written. The book shows how such a story can be approached and can generate an appeal to a wide audience. Others who have achieved this goal include Nick Brodie’s Kin, A Real People’s History of Our Nation, Graeme Davison’s Lost Relations, Fortunes of my Family in Australia’s Golden Age and Peter FitzSimons’s A Simpler Time.

Rachel Inglis’s (Kennedy) family and home at Box Ridge near Coonabarabran in NSW c.1890s (Jeff McGill)

It was very common for women from the rural under-class to disappear into the shadows of history without any acknowledgement of their existence. The lives of some of these women are probably best reflected in stories like Henry Lawson’s The Drover’s Wife (1892), a piece of Australian Gothic fiction. Author Samantha Leersen writes:

‘The Drover’s Wife,’ and the fears felt by its protagonist, presents a fictitious account of the real concerns experienced by settler Australians.

‘The Drovers Wife’ by Russell Drysdale (1945) and the author Henry Lawson 1902 (1867-1922) (UoS)

Rachel’s story has many parallels with Lawson’s The Drover’s Wife.

Female Biography

McGill’s Rachel is another addition to the popular genre of female biography which has seen a number of publications about colonial women in recent times. These include Michelle Scott Tucker’s Elizabeth Macarthur: A Life at the Edge of the World, Elizabeth Rushen and Perry McIntyre’s Fair Game, Australia’s First Immigrant Women, Larissa Behrendt’s Finding Eliza Power and Colonial Storytelling, Kate Forsyth and Belinda Murrell’s Searching for Charlotte, The Fascinating Story of Australia’s First Children’s Author, Anne Philp’s Caroline’s Diary, A Woman’s World in Colonial Australia and others.

The cover notes for McGill’s Rachel state:

Rachel Kennedy stood out on a wild frontier dominated by men… her extraordinary and unputdownable pioneering story is told for the first time

‘Just a girl, but when it came to chasing wild horses nobody questioned Rachel Kennedy’s skill in a saddle. What raised the eyebrows was the type of saddle she used: a man’s.

Rachel Kennedy was a colonial folk hero.

She also built rare friendships with Aboriginal people, including a lifelong relationship with her ‘sister’ Mary Jane Cain.

Meticulously researched and written with compelling energy, this is a vivid and at times heartbreaking story of a pioneering woman who left a legacy that went well beyond her lifetime.

Cover Jeff McGill’s Rachel 2022

Emerging from the shadows of history

The book is a ripping yarn about the colonial frontier and the role of women in early New South Wales. Another woman emerges from the shadows of history and we are allowed to understand their true contribution to the settler story of our nation.

Updated 2 June 2022. Originally posted 1 June 2022.

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We need new ways to tell stories of the past

We need new ways to tell local stories

I have just finished watching online a critical discussion on the practice of history held at the Smithsonian Institute in Washington DC.

In these times of fake news, misleading information, and conspiracy theories. Whom do you trust? What is the truth? Social media is all-encompassing.

This photograph is of a voluntary aid at the Waley Convalescent Home for Soldiers at Mowbray Park in 1920 sitting at her desk perhaps writing a letter to a loved one in her time off. This is a wonderful story of service and sacrifice and how these women did wonderful service during and after the First World War. (NAA)
This photograph is of a voluntary aid at the Waley Convalescent Home for Soldiers at Mowbray Park in 1920 sitting at her desk perhaps writing a letter to a loved one in her time off. This is a wonderful story of service and sacrifice and how these women did wonderful service during and after the First World War. (NAA)

This discussion on the practice of history is a dose of hope when political interest groups seek to rewrite the past on their terms.

Maybe this discussion was not a complete cure, but it certainly seems like a ray of sunshine into the swamp of the abyss.

So what did I see?

I watched a panel of learned historians and museum directors discussing launching the Reframing History report by the American Association for State and Local History (AASLH). 

The promotional email I received boasted:  

This new initiative provides the field with a set of evidence-backed recommendations to communicate history more convincingly and to build a wider understanding of what inclusive history looks like and why it is important for all of us.

The discussion lived up to the hype.

I highly recommend this lively and challenging discussion to anyone involved in the practice of history. I do not think it matters whether you are from the academy, practise public history, or just like popular history. This discussion should interest you if you are concerned about the long term health of history as a discipline.

Panel Discussion Details

  • John Dichtl, president and CEO of AASLH, started the conversation by providing an overview of the project. 
  • That was followed by a discussion by Anthea Hartig, Elizabeth MacMillan, Director of the National Museum of American History. 

Panellists included:

  • Martha S. Jones, author and professor of history at Johns Hopkins University
  • Clint Smith, staff writer at The Atlantic and author of How the Word is Passed: A Reckoning with Slavery Across America
  •  Jorge Zamanillo, director of HistoryMiami and incoming founding director of the Smithsonian National Museum of the American Latino

The panellists expand on the Reframing History Report and Toolkit by talking about their personal experiences of communicating about history and sharing their recommendations for how history organizations can create environments for positive and productive conversations.

You can view the discussion on the AASLH YouTube channel. AASLH YouTube channel.

 Watch on YouTube

Further reading

Be a historical detective.

Advertising · Agricultural heritage · Agriculture · Agriculture history · Business · Business History · Camden · Camden Story · Community identity · Country town · Cultural Heritage · Cultural plantings · Economy · Family history · Fergusons Australian Nurseries · Gardening · Heritage · History · Horticulture · Landscape · Local History · Local Studies · localism · Nursery · Place making · Placemaking · Plant Nursery · Retailing · Sense of place · Storytelling · Street Trees · Sydney's rural-urban fringe · Technology · Trees · Uncategorized · Urban development · Urban growth · Urban history · Urban Planning · urban sprawl · Urbanism

Ferguson’s Nursery, the post-war years

Ferguson’s Nursery at Hurstville, Mittagong and Sylvania

During the post-war years, Ferguson’s Nurseries continued to be located on Sydney’s urban fringe as the metropolitan area expanded into the rural surrounds.

Hurstville nursery prospered then closed, another opened on the urban fringe at Sylvania, a cold-climate nursery opened at Mittagong, and the Camden nursery closed.

In the mid-1960s, the family sold the business to new owners who continued to use the Ferguson nurseries as a trading name.

Significance

The importance of the colonial legacy of Francis Ferguson is emphasised in July McMaugh’s Living Horticulture. She only lists four New South Wales 19th colonial horticulturalists of significance, one of whom is Ferguson.

The Camden Nursery site remains quite significant in the history of the Australian nursery industry. Morris and Britton maintain that the site is

A rare remnant of an important and influential colonial nursery from the late 1850s and includes a collection of 19th century plantings and is a landmark in the local area.  (Morris and Britton 2000)

Camden Nursery site

The Camden Nursery on the Nepean River stopped operating in the immediate post-war years, and the nursery headquarters relocated to Hurstville.

In 1937 Camden Municipal Council rejected an offer from Ferguson’s nurseries of 100 rose bushes for planting in Macarthur Park. The council did not want the nursery to take cuttings from the park’s rose bushes. (Camden News, 13 May 1937)

In the 1930s, the Camden press reported that Ferguson’s nurseries had purchased the property of W Moore between the Old Southern Road and the Hume Highway (Camden News, 11 April 1935). This was in the vicinity of Little Street. (Cole, CHS, 1989) This is likely the 1937 outlet fronting the Hume Highway in Camden and still operating in 1944. (Camden News, 18 February 1937, 17 February 1944)  

The Camden Nursery outlet had stopped trading by 1946. The Camden press reported an application to connect the electricity supply to RB Ferguson’s property at the ‘the Old Nursery’. (Camden News, 19 December 1946, 27 November 1947)

Hurstville Nursery

By the mid-1950s, the nursery was trading as F Ferguson & Son, headquartered at Hurstville with branches at Sylvania and Mittagong. (Sun Herald, 13 September 1953)

Operations for Ferguson’s Nurseries were centralised at the Hurstville nursery in the post-war years, and the area around the nursery became known as Kingsgrove.

There was growth in the area following the opening of Kingsgrove Railway Station in 1931. Sydney’s residential development followed the development of suburban railway lines.

There was increased growth in the Hurstville area in the post-war years, with increased housing and rising land values.

The NSW Housing Commission built over 200 homes on the Ferguson Nursery Estate at Kingsgrove. (St George Call (Kogarah) 21 September 1945)

The state government purchased the site of Ferguson’s Nursery in 1958 and established Kingsgrove High School. (SRNSW)

In the 1957 Plant Catalogue, the nursery indicates that the business had a Kingsgrove address and had branches at Sylvania and Mittagong (Ferguson Nursery 1957)

1957 Plant Catalogue

In the 1957 Plant Catalogue of 54 pages, the nursery listed a Kingsgrove address and branches at Sylvania and Mittagong (Ferguson Nursery 1957). The catalogue listed plant stock for sale with advice for the gardener to achieve the best results.

Cover of Ferguson’s Nursery Trade Catalogue for 1957 trading as F Ferguson & Sons (Camden Museum Archives)

The catalogue listed for sale: fruit trees; Australian trees and shrubs; flowering plants including roses, camellias (51 varieties), azaleas, hibiscus; conifers; ornamental trees; palms and cycads (varieties from California, Canary Islands, Siam, South America, India, China and Japan).

Amongst the fruit trees, the catalogue listed apples, apricots, citrus (cumquats, oranges, lemons, mandarins, grapefruit), nectarines, passionfruit, peaches, pears, plums (English, Japanese), prunes, quinces, as well as almonds and walnuts.

Roses were a speciality and included novelty roses for 1957, standard roses and others. The catalogue advised gardeners to achieve the best results with roses, particularly with planting and pruning. (Ferguson Nursery 1957)

Under Australian trees and shrubs, the catalogue stated:

Australia is endowed with of indigenous Trees and Shrubs that are entirely different and considered by many far superior to anything else in the world. Nothing is more useful for Parks, School Grounds, etc, that some of out Native Flora, and certainly nothing is more hardy or topical. (Ferguson Nursery 1957)

Fergusons offered a landscaping service to

assist and advise you in the correct formation and setting-out of Lawns, Drives, Shrubberies, also in the correct selection of suitable Shrubs, Roses, and all kinds of Flowering Plants, so that the ultimate results will be charming. (Ferguson Nursery 1957) (Ferguson 1957)

Sylvania Nursery

111 Port Hacking Road, Sylvania

In the post-war years, Fergusons Nurserys followed Sydney’s urban fringe and established a new nursery south of Hurstville in the Sutherland Shire at Sylvania.

Sutherland Shire was growing in the late mid-20th century. McDowells opened a department store at Caringbah in 1961, Miranda Fair Shopping Centre opened in 1964, the new Sutherland District Hospital opened in 1958, and the Sutherland Daily Leader was launched with its first edition on 29 June 1960. (Sutherland Shire Library)

The first mention of the Sylvania nursery in the Sydney press was in 1955 when Fergusons placed an advertisement for contractors to provide a quote to build a fibro cottage on the nursery site at 111 Port Hacking Road. (SMH, 1 October 1955)

The nursery opened for trading in 1961. A story in the Sutherland press about the history of the Ferguson Nursery group. (Sutherland Daily Leader, 26 April 1961)

Nurseryman Rex Jurd conducted the management of the Sylvania nursery. (McMaugh 2005:252) (McMaugh 2005)

Nurseryman Jurd recalled that Francis Ferguson’s granddaughter, Nancy, and her husband lived on the site. He said, ‘It seemed to Rex that they had little interest in the business’.

‘It was run down, and he spent two years there fixing it up and replacing all the plant material’, wrote Judy McMaugh.

The Sylvania Nursery extended from Port Hacking Road to the waterfront on Gwawley Bay (now Sylvania Waters) (McMaugh 2005: 252-253). According to Jurd, the nursery was not clearly visible to on-coming traffic and was on the low side of the road and suffered from ‘few customers’.

Jurd, a fellow student with well-known Sydney nurseryman Valerie Swain at Ryde School of Horticulture, left Fergusons in 1959 and started working for Smart’s Nurseries at Gordon. (McMaugh 2005: 252-253)

The Sylvania Nursery was sold to the Pike family in 1966 and became part of Ferguson Garden Centre Pty Ltd. The new business retained the Ferguson name as part of the sale. (Sutherland Daily Leader, 16 May 1966)

The advice page for gardeners who purchased roses from Ferguson’s Nursery for their care and maintenance of roses. Trade catalogue for F Ferguson and Sons (Camden Museum Archives)

Mittagong Nursery

Hume Highway (then Old Hume Highway, then Ferguson Cres) Mittagong

Ferguson’s Nurseries developed a cold-climate nursery at Mittagong in 1939 and developed under the management of nurseryman Arthur Carroll.

According to nurseryman Bill Starke, Arthur Carroll ‘was equipped with a draught horse, a cross-cut saw, and an axe, and basically cleared the property by hand’. (McMaugh 2005: 105)

Mr Carroll was away on active military service during the Second World War and returned in 1946 as manager of the nursery, which traded as F Ferguson and Son. (Southern Mail, 10 May 1946)

An advertisement placed in the Southern Mail newspaper for F Ferguson & Son (Southern Mail, 17 May 1946)

Bruce Ferguson sold the Mittagong nursery to the Pike family in 1970. (McMaugh 2005:363)

This is the signage for Ferguson Cres (formerly the Hume Highway, then Old Hume Highway) at the intersection with Bowral Road, Mittagong. The street was named after the old Ferguson Nursery, located further north along what is now Ferguson Crescent. (I Willis 2022)

The former site of Ferguson’s Nursery on Ferguson Crescent (formerly Hume Highway, then Old Hume Highway) at Mittagong. This aerial view shows the remnants of the Hazelwood Garden Centre, which in 2022, is a housing development site called Ferguson Estate. (CRE 2021)

New ownership and the Ferguson name continues

Bruce Ferguson sold the Sylvania Nursery in 1966. (Reeve 2017)  

Jack Pike of Pikes Nurseries Rydalmere and Arch and Alan Newport of Newport Nurseries Winmalee (Springwood) were new owners. (McMaugh 2005: 320) The new ownership arrangement was incorporated in 1966 as Ferguson’s Garden Centres Pty Ltd. (Sydney Morning Herald, 15 October 1967).

The Pikes were innovative businessmen, and the Sydney press ran a story in 1967 that promoted the nursery as Sydney’s new ‘supergardenmarket’. (Sydney Morning Herald, 15 October 1967).

In 1970 the business purchased the Baulkham Hills Garden Centre and re-named it Ferguson’s Baulkham Hills Garden Centre. By 1973 the Newports had sold out to the Pike family interests. (McMaugh 2005:320, 366)

In 1974 outlets opened at Narrabeen, Warringah Mall, and the Sydney CBD. (McMaugh2005:365-366)

By the 1980s, many centres across the Sydney metropolitan area, including Baulkham Hills, Sylvania, Bonnyrigg, Narrabeen, Guilford, Mittagong in the Southern Highlands,  in Victoria the Mornington Peninsular and on the far-north coast at Alstonville. (McMaugh 2005:366)

The  Baulkham Hills Centre traded as Ferguson’s Garden Centres Holdings Pty Ltd and was incorporated in 1981. The nursery ceased trading in 2018, and the site was developed for residential units in 2019.

References

Ferguson, F. (1957). Ferguson’s Nursery Catalogue. Hurstville, F Ferguson & Sons.

McMaugh, J. (2005). Living Horticulture, The lives of men and women in the New South Wales nursery industry. Sydney NSW, Nursery and Garden Industry NSW & ACT.

Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre-1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.

Reeve, T. M. (2017). “‘Rawson’, Condamine Street, Campbelltown, a private residence, formerly known as ‘Marlesford’.” Grist Mills 30(2): 25-32.

Updated on 13 May 2023. Originally posted on 16 January 2022.

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Ferguson’s Australian Nurseries on the urban fringe

Ferguson nurseries depart the urban fringe

The 20th-century story of Ferguson’s Australian Nurseries is about their location within Sydney’s rural-urban fringe.

Sydney’s urban fringe is a zone of transition that is constantly being shaped and re-shaped by the forces of urbanisation and a host of competing forces. (Willis 2014)

Plant nurseries arrive in the fringe, and competing forces eventually drive them from it after a time.

In this space, the Ferguson Australian Nurseries came and departed Sydney’s urban fringe as it moved with urban growth over the past 170 years. Shrewd business judgements ensured that the nurseries survived and thrived in this dynamic space and place.

Double Bay outlet

Ferguson’s nurseries arrived on Sydney’s fringe at Double Bay in the 1870s when Sydney was still a ‘walking city’. Horse trams, and later steam trams, started to appear in the city and travel out to Double Bay.

Double Bay was sparsely settled, and there was an array of colonial villas and mansions like Alexander Macleay’s colonial regency mansion Elizabeth Bay House (1839).

As Sydney grew in population, there were land sub-divisions from the 1840s. (Sheridan 2021) (SLNSW)

By the early 20th century, land values had risen with increased residential development   (Sheridan 2021). The land was more valuable for housing than a nursery, so economic forces gathered for its relocation.

By this time, Annie Henrietta Ferguson ran the nursery following the death of her husband, FJ Ferguson, aged 48 years, in 1899. Annie married FJ Ferguson in 1875.

Annie managed the Double Bay outlet until 1902, closed it by 1905 and moved the nursery to Hurstville. (WCL 2021)

F Ferguson’ & Son Australian Nurseries Trade Catalogue for 1930 (SLM)

Developments

Annie’s daughter, Margaret Elizabeth (Lizzie), born at Campbelltown in 1876, had married Alfred Denison (AD) Little at All Saints Woollahra in 1902. (WCL)

By 1903 Lizzie and AD Little had moved back to Camden from Double Bay with the birth of their son Sydney. AD Little was to play a leading role in the nursery’s management and became a partner in the business. (WCL 2021)

In 1902 the Sydney press reported a fire at the Camden Nursery that destroyed a packing shed full of equipment. The same report stated that AD Little was now one of the proprietors, the mayor of Camden (1904-1905) and a presiding magistrate. (Daily Telegraph, 15 August 1905)

The oldest nursery

The Camden News boasted in 1905 that Ferguson’s Australian Nurseries were the ‘oldest fruit nursery and garden in Australia’. (Camden News, 17 August 1905)

Hurstville nursery outlet

By 1904 the Double Bay Nursery had been relocated to Hurstville on Stoney Creek Road. (Morris and Britton 2000)

The Hurstville area was a sparsely populated farming area with the first land subdivision in the 1880s. By the early 20th century, the urban fringe of Sydney had reached the site, and there were a series of residential land releases. (SLNSW)

The Camden press reported in 1913 that Ferguson’s nurseries were being run by AD & FB Little, and land had been leased at Elderslie, where 150,000 grafted apple trees had been planted out. (Camden News, 7 August 1913)

In 1915 the business was managed by Fred Little. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)

F Ferguson and Son Australian Nurseries Trade Catalogue for 1932 (SLM)

Nurseryman Eric Jurd recalls, ‘Fergusons grew open-ground stock at a site in Peakhurst’. Jurd believed that Ferguson’s had extensive land holdings in the Kingsgrove and Peakhurst. (McMaugh 2005: 251-253)

The New South Wales Government purchased the Hurstville nursery site to establish Kingsgrove High School on the corner of Kingsgrove Road and Stoney Creek Road in 1958. (SRNSW)

Continued expansion

The nursery continued to expand, and by 1915, a report in the Gosford press indicated that Fergusons were operating from four sites:

  • Hurstville – a 40-acre site which was a general nursery and despatching centre for sales
  • Camden – a 60-acre site mainly producing fruit trees
  • Gosford – a 40-acre site, a nursery for grape vines and fruit trees
  • Ronkana (Ourimbah) – a 100-acre site under preparation. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)

In the early 1920s, there were extensive land releases in the Hurstville area, including the King’s Park Model Suburb of 600 lots adjacent to Ferguson’s Nursery on Stoney Creek Road. (St George Call (Kogarah) 22 September 1922) In 1926 the Simmons Estate next door to Ferguson’s Nursery was offered for sale. (St George Call (Kogarah) 5 February 1926)

By the interwar years, the Hurstville nursery site was a well-known landmark often referred to in the press. For example, a press report of Tooth’s Brewery’s purchase of a site at Bexley (Construction and Local Government Journal, 13 July 1927), and the NRMA used the nursery as a prominent and well-known landmark in their tourism promotion for road trips in and around the Sydney area. (Sun (Sydney) 18 November 1927).

The nursery business continued under the control of AD & FB Little until the 1930s, and they were followed by Arthur Bruce (AB) Ferguson (1889 -1949). (Little 1977)

Fruit trees and vines

Ferguson’s nurseries sold fruit trees and vines to new producers in the emerging horticulture areas throughout Australia and New Zealand.

Large quantities of grapevines had been supplied to the Yanco Irrigation Area in 1915. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)

In 1926 an article in the Leeton press mentioned that Fergusons Nurseries had fruit trees for sale. (Murrumbidgee Irrigator (Leeton, NSW: 1915 – 1954), Tuesday 16 February 1926)

As indicated by a story in the Tumut press, agents for the nursery were often keen to promote that stock of fruit trees, vines, and flowering plants were available for purchase. (Tumut and Adelong Times, 28 May 1929)

Water supply

A reliable water supply is essential for horticulture and the nursery industry.

In 1922 an irrigation licence was issued to Alfred D (AD) Little, a partner for Ferguson & Sons, Australian Nursery, Camden, to pump up to 150 gallons per minute on the right bank [Elderslie]. (NSW Government Gazette, 11 August 1922)

The next generation

In 1927 FB Little died at Hurstville, and in 1933 AD Little died at Camden and is buried in St John’s Cemetery.

In 1932 the Australian Nursery site on the Nepean River, known as The Nursery or the Camden Nursery, part ownership passed to Stanley Nigel (SN) Ferguson. (Sanders 2008b) After World War II, SN Ferguson’s son, Bruce (1916 – 2008), inherited a half-share in The Nursery site. (Sanders 2008a)

In 1935 Ferguson’s nursery purchased land owned by Mr W Moore between the Old South Road and the Hume Highway. (Camden News, 11 April 1935)

Following this period, the Camden nursery moved to Broughton & Little Street  (Nixon 1989) at the rear of the Camden District Hospital until the business was sold in the mid-1960s. (Nixon 1991)

References

Little, S. F. (1977). Correspondence to CHS 17 February 1977. Ferguson File, Camden Museum Archive.

Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre-1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.

Nixon, R. E. (1989). File notes for correspondence to CHS from Helen R Dick 18 July 1989, Camden Museum Archives.

Nixon, R. E. (1991). The Rose Festival. Rose Festival File, Camden Museum Archives.

Sanders, G. J. (2008a). Distinguished in war and peace, Bruce Ferguson, Obituary 31 May. Sydney Morning Herald. 31 May 2008.

Sanders, G. J. (2008b). Eulogy for Bruce Ferguson. Ferguson File, Camden Museum Archives.

Sheridan, P. (2021). Sydney Art Deco and Modernist Walks Potts Point and Elizabeth Bay. Sydney, Bakelite and Peter Sheridan.

WCL (2021). “Double Bay as a nineteenth-century centre of gardening and horticulture.” Woollahra Local History/Woollahra’s Historic Landscapes. Retrieved 10 December 2021, 2021, from https://www.woollahra.nsw.gov.au/library/local_history/woollahras-historic-landscapes/horticulture-in-double-bay.

Willis, I. (2014). “Townies Exurbanites and Aesthetics: Issues of identity on Sydney’s rural-urban fringe.” AQ, Australian Quarterly(April-June 2012): 20-25.

Updated 23 May 2023. Originally posted 5 January 2022.

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Ferguson’s Australian Nurseries, a century of horticulture

A local nursery serves the world

In 1883 the Double Bay outlet of Ferguson’s Australian Nurseries at Camden was described in the Sydney press as a ‘well-ordered establishment…covering three acres…laid out in a most systematic manner’. (Illustrated Sydney News, 14 April 1883, page 3)

The Double Bay nursery was part of the Ferguson horticultural enterprise, which started in the 1850s at Camden. Sales encouraged opening a  second nursery at Campbelltown later moved to Double Bay. The 20th century brought more changes and, eventually new owners.

Ferguson’s nursery and William Macarthur’s Camden Park nursery were part of a British imperial horticultural network that satisfied the Victorians’ insatiable demand for plants. The industry was driven by plant hunting expeditions and a Victorian fetish for orchids, ferns, palms and other new plants.

The burgeoning colonial nursery industry in the Cowpastures was integral to British imperialism and the settler-colonial project. The Enlightenment notions of progress and development were good for business and reinforced the dispossession and displacement of the Dharawal people from their country.

 Nurseryman Francis Ferguson

The Camden nursery was established in 1857 by Englishman Francis Ferguson on a 50-acre site fronting the Nepean River. Francis came out to New South Wales as an assisted immigrant in 1849 on the John Bright after working at Chatsworth Estate in Derbyshire and other English estates. Initially, he worked for Sir Thomas Mitchell, laying out his estate at Parkhall (later Nepean Towers, St Mary’s Towers) at Douglas Park. (Morris and Britton 2000)

Historian Alan Atkinson describes Ferguson as ‘a man of education, some capital and mercurial habits’. (Atkinson, 1988)

Signage at the entry to Ferguson Lane, the location of the former Ferguson’s Australian Nursery at Camden (I Willis 2021)

Ferguson was head gardener at Camden Park Estate for William Macarthur (later Sir William) from 1849-1856 and could be styled as a Macarthur protege. (Reeve 2017) The Camden Park website maintains that William Macarthur ran one of the most important nurseries in 19th-century New South Wales. According to visiting English nurseryman John Gould (JG) Veitch, Macarthur was well known in Europe. Veitch Nurseries were reportedly the largest family-run plant nurseries in 19th-century Europe.

Ferguson remained indebted to the patronage of William Macarthur (Morris and Britton 2000) and his experience at Camden Park and acted on Macarthur’s behalf when he was not in Australia. (WCL 2021)

In 1864 a 25-year-old JG Veitch (Financial Times, 27 September 2014) led a plant hunting expedition to the ‘South Seas’ and delivered several Wardian cases to Australian colonial contacts. While in New South Wales, he visited William Macarthur’s Camden Park nursery and Fergusons Australian Nursery, which impressed him. For a time, Ferguson acted as an agent for James Veitch and Sons nurseries. (Morris and Britton 2000; McMaugh 2005)

Fruit trees, camellias and roses

Francis Ferguson opened the Camden nursery sometime in 1857 (Nixon 1991; Little 1977; Farmer and Settler, 8 July 1937, 15 July 1937), and it became the centre of a growing horticultural enterprise that extended well beyond the area.

The Ferguson nursery was located on the left bank of the Nepean River at the Macquarie Grove river-crossing on the northern boundary of Camden Park estate. The nursery site had an east-west alignment with a 600-metre river frontage along its northern boundary ending at Matahil Creek to the east, with the Ferguson homestead on the rise to the southwest.

The homestead had ‘a fine view’ of the Camden township to the northeast with the spire of St John’s Church and allowed a ‘glimpse of Camden Park house in the distance’ to the southeast. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)

According to Alan Atkinson, the Australian Nursery specialised in ‘trees “peculiarly adapted to the requirements of Australia”, together will shrubs and native seeds’. (Atkinson, 1988)

 According to an 1880 Sydney press report, the nursery was about eight acres in extent with ‘a long avenue’ terminating at a ‘large gate’ below the house ‘making a very nice carriage drive’. There were ‘very well laid out walks’ throughout the nursery, surrounded by ‘gigantic pines, araucarias, and poplars’. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)

Remnant Araucarias that were on the southwestern boundary of Fergusons Australian Nursery. They made up the grove of trees that lined the driveway entrance to the Macquarie House next door to the nursery. (I Willis, 2021)

Reports indicate that in 1879 Fergusons sold over 60,000 fruit trees and 5,000 camellias (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68). The nursery plant stock comprised over 6000 camellias and 100,000 hawthorn seedlings. (Ferguson 1871)

From the outset, the Australian Nursery issued trade catalogues regularly, and one of the earliest was the 1861 Catalogue of Plants, Fruit Trees, Ornamental Trees and Shrubs.

In 1871 issued, a series of five trade catalogues listed plant stock for sale. The catalogues were:

  • New and Rare Plants
  • Hardy Trees, Shrubs and Conifers
  • Fruit Trees, with directions for forming the orchard.
  • Roses
  • Bulbs and Tubers. (Ferguson 1871)

The ‘Catalogue of New and Rare Plants’ listed over 950 individual plants and was a mixture of native plants from the Australian continent and exotics from worldwide. The catalogue listed numerous popular flowering plants, including roses, camellias, azaleas, pelargoniums and chrysanthemums, fuchsias, carnations, and dahlias. Utilitarian plants included ‘trees for avenues’ and ‘hawthorn for hedges’. Under the heading of ‘trees and shrubs’, details listed the plants’ ‘scientific name’,  ‘native country’, ‘height in feet’, and price. (Ferguson 1871)

Cover of Ferguson’s Trade Catalogue of New and Rare Plants for 1871 (NLA)

The Ferguson catalogue provided practical advice for the colonial gardener and a plant description. For example, ‘Araucaria Bidwilli – The Queensland Bunya Bunya, forming magnificent trees as single specimens’. Camellias were a favourite but hard to grow in the colonial climate, and details on how to look after them were provided. The hawthorn was a ‘favourite English Hedge Plant [and] thrives remarkably well in all parts of Australia, forming, undoubtedly, the best defensive hedge’. (Ferguson 1871)

Ferguson’s also offered advice on new and rare plants in the press. In 1876 the nursery published advice on the ‘rare’ Jacaranda mimosifolia described as ‘a singularly beautiful and rare flowering tree’. The report stated, ‘the Jacaranda mimosifolia is perfectly hardy in all but the coldest districts of New South Wales, Queensland, and Victoria.’ (Australasian (Melb), 6 May 1876)

Ferguson’s sold extensively across the colonial garden market in New South Wales, Victoria, Queensland and New Zealand, supported by 14 agents in locations ranging from Auckland to Wellington and Wanganui in New Zealand’s North Island and to Dunedin in the South Island. In Queensland, agents were listed at Warwick and Darling Downs, while those in New South Wales ranged from Bega to Mudgee and out to the Liverpool Plains. Ferguson claimed that there was an increasing demand for ‘Australian Timber Trees’ in Northern India, California, Southern Europe, and New Zealand. (Ferguson 1871)

Campbelltown Nursery

Condamine Street, Campbelltown

By the late 1860s, increasing demand and the distance from the Campbelltown railway station encouraged Ferguson to establish a nursery outlet at Campbelltown. (Ferguson 1871)

The Camden nursery was nine miles from Campbelltown Railway Station, and it took Mr H Ferguson in a buggy with a ‘fine stepper’ and an hour to get there. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)

The firm opened the Campbelltown nursery in 1869 on Condamine Street, close to the convict-built water supply reservoir. (Reeve 2017)  It was stocked with 50,000 ‘well-grown healthy plants’ to supply growing demand from ‘up-country and adjacent Colonies’. (Ferguson 1871)

From 1874 the Campbelltown outlet was managed by Francis John (FJ) Ferguson, Francis’s son, who had returned from five years with English firm Veitch Nurseries at Chelsea, and the firm now traded as Francis Ferguson and Son. (Reeve 2017)

Double Bay Nursery

Manning Road and New South Head Road, Double Bay

The business continued to prosper, and FJ Ferguson moved the Campbelltown outlet closer to Sydney. A site was chosen at Double Bay on a former market garden in 1876 and opened in 1878. (WCL 2021) (Reeve 2017)

The Double Bay Nursery site had ‘a large frontage’ on New South Head Road with ‘rich deep alluvial’ soil in a low-lying area that drained into Double Bay. (Illustrated Sydney News, 14 April 1883)

By 1887 the nursery had two propagating glasshouses with impatiens and lasiandras, a bush house that accommodated a mixture of pot plants, including camellias, bouvardias, magnolias, conifers and tree ferns. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)

This is an engraving of Ferguson’s Nursery in Double Bay that appeared in the Sydney press in 1883 (Illustrated Sydney News, 14 April 1883, p. 17)

In 1885 the nursery opened a shopfront in Sydney’s Royal Arcade, which ran between George Street and Pitt Street and had been designed by Thomas Rowe in 1881. Herbert Ferguson successfully managed the nursery shop and specialised in plants, seeds and cut flowers. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)

The Fergusons also ran a small nursery near Ashfield railway station to supply the Royal Arcade shop with cut flowers. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)

Ferguson Lane is near the former entrance to the Ferguson Australian Nursery. The lane is lined with African Olive, which is remnant vegetation with the regrowth of an Araucaria emerging from amongst the grove (I Willis, 2021)

The 20th-century beckons

The beginning of the 20th century brought more changes for the Ferguson nursery business and, by the late 1960s, new owners.

References

Atkinson, Alan (1988). Camden, Farm and Village Live in Early New South Wales. OUP, Melbourne.

Ferguson, F. (1871). Catalogue of new and rare plants, hardy trees, shrubs, conifers &c. Camden NSW, Ferguson’s Australian Nurseries. (NLA)

Little, S. (1977), Correspondence to CHS 19 February, MSS, Camden Museum Archives

McMaugh, Judy (2005). Living Horticulture, The lives of men and women in the New South Wales Nursery Industry. Nursery and Garden Industry NSW & ACT, Sydney

Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre-1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.

Nixon, RE (1991). Camden Rose Festival. Typescript, Camden Museum Archives.

Reeve, T. M. (2017). “‘Rawson’, Condamine Street, Campbelltown, a private residence, formerly known as ‘Marlesford’.” Grist Mills 30(2): 25-32.

WCL (2021). “Double Bay as a nineteenth-century centre of gardening and horticulture.” Woollahra Local History/Woollahra’s Historic Landscapes. Retrieved 10 December 2021, 2021, from https://www.woollahra.nsw.gov.au/library/local_history/woollahras-historic-landscapes/horticulture-in-double-bay.

Updated on 13 May 2023; Originally posted 25 December 2021.

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Local identities, Colin and Dorothy Clark

Active citizens with a vision for the future

In 2002 the Sydney press commemorated the life and times of Camden identity Colin Clark, a successful pharmacist who served his community, church and family. (SMH 20 May 2002) Colin married Dorothy, and together, they shaped ‘a vision for their future’ in Camden.

My interest in the Clarks was partly prompted by a photograph of a bottle of liquid paraffin sent to me by local resident Nicole Comerford. Colin had dispensed the paraffin to Nicole’s grandmother, Sheila Murdoch of Orangeville.

Liquid Paraffin medicine that Sheila Murdoch purchased from Camden pharmacist Colin Clark in Argyle Street. The bottle dates from the mid-20th century. (N Comerford, 2021)

Colin Clark ran a pharmacy in Argyle Street for over 35 years.  He trained as a pharmacist at the Melbourne College of Pharmacy,  and met Dorothy in Stroud. They married in 1933 at Malvern Hill Methodist Church (Clark, Fix Ears, p.72) before moving to Camden in 1934.

Dorothy was an accomplished musician and an artist. In the mid-1920s, she received a scholarship to the Sydney Art School  (Julian Ashton Art School) (Clark, Fix Ears, p.71), which trained several notable Australian artists.

The Clarks planned to stay in Camden for seven years (Mylrea, Interview) and as things turned out, they stayed a lifetime. (Camden News, 6 August 1981)  Their Methodist faith shaped their worldview and they how fitted into Camden’s rich social fabric and became part of the ‘backbone of the community’. (Camden News, 6 August 1981). They mixed with other Methodist families who amongst others included the Whitemans, the Sidmans and the Stuckeys.

Colin became a well-regarded businessman and Dorothy, a stay-at-home mother. They were respected in all strata of society and mixed with people ‘of so-called high and low estate’. (Clark, Eulogy) 

Colin Clark Camden (Camden Images)

John Kearns argues that John Wesley ‘was an active citizen, concerned with people’s physical, mental and economic welfare as well as their spiritual well-being and he did many good works’. As were the Clarks.

Community service – ‘the backbone of the community’

Colin and Dorothy were community-minded active citizens who constantly devoted their ‘energies to the gentle pursuit of shaping their community’s lifestyle and character’ through several local organisations. (Camden News, 6 August 1981)

Colin was president of the Camden Historical Society from 1968 to 1970 and was made a life member in 1994. He was a foundation member of the Camden Rotary Club and served the club for 33 years. He was a member of the Carrington Hospital Board from 1967 to 1981, made a trustee in 1975 (Camden News 6 August 1981) and to honour his service, the board room was named after him (Clark Eulogy). He was president of the Camden Central School P&C in the early 1950s, a member of the Camden Masonic Lodge and a board member of the Camden Uniting Church. (Clark, Eulogy).

Colin was an active sportsman and participated in tennis, cricket, golf and lawn bowls. He was a foundation member of the Camden Golf Club, an early committee member of the Camden Bowling Club and instrumental in the foundation of the Camden CWA Rooms building.

Dorothy – musician, artist and mother

Dorothy was a musician and an artist with an appreciation of the arts.  She was an accomplished pianist, and in 1936 played the piano at a Methodist ladies ‘towel afternoon’ (Camden News, 6 August 1936). In 1942 she was the pianist for a concert for the troops at the Narellan Military Base (Camden News, 5 February 1942), and in 1952 she played the piano at a fashion parade fundraiser for the Camden Hospital Ladies Auxiliary (Camden News, 2 October 1952). Dorothy was the pianist for the first Camden Musical Society performance. (Camden News 6 August 1981)  

Dorothy Clark was an active member of the Camden Red Cross, Camden District Hospital Auxiliary, and the Camden Country Women’s Association.

Colin Clark (RHS) with fellow Rotarians Geoff McAleer (LHS) and Noel Riordan (centre) in the early development of the Camden Museum in 1969. The Camden Museum opened in 1970. The objects in the picture are the Brunero spinning wheel for spinning wool with a penny farthing bicycle in front. (Camden Images)

Camden Museum – ‘a vision for the future’

In the mid-1960s, Colin and Dorothy had a vision for a local history museum in Camden where a collection of objects and things could tell the local story. (Mylrea, Interview)  The Clark’s view of the world would have seen a museum providing  an educational experience based on authentic objects and stories taken from Camden’s cultural traditions and values, and the individuals who created them. (Willis, Stories and Things)

 The Clark’s vision and enthusiasm encouraged support after initial scepticism. With the help of Camden Rotary Club Colin eventually secured the old council rooms at the rear of the Camden School of Arts and opened a museum in 1970. (Wrigley, Camden Museum)

John Wrigley writes

Colin Clark was the president of the Camden Historical Society at the founding of the Camden Museum in 1970. Colin became a member of the society in 1963 and president in 1968. He was the fourth president of the society. (Wrigley, 2021)

Colin Clark 2nd from left on the 25th Anniversary of the Camden Historical Society in 1995. These fellows were all past presidents of the society and they are L-R: RE Nixon, Colin, Owen Blattman, John Wrigley. They are standing outside the original entry of Camden Museum in the laneway between Camden Library and the Presbyterian Church (Camden Images)

The village apothecary

Colin’s career as a pharmacist fitted into the English tradition of the village apothecary dating back to the 13th century where he was a person who kept a stock of these commodities, and he sold from his shop or street stall

The Clark pharmacy was part of the move  by the early 20th century when the role of pharmacist had shifted to a more scientific approach. There was a move away from compounding towards premanufactured proprietary products and the traditional role of apothecary of the frontier and colonial period. 

Colin recalled, ‘In the 1930s it was quite common to be called upon to dispense a prescription mixture. There were no prepared medicines and it took around 20 minutes to put a script together. There were very few cosmetic preparations.’ (The Crier, 14 November 1979) 

The Clark Chemist shop (on the LHS of the image) was located in the Whiteman’s building in the late 1930s at 90 Argyle Street Camden (Camden Images)

Colin’s pharmacy was initially located in the Whiteman building at 90 Argyle Street when he purchased Niddries business. The pharmacy opened at 8.30am, with half-an-hour for lunch to 8.30pm. The local doctors always ran a night surgery and Colin would be dispensing mixtures for the patients. On Saturday he opened at 8.30am to 1.00pm, then back at 6.00pm to 8.30pm and then Sundays and after-hours calls. ‘It was a very hard life.’ (Mylrea, Interview)  

In the mid-1950s Colin moved the business west along Argyle Street to 108 Argyle Street into the former Greens Ladies Wear. (Mylrea, Interview) His pharmacy was part of what Jill Finch has argued was the advent of patent medicines and manufactured tablets which broadened the range of drugs, and by the 1960s pharmacists were primarily dispensing premanufactured capsules and tablets.

References

Clark, GM 2021, I want to fix ears, Inside the Cochlear Implant story, Iscast, Melbourne.

Clark, Graeme 2002. Eulogy for CC, Camden. 27 March, Camden Museum Archives.

Dwyer, P 1997, Pharmacy Practice Today: An Increased Exposure to Legal Liability, UNSW Law Journal, vol. 20, no. 3, pp. 724-759.

Finch, J 2017, Pharmacy – Cultural Artefact, Companion to Tasmanian History, viewed 05 September 2021, <http://www.utas.edu.au/tasmanian-companion/browse_r_concepts.htm>.

Kearns, Adrian J. “Active Citizenship and Urban Governance.” Transactions of the Institute of British Geographers, vol. 17, no. 1, 1992, pp. 20–34. JSTOR, http://www.jstor.org/stable/622634. Accessed 4 Sept. 2021.

Mylrea, Peter 1994. Transcript of an Interview with CC, Camden, 12 November, 19 November, 10 December 1993, 19 January 1994, Camden Museum Archives.

Mylrea, Peter 2001. ‘Camden Historical Society, Its First 25 Years, 1957-1982’. Camden History, Vol 1, No 1, March 2001, p.11.

Mylrea, Peter 2001. ‘Glimpses of Camden, Interview with Colin Clark’. Camden History, Vol 1, no 2, September 2001, pp.24-28.

The Worshipful Society of Apothecaries 2021, Origins, The Worshipful Society of Apothecaries, viewed 05 September 2021, <https://www.apothecaries.org/history/origins/>.

Urick, B. Y., & Meggs, E. V. (2019). Towards a Greater Professional Standing: Evolution of Pharmacy Practice and Education, 1920-2020. Pharmacy (Basel, Switzerland), 7(3), 98. https://doi.org/10.3390/pharmacy7030098

Willis, I. 2009. ‘Stories and things: the role of the local historical society, Campbelltown, Camden and The Oaks’. Journal of the Royal Australian Historical Society, 95(1), 18–37. https://search.informit.org/doi/10.3316/ielapa.200906492

Worthing, M 2015, Graeme Clark, The man who invented the bionic ear, Allen & Unwin, Sydney.

Wrigley, John 2020. ‘The Rise and Rise of the Camden Museum, Celebrating Fifty Years!’, Camden History, Vol 4, no 9, March 2020, p405.

Wrigley, John 2021, ‘Colin Clark’. Typescript, Camden Museum.

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An amazing woman, Sheila Murdoch

Community worker, musician and mother.

Sheila Murdoch was a rural woman who served her community and church and raised a family of five children. Her story, like a lot of other rural women, has remained in the shadows of history. She did not seek kudos and received little public acknowledgement of her role in the community.

Sheila with her granddaughter Nicole (N Comerford, 2021)

Her story came to my attention through a picture of a medicine bottle from her granddaughter Nicole Comerford. Sheila had obtained a bottle of liquid paraffin from Camden pharmacist Colin Clark.

Liquid Paraffin medicine that Sheila Murdoch purchased from Camden pharmacist Colin Clark in Argyle Street. The bottle dates from the mid-20th century. This is the bottle that led to this story about Sheila. (N Comerford, 2021)

What is liquid paraffin?

According to The British Medical Journal, liquid paraffin was recommended as a treatment for constipation as a laxative, particularly with children. A Google search of the bottle’s image indicates it is probably around the middle of the 20th century.

The real story is not the bottle but an amazing woman who owned it.

Sheila

Nicole tells us that Sheila lived on a dairy farm on Fallons Road Orangeville.  

‘Grandma was born Sheila Rose Walsh and was one of seven children. Her parents were dairy farmers in Upper Kangaroo River (Kangaroo Valley).’

Musical family

The Walshes were ‘a musical family’, according to Nicole.

Sheila had an interview with Kayla Osborne from the Camden Advertiser in 2018 (6 July 2018). She  said, ‘I learnt to play the piano when I was about eight or nine years old, firstly from my mother, and then an old school teacher started teaching me during the 1930s when teachers were quite scarce.’   

‘I am also self-taught, but my family has always been a musical one when I was growing up.

Sheila told Kayla Osborne that she was fond of music from an early age and recalled, ‘my father and mother always used to sing together, with my father playing the fiddle by ear.’

‘Most of my brothers and sisters also played an instrument or sang.’ Sheila was part of a well-known local band in the Shoalhaven area called ‘Walsh’s Orchestra’.

Sheila Murdoch played the piano from an early age. She regularly played at Carrington Aged-Care Complex with the Melody Makers. I was told by one member of the group that she could play any tune in any key. Now that is quite an achievement. (Camden Advertiser, 2018)

Nicole writes, ‘Grandma played the piano, and they played all over the Shoalhaven District over many years, including during WW2. She met my grandfather, Leslie Murdoch, after joining their orchestra  when he was stationed at Nowra during the war. Grandad was a mechanic for the RAAF at Nowra.’ 

Les was from the Newcastle area, born at Adamstown in 1922, and in 1941 enlisted in the Royal Australian Air Force. On discharge in 1946 he had the rank of corporal.

Les played the saxophone [Weir, p. 33]

The South Coast country press reported the regular ‘gigs’ played by the Walsh Orchestra in the Shoalhaven area between the mid-1930s and the Second World War.   In 1936 they performed at the St Michael’s Convent School Hall in Nowra (Nowra Leader, Friday 26 June 1936) and the Roman Catholic Ball at the Kangaroo Valley School of Arts in 1938. The ball drew loyal church supporters from Burrawang, Gerringong, Nowra and Berry for the jubilee celebrations for the Kangaroo Valley Roman Catholic Church.

Reports of the dance said that the stage was ‘tastefully decorated with streamers and clusters of balloons’ surrounded by a vase of chrysanthemums and maidenhair ferns’. The orchestra was under the baton of Jack Butler. (Shoalhaven News, 1 June 1938). The band played at the annual ball and euchre party of the Kangaroo Valley RSS&AILA in 1939 (Shoalhaven News, 13 September 1939) and the Gerringong Football Club’s dance and euchre party at Gerringong in 1944. (Kiama Independent, and Shoalhaven Advertiser, 17 June 1944).

Sheila and Leslie married in March 1945 at Berry [Nicole] and moved to Orangeville in 1946 (Camden Advertiser, 6 July 2018) after  he was discharged from the RAAF.

Sheila with her great-grandchildren at the farm (N Comerford, 2020)

Thornhill, Orangeville

Nicole writes, ‘They had little money when they moved there, really the only money they had saved from playing for dances and what Grandma had in war bonds. They grew peas until they had enough money to start dairying, and over the years, they purchased all of the farm from other family members; it was named “Thornhill”. The farm has been in the family since the 1850s and was a dairy farm.

‘The farm was an active dairy farm until the 1970s. They sold half of the farm, and it’s now about 92 acres. The half they sold is now Murdoch Road, Orangeville. Grandad (Les) lived on the farm until he died in 2001, and Grandma (Sheila) lived there on her own (with lots of support from her family) until at age 101. My parents, Jim and Judith Murdoch, still live on the farm, and my Dad runs about 15 beef cattle.

In her history of Orangeville, Nell Weir writes that the Thornhill grant was allocated to Thomas Fallon in 1856, with the farm having frontage to Clay Waterholes Creek. Thomas married Eliza Waller of Mulgoa in 1840, and they had ten children. Thomas died in 1879 and is buried in The Oaks Catholic Cemetery. According to Weir, Les Murdoch is a descendant of Thomas and Eliza’s son Thomas. [Weir, pp.32-33]

Sheila in the centre of the image with the rest of her family. All generations. (N Comerford, 2021)

Family

Nicole writes, ‘Sheila and Les had six children with the first being a stillborn daughter who we think are buried at the Catholic Cemetery in Camden. There are no records for this birth; I am pretty sure Grandma had this baby at what is now Neidra Hill’s house at Narellan.’

The house in question is the Edwardian architectural gem called Ben Linden. The house was built in 1919 by George Blackmore. Neidra Hill writes in her history of the house that EJ (Elizabeth) Stuckey, a trained midwife, purchased the house in 1944 conducted a maternity hospital until 1948. The hospital was then run by her daughter, JT (Jean) Stuckey, until 1959. The building was converted to a private hospital run by ME (Mavis) Halkett until it closed in 1971. (Hill, 2008, pp.27-37)

Community

Nicole recalls that ‘my grandparents were very active in the community’.  

‘Sheila and Leslie played at dances and weddings all over the community for many years and were very well known. Grandma and Grandad played in The Oaks, Orangeville, Camden and down to Bargo. I think they played at Bargo on New Year’s Eve several times. They also played at Camden High School socials.’

‘When I shared news of Grandma’s death on the “You know you’re from Camden if…” Facebook page, lots of people commented that they remember them playing at their weddings.’

‘Grandma also played the organ, firstly at St Pauls Catholic Church in Camden and then at St Aloysius Catholic Church at The Oaks when the parish boundaries changed. Grandma was still playing on her 101st birthday at The Oaks.

Sheila played the piano for The Oaks Debutante Balls until she retired in 1998. The ball committee have written that Sheila played piano for practice and presentation sessions for 23 years and they remember her ‘sitting at the piano for so many hours in freezing cold conditions’. (The Committee, p14)

She said, ‘It was lovely to see the young “hopefuls’ turn up – the boys mostly in “Nikes” or “Ugg” Boots – to learn dancing. We always found the young people very polite and happy when they got into the swing of the dances.’ (The Committee, p.14)

Myra Cowell recalls on Facebook that she ‘remembers them well playing at the Cobbitty dances’

Nicole said, ‘Grandma was a member of The Oaks Catholic Woman’s League and held various roles over the years, including president.

The Catholic Women’s League in NSW can trace its origins back to 1913, when the Catholic Women’s Association was founded in Sydney. The league aims to promote ‘the spiritual, cultural, intellectual and social development of women and promotes the role of laywomen in the mission of the Catholic Church’.

Camden Bowling Club

Nicole recalls, ‘Both my grandparents were involved in the Camden Bowling Club, and Grandma was a foundation member of the Camden Women’s Bowling Club. She also played the piano at many events there over the years.’ 

Frank Farrugia writes in the history of the Camden Bowling Club that Les was president from 1967 to 1969 after joining the club in 1961. He served on the committee for over 15 years and worked for the club for over 25 years. To acknowledge his service, he was made a life member. The new No 3 Green at the club was dedicated to Les, and at its opening in 1986, John Fahey said that Les gave ‘himself to his church, his family, to sporting bodies and local government’. (Farrugia, p. 146) Les was a councillor for A Riding on Wollondilly Shire Council for four terms from 1974 to 1987. (History of WSC) Frank McKay praised ‘Les’s loyalty, objectivity and dedication’. (Farrugia, p.146)

Les Murdoch (N Comerford)

Melody Makers

‘For over 50, maybe even 60 years, Grandma volunteered at Carrington Aged-Care complex every Friday morning and in later years was part of a group called the “Melody Makers” who played there. She continued to play the piano there while she was resident and even did so in the week before she died. We always used to laugh the way she would talk about playing for “the oldies” when most of them would have been younger than her!’ writes Nicole. 

The Melody Makers at Carrington Aged-Care in 2018 on Sheila’s 100th Birthday with Laurie on Sax, George on violin, and Kevin on guitar (Camden Advertiser, 2018)

On Sheila’s 100th birthday in 2018, Kayla Osborne wrote in the Camden Advertiser (6 July 2018) that Sheila and the Melody Makers played weekly at Carrington Aged-Care. Sheila said she started volunteering at Carrington Aged-Care and the aged care facility to give back to her community. She said, ‘I started with the Pink Ladies, who were some of Carrington’s very first volunteers.’

‘I love playing the piano at Carrington Aged-Care Complex now, and I consider playing for the residents there just pure enjoyment. I particularly enjoy the company – nobody objects no matter how bad we play.’

Carrington Volunteer Coordinator Belinda said, ‘I was privileged enough to see them play a few times. Sheila was absolutely phenomenal with her piano skills, Laurie accompanied on sax, Richard (also now passed) played the keyboard and the singer and guitarist, Kevin. (Email, 30 August 2021)

The Melody Makers here with Laurie on sax, Kevin on guitar and George on violin. Laurie had a fine career as military bandsman. (c.2017, Carrington Care)

A Carrington source tells me that the Melody Makers was made up of Laurie Martin on saxophone and clarinet, George Sayers on violin, Kevin Harris on guitar, Dick Eldred on clarinet, pianist Sheila and in the early days in late 1990s John Foster on trombone. Most of these talented folk sadly are no longer with us.

Melody Maker guitarist and vocalist Kevin Harris said, ‘I joined the group in the late 1990s. Sheila was “God’s gift to music”. She played at Carrington for 60 years.’

‘The group played at Carrington Aged-Care every Friday around each of the different facilities – Grasmere Terrace, Nursing home, Paling Court and so on. We had over 2000 regular songs. We would never practice. [The group] played for two hours from 10-12, then everyone would go to lunch ,’ he said.

Kevin recalled, ‘My favourite memory was just playing for over 20 years. I have wonderful memories. Playing each week made friendships. Just a love of music and we shared that love with other people. [The members of Melody Makers] were great troopers and there was so much love between all of us and our families.’

‘[Melody Makers] did jobs outside [of Carrington]. Macarthur War Widows and Legacy War Widows at Legacy House in Campbelltown. We played for the Over 50s at the Catholic Club, and Christmas Parties and Mothers’ Day in and around Campbelltown and Appin,’ he said.

Kevin said, ‘ Most of the group had a musical background. Laurie military bands, George came from a family of entertainers, Jack played in World War Two and I played around the Campbelltown area from the 1960s including a 19-piece swing band based at Wayne’s Music Shop.’

Carrington Aged-Care

Nicole writes that ‘Leslie died in 2001 and is buried in the Catholic Cemetery at The Oaks. In September 2019, Sheila moved to Mary McKillop Hostel at Carrington Aged-Care Complex off the farm because of the increased level of care needed for her health.

Sheila became part of the Carrington family after she moved into aged-care.

Sheila Murdoch loved children and joined in activities at Carrington, Her she is participating with the ‘littlies’ in Carrington’s Intergenerational Playgroup March 2020 (Carrington Care, 2020)

Nicole said, ‘Grandma [Sheila] passed away at Mary McKillop on 29th May 2020.’

The surviving five children are Patricia, James (my Dad), Frances, Mary and Peter.’

References

Farrugia, F 2014, History of Camden Bowling Club, 75 Years, Camden Bowling Club, Camden.

Hill, N 2008, Ben Linden 1919-2008, A house with a story to tell, Typescript Camden Museum Archives, n.p.

The Oaks Debutante Ball Book Committee 2001, We Had a Ball, Twenty-five Debutante Balls in The Oaks 1973-1999, The Committee, The Oaks.

Weir, NR 1998, From Timberland to Smiling Fields, A History of Orangeville and Werombi, The Oaks Historical Society, The Oaks.

Wollondilly Shire Council 1988, A History of Local Government in the Wollondilly Shire 1895 to1988, Wollondilly Shire Council, Picton.