1920s · Agricultural heritage · Agriculture · Attachment to place · Belonging · Business · Camden · Cultural Heritage · Economy · Family history · Fergusons Australian Nurseries · Heritage · Horticulture · Local History · Local Studies · Nepean River · Placemaking · Plant Nursery · Retailing · Sense of place · Storytelling · Sydney · Sydney's rural-urban fringe · The Great South Road · Uncategorized · Urban growth · urban sprawl

A local nursery on Sydney’s urban fringe

The Ferguson nurseries and the urban fringe

The 20th-century story of Ferguson’s Australian Nurseries is about their location within Sydney’s rural-urban fringe.

Sydney’s urban fringe is a zone of transition that is constantly being shaped and re-shaped by the forces of urbanisation and a host of competing forces. (Willis 2014)

Plant nurseries arrive in the fringe, and competing forces eventually drive them from it after a time.

In this space, the Ferguson Australian Nurseries came and departed Sydney’s urban fringe as it moved with urban growth over the past 170 years. Shrewd business judgements ensured that the nurseries survived and thrived in this dynamic space and place.

Double Bay outlet

Ferguson’s nurseries arrived on Sydney’s fringe at Double Bay in the 1870s when Sydney was still a ‘walking city’. Horse trams, and later steam trams, started to appear in the city and travel out to Double Bay.

Double Bay was sparsely settled, and there was an array of colonial villas and mansions like Alexander Macleay’s colonial regency mansion Elizabeth Bay House (1839).

As Sydney grew in population, there were land sub-divisions from the 1840s. (Sheridan 2021) (SLNSW)

By the early 20th-century, land values had risen with increased residential development   (Sheridan 2021). The land was more valuable for housing than a nursery, so economic forces gathered for its relocation.

By this time, Annie Henrietta Ferguson ran the nursery following the death of her husband FJ Ferguson, aged 48 years, in 1899. Annie had married FJ Ferguson in 1875.

Annie managed the Double Bay outlet until 1902, closed it by 1905 and moved the nursery to Hurstville. (WCL 2021)

F Ferguson’ & Son Australian Nurseries Trade Catalogue for 1930 (SLM)

Developments

Annie’s daughter, Margaret Elizabeth (Lizzie), born at Campbelltown in 1876, had married Alfred Denison (AD) Little at All Saints Woollahra in 1902. (WCL)

By 1903 Lizzie and AD Little had moved back to Camden from Double Bay with the birth of their son Sydney. AD Little was to play a leading role in the nursery’s management and became a partner in the business. (WCL 2021)

In 1902 the Sydney press reported a fire at the Camden Nursery that destroyed a packing shed full of equipment. The same report stated that AD Little was now one of the proprietors, the mayor of Camden (1904-1905) and a presiding magistrate. (Daily Telegraph, 15 August 1905)

The oldest nursery

The Camden News boasted in 1905 that Ferguson’s Australian Nurseries were the ‘oldest fruit nursery and garden in Australia’. (Camden News, 17 August 1905)

Hurstville nursery outlet

By 1904 the Double Bay nursery had been relocated to Hurstville on Stoney Creek Road. (Morris and Britton 2000)

The Hurstville area was a sparsely populated farming area with the first land subdivision in the 1880s. By the early 20th century, the urban fringe of Sydney had reached the site, and there were a series of residential land releases. (SLNSW)

The Camden press reported in 1913 that Ferguson’s nurseries were being run by AD & FB Little, and land had been leased at Elderslie, where 150,000 grafted apple trees had been planted out. (Camden News, 7 August 1913)

In 1915 the business was being managed by Fred Little. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)

F Ferguson and Son Australian Nurseries Trade Catalogue for 1932 (SLM)

Nurseryman Eric Jurd recalls, ‘Fergusons grew open-ground stock at a site in Peakhurst’. Jurd believed that Ferguson’s had extensive land holdings in the Kingsgrove and Peakhurst. (McMaugh 2005: 251-253)

The Hurstville nursery site was purchased by the New South Wales Government to establish Kingsgrove High School on the corner of Kingsgrove Road and Stoney Creek Road in 1958. (SRNSW)

Continued expansion

The nursery continued to expand, and by 1915, a report in the Gosford press indicated that Fergusons were operating from four sites:

  • Hurstville – a 40-acre site which was a general nursery and despatching centre for sales
  • Camden – a 60-acre site mainly producing fruit trees
  • Gosford – a 40-acre site a nursery for grape vines and fruit trees
  • Ronkana (Ourimbah) – a 100-acre site under preparation. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)

In the early 1920s, there were extensive land releases in the Hurstville area, including the King’s Park Model Suburb of 600 lots adjacent to Ferguson’s Nursery on Stoney Creek Road. (St George Call (Kogarah) 22 September 1922) In 1926 the Simmons Estate next door to Ferguson’s Nursery was offered for sale. (St George Call (Kogarah) 5 February 1926)

By the interwar years, the Hurstville nursery site was a well-known landmark and often referred to by correspondents in the press. For example, a press report of Tooth’s Brewery purchase of a site at Bexley (Construction and Local Government Journal, 13 July 1927), and the NRMA used the nursery as a prominent and well-known landmark in their tourism promotion for road trips in and around the Sydney area. (Sun (Sydney) 18 November 1927).

The nursery business continued under the control of AD & FB Little until the 1930s, and they were followed by Arthur Bruce (AB) Ferguson (1889 -1949). (Little 1977)

Fruit trees and vines

Ferguson’s nurseries sold fruit trees and vines to new producers in the emerging horticulture areas throughout Australia and New Zealand.

Large quantities of grapevines had been supplied to the Yanco Irrigation Area in 1915. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)

In 1926 an article in the Leeton press mentioned that Fergusons Nurseries had fruit trees for sale. (Murrumbidgee Irrigator (Leeton, NSW: 1915 – 1954), Tuesday 16 February 1926)

Agents for the nursery were often keen to promote that stock of fruit trees, vines and flowering plants were available for purchase, as indicated by a story in the Tumut press. (Tumut and Adelong Times, 28 May 1929)

Water supply

A reliable water supply is essential for horticulture and the nursery industry.

In 1922 an irrigation licence was issued to Alfred D (AD) Little, a partner for Ferguson & Sons, Australian Nursery, Camden, to pump up to 150 gallons per minute on the right bank [Elderslie]. (NSW Government Gazette, 11 August 1922)

The next generation

In 1927 FB Little died at Hurstville, and in 1933 AD Little died at Camden and is buried in St John’s Cemetery.

In 1932 the Australian Nursery site on the Nepean River, known as The Nursery or the Camden Nursery, part ownership passed to Stanley Nigel (SN) Ferguson. (Sanders 2008b) After World War II, SN Ferguson’s son, Bruce (1916 – 2008), inherited a half-share in The Nursery site. (Sanders 2008a)

In 1935 Ferguson’s nursery purchased land owned by Mr W Moore between the Old South Road and the Hume Highway. (Camden News, 11 April 1935)

Following this period, the Camden nursery moved to Broughton & Little Street  (Nixon 1989) at the rear of the Camden District Hospital until the business was sold in the mid-1960s. (Nixon 1991)

References

Little, S. F. (1977). Correspondence to CHS 17 February 1977. Ferguson File, Camden Museum Archive.

Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre – 1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.

Nixon, R. E. (1989). File notes for correspondence to CHS from Helen R Dick 18 July 1989, Camden Museum Archives.

Nixon, R. E. (1991). The Rose Festival. Rose Festival File, Camden Museum Archives.

Sanders, G. J. (2008a). Distinguished in war and peace, Bruce Ferguson, Obituary 31 May. Sydney Morning Herald. 31 May 2008.

Sanders, G. J. (2008b). Eulogy for Bruce Ferguson. Ferguson File, Camden Museum Archives.

Sheridan, P. (2021). Sydney Art Deco and Modernist Walks Potts Point and Elizabeth Bay. Sydney, Bakelite and Peter Sheridan.

WCL (2021). “Double Bay as a nineteenth-century centre of gardening and horticulture.” Woollahra Local History/Woollahra’s Historic Landscapes. Retrieved 10 December 2021, 2021, from https://www.woollahra.nsw.gov.au/library/local_history/woollahras-historic-landscapes/horticulture-in-double-bay.

Willis, I. (2014). “Townies Exurbanites and Aesthetics: Issues of identity on Sydney’s rural-urban fringe.” AQ, Australian Quarterly(April-June 2012): 20-25.

Updated 9 January 2022. Originally posted 5 January 2022.

Agriculture · Business · Camden · Camden Story · Campbelltown · Colonial Camden · Colonialism · Community identity · Cowpastures · Cultural Heritage · Economy · Family history · Farming · Fergusons Australian Nurseries · Gardening · Heritage · Horticulture · Local Studies · Memory · Nepean River · Sense of place · Storytelling · Uncategorized

A century of horticulture for a local nursery

Ferguson’s Australian Nurseries

In 1883 the Double Bay outlet of Ferguson’s Australian Nurseries at Camden was described in the Sydney press as a ‘well-ordered establishment…covering three acres…laid out in a most systematic manner’. (Illustrated Sydney News, 14 April 1883, page 3)

The Double Bay nursery was one part of the Ferguson horticultural enterprise, which started in the 1850s at Camden. Sales encouraged opening a  second nursery at Campbelltown, later moved to Double Bay. The 20th century brought more changes and eventually new owners.

Ferguson’s nursery and William Macarthur’s Camden Park nursery were part of a British imperial horticultural network that satisfied the Victorians’ insatiable demand for plants. The industry was driven by plant hunting expeditions and a Victorian fetish for orchids, ferns, palms and other new plants.

The burgeoning colonial nursery industry in the Cowpastures was an integral part of British imperialism and the settler-colonial project. The Enlightenment notions of progress and development were good for business and re-enforced the dispossession and displacement of Dharawal people from their country.

 Nurseryman Francis Ferguson

The Camden nursery was established in 1857 by Englishman Francis Ferguson on a 50-acre site fronting the Nepean River. Francis originally came out to New South Wales as an assisted immigrant in 1849 on the John Bright after working at Chatsworth Estate in Derbyshire and other English estates. Initially, he worked for Sir Thomas Mitchell, laying out his estate at Parkhall (later Nepean Towers, St Mary’s Towers) at Douglas Park. (Morris and Britton 2000)

Historian Alan Atkinson describes Ferguson as ‘a man of education, some capital and mercurial habits’. (Atkinson, 1988)

Signage at the entry to Ferguson Lane the location of the former Ferguson’s Australian Nursery at Camden (I Willis 2021)

Ferguson was head gardener at Camden Park Estate for William Macarthur (later Sir William) from 1849-1856 and could be styled as a Macarthur protege. (Reeve 2017) The Camden Park website maintains that William Macarthur ran one of the most important nurseries in 19th century New South Wales. According to visiting English nurseryman John Gould (JG) Veitch Macarthur was well known in Europe. Veitch Nurseries were reportedly the largest family-run plant nurseries in 19th century Europe.

Ferguson remained indebted to the patronage of William Macarthur (Morris and Britton 2000) and his experience at Camden Park and acted on Macarthur’s behalf when he was not in Australia. (WCL 2021)

In 1864 a 25-year-old JG Veitch (Financial Times, 27 September 2014), led a plant hunting expedition to the ‘South Seas’ and delivered several Wardian cases to Australian colonial contacts. While in New South Wales, he visited William Macarthur’s Camden Park nursery and Fergusons Australian Nursery, which impressed him. For a time Ferguson acted as an agent for James Veitch and Sons nurseries. (Morris and Britton 2000; McMaugh 2005)

Fruit trees, camellias and roses

Francis Ferguson opened the Camden nursery sometime in 1857 (Nixon 1991; Little 1977; Farmer and Settler, 8 July 1937, 15 July 1937) and it became the centre of a growing horticultural enterprise that extended well beyond the area.

The Ferguson nursery was located on the left bank of the Nepean River at the Macquarie Grove river crossing on the northern boundary of Camden Park estate. The nursery site had an east-west alignment with a 600-metre river frontage along its northern boundary ending at Matahil Creek to the east, with the Ferguson homestead on the rise to the southwest.

The homestead had ‘a fine view’ of the Camden township to the northeast with the spire of St John’s Church and allowed a ‘glimpse of Camden Park house in the distance’ to the southeast. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)

According to Alan Atkinson, the Australian Nursery specialised in ‘trees “peculiarly adapted to the requirements of Australia”, together will shrubs and native seeds’. (Atkinson, 1988)

 According to an 1880 Sydney press report, the nursery was about eight acres in extent with ‘a long avenue’ terminating at a ‘large gate’ below the house ‘making a very nice carriage drive’. There were ‘very well laid out walks’ throughout the nursery, surrounded by ‘gigantic pines, araucarias, and poplars’. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)

Remnant Araucarias that were on the southwestern boundary of Fergusons Australian Nursery. They made up the grove of trees that lined the driveway entrance to the Macquarie House that was next door to the nursery. (I Willis, 2021)

Reports indicate that in 1879 Fergusons sold over 60,000 fruit trees and 5,000 camellias (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68). The nursery plant stock consisted of over 6000 camellias, 100,000 hawthorn seedlings. (Ferguson 1871)

From the outset, the Australian Nursery issued trade catalogues regularly, and one of the earliest was the 1861 Catalogue of Plants, Fruit Trees, Ornamental Trees and Shrubs.

In 1871 issued a series of five trade catalogues that listed plant stock for sale. The catalogues were:

  • New and Rare Plants
  • Hardy Trees, Shrubs and Conifers
  • Fruit Trees, with directions for forming the orchard.
  • Roses
  • Bulbs and Tubers. (Ferguson 1871)

The ‘Catalogue of New and Rare Plants’ listed over 950 individual plants and was a mixture of native plants from the Australian continent and exotics from worldwide. The catalogue listed a substantial selection of popular flowering plants, including roses, camellias, azaleas, pelargoniums and chrysanthemums, fuchsias, carnations, and dahlias. Utilitarian plants included ‘trees for avenues’ and ‘hawthorn for hedges’. Under the heading of ‘trees and shrubs’, details listed the plants’ ‘scientific name’,  ‘native country’, ‘height in feet’, and price. (Ferguson 1871)

Cover of Ferguson’s Trade Catalogue of New and Rare Plants for 1871 (NLA)

The Ferguson catalogue provided practical advice for the colonial gardener and a plant description. For example, ‘Araucaria Bidwilli – The Queensland Bunya Bunya, forming magnificent trees as single specimens’. Camellias were a favourite but hard to grow in the colonial climate, and details were provided on how to look after them. The hawthorn was a ‘favourite English Hedge Plant [and] thrives remarkably well in all parts of Australia, forming, undoubtedly, the best defensive hedge’. (Ferguson 1871)

Ferguson’s also offered advice on new and rare plants in the press. In 1876 the nursery published advice on the ‘rare’ Jacaranda mimosifolia described as ‘a singularly beautiful and rare flowering tree’. The report stated, ‘the Jacaranda mimosifolia is perfectly hardy in all but the very coldest districts of New South Wales, Queensland, and Victoria.’ (Australasian (Melb), 6 May 1876)

Ferguson’s sold extensively across the colonial garden market in New South Wales, Victoria, Queensland and New Zealand, supported by 14 agents in locations ranging from Auckland to Wellington and Wanganui in New Zealand’s North Island and to Dunedin in the South Island. In Queensland, agents were listed at Warwick and Darling Downs, while those in New South Wales ranged from Bega to Mudgee and out to the Liverpool Plains. Ferguson claimed that there was an increasing demand for ‘Australian Timber Trees’ in Northern India, California, Southern Europe, and New Zealand. (Ferguson 1871)

Campbelltown Nursery

Condamine Street, Campbelltown

By the late 1860s, increasing demand and the distance from the Campbelltown railway station encouraged Ferguson to establish a nursery outlet at Campbelltown. (Ferguson 1871)

The Camden nursery was nine miles from Campbelltown Railway Station, and it took Mr H Ferguson in a buggy with a ‘fine stepper’ and an hour to get there. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)

The firm opened the Campbelltown nursery in 1869 in Condamine Street, close to the convict-built water supply reservoir. (Reeve 2017)  It was stocked with 50,000 ‘well-grown healthy plants’ to supply growing demand from ‘up-country and adjacent Colonies’. (Ferguson 1871)

From 1874 the Campbelltown outlet was managed by Francis John (FJ) Ferguson, Francis’s son, who had returned from five years with English firm Veitch Nurseries at Chelsea and the firm now traded as Francis Ferguson and Son. (Reeve 2017)

Double Bay Nursery

Manning Road and New South Head Road, Double Bay

The business continued to prosper, and FJ Ferguson moved the Campbelltown outlet closer to Sydney. A site was chosen at Double Bay on a former market garden in 1876 and opened in 1878. (WCL 2021) (Reeve 2017)

The Double Bay Nursery site had ‘a large frontage’ on New South Head Road with ‘rich deep alluvial’ soil in a low lying area that drained into Double Bay. (Illustrated Sydney News, 14 April 1883)

By 1887 the nursery had two propagating glasshouses with impatiens and lasiandras, a bush house that accommodated a mixture of pot plants including camellias, bouvardias, magnolias, conifers and tree ferns. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)

This is an engraving of Ferguson’s Nursery in Double Bay that appeared in the Sydney press in 1883 (Illustrated Sydney News published 14 April 1883, p. 17)

In 1885 the nursery opened a shopfront in Sydney’s Royal Arcade, which ran between George Street and Pitt Street and had been designed by Thomas Rowe in 1881. The nursery shop was successfully managed by Herbert Ferguson and specialised in plants, seeds and cut flowers. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)

The Ferguson’s also ran a small nursery near Ashfield railway station to supply the Royal Arcade shop with cut flowers. (Sydney Mail and New South Wales Advertiser 6 August 1887, page 278)

Ferguson Lane in the vicinity of the former entrance to the Ferguson Australian Nursery. The lane is lined with African Olive that is remnant vegetation with regrowth of an Araucaria emerging from the amongst the grove (I Willis, 2021)

The 20th century beckons

The beginning of the 20th century brought more changes for the Ferguson nursery business, and by the late 1960s, new owners.

References

Atkinson, Alan (1988). Camden, Farm and Village Live in Early New South Wales. OUP, Melbourne.

Ferguson, F. (1871). Catalogue of new and rare plants, hardy trees, shrubs, conifers &c. Camden NSW, Ferguson’s Australian Nurseries. (NLA)

Little, S. (1977), Correspondence to CHS 19 February, MSS, Camden Museum Archives

McMaugh, Judy (2005). Living Horticulture, The lives of men and women in the New South Wales Nursery Industry. Nursery and Garden Industry NSW & ACT, Sydney

Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre – 1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.

Nixon, RE (1991). Camden Rose Festival. Typescript, Camden Museum Archives.

Reeve, T. M. (2017). “‘Rawson’, Condamine Street, Campbelltown, a private residence, formerly known as ‘Marlesford’.” Grist Mills 30(2): 25-32.

WCL (2021). “Double Bay as a nineteenth-century centre of gardening and horticulture.” Woollahra Local History/Woollahra’s Historic Landscapes. Retrieved 10 December 2021, 2021, from https://www.woollahra.nsw.gov.au/library/local_history/woollahras-historic-landscapes/horticulture-in-double-bay.

Updated 6 January 2022; Originally posted 25 December 2021.

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Jacaranda fever hits Camden

2018 Camden Jacaranda Festival

In 2018 the love of the Jacaranda in the Camden area extended to the launch of a new festival around the purple blossoms.

An example of Jacaranda mimosifolia outside Camden’s historic Victorian Commercial Bank building adds a layer of colour to its colonial facade. The banking chambers are in Argyle Street Camden. (I Willis, 2020)

The idea first germinated in 2017 with the support of Argyle Street Business Collective. (Camden Narellan Advertiser, 8 August 2018)

In 2018 Camden Council threw its support behind Business Collective’s Jacaranda Festival. Council withdrew support for the annual Light Up Camden festival conducted by the Camden Chamber of Commerce, Tourism and Industry.

The town’s Christmas celebrations were incorporated into the new Jacaranda Festival.

The current generation of Jacaranda trees and their flush of purple haze started with street plantings in the 1920s.

Specimens of Jacaranda mimosifolia with their purple display on the central island in Argyle Street, Camden. Jacarandas were first planted in Camden’s town centre in the 1920s and in recent years have suffered from traffic pollution and other problems. (I Willis, 2020)

First mention of Jacarandas in Camden

Going back further, the first mention of Jacarandas was from Camden’s Ferguson’s Australian Nurseries in 1876 in Melbourne’s Australasian newspaper.

Ferguson’s published advice on the ‘rare’ Jacaranda mimosifolia described as ‘a singularly beautiful and rare flowering tree’.

Ferguson’s described the Jacaranda mimosifolia specimen in the Sydney Botanic Gardens as

an erect, though umbrageous and handsome growing tree, 30ft. to 40ft high. Its foliage is, perhaps, the most beautiful of all exogenous trees.

It is soft, feathery, fern or frond like, and exquisitely elegant, while at the same time it is decidedly grand, both in its proportions, graceful arrangements, and symmetry.

It may be said of the species that even out of flower it has no equal amongst moderate-sized ornamental trees, while to give expression to the effect of its appearance when in fall bloom no words would suffice. It must be seen to be appreciated.

The blossoms are large, of a most striking and delightful blue, and produced in such profusion that, viewed from a little distance, the tree appears, as it were, a graceful and living cone of floral grandeur.

Though rare, as we have remarked, enough has been proved to warrant us in stating that the Jacaranda mimosifolia is perfectly hardy in all but the very coldest districts of New South Wales, Queensland, and Victoria. (Australasian, 6 May 1876)

‘Under The Jacaranda’ was painted by Richard Godfrey Rivers in 1903 at the Queensland Art Gallery. The Jacaranda specimen was located in the Brisbane City Botanic Gardens. (Wikimedia)

The first Jacaranda tree in Australia

Ross McKinnon, a former curator of the Brisbane Botanic Gardens, told Jessica Hinchliffe  for ABC News, that

 ‘the first jacaranda tree planted in Australia was in Brisbane’.

“In the 1850s Queensland was sending wheat and grain to South America,” he told ABC Radio Brisbane’s Craig Zonca.

“On returning, they would unload at Kangaroo Point cliffs’ wharfs and the first curator of the gardens, Walter Hill, would row across the river and exchange seeds and plants with visiting sea captains.

“A visiting sea captain from South America gave Walter Hill the first jacaranda, which he planted at the rear of the city botanic gardens in 1864.”

Camden Jacaranda Festival

The 2018 Jacaranda Festival was the inaugural event under founder and Camden Hotel manager Andrew Valciukas. Mayor Symkowiak said the ‘festival cheer will remain a highlight and nothing has changed [from Light Up Camden]’. (Macarthur Chronicle, 21 August 2018)

The festival ran from 23-25 November and opened on Friday night with live music throughout the town centre, including hotels, shopfronts and the Alan Baker Art Gallery.

The Jacaranda Experience opened on Saturday afternoon and into the evening when the Christmas tree was lit followed by fireworks. There was a street market with stalls and outdoor dining along Argyle Street and a stage in John Street for ‘local school children, dance schools and local professional acts’.

Larkin Place featured a motocross demonstration and a display of ‘fabulous street metal’. Fireworks topped out the festivities on Saturday night. (What On Macarthur, leaflet, November 2018) (Camden Narellan Advertiser, 8 August 2018)

Camden Region Economic Taskforce director Debbie Roberts put together several short films with Camden personality and historian Laura Jane Aulsebrook. The Jacarandas featured along with Camden Cottage, Show Pavilion, Camden Library Museum, Macaria and other historic sites.

CRET’s films appeared on Facebook in the week leading up to the festival. They were popular and prompted a bus group from Sydney’s northern suburbs to visit Camden for a walk led by LJ Aulesbrook.

The Jacaranda Walking Tour Map highlighted the best spots to view Jacarandas in the Camden Town Centre with spots of Instagram selfies. The walking tours pointed out Camden’s historic sites and the view across the town centre from Broughton Street. (CHS, 2018)

Walks of town’s Jacaranda lined streets and historical sites were conducted on Sunday by members of the Camden Historical Society, including Laura Jane. The program of historic walking tours started at the Camden Museum. (The Jacaranda Walking Tour Map 2018)  

Camden Flower Festivals

Flower festivals were not new to Camden.

In the late 1960s, the Camden Rose Festival committee organised an annual festival and street parade, topped out with the crowning of Miss Rose Festival Queen. The celebrations were initiated by Camden community worker JW Hill in aid of Camden District Hospital. (Camden Advertiser, 11 February 2009)

Newspaper photographs of The Rose Festival Queen. The caption states: ‘The Rose Festival Queen, Miss Marilyn Fuller (left) receives her crown from last year’s Queen, Miss Michele Chambers. On the right, Miss Fuller thanks those who worked so hard for her success. Seated are Miss Hospital, Beverley Thornton and Miss Apex, Ngaire Davies’. Camden News, 30 October 1968)

The House and Garden website states,

The beauty, resilience and fragrance of roses have made it a favourite of gardeners and flower-lovers, as well as a symbol of love, for centuries. Roses are romantic and voluptuous, with their petals painted in beautiful colours.

Camden’s Ferguson’s Australian Nurseries had an extensive catalogue of roses and sold them all over Australia and beyond.

The 1930 trade catalogue for Ferguson’s Australian Nurseries which had their main propagation operations at Camden. Ferguson’s sold an extensive range of roses across Australia and beyond. (SLM/Ferguson’s Nurseries)

Flower shows were not new in Camden, and the annual St John’s Church Flower Show was held each year starting in the 1890s and continuing for many decades.

Neil McMahon writes in the Sydney Morning Herald that

our love of gardening, plants and soil can perhaps be attributed to the combination of the British heritage – reflected in a lot of garden design before modern trends and native practicality infiltrated our yards and apartments – and a climate that lends itself to spending time outdoors planting and pruning.

Architecture · Art · Attachment to place · Belonging · Churches · Cultural Heritage · Education · Heritage · History · Leppington · Local History · Local Studies · Memorial · Memorials · Memory · Modernism · Place making · Sculpture · Town planning · Uncategorized · welfare

Top gong goes to local architecture

Lost – a prize winning example of mid-century modernism  

The storyboard in Bell Tower Park states

The buildings were designed by Philip Cox and Ian McKay and they were the recipient of the Sir John Sulman Medal for Architectural Excellence in 1963. (Information board)

The Bell Tower Park storyboard has images of the 1963 Philip Cox designed buildings at St Andrews Boys Home (I Willis, 2021)

The Sir John Sulman Medal is one of the most prestigious architectural awards in Australia and is presented for excellence in public and commercial buildings in New South Wales by the NSW Chapter of the Australian Institute of Architects. It was established in 1932 to honour the memory of Sydney architect Sir John Sulman (1849-1934).

In 1963 the Sir John Sulman Medal was awarded to Sydney architect Philip Cox and Ian McKay for their design of the Presbyterian St Andrews Boys Home.

The significance of the buildings on the boys home site was best summarised by the firm Archaeological and Heritage Management Solutions (AHMS) in a 2013 heritage study. They stated:

“The former St Andrew’s Home for Boys is a significant example of the Sydney School architectural style of the mid twentieth century, which was an influential style in its era and was practised by notable Australian architects. The former St Andrew’s Home for Boys was awarded the Sulman Medal (in 1963), the highest award for architecture available in NSW.  

Sydney architect Philip Cox designed the home complex with Ian McKay in 1962. Cox is a renowned architect and St Andrews Boys Home was his first project. Author Tom Holland writes that this project was one of number of Cox’s projects that

“The career of Philip Cox spans an era that was the making of modern Australia,” writes Bingham-Hall.

“As the 1960s progressed Australia did wake up, slowly and cautiously, in what might be described as a very Australian way, without recrimination and rancour, without fervour or foment, and without any overt display of neediness or self-reflection,” he adds.

“This survey of the work of Philip Cox treats the post-1950s emergence of modern Australia as its framework, as its posts and beams, and for this most public of architects, it is obliged to demonstrate how his work reflects that narrative, an insofar as it is possible for architecture, the extent to which it symbolised the nature of a national awakening.” (Holland 2020)

Bell Tower Park has three playful bronze sculptures of boys reminiscent of the young boys who were accommodated at St Andrews Boys Home. There are also a number of bronze sculptures of boys in the garden area of Emerald Hills Shopping Centre. (I Willis 2021)

Philip Cox described the home this way:

“St. Andrews Boys Home was designed as a country retreat for adolescent boys committed to institutions for juvenile offenders. It was built on pastoral land at Leppington to the South of Sydney, and provides accommodation for a small number of boys in residential dormitories.

The plan of the Home is based on a linear pedestrian spine, linking all the buildings together with a colonade [sic]. Through this extendable quality further expansion is easily accommodated. Each occupant is allocated some personal space in the form of sleeping alcoves grouped together around small courtyards.

The original homestead, “Emerald Hill”, has been retained and restored as the Warden’s residence. The additive quality of the new buildings complement the existing buildings and recall the traditional outbuildings of vernacular settlements. Construction detailing is derived from local vernacular techniques. The building structure is post-and-beam, with exposed roff [sic] trusses and intill panels of brickwork. Rough sawn timber roof trusses and expressed jointing details are drawn from the simple bams [sic] and woolstores of the surrounding countryside. (McMahon 2013)

Former entry to Emerald Hills Farm which operated on the former site of the St Andrews Boys Home before the farm site was developed for housing. (I Willis 2016)

St Andrews Presbyterian Agricultural College Boys Home, Hume Highway, Leppington

At the top of the hill in the suburb of Emerald Hills in Leppington NSW is a small park called the Bell Tower Park with three bronze statues of small boys.

The park commemorates the memory of the St Andrews Boy Home (closed in 1986) that once existed on what is now the housing estate of Emerald Hills.

The park was opened in late 2019 and is a memorial to the memory of the boys who stayed at the home.

In an adjacent space is a representation of a bell tower that once existed on the site.

The park storyboards outline the history of the boys home with accompanying images of the buildings.

The storyboard in the park states:

Belltower Park and the structures and statues in it celebrate and commemorate the presence of the St Andrews Home for Boys that used to be located on this hilltop.

The Home was established by the Presbyterian Church (now Uniting Church) in 1961 and it closed in 1986. The buildings were designed by Philip Cox and Ian McKay and they were the recipient of the Sir John Sulman Medal for Architectural Excellence in 1963. The Home originally came with a bell tower, from which this Park is named.

More detail on the Home can be found in the Archival Record of the property by Macarthur Developments and lodged with Camden Council.

The St Andrew’s Home for Boys was originally operated by the Presbyterian Church at Manly, NSW. The home was transferred to a 400-acre farm property at Leppington, on the Hume Highway south of Liverpool.

In 1961 the Presbyterian Church commissioned a newly graduated architect from the University of Sydney to design the new boys home on the Emerald Hills property at Leppington. The architect was  Philip Cox who collaborated with Ian McKay and set up the firm Philip Cox and Associates at North Sydney.  The home was their first commission and for their efforts, they won the Sir John Sulman Medal for Architectural Excellence in 1963.(McMahon, 2013)

The Leppington home catered for twenty boys aged ten to fifteen years. Residents were generally referred following an appearance before the Children’s Court on a care and protection application or in respect of some offence.

Bell Tower Park has a replica belltower designed by Place Design Group and completed in 2018. The designers note on their website that the tower has a Spiel-Bau Bell Tower play unit. (I Willis 2021)

Boys were admitted to the home following an assessment by a professional social worker. A feature of the program was its strong community links, with residents attending local schools and participating in community activities. Following the inauguration of the Uniting Church in Australia in 1977, the home came under the auspice of the Uniting Church. And together with Burnside Homes the institution was administered under the Burnside program.    (Thinee and Bradford (1998)  Online 2007)

The St Andrews complex was controlled by the Burnside Presbyterian Homes for Children (1955) which was formerly the Burnside Presbyterian Orphan Homes which first made an appearance in 1912.  

References

Holland, T. (2020). “A career celebrated in Philip Cox: An Australian Architecture.” Australian Design Review. Retrieved 1 November 2021, from https://www.australiandesignreview.com/architecture/a-career-celebrated-in-philip-cox-an-australian-architecture/.

McMahon, S. (2013). PHOTOGRAPHIC ARCHIVAL RECORD, St Andrews Boys Home (Burnside) Leppington, 1050 Camden Valley Way Leppington, Lot A DP 420395. Sydney NSW, Inspire Urban Design & Planning Ply Ltd.

Thinee, K. and T. Bradford ((1998)  Online 2007). Guide to Records,  A guide to help people separated from their families search for their record. Sydney, NSW, New South Wales Department of Community Services

Updated 16 January 2022. Originally published 2 December 2021.

1920s · Argyle Street · Cultural Heritage · Engineering Heritage · Heritage · Highways · History · Hume Highway · Infrastructure · Living History · Local History · Local Studies · Memorial · Memorials · Memory · Mileposts · Monuments · Place making · Public art · Re-enactments · Service utilities · Storytelling · Technology · The Great South Road · Tourism · Transport · Travel · Utilities · Wayfinding

Capturing the distance of the past

Camden Mileposts

On the Camden Town Centre edges, there are two white concrete posts with numbers and letters. What are they, and what do the letters mean?

These white concrete posts are mileposts from when the Hume Highway ran up the centre of Camden along Argyle Street. The letters indicate destinations, and the numbers are distance in miles. These items are part of Camden’s engineering heritage.

A concrete milepost on the southern end of the Camden Town Centre on the road verge of the former Hume Highway now the Old Hume Highway. (I Willis, 2021)

The letters: M is Mittagong, S is Sydney, L is Liverpool and C is Camden. The distance is a mile:  an imperial unit of measure from before the time of metric measurement. The mile here is a statute mile which is 5280 feet or 1.609 km, as opposed to a nautical mile used in air and sea transport and is different.

The English mile

Mileposts dated back to the Roman Empire and were placed alongside the Roman roads. Distances were measured from the city of Rome. The mile originated from the Roman mille passus, or “thousand paces,” which measured 5,000 Roman feet.

The first mileposts along English roads appeared in 1593 and were standardised in England under the reign of Elizabeth I. The English mile was a different length from the Scottish mile and the Irish mile.  These measures were not standardised in the British Commonwealth and the US until 1959. (Sydney Morning Herald, 22 August 1935. https://www.britannica.com/science/mile)

In the colony of New South Wales, the first sandstone milestones were located on the Parramatta, Liverpool and South Head Roads from 1816 on the instructions of Governor Macquarie. Milestones provided accurate reference marks along with the expanding public road system for travellers on coaches. (Crofts and Crofts, 2013)

Macquarie Obelisk

In the colonial period, Governor Macquarie’s Obelisk of Distances was erected in 1818 as the official starting point for all distances in NSW. It was located in what was then the centre of Sydney and is now Macquarie Place. The monument was also ‘a symbolic peg’ as the furthest extent of the British Empire in the early 1800s.

Obelisk of Distances in Macquarie Place Sydney designed by Francis Greenway and built-in 1818 under the orders of Governor Macquarie c1926 (SLNSW)

The placement of milestones in colonial NSW set a precedent. They were placed along the left hand or southern side of the roadway with the destination facing Sydney. The posts were meant to be seen by travellers coming from either direction for the benefit of stagecoach drivers to measure their distance from Sydney. They also ensured that the driver was on the correct road as many were just bush tracks. (Crofts and Crofts, 2013)

Concrete mileposts

The two concrete mileposts in Camden were part of the road improvements by the NSW Department of Main Roads in 1934.

The decision to implement a programme of mileposting followed the first annual conference of state road authorities in February 1934 held in Melbourne. The meeting decided to adopt uniform national procedures for mileposting and road warning signs for roadworks, among other matters. It was felt that uniformity of services would help interstate travellers. (DMR, 1934)

A concrete milepost on the northern entry to the Camden Town Centre on the roadside verge of the former Hume Highway that ran along Argyle Street Camden. (I Willis, 2021)

In 1934 the department allocated £134 to the program in the Sydney area. (DMR, 1934)

The DMR Main Roads magazine stated that

In the days before the advent of the motor vehicle, when travel by road was slow and was done on foot, on horseback, or in horse-drawn carriage, few things gave greater service, or were more eagerly looked for, than the mileposts. (DMR, 1934a)

According to the Department of Main Roads, mileposting before 1934 provided signs that gave direction and the distance of important towns. Mileposts had lost their importance to the traveller because the car speedometer gave ‘progressive mileage’ stated a departmental report. (DMR, 1934a)

Road maintenance

Mileposting in 1934 was implemented with one specific aim.

The purpose of the mileposts now is to provide a convenient system of reference marks along the road for the use of those whose responsibility is to maintain the roads in a proper state. (DMR, 1934a)

The stated purpose was for the milepost to be a reference point along the road to give a precise position for any roadwork that needed to be done. Information to travellers was only secondary. (DMR, 1934a)

Mileposting to 1934 had been haphazard, with much work generated at a  local level and many gaps. Road maintenance was a secondary consideration, with information for travellers paramount. Much work was ‘incomplete’. Groups of mileposts were only based around important towns, sometimes following main roads and sometimes not. (DMR, 1934a)

The 1934 mileposting project was partly triggered by the 1928 classification of all roads in NSW into state highways, trunk roads and ordinary roads.

The 1928 changes saw The Great Southern Road through Camden renamed the Hume Highway in 1928. The 1929 Razorback Deviation shifted the highway to the east away from the former Great South Road (now Cawdor Road). (DMR, 1934a)

Different types of mileposts were used in 1934 for different purposes.  Concrete posts were used in the Sydney area and country towns, like Camden, and elsewhere there were timber posts.

Specifications and drawings for mileposts as outlined in the Department of Main Roads journal Main Roads (May 1934) where the DMR mileposting project was detailed for all roads in NSW (Main Roads 1934a)

There was a strict protocol for the letters and numbers on the posts, with letters and numbers incised and painted black and distances measured from the post office, and sometimes not.  Posts were placed on the left-hand side of roadways leading from Sydney or the coast, as they were in colonial times.

Posts were located with a clear view from the roadway of 200 feet with specific instruction on distances from roadways and locations for cuttings and embankments. On bridges, the mileposts were be clamped to the handrails.

In mid-1934, the NRMA suggested the mileposts on the different highways should be painted in a variety of colours. (Kiama Reporter and Illawarra Journal, 20 June 1934) The suggestion was not taken up.

One supplier of the concrete mileposts was the Hume Pipe Coy (Aust) Ltd. (Main Roads, August 1938)

Wooden Mileposts

In the Camden area, the Camden Heritage Inventory states there were wooden mileposts along Cawdor Road, formerly The Great South Road. They pre-date the concrete mileposts.

Timber milepost c1927 on the road verge of The Great South Road now Cawdor Road. (2021 I Willis)

In a 2002 survey for the Heritage Inventory, the three Cawdor Road timber mileposts were intact.

The posts were local hardwood cut by a sawmill in Edward Street in the late 1920s and delivered to The Great South Road (Cawdor Road) site by Camden teamster Les Nixon. (NSWSHI)

In a recent search, I was only able to locate one intact timber milepost in a fairly poor condition.

This timber milepost c.1929-1934 is located on the former Hume Highway at South Camden now Remembrance Drive. This milepost is located on the 1929 Hume Highway Razorback deviation that moved the main road from the Great South Road now Cawdor Road. (I Willis, 2021)

This timber milepost c.1929-1934 is located on the former Hume Highway at South Camden now Remembrance Drive. This milepost is not on the Wollondilly Shire Council heritage inventory. The milepost is sited on the roadside verge adjacent to the Camden Valley Inn. (I Willis, 2021)

References

CROFTS, R. & CROFTS, S. 2013. Discovering Australia’s Historical Milemarkers and Boundary Stones, Sydney, Roberts and Sandra Crofts.

DMR 1934. Department of Main Roads Ninth Annual Report for the year ending 30th June 1934. Sydney: NSW Legislative Assembly.

DMR 1934a. The Mileposting on Main Roads. Main Roads, 5.

Agricultural heritage · Art · Colonial frontier · Colonialism · Cowpastures · Cultural Heritage · Dharawal · Education · Frontier violence · Heritage · History · Local History · Local Studies · Memorials · Memory · Monuments · Picton · Pioneers · Place making · Public art · Schools · Sculpture · Settler colonialism · Storytelling

Cowpastures Memorial, Picton

The first Cowpasture memorial in the Picton region

Located in the Picton Village Square is the first dedicated memorial in the Picton region to the Cowpastures by local sculptor Joan Brown and local school children.  (Council 2019)

The memorial has been placed inconspicuously at the front of the rotunda that is very easy to miss as you walk to the shops in Argyle Street from the Davison Lane carpark.

This is only one of three memorials celebrating the Cowpastures in the Macarthur region. The other is located at Perish Park at Oran Park and Harrington Park Lake Reserve.

The Cowpastures Memorial mural by Joan Brown and a number of school children located in the Picton Village Square (IW 2021)

Information plaque

The information plaque, with the wrong date, has an explanation of the Cowpastures story by the artist and reads:

Cowpastures Memorial

This mural commemorates the early history of our land and pristine waterways, from the Dreamtime beginnings, to the 1895 [sic] discovery of the escaped First Fleet wild cattle in this area. These cattle were later destroyed to make way for the pioneering of the district, the introduction of dairy and beef breeds that formed the basis of a wealthy agricultural industry. The spirit of our early setters lives on through the recording of visual history in this beautiful valley.

By Gifted/Talented History Students from Picton, Camden South, and Mawarra Schools.

M Armstrong, E Bristow, T Clipsham, H Eriksson, S Esposito, L Greco, M Gordon, L Harley, L Mulley, K Parker, P Reynolds, E Savage, C Wotton, N Young.

Bronze Sculptor Joan Brown 2012

Information plaque placed below the Cowpastures Memorial mural. Note: the date should be 1795. (IW 2021)

Sculptor Joan Brown

Sculptor Joan Brown is a fifth-generation member of a ‘local pioneer family’, according to her biography, growing up on her family property of Abbotsford at Picton. She was surrounded by ‘grazing and dairying properties in the valleys of the Razorback Range’.

Joan is ‘passionate about the preservation of the ethos and heritage of the local area’ and has developed an understanding of the local landscape  She has used local landscapes, historic sites and heritage buildings as subjects of her artworks. (Brown 2021)

Joan was part of the community that initiated the Picton Bicentennial Village Square, where the mural is located, and the restoration of St Mark’s Church and Pioneer Cemetery.   (Brown 2021)   

Joan has an ongoing passion for the ‘preservation and heritage of the local area’ including the ‘unique heritage village’ of Picton. (Brown 2021)

The Cowpastures Memorial mural is located at the front of the rotunda which is adjacent to Stonequarry Creek at the rear and Davison Lane carpark. Behind the rotunda is the St Marks Church cemetery. (I Willis, 2021)

Public art

The Picton Cowpastures Memorial is one part of the public art scene of the Macarthur region. Other public art installations across the area include:

1. the Camden Rotary Pioneer Mural created by mural artist WA Byram Mansell which depicts colonial New South Wales and the Cowpastures

2.  the sculpture park on the campus of Western Sydney University at Campbelltown.  

3. The statues of local boys celebrating the St Andrews Boys Home at Leppington are located in the gardens at Emerald Hills Shopping Centre and Belltower Park in Emerald Hills Boulevarde.

4. the Australian Botanic Gardens at Mount Annan

5. Art Installation, Oran Park Library, Oran Park.

7. Forecourt, Narellan Library, Narellan

8. Camden Valley Way Forecourt, Food Plaza, Narellan Town Centre.

9. The Cowpasture Cows, Perich Park, Oran Park

10. Campbelltown Arts Centre

11. The Cowpasture Cows, Harrington Park Lake, Harrington Park.

The Wedding Knot sculpture by Geoff Duggan at the Australian Botanic Gardens Mount Annan (I Willis 2021)

Public art is an important part of a vibrant community and adds to its cultural, aesthetic and economic vitality. Public art promotes

‘a sense of identity, belonging, attachment, welcoming and openness, and strengthening community identification to place. [It creates] a tangible sense of place and destination’.

 The Cowpastures Memorial mural is a visual representation of the dreams and aspirations of its creator.

Principles of public art

Many local government areas have public art. In the Northern Beaches Council LGA the aims of public art on their coast walks are:

  • The need for art to be sympathetic to the natural setting and context.
  • A need and opportunity for Aboriginal heritage to be better integrated along the Coast Walk.
  • Art was not always seen as physical and permanent with a desire for temporary and activation based experiences that enhanced the Coast Walk.
  • Views and vistas are important and they should be preserved or enhanced.
  • Desire for the Coast Walk to be an educational experience.

Supporting these aims are eight key principles and they are:

  1. Respect and acknowledge Aboriginal cultural heritage
  2. Celebrate and conserve significant natural and cultural values
  3. Connect places and people along the coast
  4. Foster artistic and cultural expression and encourage creative collaboration
  5. Enrich places through high quality art and design
  6. Interpret the history and significance of the coast
  7. Value artistic and cultural diversity and be inclusive
  8. Create a distinctive and recognisable Northern Beaches Coast Walk identity.

From The Northern Beaches Coast Walk Public Art.

Cowpastures Mural

A metaphor full of meaning

The Picton Cowpastures Memorial is a metaphor for the settler society and a representation of the past. The artwork depicts four-horned cows of the Cowpastures Wild Cattle grazing on the steep country around the Razorback Range.

The depiction of the Wild Cattle on Dharawal country hints at the arrival of the colonial frontier in the Cowpastures, the fourth locality of European occupation in the New South Wales colony.(Willis 2018) The horned cattle are a representation of the possession of territory by the Europeans and their settler-colonial project.

The landscape illustrated by the mural is devoid of vegetation hinting at the environmental desolation caused by European occupation and the dispossession of the Dharawal people. The dead tree depicted in the mural landscape is a sad reminder of European exploitation of the natural resources of the Cowpastures and threats to Cumberland Plain Woodland and other ecological types across the Macarthur region.

The story the mural tells is full of meaning with many layers that can be peeled back to reveal many hidden corners in the narrative of the local area. The stark outline of a dead tree might be regarded as a metaphor for the frontier violence of the early colonial period and symbolic of the Appin Massacre which took place in the Cowpastures in 1816. (Karskens 2015)

References

Brown, J. (2021). “Joan Brown Biography.” The Sculptors Society. Retrieved 2 November 2021, , from https://sculptorssociety.com/sculptors/joan-brown/.

Council, W. S. (2019). Historic Picton Walking Tour. Picton NSW, Wollondilly Shire Council.

Karskens, G. (2015). Appin Massacre. Dictionary of Sydney. Sydney NSW, State Library of New South Wales & City of Sydney.

Willis, I. (2018). “The Cowpastures Project.” Camden History Notes https://camdenhistorynotes.com/2018/03/16/the-cowpastures-project/.

Adaptive Re-use · Aesthetics · Architecture · Argyle Street · Attachment to place · Business · Camden · Camden Gasworks · Camden Story · Communications · Community identity · Cultural Heritage · Cultural icon · Electricity · Engineering Heritage · Gas · Gothic · Heritage · Historical Research · Historical thinking · History · Industrial Heritage · Infrastructure · Living History · Local History · Local Studies · Memory · Myths · Place making · Public art · Sense of place · Service utilities · Storytelling · Streetscapes · Technology · Town planning · Urban Planning · urban sprawl · Urbanism · Utilities · Water

Mundane objects tell an interesting story

Utility pit covers

What is under your feet and totally ignored? What do you walk over every day? What is essential in an emergency? What provides access to critical utilities? The answer lies under our feet. What is it? Give up yet?

The answer is the humble utility inspection cover.

Gas Cover Durham Argyle Street Camden 2016 (I Willis)

Utilities like electricity, water, gas, sewerage, communications and others are essential in any community. Camden has acquired the utilities as time has progressed over the past 150 years to the present. Argyle Street has several utilities buried beneath the street and footpaths. Their histories provide valuable insight into the town’s development and progress, particularly in the 20th century.

The arrival of electricity, gas, and water was part of Camden modernism and its influence. These utilities have transnational origins beyond the township and illustrate the linkages between the town and the wider world.

For example, the supply of clean drinking water in Camden was linked to an outbreak of scarlet fever in the later 19th century. Contagious diseases were a significant health concern in the 19th century and were an ever-present worry in daily life. Clean drinking water had a significant influence on the development of public health.

I was walking along Camden’s Argyle Street, and it struck me that utility inspection covers are a historical statement in their own right. They are an entry point for the utility service as they also provide an entry to the stories surrounding the utility’s delivery.

Even the different logos for utilities illustrate the changes in the history of a telco or electricity supplier. A cover might be a statement about a utility supplier that is now defunct. The utility cover is made of different materials – cast iron, concrete, and others.

These are all mysteries that are waiting to be solved for the curious mind. Or just for the bored and idle with nothing better to do.

What about the Gas Cover from Durham above?

Durham Gas Cover

This is an inspection cover for the gas pipes using a Durham fitting probably around 1912. The Durham drainage fitting is a cast-iron, threaded fitting used on drainage pipes; has a shoulder such as to present a smooth, continuous interior surface. (Free Dictionary)  The Durham patent system of screw-joint iron house drainage was manufactured by the Durham House Drainage Co. of York USA (1887).

The Durham cover is for the Camden gas supply, installed in 1912 by the Camden Gas Company. The gasworks was built in Mitchell Street and made gas from coal. There were many gas street lights in Argyle Street which were turned on in early 1912. The Camden News reported in January 1912 that many private homes and businesses had been connected to the gas supply network and were fitted for gaslighting.

Mr Murray, the gasworks manager, reported that construction at the gasworks had been completed, the retort had been lit, and he anticipated total supply by the end of the month. (Camden News, 4 January 1912) Throughout 1912 there was an ongoing dispute between Mr Alexander, the managing director of the Camden Gas Company, and Camden Municipal Council over damage to Argyle Street while laying gas pipes and who was going to pay for it. (Camden News, 12 September 1912)

In 1946 Camden Municipal Council purchased the Camden Gas Company. The gasworks was sold to AGL in 1970. (Peter Mylrea, ‘Gas and Electricity in Camden’, Camden History March 2008.)

NRCC

What is this cover for the NRCC? Does it still exist?

NRCC Inspection Cover 2016 Argyle St Camden (I Willis)

 

The NRCC does not exist anymore, and the logo stood for the Nepean River County Council. It was the electricity supplier for the Campbelltown, Camden and Picton area from 1954 to 1979 when it was amalgamated with Prospect County Council. This, in turn, became Integral Energy. Integral Energy was formed by the New South Wales Government in 1995 from the amalgamation of Illawarra Electricity and Prospect Electricity with over 807,000 customers.

NRCC office open 1956 Picton SLNSW

The Campbelltown office of the NRCC was located in Queen Street next to the Commonwealth Bank and in 1960 shifted to Cordeaux Street. By 1986 a new advisory office was opened in Lithgow Street. The council opened a new shop front at Glenquarie Shopping Centre at Macquarie Fields. There were shopfronts in Camden, Picton and other locations.

Logo Design

In  October 1954, the NRCC approved a design for its official seal. Alderman P Brown suggested a logo competition, and many entries were received for the £25 prize. The winning design by artist Leone Rush of Lidcombe depicts electricity being extended to rural areas by a circular outline of “Nepean River County Council”.
(Camden News, Thursday 4 November 1954.)

NRCC Seal (http://www.nepeanrivercountycouncil.com.au/)
Nepean River County Council Seal (http://www.nepeanrivercountycouncil.com.au/)

Former NRCC employee Sharon Greene stated that ‘It was like a small family business where everyone was happy to be there.’ (Camden Advertiser, 25 May 2009)

Former office manager, Kay Kyle, said that things in the office in 1959 were pretty bare when she started as a junior clerk.

She said:

‘We had no cash registers or adding machines, we hand wrote receipts and added the figures in our head for daily takings. That was a good skill to have. Eventually we received an old adding machine from Picton, but one day it added incorrectly so I wouldn’t use it again.’  (http://www.nepeanrivercountycouncil.com.au/nrccstories.html)

Former linesman Joe Hanger recalls working for the NRCC. He said,

‘In 1954 we were transferred to Nepean River County Council. They wanted linesmen and I went on the line crew and eventually worked my way up and got a pole inspectors job going around creosoting the poles. Eventually I got my own crew, mainly pole dressing. There were 7-8 in the crew. I was then made a foreman in about 1978.’ (http://www.nepeanrivercountycouncil.com.au/nrccstories.html)

Working in the outdoor crews could be dangerous, as Joe Hanger remembers.

‘In July 1974 I fell from a 40ft pole while doing work near The Oaks. We had to check out why a back feed to The Oaks was loosing voltage. We were looking for crook joints. The pole is still out there, near a bend just before the straight road into The Oaks. We had opened the air break switch behind us and the airbreak switch ahead, we forgot that the transformer was on the other side of the open point. I checked the pole and Neville Brown had gone along to the next pole to open the next section. I was standing on the low voltage cross arm and grabbed one of the wires and was struck by the electricity. Luckily my weight caused me to fall away. I ended up falling about 25 feet and just another pole lying on the ground. If I had the belt on it may have been a different matter. I had a broken leg, broken rib and a great big black eye. I was very lucky.’

(http://www.nepeanrivercountycouncil.com.au/nrccstories.html)

There are a host of other stories and wonderful memories from former employees of NRCC @ http://www.nepeanrivercountycouncil.com.au/nrccstories.html.

Friends of the Nepean River Country Council

Past organisations like the Nepean River County Council have staunch supporters. If you are one of them, join the Friends of NRCC. 

Friends of NRCC

The telco inspection lid

This inspection lid is for the telco, which was the Postmaster-General Department of the Australian Government.

PMG Inspection Cover 2016 Argyle St Camden (I Willis)

The telco had a rich history of communications in Australia, starting in 1810 with the first postal service. In 1810 Governor Macquarie appointed Australia’s first postmaster Isaac Nicholls and the colonial government of New South Wales Government the first regular postal services, including rates of postage. The new Sydney General Post Office was opened in George Street in 1874.

The first telephone service was established in Melbourne in 1879.

At Federation, the new Commonwealth Postmaster-General’s Department assumed responsibility for telephone, telegraph and postal services. In the 1920s, the department took control of international short wave services and the Australian Broadcast Commission in the 1930s.

In 1975 the Postmaster-General Department was broken up, and the postal service moved to Australia Postal Commission (trading at Australia Post). Telecommunications became the responsibility of the Australian Telecommunications Commission trading at Telecom Australia. Telecom Australia was corporatised in 1989, renamed Telstra Australia in 1993, and partially privatised in 1999.

In 1992 the Overseas Telecommunications Commission (est 1946) was merged with Telecom Australia.

Telstra Inspection Cover 2016 Argyle St Camden
Inspect Cover Telecom
Telecom Inspection Cover 2016 Argyle St Camden (I Willis)

 MWS&DB

Service Valve cover for water MWS&DB Argyle St Camden 2016 (I Willis)

The MWS&DB was the Metropolitan Water Sewerage and Drainage Board, today is known as Sydney Water. The organisation has gone through several name changes:

  • the Board of Water Supply and Sewerage from 1888 to 1892,
  • from 1892 to 1925 as the Metropolitan Board of Water Supply and Sewerage,
  • the MWS&BD from 1925 to 1987,
  • then the Water Board from1987 to1994, then finally as the
  • Sydney Water Corp Ltd (1995-1999) with Ltd dropped in 1999.

Deks G (Gas)

Deks Cover for gas in Argyle Street Camden 2016 (I Willis)

Deks was established in Australia by Mr George Cupit in 1947 and remained a family business until it became part of the Skellerup Group in 2003. Deks have a presence in 28 countries. They have supplied plumbing fittings, including flashings, fittings or flanges, for over 100 years. (http://www.deks.com.au/about/)

Malco W (Water)

Malco Cover for Water Argyle Street Camden 2016 (I Willis)

Malco Industries reported in the Sydney Morning Herald in 1951 that the company incorporated three separate businesses involved in heavy industrial activities on its site at Marrickville. There were three divisions (1) Malleable Castings was founded in 1915 and was claimed to be one of Australia’s leading producers of iron castings. (2) EW Fittings was incorporated in 1925 and made cast iron pipe fittings for water, gas, steam and oil. (3) Link-Belt Co Pty set up in 1949 and industrial transmission equipment. (Sydney Morning Herald (NSW: 1842 – 1954), Friday 6 April 1951, page 6)

Romwood SV

Service Valve Romwood Argyle Street Camden 2016 (I Willis)

Havestock Cover

Havestock Cover Argyle Street Camden 2016 (I Willis)

Havestock is a business that has made pit lids since the 1980s. Havestock is now part of the global EJ Group and designs, manufactures and distributes man-hole covers, pit covers and other infrastructure access covers and grates. (http://www.hygrade.net.nz/product-category/by-brand/by-brand-havestock/) (http://www.homeimprovementpages.com.au/connect/havestock_pty_ltd/)

Updated 26 October 2021. Originally posted 21 October 2016.

20th century · Attachment to place · Belonging · Camden · Camden Story · Cultural Heritage · England · Families · Gender · Heritage · History · Leisure · Lifestyle · Living History · Local History · Local Studies · Memory · Sense of place · Storytelling · Tourism · Women's diaries · Women's history · Women's Writing

Local girls go to London

Local women travel the world

In the mid-20th century it was not unusual for local Camden women to travel overseas by ship. They were part of an exodus seeking adventure and new horizons. They wanted to see the world and they did.

The story of two of these young women, Shirley Dunk and her best friend Beth Jackman, has been told in a recently published article in Anglica by the University of Warsaw.

Clintons Motors Showroom with sales assistants Shirley Dunk and Beth Jackman in 1953. The business sold electrical goods as well as motor cars, accessories and tyres. (S Rorke)

The article is titled: “My box of memories”: An Australian Country Girl Goes to London’.

The article abstract is:

In 1954 a young country woman from New South Wales, Shirley Dunk, ex- ercised her agency and travelled to London. This was a journey to the home of her fore- fathers and copied the activities of other country women who made similar journeys. Some of the earliest of these journeys were undertaken by the wives and daughters of the 19th-century rural gentry. This research project will use a qualitative approach in an examination of Shirley’s journey archive complemented with supplementary interviews and stories of other travellers. Shirley nostalgically recalled the sense of adventure that she experienced as she left Sydney for London by ship and travelled through the United Kingdom and Europe. The article will address questions posed by the journey for Shirley and her travelling companion, Beth, and how they dealt with these forces as tourists and travellers. Shirley’s letters home were reported in the country press and reminiscent of soldier’s wartime letters home that described their tales as tourists in foreign lands. The narrative will show that Shirley, as an Australian country girl, was exposed to the cosmopolitan nature of the metropole, as were other women. The paper will explore how Shirley was subject to the forces of modernity and consumerism at a time when rural women were often limited to domesticity.

Letters from home were always in demand by anyone who travelled overseas. They would bring news of home and what the latest gossip from the family. These letters were sent by Shirley Dunk to her family in Camden when she went to London in 1954. (I Willis)

To read the article about Shirley Dunk and Beth Jackman click here

The article was originally presented at a conference at the University of Warsaw in 2019. To read about the conference click here.

The full citation of the article is:

Ian Willis 2021, “My box of memories”: An Australian Country Girl Goes to London. Anglica,  2021; 30 (1): 53-66. DOI: 10.7311/0860-5734.30.1.04 GICID: 01.3001.0015.3447 Online @ https://anglica-journal.com/resources/html/article/details?id=222778

Shirley Dunk and Beth Jackman travelled to London in 1954 on the RMS Orcades. The ship passage was a time to make new friends and make useful contacts for their time in England. It was a time to relax and have a good time and see the sights of Aden, Colombo, Naples and other exotic spots. (S Dunk)
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Local identities, Colin and Dorothy Clark

Active citizens with a vision for the future

In 2002 the Sydney press commemorated the life and times of Camden identity Colin Clark, a successful pharmacist who served his community, church and family. (SMH 20 May 2002) Colin married Dorothy, and together, they shaped ‘a vision for their future’ in Camden.

My interest in the Clarks was partly prompted by a photograph of a bottle of liquid paraffin sent to me by local resident Nicole Comerford. Colin had dispensed the paraffin to Nicole’s grandmother, Sheila Murdoch of Orangeville.

Liquid Paraffin medicine that Sheila Murdoch purchased from Camden pharmacist Colin Clark in Argyle Street. The bottle dates from the mid-20th century. (N Comerford, 2021)

Colin Clark ran a pharmacy in Argyle Street for over 35 years.  He trained as a pharmacist at the Melbourne College of Pharmacy,  and met Dorothy in Stroud. They married in 1933 at Malvern Hill Methodist Church (Clark, Fix Ears, p.72) before moving to Camden in 1934.

Dorothy was an accomplished musician and an artist. In the mid-1920s, she received a scholarship to the Sydney Art School  (Julian Ashton Art School) (Clark, Fix Ears, p.71), which trained several notable Australian artists.

The Clarks planned to stay in Camden for seven years (Mylrea, Interview) and as things turned out, they stayed a lifetime. (Camden News, 6 August 1981)  Their Methodist faith shaped their worldview and they how fitted into Camden’s rich social fabric and became part of the ‘backbone of the community’. (Camden News, 6 August 1981). They mixed with other Methodist families who amongst others included the Whitemans, the Sidmans and the Stuckeys.

Colin became a well-regarded businessman and Dorothy, a stay-at-home mother. They were respected in all strata of society and mixed with people ‘of so-called high and low estate’. (Clark, Eulogy) 

Colin Clark Camden (Camden Images)

John Kearns argues that John Wesley ‘was an active citizen, concerned with people’s physical, mental and economic welfare as well as their spiritual well-being and he did many good works’. As were the Clarks.

Community service – ‘the backbone of the community’

Colin and Dorothy were community-minded active citizens who constantly devoted their ‘energies to the gentle pursuit of shaping their community’s lifestyle and character’ through several local organisations. (Camden News, 6 August 1981)

Colin was president of the Camden Historical Society from 1968 to 1970 and was made a life member in 1994. He was a foundation member of the Camden Rotary Club and served the club for 33 years. He was a member of the Carrington Hospital Board from 1967 to 1981, made a trustee in 1975 (Camden News 6 August 1981) and to honour his service, the board room was named after him (Clark Eulogy). He was president of the Camden Central School P&C in the early 1950s, a member of the Camden Masonic Lodge and a board member of the Camden Uniting Church. (Clark, Eulogy).

Colin was an active sportsman and participated in tennis, cricket, golf and lawn bowls. He was a foundation member of the Camden Golf Club, an early committee member of the Camden Bowling Club and instrumental in the foundation of the Camden CWA Rooms building.

Dorothy – musician, artist and mother

Dorothy was a musician and an artist with an appreciation of the arts.  She was an accomplished pianist, and in 1936 played the piano at a Methodist ladies ‘towel afternoon’ (Camden News, 6 August 1936). In 1942 she was the pianist for a concert for the troops at the Narellan Military Base (Camden News, 5 February 1942), and in 1952 she played the piano at a fashion parade fundraiser for the Camden Hospital Ladies Auxiliary (Camden News, 2 October 1952). Dorothy was the pianist for the first Camden Musical Society performance. (Camden News 6 August 1981)  

Dorothy Clark was an active member of the Camden Red Cross, Camden District Hospital Auxiliary, and the Camden Country Women’s Association.

Colin Clark (RHS) with fellow Rotarians Geoff McAleer (LHS) and Noel Riordan (centre) in the early development of the Camden Museum in 1969. The Camden Museum opened in 1970. The objects in the picture are the Brunero spinning wheel for spinning wool with a penny farthing bicycle in front. (Camden Images)

Camden Museum – ‘a vision for the future’

In the mid-1960s, Colin and Dorothy had a vision for a local history museum in Camden where a collection of objects and things could tell the local story. (Mylrea, Interview)  The Clark’s view of the world would have seen a museum providing  an educational experience based on authentic objects and stories taken from Camden’s cultural traditions and values, and the individuals who created them. (Willis, Stories and Things)

 The Clark’s vision and enthusiasm encouraged support after initial scepticism. With the help of Camden Rotary Club Colin eventually secured the old council rooms at the rear of the Camden School of Arts and opened a museum in 1970. (Wrigley, Camden Museum)

John Wrigley writes

Colin Clark was the president of the Camden Historical Society at the founding of the Camden Museum in 1970. Colin became a member of the society in 1963 and president in 1968. He was the fourth president of the society. (Wrigley, 2021)

Colin Clark 2nd from left on the 25th Anniversary of the Camden Historical Society in 1995. These fellows were all past presidents of the society and they are L-R: RE Nixon, Colin, Owen Blattman, John Wrigley. They are standing outside the original entry of Camden Museum in the laneway between Camden Library and the Presbyterian Church (Camden Images)

The village apothecary

Colin’s career as a pharmacist fitted into the English tradition of the village apothecary dating back to the 13th century where he was a person who kept a stock of these commodities, and he sold from his shop or street stall

The Clark pharmacy was part of the move  by the early 20th century when the role of pharmacist had shifted to a more scientific approach. There was a move away from compounding towards premanufactured proprietary products and the traditional role of apothecary of the frontier and colonial period. 

Colin recalled, ‘In the 1930s it was quite common to be called upon to dispense a prescription mixture. There were no prepared medicines and it took around 20 minutes to put a script together. There were very few cosmetic preparations.’ (The Crier, 14 November 1979) 

The Clark Chemist shop (on the LHS of the image) was located in the Whiteman’s building in the late 1930s at 90 Argyle Street Camden (Camden Images)

Colin’s pharmacy was initially located in the Whiteman building at 90 Argyle Street when he purchased Niddries business. The pharmacy opened at 8.30am, with half-an-hour for lunch to 8.30pm. The local doctors always ran a night surgery and Colin would be dispensing mixtures for the patients. On Saturday he opened at 8.30am to 1.00pm, then back at 6.00pm to 8.30pm and then Sundays and after-hours calls. ‘It was a very hard life.’ (Mylrea, Interview)  

In the mid-1950s Colin moved the business west along Argyle Street to 108 Argyle Street into the former Greens Ladies Wear. (Mylrea, Interview) His pharmacy was part of what Jill Finch has argued was the advent of patent medicines and manufactured tablets which broadened the range of drugs, and by the 1960s pharmacists were primarily dispensing premanufactured capsules and tablets.

References

Clark, GM 2021, I want to fix ears, Inside the Cochlear Implant story, Iscast, Melbourne.

Clark, Graeme 2002. Eulogy for CC, Camden. 27 March, Camden Museum Archives.

Dwyer, P 1997, Pharmacy Practice Today: An Increased Exposure to Legal Liability, UNSW Law Journal, vol. 20, no. 3, pp. 724-759.

Finch, J 2017, Pharmacy – Cultural Artefact, Companion to Tasmanian History, viewed 05 September 2021, <http://www.utas.edu.au/tasmanian-companion/browse_r_concepts.htm>.

Kearns, Adrian J. “Active Citizenship and Urban Governance.” Transactions of the Institute of British Geographers, vol. 17, no. 1, 1992, pp. 20–34. JSTOR, http://www.jstor.org/stable/622634. Accessed 4 Sept. 2021.

Mylrea, Peter 1994. Transcript of an Interview with CC, Camden, 12 November, 19 November, 10 December 1993, 19 January 1994, Camden Museum Archives.

Mylrea, Peter 2001. ‘Camden Historical Society, Its First 25 Years, 1957-1982’. Camden History, Vol 1, No 1, March 2001, p.11.

Mylrea, Peter 2001. ‘Glimpses of Camden, Interview with Colin Clark’. Camden History, Vol 1, no 2, September 2001, pp.24-28.

The Worshipful Society of Apothecaries 2021, Origins, The Worshipful Society of Apothecaries, viewed 05 September 2021, <https://www.apothecaries.org/history/origins/>.

Urick, B. Y., & Meggs, E. V. (2019). Towards a Greater Professional Standing: Evolution of Pharmacy Practice and Education, 1920-2020. Pharmacy (Basel, Switzerland), 7(3), 98. https://doi.org/10.3390/pharmacy7030098

Willis, I. 2009. ‘Stories and things: the role of the local historical society, Campbelltown, Camden and The Oaks’. Journal of the Royal Australian Historical Society, 95(1), 18–37. https://search.informit.org/doi/10.3316/ielapa.200906492

Worthing, M 2015, Graeme Clark, The man who invented the bionic ear, Allen & Unwin, Sydney.

Wrigley, John 2020. ‘The Rise and Rise of the Camden Museum, Celebrating Fifty Years!’, Camden History, Vol 4, no 9, March 2020, p405.

Wrigley, John 2021, ‘Colin Clark’. Typescript, Camden Museum.

Camden Bowling Club · Carrington Aged-Care Complex · Catholic Women's League · Community identity · Community work · Cultural Heritage · Entertainment · Family history · Genealogy · Heritage · Living History · Local History · Local Studies · Memory · Motherhood · Music · Music history · Orangeville · Place making · Radical history · Roman Catholic Church · Second World War · Sense of place · Storytelling · The Oaks · Volunteering · Volunteerism · Wartime · Weddings · Wollondilly Shire Council · Women's history

An amazing woman, Sheila Murdoch

Community worker, musician and mother.

Sheila Murdoch was a rural woman who served her community and church and raised a family of five children. Her story, like a lot of other rural women, has remained in the shadows of history. She did not seek kudos and received little public acknowledgement of her role in the community.

Sheila with her granddaughter Nicole (N Comerford, 2021)

Her story came to my attention through a picture of a medicine bottle from her granddaughter Nicole Comerford. Sheila had obtained a bottle of liquid paraffin from Camden pharmacist Colin Clark.

Liquid Paraffin medicine that Sheila Murdoch purchased from Camden pharmacist Colin Clark in Argyle Street. The bottle dates from the mid-20th century. This is the bottle that led to this story about Sheila. (N Comerford, 2021)

What is liquid paraffin?

According to The British Medical Journal, liquid paraffin was recommended as a treatment for constipation as a laxative, particularly with children. A Google search of the bottle’s image indicates it is probably around the middle of the 20th century.

The real story is not the bottle but an amazing woman who owned it.

Sheila

Nicole tells us that Sheila lived on a dairy farm on Fallons Road Orangeville.  

‘Grandma was born Sheila Rose Walsh and was one of seven children. Her parents were dairy farmers in Upper Kangaroo River (Kangaroo Valley).’

Musical family

The Walshes were ‘a musical family’, according to Nicole.

Sheila had an interview with Kayla Osborne from the Camden Advertiser in 2018 (6 July 2018). She  said, ‘I learnt to play the piano when I was about eight or nine years old, firstly from my mother, and then an old school teacher started teaching me during the 1930s when teachers were quite scarce.’   

‘I am also self-taught, but my family has always been a musical one when I was growing up.

Sheila told Kayla Osborne that she was fond of music from an early age and recalled, ‘my father and mother always used to sing together, with my father playing the fiddle by ear.’

‘Most of my brothers and sisters also played an instrument or sang.’ Sheila was part of a well-known local band in the Shoalhaven area called ‘Walsh’s Orchestra’.

Sheila Murdoch played the piano from an early age. She regularly played at Carrington Aged-Care Complex with the Melody Makers. I was told by one member of the group that she could play any tune in any key. Now that is quite an achievement. (Camden Advertiser, 2018)

Nicole writes, ‘Grandma played the piano, and they played all over the Shoalhaven District over many years, including during WW2. She met my grandfather, Leslie Murdoch, after joining their orchestra  when he was stationed at Nowra during the war. Grandad was a mechanic for the RAAF at Nowra.’ 

Les was from the Newcastle area, born at Adamstown in 1922, and in 1941 enlisted in the Royal Australian Air Force. On discharge in 1946 he had the rank of corporal.

Les played the saxophone [Weir, p. 33]

The South Coast country press reported the regular ‘gigs’ played by the Walsh Orchestra in the Shoalhaven area between the mid-1930s and the Second World War.   In 1936 they performed at the St Michael’s Convent School Hall in Nowra (Nowra Leader, Friday 26 June 1936) and the Roman Catholic Ball at the Kangaroo Valley School of Arts in 1938. The ball drew loyal church supporters from Burrawang, Gerringong, Nowra and Berry for the jubilee celebrations for the Kangaroo Valley Roman Catholic Church.

Reports of the dance said that the stage was ‘tastefully decorated with streamers and clusters of balloons’ surrounded by a vase of chrysanthemums and maidenhair ferns’. The orchestra was under the baton of Jack Butler. (Shoalhaven News, 1 June 1938). The band played at the annual ball and euchre party of the Kangaroo Valley RSS&AILA in 1939 (Shoalhaven News, 13 September 1939) and the Gerringong Football Club’s dance and euchre party at Gerringong in 1944. (Kiama Independent, and Shoalhaven Advertiser, 17 June 1944).

Sheila and Leslie married in March 1945 at Berry [Nicole] and moved to Orangeville in 1946 (Camden Advertiser, 6 July 2018) after  he was discharged from the RAAF.

Sheila with her great-grandchildren at the farm (N Comerford, 2020)

Thornhill, Orangeville

Nicole writes, ‘They had little money when they moved there, really the only money they had saved from playing for dances and what Grandma had in war bonds. They grew peas until they had enough money to start dairying, and over the years, they purchased all of the farm from other family members; it was named “Thornhill”. The farm has been in the family since the 1850s and was a dairy farm.

‘The farm was an active dairy farm until the 1970s. They sold half of the farm, and it’s now about 92 acres. The half they sold is now Murdoch Road, Orangeville. Grandad (Les) lived on the farm until he died in 2001, and Grandma (Sheila) lived there on her own (with lots of support from her family) until at age 101. My parents, Jim and Judith Murdoch, still live on the farm, and my Dad runs about 15 beef cattle.

In her history of Orangeville, Nell Weir writes that the Thornhill grant was allocated to Thomas Fallon in 1856, with the farm having frontage to Clay Waterholes Creek. Thomas married Eliza Waller of Mulgoa in 1840, and they had ten children. Thomas died in 1879 and is buried in The Oaks Catholic Cemetery. According to Weir, Les Murdoch is a descendant of Thomas and Eliza’s son Thomas. [Weir, pp.32-33]

Sheila in the centre of the image with the rest of her family. All generations. (N Comerford, 2021)

Family

Nicole writes, ‘Sheila and Les had six children with the first being a stillborn daughter who we think are buried at the Catholic Cemetery in Camden. There are no records for this birth; I am pretty sure Grandma had this baby at what is now Neidra Hill’s house at Narellan.’

The house in question is the Edwardian architectural gem called Ben Linden. The house was built in 1919 by George Blackmore. Neidra Hill writes in her history of the house that EJ (Elizabeth) Stuckey, a trained midwife, purchased the house in 1944 conducted a maternity hospital until 1948. The hospital was then run by her daughter, JT (Jean) Stuckey, until 1959. The building was converted to a private hospital run by ME (Mavis) Halkett until it closed in 1971. (Hill, 2008, pp.27-37)

Community

Nicole recalls that ‘my grandparents were very active in the community’.  

‘Sheila and Leslie played at dances and weddings all over the community for many years and were very well known. Grandma and Grandad played in The Oaks, Orangeville, Camden and down to Bargo. I think they played at Bargo on New Year’s Eve several times. They also played at Camden High School socials.’

‘When I shared news of Grandma’s death on the “You know you’re from Camden if…” Facebook page, lots of people commented that they remember them playing at their weddings.’

‘Grandma also played the organ, firstly at St Pauls Catholic Church in Camden and then at St Aloysius Catholic Church at The Oaks when the parish boundaries changed. Grandma was still playing on her 101st birthday at The Oaks.

Sheila played the piano for The Oaks Debutante Balls until she retired in 1998. The ball committee have written that Sheila played piano for practice and presentation sessions for 23 years and they remember her ‘sitting at the piano for so many hours in freezing cold conditions’. (The Committee, p14)

She said, ‘It was lovely to see the young “hopefuls’ turn up – the boys mostly in “Nikes” or “Ugg” Boots – to learn dancing. We always found the young people very polite and happy when they got into the swing of the dances.’ (The Committee, p.14)

Myra Cowell recalls on Facebook that she ‘remembers them well playing at the Cobbitty dances’

Nicole said, ‘Grandma was a member of The Oaks Catholic Woman’s League and held various roles over the years, including president.

The Catholic Women’s League in NSW can trace its origins back to 1913, when the Catholic Women’s Association was founded in Sydney. The league aims to promote ‘the spiritual, cultural, intellectual and social development of women and promotes the role of laywomen in the mission of the Catholic Church’.

Camden Bowling Club

Nicole recalls, ‘Both my grandparents were involved in the Camden Bowling Club, and Grandma was a foundation member of the Camden Women’s Bowling Club. She also played the piano at many events there over the years.’ 

Frank Farrugia writes in the history of the Camden Bowling Club that Les was president from 1967 to 1969 after joining the club in 1961. He served on the committee for over 15 years and worked for the club for over 25 years. To acknowledge his service, he was made a life member. The new No 3 Green at the club was dedicated to Les, and at its opening in 1986, John Fahey said that Les gave ‘himself to his church, his family, to sporting bodies and local government’. (Farrugia, p. 146) Les was a councillor for A Riding on Wollondilly Shire Council for four terms from 1974 to 1987. (History of WSC) Frank McKay praised ‘Les’s loyalty, objectivity and dedication’. (Farrugia, p.146)

Les Murdoch (N Comerford)

Melody Makers

‘For over 50, maybe even 60 years, Grandma volunteered at Carrington Aged-Care complex every Friday morning and in later years was part of a group called the “Melody Makers” who played there. She continued to play the piano there while she was resident and even did so in the week before she died. We always used to laugh the way she would talk about playing for “the oldies” when most of them would have been younger than her!’ writes Nicole. 

The Melody Makers at Carrington Aged-Care in 2018 on Sheila’s 100th Birthday with Laurie on Sax, George on violin, and Kevin on guitar (Camden Advertiser, 2018)

On Sheila’s 100th birthday in 2018, Kayla Osborne wrote in the Camden Advertiser (6 July 2018) that Sheila and the Melody Makers played weekly at Carrington Aged-Care. Sheila said she started volunteering at Carrington Aged-Care and the aged care facility to give back to her community. She said, ‘I started with the Pink Ladies, who were some of Carrington’s very first volunteers.’

‘I love playing the piano at Carrington Aged-Care Complex now, and I consider playing for the residents there just pure enjoyment. I particularly enjoy the company – nobody objects no matter how bad we play.’

Carrington Volunteer Coordinator Belinda said, ‘I was privileged enough to see them play a few times. Sheila was absolutely phenomenal with her piano skills, Laurie accompanied on sax, Richard (also now passed) played the keyboard and the singer and guitarist, Kevin. (Email, 30 August 2021)

The Melody Makers here with Laurie on sax, Kevin on guitar and George on violin. Laurie had a fine career as military bandsman. (c.2017, Carrington Care)

A Carrington source tells me that the Melody Makers was made up of Laurie Martin on saxophone and clarinet, George Sayers on violin, Kevin Harris on guitar, Dick Eldred on clarinet, pianist Sheila and in the early days in late 1990s John Foster on trombone. Most of these talented folk sadly are no longer with us.

Melody Maker guitarist and vocalist Kevin Harris said, ‘I joined the group in the late 1990s. Sheila was “God’s gift to music”. She played at Carrington for 60 years.’

‘The group played at Carrington Aged-Care every Friday around each of the different facilities – Grasmere Terrace, Nursing home, Paling Court and so on. We had over 2000 regular songs. We would never practice. [The group] played for two hours from 10-12, then everyone would go to lunch ,’ he said.

Kevin recalled, ‘My favourite memory was just playing for over 20 years. I have wonderful memories. Playing each week made friendships. Just a love of music and we shared that love with other people. [The members of Melody Makers] were great troopers and there was so much love between all of us and our families.’

‘[Melody Makers] did jobs outside [of Carrington]. Macarthur War Widows and Legacy War Widows at Legacy House in Campbelltown. We played for the Over 50s at the Catholic Club, and Christmas Parties and Mothers’ Day in and around Campbelltown and Appin,’ he said.

Kevin said, ‘ Most of the group had a musical background. Laurie military bands, George came from a family of entertainers, Jack played in World War Two and I played around the Campbelltown area from the 1960s including a 19-piece swing band based at Wayne’s Music Shop.’

Carrington Aged-Care

Nicole writes that ‘Leslie died in 2001 and is buried in the Catholic Cemetery at The Oaks. In September 2019, Sheila moved to Mary McKillop Hostel at Carrington Aged-Care Complex off the farm because of the increased level of care needed for her health.

Sheila became part of the Carrington family after she moved into aged-care.

Sheila Murdoch loved children and joined in activities at Carrington, Her she is participating with the ‘littlies’ in Carrington’s Intergenerational Playgroup March 2020 (Carrington Care, 2020)

Nicole said, ‘Grandma [Sheila] passed away at Mary McKillop on 29th May 2020.’

The surviving five children are Patricia, James (my Dad), Frances, Mary and Peter.’

References

Farrugia, F 2014, History of Camden Bowling Club, 75 Years, Camden Bowling Club, Camden.

Hill, N 2008, Ben Linden 1919-2008, A house with a story to tell, Typescript Camden Museum Archives, n.p.

The Oaks Debutante Ball Book Committee 2001, We Had a Ball, Twenty-five Debutante Balls in The Oaks 1973-1999, The Committee, The Oaks.

Weir, NR 1998, From Timberland to Smiling Fields, A History of Orangeville and Werombi, The Oaks Historical Society, The Oaks.

Wollondilly Shire Council 1988, A History of Local Government in the Wollondilly Shire 1895 to1988, Wollondilly Shire Council, Picton.