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The Camden district, 1840-1973, a field of dreams,

It is hard to imagine now, but in days gone by, the township of Camden was the centre of a large district. The Camden district became the centre of people’s daily lives for over a century and the basis of their sense of place and community identity.

The Camden district was a concept created by the links between peoples’ social, economic and cultural lives across the area. All are joined together by a shared cultural identity and cultural heritage based on common traditions, commemorations, celebrations and rituals. These were reinforced by personal contact and family kinship networks. The geographers would call this a functional region.

Map Camden District 1939[2]
Map of the Camden district in 1939 showing the extent of the area with Camden in the east. The silver mining centre of Yerranderie is in the west. (I Willis, 1996)

The Camden district ran from the Main Southern Railway around the estate village of Menangle into the gorges of the Burragorang Valley in the west. The southern boundary was the Razorback Ridge and in the north, it faded out at Bringelly and Leppington.

The district grew to about 1200 square kilometres with a population of more than 5000 by the 1930s through farming and mining.  Farming started with cereal cropping and sheep, which turned to dairying and mixed farming by the end of the 19th century. Silver mining started in the late 1890s in the Burragorang Valley, and coal mining from the 1930s.

burragorang-valley Sydney Water
Burragorang Valley (Sydneywater)

The district was centred on Camden and there were several villages including Cobbitty, Narellan, The Oaks, Oakdale, Yerranderie, Mt Hunter, Orangeville and Bringelly.  The region comprised four local government areas – Camden Municipal Council, Wollondilly Shire Council, the southern end of Nepean Shire and the south-western edge of Campbelltown Municipality.

Cows and more

Before the Camden district was even an idea, the area was the home of ancient Aboriginal culture based on Dreamtime stories. The land of the Dharawal, Gundangara and the Dharug.

The Europeans turned up in their sailing ships. They brought new technologies, new ideas and new ways of doing things. The First Fleet cows did not think much of their new home in Sydney. They escaped and found heaven on the Indigenous-managed pastures of the Nepean River floodplain.

1932_SMH_CowpastureCattle_map
Map of Cowpastures SMH 13 August 1932

On discovering the cows, an inquisitive Governor Hunter visited the area and called it the Cow Pasture Plains. The Europeans seized the territory, allocated land grants, and displaced the Indigenous occupants.  They created new land in their own vision of the world.  A countryside comprised of large pseudo-English-style estates, an English-style common called The Cowpasture Reserve and English government men to work it called convicts. The foundations of the Camden district were set.

A river

The Nepean River was at the centre of the Cowpastures and the gatekeeper for the wild cattle.  The Nepean River, which has Aboriginal name of Yandha, was named by Governor Arthur Phillip in 1789 in honour of Evan Nepean, a British politician.

The Nepean River rises in the ancient sandstone country west of the Illawarra Escarpment and Mittagong Range around Robertson. The shallow V-shaped valleys were ideal locations for the Upper Nepean Scheme dams built on the tributaries to the Nepean, the Cordeaux, Avon, and Cataract.

Nepean River Cowpastures

The river’s catchment drains northerly and cuts through deep gorges in the  Douglas Park area. It then emerges out of the sandstone country and onto the floodplain around the village of Menangle. The river continues in a northerly direction downstream to Camden, then Cobbitty, before re-entering the sandstone gorge country around Bents Basin, west of Bringelly.

The river floodplain and the surrounding hills provided ideal conditions for the woodland of ironbarks, grey box, wattles and a groundcover of native grasses and herbs.  The woodland ecology loved the clays of Wianamatta shales that are generally away from the floodplain.

The ever-changing mood of the river has shaped the local landscape.  People forget that the river could be an angry raging flooded torrent, set on a destructive course. Flooding shaped the settlement pattern in the eastern part of the district.

Camden Airfield 1943 Flood Macquarie Grove168 [2]
The RAAF Base Camden was located on the Nepean River floodplain. One of the hazards was flooding, as shown here in 1943. The town of Camden is shown on the far side of the flooded river. (Camden Museum)

A village is born

The river ford at the Nepean River crossing provided the location of the new village of Camden established by the Macarthur brothers, James and William. They planned the settlement on their estate of Camden Park in the 1830s and sold the first township lots in 1840. The village became the transport node for the district and developed into the area’s leading commercial and financial centre.

Camden St Johns Vista from Mac Pk 1910 Postcard Camden Images
Vista of St. Johns Church from the Nepean River Floodplain 1910 Postcard (Camden Images)

Rural activity was concentrated on the new village of Camden. There were weekly livestock auctions, the annual agricultural show and the provision of a wide range of services. The town was the centre of law enforcement, health, education, communications and other services.

The voluntary community sector started under the direction of mentor James Macarthur. His family also determined the moral tone of the village by sponsoring local churches and endowing the villagers with parkland.

Camden Mac Park
Camden’s Macarthur Park was endowed to the residents of Camden by Sibella Macarthur Onslow in the early 20th century (I Willis, 2016)

Manufacturing had a presence with a milk factory, a timber mill and a tweed mill on Edward Street that burnt down.   Bakers and general merchants had customers as far away as the  Burragorang Valley, Picton and Leppington, and the town was the publishing centre for weekly newspapers.

Macarthur Bridge View from Nepean River Floodplain 2015 IWillis
Macarthur Bridge View from Nepean River Floodplain 2015 IWillis

The Hume Highway, formerly the Great South Road, ran through the town from the 1920s and brought the outside forces of modernism, consumerism, motoring, movies and the new-fangled-flying machines to the airfield.  This re-enforced the market town’s centrality as the district’s commercial capital.

Burragorang Valley

In the western extremities of the district, there were the rugged mountains that made up the picturesque Burragorang Valley. Its deep gorges carried the Coxes, Wollondilly and Warragamba Rivers.

Burragorang Valley Nattai Wollondilly River 1910 WHP
The majestic cliffs and Gothic beauty of the Burragorang Valley on the edges of the Wollondilly River in 1910 (WHP)

Access was always difficult from the time that the Europeans discovered its majestic beauty. The Jump Up at Nattai was infamous when Macquarie visited in 1815.  The valley became an economic driver of the district, supplying silver and coal hidden in the dark recesses of the gorges. The Gothic landscape attracted tourists who stayed in one of the many guesthouses to sup the valley’s hypnotic beauty.

Burragorang V BVHouse 1920s TOHS
Guesthouses were very popular with tourists to the Burragorang Valley before the valley was flooded after the construction of Warragamba Dam. Here showing Burragorang Valley House in the 1920s (The Oaks Historical Society)

The outside world was linked to the valley through the Camden railhead and the daily Camden mail coach from the 1890s. Later replaced by a mail car and bus.

Romancing the landscape

The district landscape was romanticised by writers, artists, poets and others over the decades. The area’s Englishness was first recognised in the 1820s.   The district was branded as a ‘Little England’ most famously during the 1927 visit of the Duchess of York when she compared the area to her home.

The valley was popular with writers. In the 1950s, one old timer, an original Burragoranger, Claude N Lee, wrote about the valley in ‘An Old-Timer at Burragorang Look-out’. He wrote:

Yes. this is a good lookout. mate,

What memories it recalls …

For all those miles of water.

Sure he doesn’t care a damn;

He sees the same old valley still,

Through eyes now moist and dim

The lovely fertile valley

That, for years, was home to him.

Camden John St (1)
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

By the 1980s, the Sydney urban octopus had started to strangle the country town and some yearned for the old days. They created a  country town idyll.  In 2007 local singer song-writer Jessie Fairweather penned  ‘Still My Country Home’. She wrote:

When I wake up,

I find myself at ease,

As I walk outside I hear the birds,

They’re singing in the trees.

Any then maybe

Just another day

But to me I can’t have it any other way,

Cause no matter when I roam

I know that Camden’s still my country home.

The end of a district and the birth of a region

The seeds of the destruction of the Camden district were laid as early as the 1940s with the decision to flood the valley with the construction of the Warragamba Dam. The Camden railhead was closed in the early 1960s and the Hume Highway moved out of the town centre in the early 1970s.

Macarthur regional tourist guide
Macarthur Regional Tourist Promotion by Camden and Campbelltown Councils

A new regionalism was born in the late 1940s with the creation of the federal electorate of  Macarthur, then strengthened by a new regional weekly newspaper, The Macarthur Advertiser, in the 1950s.   The government-sponsored and ill-fated Macarthur Growth Centre of the early 1970s aided regional growth and heralded the arrival of Sydney’s rural-urban fringe.

Today Macarthur regionalism is entrenched with government and business branding in an area defined by the Camden, Campbelltown and Wollondilly Local Government Areas.  The Camden district has become a distant memory, with remnants dotting the landscape and reminding us of the past.

Updated 20 April 2023. Originally posted 19 February 2018.

Agency · Agriculture · Agriculture history · Attachment to place · Belonging · British colonialism · Camden · Cawdor · Cobbitty · Colonial Camden · Colonial frontier · Colonialism · Community identity · Cowpastures · Cowpastures Estates · Cowpastures Gentry · Cultural Heritage · Cultural icon · Denbigh · Economy · Elderslie · England · Farming · Georgian · Gothic · Harrington Park · Heritage · History · Hope and loss · House history · Indigenous Heritage · Johm Macarthur · John Oxley · Kirkham · Landscape · Lifestyle · Local Studies · localism · Macarthur · Maryland · Menangle · Myths · Picton · Pioneers · Place making · Placemaking · Sense of place · Settler colonialism · Settler Society · Storytelling · The Oaks · Urban growth

The Cowpastures’ English-styled-gentry and their private villages

A certain type of Englishman

These Englishmen were also known as the Cowpastures gentry, a pseudo-self-styled-English gentry.

All men, they lived on their estates when they were not involved with their business and political interests in Sydney and elsewhere in the British Empire.

By the late 1820s, this English-style gentry had created a landscape that reminded some of the English countryside. This was particularly noted by another Englishman, John Hawdon.

There were other types of English folk in the Cowpastures, and they included convicts, women, and some freemen.

EstateExtent (acres)Gentry  (principal)
Abbotsford (at Stonequarry, later Picton)400 (by 1840 7,000)George Harper (1821 by grant)
Birling Robert Lowe
Brownlow Hill (Glendaruel)2000 (by 1827 3500)400 (by 1840, 7,000)
Camden Park2000 (by 1820s, 28,000)John Macarthur (1805 by grant, additions by grant and purchase)
Cubbady500Gregory Blaxland (1816 by grant)
Denbigh1100Charles Hook (1812 by grant), then Rev Thomas Hassall (1828 by purchase)
Elderslie (Ellerslie)850John Oxley (1816 by grant), then Francis Irvine (1827 by purchase), then John Hawdon (1828 by lease)
Gledswood (Buckingham)400John Oxley (1816 by grant), then Francis Irvine (1827 by purchase), then John Hawdon (1828 by lease)
Glenlee (Eskdale)3000William Howe (1818 by grant)
Harrington Park2000Gabriel Louis Marie Huon de Kerilliam (1810 by grant), then James Chisholm (1816 by purchase)
Jarvisfield (at Stonequarry, later Picton)2000Henry Antill (by grant 1821)
Kenmore600John Purcell (1812 by grant)
Kirkham1000William Campbell (1816 by grant), then Murdock Campbell, nephew (1827 by inheritance)
Macquarie Grove400Rowland Hassall (1812 by grant)
Matavai Farm200Jonathon Hassall (1815 by grant)
Maryland Thomas Barker
Narallaring Grange700John Oxley (1815 by grant), then Elizabeth Dumaresq (1858 by purchase)
Nonorrah John Dickson
Orielton1500William Hovell (1816 by grant), then Frances Mowatt (1830 by purchase)
Parkhall (at St Marys Towers)3810Thomas Mitchell (1834 by purchase)
Pomari Grove (Pomare)150Thomas Hassall (1815 by grant)
Raby3000Alexander Riley (1816 by grant)
Smeeton (Smeaton)550Charles Throsby (1811 by grant)
Stoke Farm500Rowland Hassall (1816 by grant)
Vanderville (at The Oaks)2000John Wild (1823 by grant)
Wivenhoe (Macquarie Gift)600Edward Lord (1815 by grant), then John Dickson (1822 by purchase)

This Charles Kerry Image of St Paul’s Anglican Church at Cobbitty is labelled ‘English Church Cobbitty’. The image is likely to be around the 1890s and re-enforces the notion of Cobbity as an English-style pre-industrial village in the Cowpastures (PHM)

Private villages in the Cowpastures

VillageFounder (estate)Foundation (Source)
CobbittyThomas Hassall (Pomari)1828 – Heber Chapel (Mylrea: 28)
CamdenJames and William Macarthur (Camden Park)1840 (Atkinson: Camden)
ElderslieCharles Campbell (Elderslie)1840 – failed  (Mylrea:35)
Picton (Stonequarry in 1841 renamed Picton in 1845)Henry Antill   (Jarvisfield)1841  (https://www.aussietowns.com.au/town/picton-nsw#:~:text=Origin%20of%20Name,at%20the%20Battle%20of%20Waterloo.)
WiltonThomas Mitchell (Parkhall)1842 – failed (https://www.towersretreat.org.au/history/park-hall-east-bargo-1841-1860)
The OaksMrs John Wild (Vanderville)1858 (https://en.wikipedia.org/wiki/The_Oaks,_New_South_Wales)
MenangleJames and William Macarthur (Camden Park)1863 – arrival of railway (https://camdenhistorynotes.com/2014/02/16/menangle-camden-park-estate-village/)
   

Updated on 26 May 20223. Originally posted on 28 May 2022 as ‘The Englishmen of the Cowpastures’

Aesthetics · Agricultural heritage · Agriculture · Attachment to place · Camden · Camden Airfield · Camden Show · Churches · Cobbitty · Colonial Camden · Colonialism · Community identity · Cultural Heritage · Cumberland Plain · Farming · Floods · Heritage · History · Living History · Local History · Local Studies · Macarthur Park · Onslow Park · Place making · Railway · Sense of place · Storytelling · Tourism

Camden, the best preserved country town on the Cumberland Plain

A country town on Sydney’s fringe

The cultural heritage of the local area makes the historic town of Camden, according to Sydney architect Hector Abrahams, the best preserved country town on the Cumberland Plain (Camden Advertiser, 28 June 2006).

Comment by architect Hector Abrahams that Camden was the best preserved country town rural town in the Cumberland Plain. Camden Advertiser 28 June 2006.

The town was established in 1840 on the Macarthur family estate of Camden Park Estate in the Cowpastures on the banks of the Nepean River.

Vista of St Johns Church from Macarthur Park in 1910. Postcard. (Camden Images)

The township provides a glimpse of life from times gone past with the charm and character with its Victorian style built heritage and early 20th century cottages and commercial buildings.


The visitor can experience Camden’s historic charm by walking around the town’s heritage precinct by following the Camden Heritage Walk.

Camden Heritage Walk (Camden Council)

A free booklet can be obtained from Oxley Cottage (c1890), the Camden Visitor Information Centre, which is located on Camden Valley Way on the northern approaches to Camden. Oxley Cottage is a farmer’s cottage built on land that was granted to John Oxley in 1816.

St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)

Camden’s heritage precinct is dominated by the church on the hill, St John’s Church (1840) and the adjacent rectory (1859). Across the road is Macarthur Park (1905), arguably one of the best Victorian-style urban parks in the Sydney area. In the neighbouring streets there are a number of charming Federation and Californian bungalows.

Stuckey Bros Building Bakers Argyle Street Camden c1941 (I Willis 2012)
Stuckey Bros Building Bakers Argyle Street Camden c1941 (I Willis 2012)

A walk along John Street will reveal the single storey police barracks (1878) and court house (1857), the Italianate style of Macaria (c1842) and the Commercial Bank (1878). Or the visitor can view Bransby’s Cottage (1842) in Mitchell Street, the oldest surviving Georgian cottage in Camden. A short stroll will take the visitor to the Camden Museum, which is managed by the Camden Historical Society. The museum is located in John Street in the recently redeveloped Camden Library and Museum Complex.

Camden Library Museum in John Street Camden 2016 (I Willis)

The visitor can take in Camden’s rural past when they enter the northern approaches of the town along Camden Valley Way. They will pass the old Dairy Farmer’s Milk Depot (1926) where the farmers delivered their milk cans by horse and cart and chatted about rural doings.

A 1915 view of Commercial Banking Co building at corner of Argyle and John Street Camden
A 1915 view of Commercial Banking Co building at corner of Argyle and John Street Camden (Camden Images)

The saleyards (1867) are still next door and the rural supplies stores are indicative that Camden is still ‘a working country town’. As the visitor proceeds along Argyle Street, Camden’s main street, apart from the busy hum of traffic, people and outdoor cafes, the casual observer would see little difference from 70 years ago.

Local people still do their shopping as they have done for years and stop for a chat with friends and neighbours. At the end of Argyle Street the visitor can stroll around Camden Showground (1886). A country style show is held here every year in March and the visitor can take in local handicrafts in the show hall (1894) or watch the grand parade in the main arena.

The 2019 Camden Show provided an immersive experience for participants and observers alike in a host of farming activities. The authentic sights, sounds and smells of the show ring and surrounds enlightened and entertained in a feast for the senses. (I Willis, 2019)

The picturesque rural landscapes that surround Camden were once part of the large estates of the landed gentry and their grand houses. A number of these privately owned houses are still dotted throughout the local area. Some examples are Camden Park (1835), Brownlow Hill (1828), Denbigh (1822), Oran Park (c1850), Camelot (1888), Studley Park (c1870s), Wivenhoe (c1837) and Kirkham Stables (1816). The rural vistas are enhanced by the Nepean River floodplain that surrounds the town and provides the visitor with a sense of the town’s farming heritage.

Pansy Nepean River Bridge 1900 Postcard Camden Images
Pansy Nepean River Bridge 1900 Postcard (Camden Images)

The floodplain also reveals to the railway enthusiast the remnants of railway embankments that once carried the little tank engine on the tramway (1882-1963) between Camden and Campbelltown. The locomotive, affectionately known as Pansy, carried a mixture of freight and passengers. It stopped at a number of stations, which included Camden, Elderslie, Kirkham, Graham’s Hill and Narellan. The stationmaster’s house can still be found in Elizabeth Street in Camden, and now operates as a restaurant.

For the aviation buffs a visit to the Camden Airfield (1924) is a must. It still retains its wartime character and layout. As you enter the airfield view the privately owned Hassall Cottage (1815) and Macquarie Grove House (1812) and think of the RAAF sentry on guard duty checking the passes of returning airmen on a cold July night.

Camden Airfield 1930s Camden Images
Camden Airfield 1930s (Camden Images)

The visitor can then relive the days when RAAF airmen (32 Squadron, 1943) flew out of the base chasing Japanese submarines on the South Coast, or when the RAF (1944) occupied the still existing hangers and runways flying transport missions to the South Pacific.

There are also a number of historic villages in the Camden area. Amongst them is the quaint rural village of Cobbitty where the visitor can find Reverand Thomas Hassall’s Heber Chapel (1815), St Paul’s Church (1840) and rectory (1870). Narellan (1827), which is now a vibrant commercial and industrial centre, has the heritage precinct surrounding the St Thomas Church (1884) and school house (1839). The buildings are now used for weddings and receptions.

View along Cobbitty Road in 1928
View along Cobbitty Road in 1928 (Camden Images)

There is also the Burton’s Arms Hotel (c1840) now operating as a real estate agency and the Queen’s Arms Hotel (c1840), which is now the Narellan Hotel. A visit to Cawdor will reveal a real country church that has been functioning continuously for over for over 100 years, the Cawdor Uniting Church (c1880). Cawdor is the oldest village in the Camden area.

Front Cover of Ian Willis's Pictorial History of Camden and District (Kingsclear, 2015)
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
The last day of the Camden Campbelltown train running in 1963. Keen fans watching the train climb Kenny Hill at Campbelltown. (ARHS)
Rear Cover Ian Willis’s Pictorial History of Camden & District. The last day of the Camden Campbelltown train running in 1963. Keen fans watching the train climb Kenny Hill at Campbelltown. (ARHS)

Updated 24 May 2021. Originally posted on Camden History Notes 18 December 2016. This post was originally published on Heritage Tourism as ‘Camden: the best preserved country town on the Cumberland Plain’ in 2010.

1920s · Attachment to place · Camden · Cawdor · Churches · Cobbitty · Cultural Heritage · Farming · Heritage · Historical consciousness · Historical Research · History · Interwar · Living History · Local Studies · Monuments · Mount Hunter · Photography · Place making · Ruralism · Sense of place · Settler colonialism · Storytelling · Teamsters · The Oaks · Transport · War

Old Photographs

Old photographs provide an entry to a world that was apparently more authentic than the present.  As Harriet Richards from the University of Melbourne writes:

In response to today’s COVID-19 crisis, we are turning to old movies, letter writing and vintage fashion trends more than ever. Nostalgia is a defence mechanism against upheaval.

 

Roy Dowle glassplate negative print (Roy Dowle Collection The Oaks Historical Society)
A glass plate negative from the Roy Dowle Collection at The Oaks Historical Society. (TOHS)

 

The viewer of an old photograph is a time traveller into another world and is given a snapshot of a moment frozen in time. The observer has a glimpse of a world before the present.   For the viewer, it as a form of nostalgia, where they create a romanticized version of the past accompanied by feelings that the present is not quite as good as an earlier period.

The History Skills website argues that photographs are excellent sources.

Photographs provide a rare glimpse of a particular second in time, which will never again be repeated. This is especially true for events that occurred before the development of television or digital technologies.

Peter Mylrea wrote an article about Camden photographers in 2005 for the Camden History Journal. He lists some of the districts photographers from the 1860s, and they have included: W Macarthur; JB Mummery; HP Reeves; HT Lock; W Norton; J Donnellan; C Kerry; W Jackson; W Thwaites; CA Sibert; OV Coleman; AE Cash; R Cash; HE Perkins; R Dowle; J Driscoll.

More recent photographers have included: J Burge; R Herbert; J Kooyman; P Mylrea; J Wrigley; B Atkins and others.

The work of these Camden photographers can be viewed on the photographic database Camden Images Past and Present.

The photographic work of Roy Dowle is a collection of glass plates found their way to The Oaks Historical Society and have recently been digitized by the society.

 

Digitizing The Roy Dowle Photographic Collection

Trish Hill and Allen Seymour

Roy William Dowle was born in 1893, the first child to Charles and Madeline Dowle (nee Dominish) and his siblings were Frank (1896), Edgar (1898) and Leonard (1904).  Charles Dowle purchased their “Collingwood” property in Quarry Road, at The Oaks around the time of Roy’s birth. It is presumed that Roy lived there until his marriage to Emily J Smith in 1915.

Portrait Roy Dowle 1920s Camden TOHS
Portrait of Roy and Emily Dowle in the 1920s. Roy was a keen photographer in the Camden district, and his collection of glass plate negatives is now with The Oaks Historical Society at the Wollondilly Heritage Centre. (TOHS)

 

Roy & Emily’s home was in Camden at the top of Barsden Street. Roy was a photographer and the Camden News of March 26th, 1914 records that he received an award for photography in the amateur section at the Camden show.

In 1937 he supplied photographs of Camden to the Council for use by the railways in their passenger carriages. Roy worked for Whitemans, and in 1943 he was called on to make a presentation to Charles Whiteman when the latter retired. The Dowle’s also had a holiday home at Erowal Bay – St George’s Basin.

Roy died in 1955, but fortunately, a large number of his glass and film negatives survived. These were donated to the Wollondilly Heritage Centre in 2016 by Roy’s grand-daughter. An index book came with the collection, but unfortunately, a lot of the negatives were not in their original boxes, making identification of the people difficult. The photographs range in age from around 1910 to the 1940s.

The Wollondilly Heritage Centre was successful in obtaining a New South Wales Community Heritage grant in 2019 to digitize the collection which consists of 1100 glass plate negatives and a further 120 plastic film negatives.

There was considerable work in preparing the negatives for digitizing, as they all had to be cleaned and numbered. This was done by volunteers from the centre over several weeks, and they were then transported in batches to Digital Masters at Balgowlah for digitizing. Most were still in excellent condition, and the quality of the scanned images is superb.

Roy photographed a lot of people, with weddings, babies and young children being popular subjects. He also photographed local buildings and houses, views, animals, local events such as parades or sporting events.

Buildings photographed include St Johns church (inside also), Camden Hospital (even inside shots), Camden Inn, Plough & Harrow Hotel, Narellan Hotel, Oakdale wine shop, Maloney’s store, Narellan school, Mt Hunter school, Camden railway station, Camden Milk Depot, Mater Dei and others.

The unveiling of the Mt Hunter war memorial (pictured) was also covered by Roy, along with Mt Hunter School and some beautiful interior shots which show honour boards with photos of local soldiers.

Mount Hunter Unveiling of War memorial 1920s R Dowle TOHS
The opening of the Mount Hunter Soldier’s War Memorial, opposite the public school took place on Saturday, 24 September 1921, at 2.30pm. The official unveiling ceremony was carried out by Brigadier-General GM Macarthur Onslow. The memorial listed 40 names of local servicemen. Afternoon tea was provided by ‘the ladies’ at 1/- with all money going to the memorial fund. (Camden News, 15 September 1921, 22 September 1921. Image Roy Dowle Collection)

 

Some really fascinating photos are of children in fancy dress, and two that stand out, are of the same girl dressed firstly as a wedding cake, and then as a lampshade!!   A number of the houses have been identified as still being in Camden, and other more easily identified homes include “Edithville” in Mitchell street, the former Methodist parsonage in Menangle Road and Harrington Park house.

Among the groups photographed are St John’s Choir, returned servicemen, cricket teams, football teams, Masonic dinner, the Royal Forrester’s, staff and children from Macquarie House, visiting school teachers and Sunday school groups. One photograph of a group of three male cyclists picnicking may be one of the first selfies, as we believe the centre one is Roy himself, holding a string which runs to the camera. Soldiers were another popular subject, and there are also some women dressed as soldiers. Roy also copied photos. This was done by photographing it, and a lot of the soldier photos have been copied this way.

Some of the views are of Wollongong, Bulli, Burragorang, Douglas Park, Theresa Park, Chellaston Street and some great shots taken from St Johns steeple. There are also numerous flood scenes around Camden. Animals didn’t escape Roy’s camera, and there are shots of cattle, horses, poultry, dogs. Even a camel. Some other remarkable photos are of a shop window display featuring Persil washing powder. Some of these have been dated to 1910.

 

Mount Hunter Davy Nolans bullock team at Mt Hunter 1920s TOHS
The bullock team of Davy Nolan at Mount Hunter with a load of produce. (Roy Dowle Collection)

 

A lot of the film negatives show his holidays, with some taken at their holiday home, while others are taken whilst on a trip to the north, and scenes have been identified as Cessnock, Dungog, Taree, Kew & Paterson. There are some photos of Warragamba Dam in the very early stages before any concrete was poured, and a magnificent shot of the winding drums of the overhead cableway.

Several Roy’s photos have already appeared on the Back Page and in numerous publications on local history because his subjects were local and numerous copies of them have survived in private collections.

The scanned photos can be viewed either on a computer or in albums at the Wollondilly Heritage Centre & Museum, open on Saturdays, Sundays & public holidays.

Check out old photographs from the Roy Dowle Collection at the Wollondilly Heritage Centre Website Click here.  

1920s · 1973 New Cities Campbelltown Camden Appin Structure Plan · Aesthetics · Agriculture · Attachment to place · Belonging · British colonialism · Camden · Camden Council · Camden Story · Camden Town Centre · Cobbitty · Colonial Camden · Colonial frontier · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · Curtilage · Denbigh · Dharawal · Economy · Edwardian · England · Farming · Frontier violence · Georgian · Gothic · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Interwar · Landscape · Landscape aesthetics · Living History · Local History · Local Studies · Macarthur · Memory · Menangle · Modernism · Place making · Ruralism · Sense of place · Settler colonialism · Storytelling · Town planning · Urban growth · Urban Planning · Victorian

Hope, heritage and a sense of place – an English village in the Cowpastures

Camden Heritage Conservation Area

In 2006 Camden Council designated the Camden town centre as a  Heritage Conservation Area, and later incorporated it in the  2010 Local Environment Plan. A heritage conservation zoning, according to Camden Council, is :

 an area that has historic significance… [and]… in which historical origins and relationships between the various elements create a sense of place that is worth keeping.

Map Camden Town Centre HCA LEP 2010 CRAG
Map of the Camden Town Centre Heritage Conservation Area from 2010 Local Environment Plan. (Taken from 2016 Camden Residents Action Group Submission for State Listing)

 

Historic significance

Several writers have offered observations on Camden’s historical significance.

Historian Ken Cable argued in the 2004 Draft Heritage Report prepared by Sydney Architects Tropman and Tropman that: Camden town is a significant landmark in the LGA.  

In 2006 Sydney architect Hector Abrahams stated that Camden was ‘the best-preserved rural town in the entire Cumberland Plain’ (Camden Advertiser, 28 June 2006).

Hector Abrahams -best preserved- Camden Advertiser 2006 Jun28
Comment by architect Hector Abrahams that Camden was the best preserved country town rural town in the Cumberland Plain. Camden Advertiser 28 June 2006.

 

Historian Alan Atkinson has argued that Camden is ‘a profoundly important place’, while historian Grace Karskins maintains that ‘Camden is an astonishingly intact survival of early colonial Australia’.  

 

Sense of place

In the early 20th century poets, artists and writers waxed lyrical that the town was like ‘a little England’.

Camden Council documents stress the importance of rural nature of the town for the community’s sense of place and community identity.

Camden Aerial 1940 CIPP
An aerial view of Camden township in 1940 taken by a plane that took off at Camden airfield. St John’s Church is at the centre of the image (Camden Images)

 

This is quite a diverse range of views.

This blog post will look at the historical elements that have contributed to the town’s sense of place, and ultimately its historical significance.

While none of these elements is new, this is the first time they have been presented this way.

 

A private venture of Englishmen James and William Macarthur

The village was a private development of Englishmen James and William Macarthur on the family property of Camden Park Estate.

The Macarthur brothers had their private-venture village of Camden approved in 1835, the street plan drawn up (1836) and the first sale of land in 1841.  All within the limits of Camden Park Estate.

The Macarthur brothers had another private venture village at Taralga on Richlands and Menangle on Camden Park Estate.

Camden James Macarthur Belgenny
James Macarthur (Belgenny Farm)

Creation of a little English village

The notion of an English-style village on the family estate must have been an enticing possibility for the Macarthur brothers.

In the Camden village, James and William Macarthur named streets after themselves and their supporters. They include John Street, Macarthur Road, Elizabeth Street, Edward Street, Broughton Street, Exeter Street, Oxley Street, Mitchell Street. The Macarthur family and funded the construction of St John’s church on the hill and donated the surrounding curtilage.

St Johns Church
St Johns Church Camden around 1900 (Camden Images)

The Macarthur brothers created vistas from the family’s Georgian hilltop Georgian mansion across the Cowpastures countryside to their Gothic-style village church.

The Englishness of the Camden village entranced many visitors and locals, including artists and writers. On a visit in 1927, the Duchess of York claimed that the area was ‘like England.’

 

Strategic river crossing into the Cowpastures

The village was strategically located at the Nepean River ford where the first Europeans crossed the river. By the 1820s the river crossing was the main entry point to Macarthur brothers’ Camden Park Estate, the largest gentry property in the area.

The situation of the village on the Great South Road re-enforced the Macarthur brothers economic and social authority over the countryside.

The river crossing was one of the two northern entry points to their realm of Camden Park Estate, the other being at the Menangle.  Menangle later became another private estate village.

The Macarthur village of Camden would secure the northern entry to the family’s Camden Park estate where the Great South Road entered their property. By 1826 the river ford was the site of the first toll bridge in the area.

Camden Cowpastures Bridge 1842 Thomas Woore R.N. of Harrington Park CIPP
Camden Cowpastures Bridge 1842 Thomas Woore R.N. of Harrington Park CIPP

 

None of this was new as the river crossing had been the entry into the Cowpastures reserve declared by Governor King in 1803. The site was marked by the police hut in the government reserve at the end of the Cowpasture track from Prospect.

 

English place names, an act of dispossession

The Camden village was part of the British imperial practice of placing English names on the landscape. The name of the village is English as is the gentry estate within which it was located – Camden Park.

English place names were used in the area from 1796 when Governor Hunter names the site the Cow Pastures Plain. The Cowpastures was a common grazing land near a village.

Naming is a political act of possession, or dispossession, and is an active part of settler colonialism.

Camden Signage
The Camden sign on the entry to the town centre at Kirkham Reserve on Camden Valley Way formerly The Great South Road and Hume Highway. (I Willis)

 

The Cowpastures was a meeting ground in between the  Dharawal, the Dharug and the Gundungurra people. The area was variously known as ‘Baragil’ (Baragal)’ or Benkennie (dry land).

Indigenous names were generally suppressed by English placenames until recent decades.

Initially, the Wild Cattle of the Cowpastures that escaped from the Sydney colony in 1788 occupied the meadows of the Nepean River floodplain.

The Cowpastures became a contested site on the colonial frontier.

 

Dispossession in the English meadows of the Cowpastures

The foundation of the Macarthur private village venture was part of the British colonial settler project.

The first Europeans were driven by Britain’s imperial ambitions and the settler-colonial project and could see the economic possibilities of the countryside.

Under the aims of the colonial settler project, as outlined by Patrick Wolfe and later LeFevre, the new Europeans sought to replace the original population of the colonised territory with a new group of settlers.

Hunter’s naming of the Cowpastures was the first act of expropriation. Further dispossession occurred with the government reserve, and later Governor Macquarie created the government village of Cawdor in the centre of the Cowpastures.

Art Governor Macquarie SLNSW
Governor Macquarie SLNSW

 

The Europeans seized territory by grant and purchase and imposed more English place names in the countryside, and created a landscape that mirrored the familiarity of England.

The colonial settlers brought Enlightenment notions of progress in their search for some kind of utopia.

 

Cowpasture patriarchs

The Macarthur private venture village was located in a landscape of self-style English gentry, and their estates interspersed with several small villages.

The gentry estates and their homestead and farm complex were English style village communities. One of the earliest was Denbigh (1818).

denbigh-2015-iwillis
Denbigh Homestead Open Day 2015 IWillis

 

The oligarch-in-chief was Camden Park’s John Macarthur.

The Europeans used forced labour to impose English scientific farming methods on the country.

The Cowpasture colonial elite created a bunyip aristocracy and styled themselves on the English gentry.

On the left bank of the Nepean River were the gentry estates of Camden Park along with Brownlow Hill. On the right bank were the gentry properties of Macquarie Grove, Elderslie, Kirkham and Denbigh and several smallholders.

The ideal society for the colonial gentry included village communities. To foster their view of the world, the Europeans created the small village of Cobbitty around the Hassall family’s private Heber Chapel.

The village of Stonequarry was growing at the southern limits of the Cowpastures at the creek crossing on the Great South Road.  The village was located on the Antil’s Jarvisfield and later renamed Picton in the 1840s.

The picturesque Cowpastures countryside greeted the newly arrived Englishmen John Hawdon from County Durham. In 1828 Hawdon became the first person to put in writing that the Cowpastures area reminded him of the English countryside when he wrote a letter home.

 

The progress and development of the country town

The Enlightenment view of progress influenced the Macarthur’s vision for their Camden village. They sought to create an ideal village community of yeoman farmers and sponsored self-improvement community organisation including the School of Arts.

Camden School of Arts PReeves c1800s CIPP
Camden School of Arts PReeves c1800s CIPP

 

Within the Macarthur fiefdom, former estate workers became townsmen, took up civic duties and ran successful businesses.

The village of Camden prospered, became a thriving market town and the economic hub of a growing district.

The architectural styles of the town centre shine a light on the progress and development of the Macarthur village. The architectural forms include  Georgian, Victorian, Edwardian, Interwar moderne, Mid-20th century modern, and Post-modern.

The town centre served a host of functions for the community that are indicated by the types of land use in a country town. These include commercial, government, open space, industrial, transport, residential, religious, agricultural, amongst others.

 

The country town idyll and the appearance of heritage

Since the 1973 New Cities Structure Plan for Appin, Campbelltown and Camden there has been increased interest in the cultural heritage of the town centre. This is the first appearance of the influence of post-modernism in the Camden story.

The New Cities Plan 1973[1]
The New Cities Structure Plan Campbelltown Camden Airds 1973
John Wrigley conducted the first heritage study of the Camden town centre in 1985 for the Camden Historical Society.

Urban growth and the loss of rural countryside has encouraged a nostalgic desire for the past. This process had led to the evolution of the Camden, the country town idyll.

The heritage of the town centre is what the community values from the past that exists in the present. It is made up of tangible and intangible heritage, as well as multi-layered and multi-dimensional. The town centre story can is a timeline with many side shoots or a tree with the main stem and many branches.

 

Camden time traveller and the town centre

The living history of the town centre is evident at every turn. At every corner. A visitor can be a time-traveller into the past. A view along the main street is a view into the past.

There are many locations in our local area where a person can be a time-traveller into the past. The traveller can be a participant in the area’s living history, ‘simply by being present’.

One of these sites is the commanding view from the hilltop at St John’s church. Here the traveller can view the Cowpasture countryside that nestles the Camden town centre within its grasp.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)

Attachment to place · Belonging · Camden · Cobbitty · Community identity · Cultural Heritage · Farming · Floods · Heritage · Historical consciousness · History · Living History · Local History · Local Studies · Memory · Nepean River · Place making · Ruralism · Sense of place · Storytelling

Floods and the Camden ‘bathtub effect’

Flooding of the Nepean River on the Camden floodplain

What is the Camden ‘bathtub effect’?

Not sure – well you are not on your own.

The ‘bathtub effect’ is part of the flooding effect created by the landform that makes up the Hawkesbury-Nepean River system. The river system has a unique floodplain system that creates particular problems for local residents and others along the river.

The Hawkesbury-Nepean River valley has a number of pinch points that constrict the flow and create localised flooding upstream. This has been termed the ‘bath-tub effect’ by engineering geologist Tom Hubble from the University of Sydney in 2021.

The NSW Department of Primary Industry stated in 2014:

The natural characteristics of the Hawkesbury-Nepean Valley make it particularly susceptible to significant flood risk. The combination of the large upstream catchments and narrow downstream sandstone gorges results in floodwaters backing up behind these natural ‘choke points’

The Hawkesbury-Nepean River system has four localised floodplains created by four choke points along the river.  Each of these ‘choke points’ is created by a local gorge along with the river system – Bents Basin Gorge, Nepean Gorge, Castlereagh Gorge and the Sackville Gorge.

Camden Flood late 1800s Camden Railway Station CIPP lowres
This is a view of Camden Railway Station in Edward Street and some likely local identities assessing the situation. This flood event occurred in the late 1800s with a view looking towards Narellan (Camden Images)

Each of the four localised floodplains upstream from the four gorges acts like a ‘bath tub’ in a period of high rainfall, with floodwater flow choked off by the gorges.  The gorge restricts the floodwater flow and the river rises quickly behind the gorge at the end of the local floodplain.

Camden’s ‘bathtub effect’

The 2015 Nepean River Flood Plain Report and the flood maps clearly show how the Bents Basin Gorge acts as a ‘choke point’. The gorge creates a ‘bathtub’ upstream along with the Nepean River floodplain from the entrance of the gorge. The floodplain upstream from the gorge starts around Rossmore, then continues upstream to Cobbitty, to Camden and ends at Menangle.

While the Camden ‘bathtub effect’ is not as dramatic and dangerous as those created in the Penrith-Emu Plains area or the effect of the Sackville Gorge at Windsor and Richmond – it is real.

The 2015 study says (pp1-2) that while floods are ‘rare’  they happen:

 flows escaping from the Nepean River are known to inundate the low lying areas of Camden and certain sections within South Camden and Elderslie. Floodplain areas along many of the tributaries of the river (particularly Narellan Creek and Matahil Creek) are also known to be affected by backwater flooding from the Nepean River during flood events.

Camden Flood 1974 SMH lowres
This image of a newspaper photograph shows an aerial view of the Camden township in the 1974 flood event. The Nepean River is towards the top of the image behind the town centre flowing from R-L. (SMH)

Characteristics of local flooding

The 2016 Camden Local Flood Plan says:

Floods are characterized by rapid river rises with flooding commencing as quickly as 6-12 hrs after the commencement of heavy rain if the catchment is already saturated. Under flood conditions, the Nepean River overflows its banks and commences to inundate the low lying floodplain around Camden during floods of 8.5m on the Cowpasture Bridge gauge. (Appendix, pp. A1-A3)

Camden Flood 1949 Peppertree Corner Cawdor Rd BYewen CIPP lowres
This is a view of Camden township from Peppertree Corner on Cawdor Road. Some inquisitive local children examined the waters flowing past them. This is the 1949 Camden flood event (B Yewen/Camden Images)

Causes of flooding along the Hawkesbury-Nepean River on the Camden floodplain

The headwaters of the Nepean River floodplain at Camden is the Upper Nepean Catchment. This geographic area drains the Avon, Cataract, Cordeaux and Nepean Rivers, with dams on each waterway.

The catchment of the Nepean River above the Warragamba River junction, below Warragamba Dam, is around 1800km2

The wettest conditions are usually created by low-pressure systems, called east coast lows, that form up off the South Coast of New South Wales. The low-pressure systems moving onshore and the Illawarra Escarpment’s orographic effect can produce heavy rainfall events.

The 2016 Camden Local Flood Plan says:

 Many localities in the catchment have received in excess of 175mm in a 24 hr period. (Appendix, pp. A1-A3)

Largest local floods on the Camden floodplain

The 2016 Camden Local Flood Plan states:

Floods have occurred in all months of the year. The highest recorded flood at Camden occurred in 1873, when a height of 16.5m was recorded on the Camden gauge (approximately a 200yr ARI).  [Cowpasture Bridge, Camden]

Other major floods occurred in 1860 (14.1m), 1867 (14.0m), and 1898 (15.2m). In recent times, major floods have occurred in 1964 (14.1m) and 1978 (13.5m) with moderate to major flooding occurring in 1975 (12.8m) and 1988 (12.8m). (Appendix, pp. A1-A3)

Camden Airfield 1943 Flood Macquarie Grove168 [2]
The RAAF Base Camden was located on the Nepean River floodplain. One of the hazards was flooding as shown here in 1943. The town of Camden is shown on the far side of the flooded Nepean River. (Camden Museum)

A report of the 1898 flood event at Camden taken from the Camden News 17 February 1898 gives clarity of how quickly the river can rise in the local area:

Near midnight on Saturday rain began to fall, at first with moderation, towards day break gusts of wind sprang up from the South East bringing heavy rain, lowering the crops in its passage, even majestic trees were torn up by their roots and in sheltered paddocks the trees were denuded  of large limbs.

Sunday all day the wind blew with hurricane force; early on Monday morning the storm somewhat abated in its velocity.

Even on Sunday midnight no apprehension of a flood was anticipated by the Camden townspeople the continuous rain and boisterous weather, however made the more Cautious anxious, and one tradesman took the precaution to look after his horses in near paddock when the danger of a flood was manifested to him, the Nepean River had suddenly risen and was flooding the flats.

Camden News 17 February 1898

A report in the Camden News of the 1911 Camden flood event provides further clarity around the behaviour of the river:

The rain of Thursday, it may naturally be expected filled creeks, dams and watercourses to overflowing, but the climax came with a heavy storm between 7 p.m. and 10 p.m., when some four inches [100mm] of rain fell. This brought the local water down from the adjoining hills in torrents, the Main Southern Road and Carrington Road were then covered with some two feet of fast rushing water, and on Druitt Road the local flood was then absolutely impassable..

In the early hours the Nepean River rose rapidly, and before the arrival of the first train the bridge was impassable ; the water continued to rise till about 3.15 in the afternoon, it having then reached it highest point, covering the new embankment between the town and the bridge, running through the Chinese quarters on the one side, and just into the pavilion on the show ground on the other. From near Druitt Road to Beard’s Lane was one long stretch of water….

Camden News, 19 January 1911

Sackville Gorge and the Windsor & Richmond ‘bathtub effect’

In 2012 director of community safety with the State Emergency Service, Steve Opper argues that the Hawkesbury-Nepean Valley has a unique shape that can lead to catastrophic flooding. He describes the effect of the Sackville Gorge on the Hawkesbury-Nepean River:

 “The Hawkesbury-Nepean Valley is throttled down by a narrow gorge down near what’s called Sackville, which is just upstream of Wiseman’s Ferry,” he said.

“The result of that is that the water can flow into the top of the system very, very rapidly, can’t get out, and so you get very dramatic rises in the level of the river.

“So normal river level might be two metres; if you’re at the town of Windsor and in the most extreme thought possible, that could rise up to 26 metres, which is a number that’s quite hard to comprehend.”

John Thomas Smith reported in the Sydney Morning Herald,  2 July 1867 after a flood event that

‘The enormous body of water rushing down with relentless force on its way to the sea could not be easily described, nor its effects conceived. About the neighbourhood of Windsor, now that the waters are fast subsiding, the scene is most dreary, and the destruction caused be -comes every day more apparent. The feeling of bitter anguish expressed not in words but in the blank look of utter despair would move the most hardened.

Conclusion

Flooding is a normal part of the cycle of the Hawkesbury-Nepean River system, as it is for any river basin in Australia.

The particular landform features of the Hawkesbury-Nepean with its four gorges along the river produce four localised floodplains that create a local ‘bathtub effect’ on the local floodplain.

This landform effect of the river gorges creates flooding severity in the local communities.

Updated 4 July 2022. First posted 29 November 2019.

Aesthetics · Architecture · Attachment to place · British colonialism · Cobbitty · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · Denbigh · Fashion · Heritage · Historical consciousness · Historical thinking · History · Landscape aesthetics · Living History · Local History · Macarthur · Memorials · Memory · Monuments · Moveable Heritage · Myths · Place making · Ruralism · Sense of place · St Paul's Church Cobbitty · Victorian

A little bit of England celebrates 190 years at Cobbitty

The Anglican Church at Cobbitty recently held an open day for the community to  celebrate 190 years of the Anglican community in the village.  Those who attended could listen to local experts give talks on the history of the Anglican church in Cobbitty, the stain glass windows in St Pauls, and its fixtures, furnishings and artefacts.

Cobbitty Ch 190 Anniv 2017

 

The Anglican Church has been the heart and soul of the village since the Hassall’s established themselves in the Cowpastures district in the early days of the colony of New South Wales. The church has taken a central part in place making and the development of community identity in the village.

Cobbitty Ch 190 Anniv Activites 2017

 

The presence of the church is the reason the village exists and is closely reminiscent of a pre-industrial English style rural village. The village even had its own blacksmith, who was an essential traditional trade in all rural villages. Working over their hearth with hammer and anvil making and crafting the tools of the farmers to making decorative work for the church graveyard.

The Hassall’s were the de-facto lords of the manor. The development of the village was their fiefdom. Long term local identity and font of knowledge of all things Cobbitty John Burge recalled in his talk on the ‘History of the Cobbitty Anglican Church’ that the Hassall family owned pretty much all of the farms up and down the Nepean River in the vicinity of Cobbitty.

The Reverend Thomas Hassall, the son of missionaries Rowland and Elizabeth Hassall who arrived in New South Wales in 1798, was appointed the minister of the Cowpastures district in 1827.

The Heber Chapel

The first chapel was built in the area by Thomas Hassall, called Heber Chapel and opened in 1827, with Thomas as rector. It was named after the Bishop Heber of the Calcutta Diocese, in which Cobbitty was located at the time.

Cobbitty Heber Chapel J Kooyman 1997 CIPP
This image is of Thomas Hassall’s 1827 Heber Chapel Cobbitty taken by John Kooyman in 1997 who was commissioned by Camden Library to document important heritage sites across the Camden District (CIPP)

 

Heber Chapel became the centre of  village life as its first school and church. The chapel was used as a school building during the week and religious purposes on the weekend. Schooling at the chapel continued until 1920.

The Heber Chapel was constructed of hand-made bricks with a shingle roof. It is a simple design perhaps reflected the rustic frontier nature of Cobbitty of the 1820s when Pomari Grove, the site of the church and chapel, was owned by Thomas Hassall.

Recent renovations and restoration was carried out in 1993.

St Paul’s Anglican Church

There was the  opening of St Paul’s Church in 1840, with consecration by Bishop William Broughton. The community supported the construction of a Rectory in 1870 and a church hall in 1886.

Cobbitty St Pauls 1890s CKerry 'EnglishChurch' PHM
This Charles Kerry image of St Paul’s Anglican Church at Cobbitty is labelled ‘English Church Cobbitty’. The image is likely to be around the 1890s and re-enforces the notion of Cobbitty as an English-style pre-industriral village in the Cowpastures (PHM)

 

St Paul’s Anglican Church was consecrated in 1842, designed by Sydney architect John Bibb in a neo-Gothic style with simple lancet shaped windows, typical of the design. These windows originally had plain glass and over the decades were changed for stained-glass

The church was built with plain glass windows. Stained glass became popular again in the mid-19th century as part of the Gothic-revival movement in England and New South Wales. Stained glass was originally installed in medieval churches and cathedrals, and then fell out of popularity. (Dictionary of Sydney)

There are 10 memorial windows in St Pauls with the oldest dated to 1857 and made by English glass artist William Warrington. It was donated by the Perry family in memory of their daughter Carolyn.  There is one original window dating from 1842 with small panes of glass, in the style of the period.

Well-to-do members of the church community preferred to donate a window as a memorial rather than a wall plaque or other church object to commemorate their loved ones.

Cobbitty St Pauls Window 2011 JLumas
This image of one of the memorial stained glass windows in St Paul’s Anglican Church Cobbitty taken by J Lummis of Cobbitty and donated to the Dictionary of Sydney in 2011 (DoS)

 

The current presentation of the church is different from the 1840 St Pauls. Today’s church represents the many changes that have occurred over the years.  The changes in the building reflect changes in style, technology, tastes and support  as well as periods of neglect.

A presentation by John Burge on ‘The History of the Cobbitty Anglican Church’ illustrated the many lives of the church from periods of strong support by the local community to relative neglect. During the 1980s the graveyard became overgrown and graves hidden under bushes.  John’s images showed numbers of past symbolic trees, mainly cypress, that were planted grew into large trees. Sometimes these were planted  too close to the church building  endangered its safety and stability.  They were removed.

When you look at the church you see a slate roof and automatically assume that this was original. It  is not. The slate roof is a recent addition in 2014 and installed as part of the church restoration when work was done to roof trusses, barge boards, and guttering. The church originally had a shingle roof with a plastered interior vaulted ceiling. Now it has a slate roof with a maple timber lined interior ceiling. The walls are quarried sandstone from Denbigh.

Electricity was installed in 1938, after originally being lit by candles then kerosene lamps.

The pews and pulpit are unchanged and are Australian red cedar timber work.

Music is provided by an 1876 Davidson organ from Sydney, after music was originally provided by  violin then harmonium.

The Anglican story of Cobbitty continues to evolve around the Heber Chapel, St Pauls, the Rectory and church hall. The village continues to grow as does the life of the church community with a host of activities under the current church leadership.

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Whiteman & McIntosh, Camden Colonial Families Celebrate a Moderne Wedding at Cobbitty

An important social event

In late August 1928, two Camden colonial families celebrated the marriage of Keith Whiteman to Alice Margaret (Marge) McIntosh. This wedding was a social event between two local families of some importance and social status. The McIntoshes conducted a very successful dairy operation on the family property of Denbigh at Cobbitty, while the Whiteman family were successful Camden retailers.

Wedding 1928 McIntosh Alice McIntosh Denbigh CIPP lowres
In her bridal gown, Marge McIntosh was photographed in the garden of her home at Denbigh Cobbitty for her wedding on 25 August 1928. The style is strongly influenced by the modern from London and Paris (Camden Images Past and Present)

Both families had colonial origins. Members of the Whiteman family had immigrated to New South Wales in 1839 from Sussex to work on Camden Park Estate. While the McIntoshes had immigrated to New South Wales from the Inverness region of the Scottish Highlands in the 1860s.

Wedding ceremony

The ceremony was a relatively small country wedding of 60 guests, given both families’ social profiles and economic positions. The wedding ceremony was held in the historic setting of St Pauls’s Anglican Church at Cobbitty.

St Pauls was the centre of the village of Cobbitty and an expression of its Englishness, typical of several villages across the Camden District. The church was originally built under the direction of Galloping Parson Thomas Hassall in 1842 and adjacent to his 1828 Heber Chapel.

St Pauls Cobbitty 1910 CHS0669
Cobbity’s St Paul’s Anglican Church 1910 (Camden Images)

According to the press reports, the church was decorated with a simple floral arrangement of white flowers and asparagus ferns (Camden News, 20 September 1928). The white flowers for the  August wedding were likely to have been, according to Angela Wannet, Butterflies Florist in Camden, local calla lilies, oriental lilies, and carnations with trailing ivy.

While not elaborate, the floral displays in the church indicated that the families did not spare any expense on this critical family celebration.

Bride and groom

Cobbitty-born 33-year-old bride Marge McIntosh was the fourth child of Andrew and Ada McIntosh of the colonial property of Denbigh at Cobbitty. Denbigh is one of the oldest gentry properties on the Cowpastures and is listed on the state heritage register. It was initially an 1812 land grant to Charles Hook, then by the Galloping Parson Thomas Hassall (1826-1886), followed by the McIntosh family.

The family first leased the property in 1868 and then purchased it from the Hassall family in 1886. The State Heritage Inventory States that the house and property ‘retains a curtilage and setting of exceptional historic and aesthetic significance’.

Camden Melrose 69 John St FCWhiteman CIPP
Melrose at 69 John Street Camden was a substantial Edwardian home of the Whiteman family. Demolished in the late 1970s. (Camden Images Past and Present)

Camden-born 28-year-old bridegroom Keith Whiteman was the second child of Fred and Edith Whiteman of Melrose at 69 John Street, Camden. Melrose was a significant Edwardian brick cottage on John Street Camden. The Whiteman family had significant business interests in Argyle Street Camden, including a general store and newsagency. 

Keith and his brother Charles gained control of the general store 12 months after Keith’s wedding on the death of his father, Fred. The original Whiteman’s general store opened on Oxley Street in 1877 and moved to Argyle Street. According to The Land Magazine, it was ‘reminiscent of the traditional country department store’. (28 February 1991) and at the time of the report on Australia’s oldest family-owned department stores.

The fashionable bride

We are lucky to have a wonderful photograph of the bride Marge McIntosh in her wedding gown at Denbigh. It provides many clues to the importance of the wedding to both families and their no-nonsense approach to life. While not an extravagant wedding, the bride’s outfit reflects that no expense was spared on the gown and floral decorations for the bouquet and the church decorations.

The design of the outfits, as described in the press reports and in the photograph, reflects the influence of modernism and the fashions from Paris and London. This was a modern wedding in the country between two individuals of some social status.

According to the press reports of the day, the fashions worn by the wedding party were the height of modernism. The bride wore a classic 1920s design described as a ‘simple frock of ivory Mariette over crepe-de-chen’ of lightweight silk crepe as a backing, which was quite expensive.

According to one source, the made-to-order gown was fitted and likely hand-made by a Sydney-based dressmaker. The Mariette wedding gown style is still popular in England for brides-to-be if wedding blogs indicate trends. The bride’s gown was fashionable for 1928, with the hemline just below the knee.

The bride’s veil was white tulle, with a pink and white carnations bouquet. One local source in the shoe industry describes the bride’s shoes as a hand-made white leather shoes with a strap and a three-inch heel. They would have likely been hand-made by one of the four or five Sydney shoe firms of the day, some located around Marrickville.

Cobbitty St Pauls Church Interior 1928 Wedding Marg McIntosh&Keith Whiteman CIPP
Interior of St Paul’s Anglican Church at Cobbitty with floral decorations for the wedding of Marge McIntosh and Keith Whiteman on 25 August 1928 (Camden Images Past and Present)

Marge McIntosh wore a headdress of a ‘clothe’ veil style, which was popular then. The veil was ‘white tulle mounted over pink, formed the train and held in place with a coronet of orange blossom and silver’. According to press reports, the elaborate floral bouquet was made up of white and pink carnations and, according to Angela Wannet who viewed the bride’s wedding photo, was complemented by lilies and ferns.

The history of wedding robes as a part of celebrating wedding festivities dates back to the ancient Chinese and Roman civilizations. The first recorded mention of the white wedding dress in Europe was in 1406 when the English Princess Philippa married Scandinavian King Eric.

In the British Empire, the Industrial Revolution and the marriage of Queen Victoria to her first cousin Prince Albert in 1840  changed all that.  The fitted wedding dress with a voluminous full skirt became the rage after their wedding. The British population romanticized their relationship, and young women rushed to copy their Queen. The bride’s beauty was enhanced with the rise of wedding photography and did much to popularise the white-wedding dress trend.

Bridal party

Our modern bride at Cobbitty was attended by her sister Etta (Tottie) McIntosh in a frock of apricot georgette and the bridegroom’s sister Muriel Whiteman who wore a blue georgette, with hats and bouquets toned with their frocks. Georgette is a sheer fabric with a good sheen that is difficult to work and requires a good dressmaker. The fabric is difficult to cut out and sew and, according to one source, is easy to snag. The dressmaker exhibited her skill and experience with handcrafted sewing if the wedding photo of the bride, Marge McIntosh, is anything to go by.

The groom had his brother Charles Whiteman act as best man and an old school friend from Albury, Mr T Hewish as groomsman. (Camden News, 20 September 1928)

The reception

The wedding guests retired to a reception at the McIntosh’s historic colonial property of Denbigh, where the bride and groom were honoured with the ‘usual toasts’ and many congratulatory telegrams. A master of ceremony would have stuck to a traditional wedding reception with an introduction of the bride and groom, then toasts, with a response speech from the bride’s father, more toasts, responses by the groom’s father, followed by the reading of telegrams. The McIntosh family household would have likely provided the catering for the wedding.

denbigh-2015-iwillis
Denbigh homestead has extensive gardens and is still owned by the McIntosh family at Cobbitty (Open Day 2015 I Willis)

Wedding gifts

Amongst the wedding gifts were a rose bowl from the Camden Tennis Club and a silver entre dish from FC Whiteman & Sons staff. These gifts reflect the interests and importance of the bride and groom in these organisations. Tennis was a popular pastime in the Camden area in the 1920s, and some Camden tennis players did well at a state level in competitions. The entire dish would have been a plain design reflecting the influence of 1920s modern styling rather than the ornate design typical of Victorian silverware. (Camden News, 20 September 1928)

Honeymoon

The bride’s going away outfit was ‘a smart model dress of navy blue and a small green hat’. This would likely have been a fitted design typical of the style of the period and the influence of modernism in fashions in London and Paris. (Camden News, 20 September 1928)

The bride and groom left for a motoring honeymoon spent touring after the wedding festivities. In the 1920s, motor touring gained popularity as cars became more common and roads improved. Coastal locations and mountain retreats, with their crisp cool air in August, were popular touring destinations in the 1920s.

Camden Whitemans General Store 86-100 Argyle St. 1900s. CIPP
FC Whiteman & Sons General Store, 60-100 Argyle Street Camden, around the 1900s, was one of the oldest continuously family-owned department stores in Australia (Camden Images Past and Present)

Historical images

The wedding photograph of Marge McIntosh in her bridal gown, like historical photographs in general, is a snapshot in time. The image provides a level of meaning that contemporary written reports in the Camden press do not contain. The photograph provides subtle detail that can fill out the story for the inquisitive researcher.

While the wedding reports did not make the social pages of the Sydney press, it does not understate the importance of this union at a local level in the Camden community. It would be interesting to speculate if there were similar weddings between other Camden families.

The visual and written reports of the wedding give a new insight into life in Camden in the 1920s and how the community was subject to external transnational influences from all corners of the globe. Many claim that country towns like Camden were closed communities, which is true in many respects. These two Camden families were subject to the forces of international fashion and maintaining their community’s social sensibilities.

References

Summer Brennan 2017, ‘A Natural History of the Wedding Dress’.JSTOR Newsletter, 27 September. https://daily.jstor.org/a-natural-history-of-the-wedding-dress/

Updated on 27 May 2023. Originally posted on 27 September 2017 as ‘Camden Colonial Families Celebrate a Moderne Wedding at Cobbitty’

Cobbitty · Festivals · Macarthur · Sense of place · Tourism

Out and about at Cobbitty Markets

On a frosty Saturday recently the CHN blogger attended the Cobbitty Markets. The carpark was covered with a light shade of white while the thermometer hovered around zero degrees.


The markets have been on Cobbitty Public School site for what seems likes for ever. The stalls are tucked around every conceivable corner. In the front yard. In the building courtyards. Every part of the school yard is filled with stallholders displaying their wares.

The markets have a tradition of attracting stallholders with their own genuine wares. Hand-made goods of all sorts. Not the bric-a-brac of the trash-and-treasure markets that you get around the place.

For the foodinistas. The school canteen will sell you an egg-and-bacon sandwich for $4 and an instant hot coffee for $2. Enough to satisfy any appetite. If you want to go gourmet then that is catered for as well. Great cappuccino if that is what you desire.

The frost covered car park at sun-up at the Cobbitty Markets looking out across the Nepean River floodplain (I Willis)

There is the ever popular plant stall attracting one of the largest crowds. Ever before the stallholder has set out all the plants for sale. Sales were hot in the cold. The stall sells tiny seedlings to not so-small seedlings. And even bigger plants.

The crowd at the ever popular plant stall at Cobbitty Markets (I Willis)

There are the fruit and vegie stalls. Stalls selling honey and other organic goods. Cut flowers to make any room pretty.

Lots have artwork of various types. From painting to any type of creative work you can think of including authors flogging their books.

The knick-knack brigade are catered for with candles for the mood creator, and other smelly and feely-make-you-feel-better stuff. Lots to choose from. There is even pottery and lots of other traditional crafts.

Funds raised go to the Cobbitty community directed by the hard-working market committee in their purple shirts.

To learn more go the Cobbitty Village Market website

Cobbitty · Heritage · Local History · Narellan · Narellan Military Camp · Second World War

Life, horses and the Army at Narellan in WW2

Tents in the bush Narellan Military Camp 1942 A Bailey
Tents in the bush Narellan Military Camp 1942 A Bailey

Narellan Military Camp occupies an important place in Narellan Military Heritage although in the overall picture of the Second World War the Camp was not of great military importance.  In the national story it does not appear in Gavin Long’s Official History of the Second World War and there are very few references to the camp were found in the various unit histories.Yet the story of local men and women are very important and they add to the colour of the area’s military history.

Horse transport

In the early months of the camp’s operation the most common form of transport were horses. Horses have a long and glorious role in Australian military forces. There were mounted troops dating back to 1804 in colonial New South Wales with the New South Wales Corps. The Crimean War prompted the formation of mounted infantry troops in the colonies. Mounted ‘bush’ troops were sent by the colonies to support the British military in the opening months of the Boer War. Then there is the formation of the Australian Light Horse in 1902 and their service in the First World War.

At Narellan Military Camp the delivery of provisions, and firewood for cooking, from the central quartermasters’ store, near the Camp Headquarters, was carried out to all areas of the camp by horse transport. The four wheeled wagon pull by two horses was a very common site in most army camps of the period, partly because of the shortage of petroleum fuel. These wagons were apparently some of the transport equipment that had been mothballed from World War One.[1] A lot of the firewood for the Camp, which was used in the cooking stoves, was cut in the scrub at the back of Cobbitty and Wallgrove.[2]

Soldiers using horse drawn water wagon of the type that would have been used at Narellan Military Camp around 1941. This is a WW1 scene from Egypt.
Soldiers using horse drawn water wagon of the type that would have been used at Narellan Military Camp around 1941. This is a WW1 scene from Egypt.

The army is good for business

The presence of military in the local area benefitted many local businesses. Soldiers, and airmen from Camden Airfield, spent money in the local area. A number of local businesses won contracts to supply the army and air force with supplies and equipment.

Out at Cobbitty Fred Small owned the general store/newsagency with paper run/post office agency. He  reported that his turnover rose from £30 per month to £300 per month in 1939, with mainly local sales. He would go to Narellan to pick up papers and mail and deliver to the military camp on his way back to Cobbitty in the afternoon. He used a small A Model Ford Utility for deliveries. On weekdays he would sell 500 – 1000 papers, with local sales only being 200 papers. On Sundays he would sell 1200 – 1500 papers at the camp.

For a shop the monthly tobacco and cigarette issue was 3 cartons of cigarettes and 2lb of tobacco. Mr Small reports that within 18 months he was selling 85lb of paper and tobacco – `an enormous amount of cigarettes’ – he had a `good’ business with the military camp. He maintains that Camden shops would have had a similarly good business from the military.

Mr Small reports that if the soldiers were on a route march through Cobbitty they would send a runner ahead and he would open up his shop. One such occasion he opened up at 11:00pm and sold lots of soft drinks and cigarettes. There would be up to 2 – 3 marches through Cobbitty per week and most would have break at the shop.

The Cobbitty General Store operated by Mr Small during the WW2. This image is 1995 John Kooyman (Camden Images)
The Cobbitty General Store operated by Mr Small during the WW2. This image is 1995 John Kooyman (Camden Images)

Mr Small reported that in late 1943 all the men moved out of the camp one night and he was left with 1000 newspapers and Section C owed him £300 for meat and food.[3]

Soldiers also came into Camden. Arthur Colman reports that quite a few from the camp would go for an evenings leave across country to Camden for a few beers. Steak and eggs occasionally and be back in camp by midnight. He goes on that the local people made AIF personnel feel that they were made very welcome. [4]

Entertaining the troops

Many soldiers came into Camden to the movies and hotels in their spare time. At the camp entertainment was provided at the Camp a mobile cinema unit operated by the Woods Bros, from Manila. They travelled to the camps in the area (Narellan, Ingleburn, Wallgrove) and had an open air picture show once a week at Narellan. Newspapers were sold outside the canteen. A recreation room in the CENEF Hut, near the Camp Headquarters, was used for playing ping pong, writing letters, reading and lectures and listening a radio organised by Captain Webb, the Camp Adjutant. He made arrangements with Radio Rentals for the hire of a small mantle radio, from a special fund which he organised at the Canteen. Bailey reports that it was great to be able to listen to the ABC News at 7:00pm, as well as Dad and Dave, Martins Corner and other radio shows. [5]

The Salvation Army, which initially used the CENEF Hut, had a welfare unit staffed by a Captain who was a World War One veteran. As they became established the pastor established a marque in the south-eastern corner of the Camp on Cobbitty Road. Reports indicate that the service was greatly appreciated and it was a wonderful organisation for the troops.[6]

Local troops in camp for training

The Camden News reported that local Camden men were in camp at Narellan undergoing three months training in the 1st Light Horse (Machine Gun) Regiment Reserve. They included:

Lieut. John Downes.

Sergeants C. Parker and Arundel.

Corporals K. C. Smart, I. Hum phries, Steele and Stoves.

Troopers C. Dengate, H. Dunk, W. I Driscoll, Coveney, R. Dudgeon, J. Mc Intyre, F. Clifton, A. Porter, W. Sweeney; McCoy, G. Moles, L. Small, R, Small, F. Byrne, E. Richardson, E. Reynods, A. Biddle, S. Crane, L. Fitzpatrick, K. Crisp, Kirkpatrick, Smith, Hull, McDonald, Burgan, Budgeon, Rutter, Darling, Dowel, Mitcherson, Barrett, O’Neil, Wilson, Darel.[7]

[1].  Alan Bailey, Interview, 1 November 1992

[2]. Alan Bailey, Letter to ICW, 11 August 1988

[3]. Fred Small, Interview, 13 January 1987

[4]. Arthur Colman, Letter to ICW, 15 January 1987

[5]. Alan Bailey, Letter to ICW, 11 August 1988; Interview, 1 November 1992;

[6]. Alan Bailey, Letter to ICW, 11 August 1988; Interview, 1 November 1992;

[7] Camden News, 6 February 1941.