In late August 1928 two Camden colonial families celebrated the marriage of Keith Whiteman to Alice Margaret (Marge) McIntosh. This was an important local wedding between two local families of some importance and social status. The McIntoshes conducted a very successful dairy operation on the family property of Denbigh at Cobbitty, while the Whiteman family were successful Camden retailers.
Both families had colonial origins. Members of the Whiteman family had immigrated to New South Wales in 1839 from Sussex to work on Camden Park Estate. While the McIntoshes had immigrated to New South Wales from the Inverness region of the Scottish Highlands in the 1860s.
The wedding ceremony was a relatively small country wedding of 60 guests given the social profile and economic position of both families. The wedding ceremony was held in the historic setting of St Pauls Anglican Church at Cobbitty. St Pauls was the centre of village of Cobbitty and an expression of its Englishness, which was typical of a number of villages across the Camden District. The church was originally built under the direction of Galloping Parson Thomas Hassall in 1842 and adjacent to his 1828 Heber Chapel.
The church was decorated with a simple floral arrangement of white flowers and asparagus fern, according to the press reports (CN 20 Sept 1928). The white flowers for the August wedding were likely to have been, according to Angela Wannet of Butterflies Florist in Camden, local calla lillies, oriental lillies, and carnations with trailing ivy. The floral displays in the church, while not elaborate, indicated that the families did not spare any expense on this important family celebration.
Bride and Groom
Cobbitty born 33 year old bride Marge McIntosh was the fourth child of Andrew and Ada McIntosh of the colonial property of Denbigh at Cobbitty. Denbigh is one of the oldest gentry properties on the Cowpastures and listed on the state heritage register. It was originally an 1812 land grant to Charles Hook, then by the Galloping Parson Thomas Hassall (1826-1886) followed by the McIntosh family. The family first leased the property in 1868 and then purchased it off the Hassall family in 1886. The State Heritage Inventory States that the house and property ‘retains a curtilage and setting of exceptional historic and aesthetic significance’.
Camden born 28 year old bridegroom Keith Whiteman was the second child of Fred and Edith Whiteman of Melrose at 69 John Street, Camden. Melrose was a significant Edwardian brick cottage on John Street Camden. The Whiteman family had significant business interests in Argyle Street Camden including a general store and newsagency. Keith and his brother Charles gained control of the general store 12 months after Keith’s wedding on the death of father Fred. The original Whiteman’s general opened in Oxley Street in 1877, and later moved to Argyle Street. It was according The Land Magazine ‘reminiscent of the traditional country department store’. (28 February 1991) and at the time of the report on the oldest family-owned department stores in Australia.
The fashionable bride
We are lucky to have a wonderful photograph of the bride Marge McIntosh in her wedding gown at Denbigh. It provide many clues to the importance of the wedding to both families and their no-nonsense approach to life. While not an extravagant wedding the bride’s outfit reflects that no expense was spared on the gown and floral decorations for the bouquet and the church decorations. The design of the outfits, as described in the press reports and in the photograph, reflect the influence of modernism and the fashions from Paris and London. This was a moderne wedding in the country between two individuals of some social status.
The fashions worn by the wedding party, according to the press reports of the day, were the height of modernism. The bride wore a classic 1920s design described as a ‘simple frock of ivory Mariette over crepe-de-chen’ of light weight silk crepe as a backing, which was quite expensive. The made-to-order gown was fitted and, according to one source, likely to be hand-made by a Sydney-based dressmaker. The Mariette style of wedding gown is still a popular choice in England for brides-to-be if wedding blogs are any indicator of trends. The bride’s gown was a fashionable length for 1928 with the hemline just below the knee.
The bride’s veil was white tulle, with a bouquet of pink and white carnations. The bride’s shoes have been described by one local source in the shoe industry as a hand-made white leather shoe, with a strap, and a three inch heel. They would have likely been hand-made by one of the four or five Sydney shoe firms of the day, some of which were located around Marrickville.
Marge McIntosh wore a headdress of a ‘clothe’ veil style, which was popular at the time. The veil was ‘white tulle mounted over pink, formed the train and held in place with a coronet of orange blossom and silver’. The elaborate wedding floral bouquet, according to press reports, were made up of white and pink carnations and according to Angela Wannet who viewed the brides wedding photo was complemented by lillies and fern.
The history of wedding robes as a part of the celebration of the wedding festivities dates back the ancient Chinese and Roman civilizations. The first recorded mention of the white wedding dress in European history is 1406 when the English Princess Philippa married Scandinavian King Eric. In the British Empire the Industrial Revolution and the marriage of Queen Victoria to her first cousin Prince Albert in 1840 changed all that. The fitted wedding dress with a voluminous full skirt became the rage after their wedding. The British population romanticized their relationship and young women rushed to copy their Queen. The beauty of the bride was enhanced with the rise of wedding photography and did much to popularise the white-wedding dress trend.
Our moderne bride at Cobbitty was attended by her sister Etta (Tottie) McIntosh in a frock of apricot georgette, and the bridegroom’s sister Muriel Whiteman who wore a blue georgette, with hats and bouquets toned with their frocks. Georgette is a sheer fabric with a good sheen that is difficult to work, and requires a good dressmaker. The fabric is difficult to cut out and sew, and according to one source is easy to snag. The dressmaker exhibited her skill and experience with her handcrafted sewing, if the wedding photo of the bride, Marge McIntosh, is anything to go by.
The groom had his brother Charles Whiteman act as best man, and an old school friend from Albury Mr T Hewish as groomsman.
The wedding guests retired to a reception at the McIntosh’s historic colonial property of Denbigh, where the bride and groom were honoured with the ‘usual toasts’ and many congratulatory telegrams. A master of ceremony would have stuck to a traditional wedding reception with introduction of the bride and groom, then toasts, with a response speech from the father of the bride, more toasts, responses by groom’s father, followed by the reading of telegrams. The McIntosh family household would have likely provided the catering for the wedding.
Amongst the wedding gifts was a rose bowl from the Camden Tennis Club and a silver entre dish from the staff at FC Whiteman & Sons. These gifts reflect the interests and importance of the bride and groom in these organisations. Tennis was a popular pastime in the Camden area in the 1920s and some Camden tennis players did well at a state level in competitions. The entre dish would have been a plain design reflecting the influence of 1920s modern styling, rather than the ornate design typical of Victorian silverware.
The bride’s going away outfit was ‘a smart model dress of navy blue and a small green hat’. This would likely have been a fitted design typical of the style typical of the period and the influence of modernism in fashions in London and Paris.
The bride and groom left for a motoring honeymoon spent touring after the wedding festivities. In the 1920s motor touring was just starting to gain popularity as cars became more common and roads improved. Coastal locations and mountain retreats with their crisp cool air at in August were popular touring destinations in the 1920s.
The wedding photograph of Marge McIntosh in her bridal gown, like historical photographs in general, is a snapshot in time. The image provides a level of meaning that contemporary written reports in the Camden press does not contain. The photograph provides subtle detail that can fill out the story in great detail to the inquisitive researcher.
While the wedding reports did not make the social pages of the Sydney press it does not understate the importance of this union at a local level in the Camden community. It would be interesting to speculate if there were similar weddings between other Camden families.
The visual and written reports of the wedding give a new insight into life in Camden in the 1920s and how the community was subject to external transnational influences from all corners of the globe. Many claim that country towns like Camden were closed communities and in many respects that is true. For these two Camden families, they were subject to the forces of international fashion as well as those of maintaining the social sensibilities of their community.
Press reports of wedding Camden News 20 September 1928
View wedding photographs on Camden Images Past and Present
For something a little bit different here is the history of the wedding dress on JSTOR
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