The Narellan Heritage Walking Tour is an interesting and informative way to observe and learn about the history and heritage of this Cowpastures village.
What follows is the original walking tour of Narellan with historic notes of Narellan’s built heritage.
Keep your eyes open in central Campbelltown for inspiring public art installations that brighten up dull spaces around the town.
The Campbelltown Arts Centre, in conjunction with Campbelltown City Council and the NSW Government, have a program to re-invigorate the city centre using public art.
A screenshot of the public art webpage on the website of the Campbelltown Arts Centre. Each of the seven public art projects has a dedicated webpage with detailed descriptions of the artworks, what the artist was trying to achieve and the installation specifications. (CAC, 2023)
Public art positively affects the community and people’s self-esteem, self-confidence and well-being. Campbelltown Arts Centre has created a public art website to assist people in this process and shows several murals around the Queens Street precinct.
This blog has promoted the benefits of public art in and around the Macarthur region for some time now. There are lots of interesting public artworks around the area that are hidden in plain sight. This blog has highlighted the artworks and other artefacts, memorials and monuments that promote the Cowpastures region.
The public art program of the Campbelltown Arts Centre and Campbelltown City Council is creative, innovative and inspirational. It is playful yet takes a serious approach to a contemporary problem, urban blight.
These urban planning decisions came from the 1968 Sydney Regional Outline Plan of the NSW Askin Coalition Government.
Sydney-based planning decision created tensions between Campbelltown City Council and the Macarthur Development Board around what constituted the city centre. The Queen Street precinct, supported by the council, gradually declined in importance as a retail area as newer facilities opened up.
Queen Street could not compete with the new shopping mall Macarthur Square opened in 1979 by the Hon. Paul Landa, Minister for Planning and Environment in the Wran Labor Government.
High-value-added retailing deserted the Queen Street precinct and became populated by $2-shops and op-shops.
Campbelltown’s sense of place and community identity has taken a battering in the following decades.
Reinvigoration of the Queen Street precinct
The public art program at the Campbelltown Arts Centre is trying to ameliorate the problems of the past through community engagement in art installations.
The murals would enhance the local streetscape and make the area more welcoming to residents and visitors.
“The first mural is located at one of the entrances to the CBD and will add a new element to our public domain,” Cr Greiss said.
“It’s important that works to the Queen Street precinct enhance the current amenity to build pride among residents and make the area more attractive to people visiting our city,” he said.
The mayor referred to an art installation created by Campbelltown street artist Danielle Mate ‘Raw Doings’ in Carberry Lane. The Arts Centre website states:
This vibrant and bold artwork comprises many shades of blue and purple, and is inspired by aerial views of Country and the Australian landscape.
The mural ‘Raw Doings’ by street artists Danielle Mate was commissioned by Campbelltown City Council in 2022 (Document Photography/CAC 2022)
In 2022 the Campbeltown City Council commissioned ‘Breathing Life / Bula ni Cegu / Paghinga ng Buhay’ by artists and designers Victoria Garcia and Bayvick Lawrance.
‘Breathing Life’ is a celebration of Campbelltown’s thriving Pacific community, and the extensive connections between people, plants, animals and all living things.
The mural ‘Breathing Life’ by artists Victoria Garcia and Bayvick Lawrance in 2022 and was commissioned by Campbelltown City Council (Document Photography/CAC 2022)
In 2012 Campbelltown City Council commissioned a mural board across the bus shelters at Campbelltown Railway Station supervised by Blak Douglas in Lithgow Street called ‘The Standout’. The art installation is the work of 28 artists across 70 panels with a full length of 175 metres.
The Standout pays homage to the Dharawal Dreamtime Story of the ‘Seven Eucalypts’, and Douglas’ previous photographic series of deceased gums standing alone within landscapes and casting shadows within urban facades.
The ‘Stand Out’ mural by Blak Douglas is located in Lithgow Street Campbelltown along the bus shelters outside Campbelltown Railway Station. The work was commissioned by Campbelltown City Council in 2012. (Black Douglas/CAC 2012)
The public art installation ‘Three Mobs’ by Chinese-Aboriginal artist Jason Wing was commissioned by Campbelltown City Council in 2022. The mural is located on Dumersq Street and Queen Street, the south side of the 7Eleven wall, and features a rainbow serpent as an intersection of cultures.
Aboriginal culture reveres the rainbow serpent as the creator of all things on Earth. Chinese culture understands serpents to be a symbol for luck and abundance, and a highly desired zodiac sign.
Defined as any artistic work or activity designed and created by professional arts practitioners for the public domain, Public Art may be of a temporary or permanent nature and located in or part of a public open space, building or facility, including façade elements provided by either the public or private sector (not including memorials or plaques).
Public art can….
make art an everyday experience for residents and visitors
take many forms in many different materials and styles, such as lighting, sculpture, performance and artwork
be free-standing work or integrated into the fabric of buildings, streetscapes and outdoor spaces
draw its meaning from or add to the meaning of a particular site or place.
Public art humanizes the built environment and invigorates public spaces. It provides an intersection between past, present and future, between disciplines, and between ideas.
The paper maintains that public art has the potential to reinvigorate public spaces and add to their vibrancy. It states:
Throughout history, public art can be an essential element when a municipality wishes to progress economically and to be viable to its current and prospective citizens. Data strongly indicates that cities with an active and dynamic cultural scene are more attractive to individuals and business.
The statue of Elizabeth Macquarie by artist Tom Bass in Mawson Park in the Campbelltown CBD on Queen Street. The statue was commissioned by Campbelltown & Airds Historical Society in 2006 and cost $75,000. (Wikimedia)
Public art can express community values, enhance our environment, transform a landscape, heighten our awareness, or question our assumptions. Placed in public sites, this art is there for everyone, a form of collective community expression. Public art is a reflection of how we see the world – the artist’s response to our time and place combined with our own sense of who we are.
associationforpublicart.org/what-is-public-art/
Public art can be found in the most unusual places. In this case, this is a statue of a boy at Emerald Hills Shopping Centre Leppington. The statue memorialises the St Andrews Boys Home that once was located on the Emerald Hills land release site. (I Willis 2021)
To continue the story of Campbelltown, this is an excellent overview by local author Jeff McGill with many fascinating images of past and present times. (Kingsclear Publication, 2017)
Updated 17 May 2023. Originally posted on 16 May 2023 as ‘Public art at Campbellton brightens up a dull space’.
‘Making Camden History: local history and untold stories in a small community’. ISAA Review, Journal of the Independent Scholars Association of Australia. Special Edition, Historiography. Volume 19, Number 1, 2023, pp. 23-38.
The history of telling the story of a small community has been interpreted in different ways at different times in the past by different historians.
This area of study is called the historiography.
This is an aerial image of the country town of Camden in the 1940s with St John’s Church on the ridge overlooking the town and the Nepean River floodplain. The Macarthur family-funded church is the community’s soul and was constructed shortly after the private town was established by the Macarthur family at the river crossing into Camden Park Estate. (Camden Images)
I have recently published an article on the historiography of the small country town of Camden, NSW.
The Camden township is located 65 kilometres southwest of the Sydney CBD and, in recent years, has been absorbed by Sydney’s urban growth.
The main streets are a mix of Victorian, Edwardian and interwar architecture comprising commercial, government and domestic buildings.
The town site was originally the entry point into what became Governor King’s Cowpasture Reserve at the Nepean River crossing, part of the lands of the Dharawal people, which then called Benkennie.
Jill Wheeler argues that while local histories are embedded in a long storytelling tradition, new understandings inform our interpretation in a contemporary context.
The historiography of the history of a small country town demonstrates the shifting nature of storytelling and how different actors interpret the past.
This article seeks to examine some of what Wheeler calls ‘the other’ by looking beyond the conventional history of Camden as found in newspapers, journals, monuments, celebrations, commemorations and other places.
I have written an article about the making of the history of Camden NSW to illustrate and explore these issues.
This is the cover of my Pictorial History Camden & District, which tells the Camden story in words and pictures. The book is a brief account of the main events, characters and institutions that were part of the Camden township from its foundation to the present, as well as the Indigenous story in pre-European times and the foundation of the Cowpastures Reserve.
It is hard to imagine now, but in days gone by, the township of Camden was the centre of a large district. The Camden district became the centre of people’s daily lives for over a century and the basis of their sense of place and community identity.
Map of the Camden district in 1939 showing the extent of the area with Camden in the east. The silver mining centre of Yerranderie is in the west. (I Willis, 1996)
The Camden district ran from the Main Southern Railway around the estate village of Menangle into the gorges of the Burragorang Valley in the west. The southern boundary was the Razorback Ridge, and in the north, it faded out at Bringelly and Leppington.
The district grew to about 1200 square kilometres with a population of more than 5000 by the 1930s through farming and mining. Farming started with cereal cropping and sheep, which turned to dairying and mixed farming by the end of the 19th century. Silver mining started in the late 1890s in the Burragorang Valley, and coal mining from the 1930s.
Burragorang Valley (Sydneywater)
The district was centred on Camden, and there were several villages, including Cobbitty, Narellan, The Oaks, Oakdale, Yerranderie, Mt Hunter, Orangeville and Bringelly. The region comprised four local government areas – Camden Municipal Council, Wollondilly Shire Council, the southern end of Nepean Shire and the south-western edge of Campbelltown Municipality.
Cows and more
Before the Camden district was even an idea, the area was the home of ancient Aboriginal culture based on Dreamtime stories. The land of the Dharawal, Gundangara and the Dharug.
The Europeans turned up in their sailing ships. They brought new technologies, new ideas and new ways of doing things. The First Fleet cows did not think much of their new home in Sydney. They escaped and found heaven on the Indigenous-managed pastures of the Nepean River floodplain.
Map of Cowpastures SMH 13 August 1932
On discovering the cows, an inquisitive Governor Hunter visited the area and called it the Cow Pasture Plains. The Europeans seized the territory, allocated land grants, and displaced the Indigenous occupants. They created new land in their own vision of the world. A countryside comprised of large pseudo-English-style estates, an English-style common called The Cowpasture Reserve and English government men to work it called convicts. The foundations of the Camden district were set.
A river
The Nepean River was at the centre of the Cowpastures and the gatekeeper for the wild cattle. The Nepean River, which has an Aboriginal name of Yandha, was named by Governor Arthur Phillip in 1789 in honour of Evan Nepean, a British politician.
The Nepean River rises in the ancient sandstone country west of the Illawarra Escarpment and Mittagong Range around Robertson. The shallow V-shaped valleys were ideal locations for the Upper Nepean Scheme dams built on the tributaries to the Nepean, the Cordeaux, Avon, and Cataract.
View upon the Nepean River, at the Cow Pastures New South Wales Drawn and engraved by Joseph Lycett from his Views of Australia 1824-1825 (SLV)
The river’s catchment drains northerly and cuts through deep gorges in the Douglas Park area. It then emerges out of the sandstone country and onto the floodplain around the village of Menangle. The river continues in a northerly direction downstream to Camden, then Cobbitty, before re-entering the sandstone gorge country around Bents Basin, west of Bringelly.
The river floodplain and the surrounding hills provided ideal conditions for the woodland of ironbarks, grey box, wattles and a ground cover of native grasses and herbs. The woodland ecology loved the clays of Wianamatta shales that are generally away from the floodplain.
The ever-changing mood of the river has shaped the local landscape. People forget that the river could be an angry, raging, flooded torrent on a destructive course. Flooding shaped the settlement pattern in the eastern part of the district.
The RAAF Base Camden was located on the Nepean River floodplain. One of the hazards was flooding, as shown here in 1943. The town of Camden is shown on the far side of the flooded river. (Camden Museum)
A village is born
The river ford at the Nepean River crossing provided the location of the new village of Camden established by the Macarthur brothers, James and William. They planned the settlement on their estate of Camden Park in the 1830s and sold the first township lots in 1840. The village became the transport node for the district and developed into the area’s leading commercial and financial centre.
Vista of St. Johns Church from the Nepean River Floodplain 1910 Postcard (Camden Images)
Rural activity was concentrated in the new village of Camden. There were weekly livestock auctions, the annual agricultural show and the provision of a wide range of services. The town was the centre of law enforcement, health, education, communications and other services.
The voluntary community sector started under the direction of mentor James Macarthur. His family also determined the moral tone of the village by sponsoring local churches and endowing the villagers with parkland.
Camden’s Macarthur Park was endowed to the residents of Camden by Sibella Macarthur Onslow in the early 20th century (I Willis, 2016)
Manufacturing had a presence with a milk factory, a timber mill and a tweed mill on Edward Street that burnt down. Bakers and general merchants had customers as far away as the Burragorang Valley, Picton and Leppington, and the town was the publishing centre for weekly newspapers.
Macarthur Bridge View from Nepean River Floodplain 2015 IWillis
The Hume Highway, formerly the Great South Road, ran through the town from the 1920s and brought the outside forces of modernism, consumerism, motoring, movies and the new-fangled-flying machines to the airfield. This reinforced the market town’s centrality as the district’s commercial capital.
Burragorang Valley
In the district’s western extremities, the rugged mountains made up the picturesque Burragorang Valley. Its deep gorges carried the Coxes, Wollondilly and Warragamba Rivers.
The majestic cliffs and Gothic beauty of the Burragorang Valley on the edges of the Wollondilly River in 1910 (WHP)
Access was always difficult from the time that the Europeans discovered its majestic beauty. The Jump Up at Nattai was infamous when Macquarie visited in 1815. The valley became an economic driver of the district, supplying silver and coal hidden in the dark recesses of the gorges. The Gothic landscape attracted tourists who stayed in one of the many guesthouses to sup the valley’s hypnotic beauty.
Guesthouses were very popular with tourists to the Burragorang Valley before the valley was flooded after the construction of Warragamba Dam. Here showing Burragorang Valley House in the 1920s (The Oaks Historical Society)
The outside world was linked to the valley through the Camden railhead and the daily Camden mail coach from the 1890s. Later replaced by a mail car and bus.
Romancing the landscape
The district landscape was romanticised by writers, artists, poets and others over the decades. The area’s Englishness was first recognised in the 1820s. The district was branded as a ‘Little England’ most famously during the 1927 visit of the Duchess of York when she compared the area to her home.
The valley was popular with writers. In the 1950s, one old timer, an original Burragoranger, Claude N Lee, wrote about the valley in ‘An Old-Timer at Burragorang Look-out’. He wrote:
Yes. this is a good lookout. mate,
What memories it recalls …
For all those miles of water.
Sure he doesn’t care a damn;
He sees the same old valley still,
Through eyes now moist and dim
The lovely fertile valley
That, for years, was home to him.
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)
By the 1980s, the Sydney urban octopus had started to strangle the country town and some yearned for the old days. They created a country town idyll. In 2007 local singer song-writer Jessie Fairweather penned ‘Still My Country Home’. She wrote:
When I wake up,
I find myself at ease,
As I walk outside I hear the birds,
They’re singing in the trees.
Any then maybe
Just another day
But to me I can’t have it any other way,
Cause no matter when I roam
I know that Camden’s still my country home.
The end of a district and the birth of a region
The seeds of the destruction of the Camden district were laid as early as the 1940s with the decision to flood the valley with the construction of the Warragamba Dam. The Camden railhead was closed in the early 1960s, and the Hume Highway moved out of the town centre in the early 1970s.
Macarthur Regional Tourist Promotion by Camden and Campbelltown Councils
A new regionalism was born in the late 1940s with the creation of the federal electorate of Macarthur, then strengthened by a new regional weekly newspaper, The Macarthur Advertiser, in the 1950s. The government-sponsored and ill-fated Macarthur Growth Centre of the early 1970s aided regional growth and heralded the arrival of Sydney’s rural-urban fringe.
Today Macarthur regionalism is entrenched with government and business branding in an area defined by the Camden, Campbelltown and Wollondilly Local Government Areas. The Camden district has become a distant memory, with remnants dotting the landscape and reminding us of the past.
Over 700 locals and visitors were present for the official opening of the Camden District Hospital nurse’s quarters, better known as the ‘nurses home’ by the NSW Minister of Health WF Sheehan in June 1962. Official proceedings at the opening were led by hospital chairman FJ Sedgewick, who said the board had been working towards adding the new building for many years. (Camden News 27 June 1962)
Camden Hospital Nurses Quarters was opened in 1962 by the NSW Health Minister WF Sheehan. The building is influenced by 20th-century modernism and International Functionalism and was designed by architects Hobson and Boddington. The building is located on Menangle Road opposite the hospital complex. (I Willis, 2018)
Construction on the building had begun in mid-1961, cost £92,000 and was located on farmland purchased by the hospital board in 1949 opposite the hospital in Menangle Road on Windmill Hill. The three-story brick building had suspended concrete floors and was designed by architects Hobson and Boddington, influenced by mid-20th-century modernism and International Functionalism. Nurses’ accommodation was an improvement on wartime military barracks with 40 single rooms with separate bathrooms.
The Camden Hospital Nurses Quarters bathroom with striking colours and design typical of 20th-century modernism from 1962. It appears that the bathroom was renovated later with more recent fittings. This image was taken in 2008, illustrating the fundamental nature of the nurse’s accommodation within the building. (Camden Museum Archive)
Lack of accommodation
Finally, the hospital board thought a solution had been found to the hospital’s lack of nurses’ accommodation. Adequate accommodation for nurses had been an issue for hospital administrators from the hospital opening in 1902. Originally Camden nurses were provided two bedrooms within the hospital building, which soon proved inadequate. (A Social History of Camden District Hospital, by Doreen Lyon and Liz Vincent, 1998, p. 17) Nurses were quartered within a hospital complex based on the presumption that this was necessary because their 7-day 24-hour-shift roster meant they worked all hours. Added to this was Nightingale’s philosophy that the respectability and morality of the nurses had to be protected at all costs. The all-male Camden Hospital board took their responsibility seriously and considered there was a moral imperative to protect the respectability of their young single female nurses.
Camden District Hospital around 1930 in Menangle Road Camden. The nurses’ quarters, built in 1928, are on the right-hand side of the image. The original hospital building had an additional floor constructed in 1916. The first matron of the Camden District Hospital was Josephine Hubbard, assisted by Nurse Nelson with Senior Probationary Nurse Mary McNee. The medical officers were Dr West and Dr B Foulds. The hospital was administered by an all-male board of directors (Camden Images).
The Nightingale system hinged on the employment of women of unblemished characters as nurses…In the forty years since nursing has been made a respectable profession for women in Australia it had also acquired most of the dedicated overtones (and a great many of the rules, regulations, restrictions and inhibitions) of a religious order.
The blog Nurses For Nurses posts memories from one nurse about live-in-quarters at Lidcombe Hospital in 1971.
the large number of nurses who had to ‘live-in’ in the Nurses’ Quarters buildings (guarded by the bull-dog determination of the Home Sister, constantly on the look-out for those evil ‘boyfriends’ and male doctors!). These nurses were predominantly vulnerable, aged from 16 upwards, far, far from home in many cases. They needed friends, security, safety, comfort, respect, and a sense of ‘school pride’.
A group of second-year trainee nurses in uniform stood outside the Camden Hospital Nurses Quarters in 1965. (S Roberts)
The cloisters of Camden District Hospital
The nurses at Camden District Hospital lived in a cloistered environment within the hospital grounds in 1902, as they had done at Carrington Centennial Hospital for Convalescents and Incurable from the 1890s, like a pseudo-religious order in their veils and capes. According to the NSW Health Minister, Mr Sheehan,
‘The [new] building for the nurses I hope will be a home and comfort for them. It is consistent with the dignity of the service of the nurses in your community’. (Camden News 27 June 1962)
Duty and service were part of the ethos of nursing from the time of Florence Nightingale, and Camden’s ministering angels met their workplace obligation.
The Camden District Hospital and the 1928 Nurses Quarters on the right of photograph. The 1962 nurses’ quarters were built in the paddock on the right of the image. Menangle Road is the address of the hospital on Windmill Hill. (Camden Images)
There was comfort for the Camden community in the knowledge that the nurses’ quarters were on the road between the sacred heart of Camden at the St Johns Anglican Church and the Macarthur family’s pastoral empire at Camden Park Estate. The Macarthur family patriarchs had always been preoccupied with the town’s moral well-being, and the nurses’ respectability fitted this agenda. Mrs Elizabeth Macarthur Onslow was always mindful of the status of women and the moral dangers single nurses potentially faced in the town area. Mrs Onslow, her daughter Sibella and daughter-in-law Enid passed the hospital and the nurses’ quarters on their way to church and cast an observant eye over the complex to ensure all was well.
Lack of accommodation was a constant problem
Camden District Hospital was the primary medical facility between Liverpool and Bowral, and the Yerranderie silver field mines put pressure on the hospital. More patients meant a need for more staff. In 1907 a government grant allowed the hospital board to purchase a four-room cottage next to the hospital for £340 and convert it to nurses’ accommodation. (Camden News, 30 May 1907, 13 June 1907, 6 February 1908, 26 March 1908) Completed renovations in 1908 allowed the board to appoint a new probationary nurse, Miss Hattersley of Chatswood. (Camden News, 18 June 1908) The hospital’s status increased in 1915 when the Australasian Trained Nurses Association (ATNA) approved the hospital as a registered training school. (Camden News, 28 January 1915) Continuing pressure on the nurses’ accommodation stopped the hospital board from appointing a new probationary nurse in 1916. (Camden News, 6 July 1916) While things were looking up in 1924 when electricity was connected to the hospital. (Camden Crier, 6 April 1983)
The hospital continued to grow as the new mines in the Burragorang coalfields opened up, and adequate on-site nurses’ accommodation remained a constant headache for the hospital administration. In 1928 the hospital board approved the construction of a handsome two-storey brick nurses’ quarters for £2950 on the site of the existing timber cottage. (Camden News, 12 July 1928; SMH, 20 July 1928) The building design was influenced by the Interwar functionalist style. It was a proud addition to the town’s growing stock of Interwar architecture with its outdoor verandahs, tiled roof and formal hedged garden.
This handsome Interwar building is the Camden Hospital Nurse Quarters, built in 1928 on the 1907 nurses’ cottage site adjacent to the hospital on Menangle Road. The brick two-storey building has external verandahs and a formal hedged garden. The nurses’ home is one of several handsome Interwar buildings in Camden. It was demolished for the construction of the Hodge Hospital building in 1971. (Camden Images)
Temporary accommodation
Temporary nurses’ accommodation was added in December 1947 as each nurse was now entitled to a separate bedroom under the new Nurses Award. The hospital board purchased a surplus hut from Camden Airfield as war-related activities wound down, and the defence authorities sold the facilities. The hut was formerly a British RAF workshop hut, measured 71 by 18 feet, cost £175 and was relocated next to the hospital free of charge by Cleary Bros. RAF transport squadrons had been located at Camden Airfield from 1944, and local girls swooned over the presence of these ‘blue uniformed flyers’ and even married some of them. Hut renovations were carried out to create eight bedrooms, two store cupboards and bathroom accommodation for £370. Furnishings cost £375, with expenses met by the NSW Hospital Commission and the new building was opened by local politician Jeff Bate MHR. (Picton Post, 22 December 1947. Camden News, 1 January 1948)
Camden Airfield Hut No 72 was similar to the RAF airman’s hut that was relocated to Camden Hospital and used as temporary nurses’ accommodation in 1947. (I Willis)
As the Burragorang coalfields ramped up, so did the demands on the hospital, and the nurses’ accommodation crisis persisted. The issue restricted the ability of hospital authorities to employ additional nursing staff (Camden News, 21 September 1950), and the opening of the hospital’s new maternity wing in 1951 did not help. (Camden News, 4 March 1954)
Continuing accommodation crisis
The new 1962 nurses’ quarters did not solve the accommodation issue as the hospital grew from 74 beds in 1963 to 156 in 1983 (Macarthur Advertiser, 1 March 1983), and patient facilities improved with the opening of the 4-storey Hodge wing in 1971 on the site of the 1928 nurses’ quarters. (Camden News, 3 March 1971)
The Camden Hospital PB Hodge Block was opened in 1971 by NSW Health Minister AH Jago. This photo was taken by J Kooyman in 1995. (Camden Images)
The finish of hospital-based trained nurses
The last intake of hospital-based training for nurses took place at Camden Hospital in July 1984, and nurse education was transferred from hospitals to the colleges of advanced education in 1985. (A Social History of Camden District Hospital, by Doreen Lyon and Liz Vincent, 1998, p.58)
Camden Hospital Nurses Graduation from the Camden News 1974 June 26 (Camden Museum Archive)
Empty citadel
By this time, nursing staff were living off-site and the moral imperative of protecting the respectability and dignity of local nurses in a cloistered environment was challenged by feminism and the increased professionalism of the nursing profession.
In recent years the ghostly corridors of 1962 nurses’ quarters have remained eerily empty, reflecting a lot of good intentions that were never quite fulfilled. The buildings stand as a silent citadel to the past and act as a metaphor for the changing nature of the nursing profession, the downgrading of Camden Hospital, the imminent expansion of Campbelltown Hospital and the appearance of new medical facilities at Gregory Hills.
The Camden Hospital Nurses Quarters Lower Entry with the foundation stone set by the NSW Health Minister WF Sheahan. (I Willis, 2018)
Updated 10 May 2023. Originally posted on 7 November 2018.
The Anglican Church at Cobbitty recently held an open day for the community to celebrate 190 years of the Anglican community in the village. Those who attended could listen to local experts give talks on the history of the Anglican church in Cobbitty, the stained glass windows in St Pauls, and its fixtures, furnishings and artefacts.
The Anglican Church has been the heart and soul of the village since the Hassalls established themselves in the Cowpastures district in the early days of the colony of New South Wales. The church has been central in place-making and developing community identity in the village.
The church’s presence is why the village exists and is closely reminiscent of a pre-industrial English-style rural village. The village even had its own blacksmith, an essential traditional trade in all rural villages. Working over their hearth with hammers and anvils, making and crafting the farmers’ tools to make decorative work for the church graveyard.
The Hassalls were the de-facto lords of the manor. The development of the village was their fiefdom. Long-term local identity and font of knowledge of all things Cobbitty John Burge recalled in his talk on the ‘History of the Cobbitty Anglican Church’ that the Hassall family owned pretty much all of the farms up and down the Nepean River in the vicinity of Cobbitty.
The Reverend Thomas Hassall, the son of missionaries Rowland and Elizabeth Hassall, who arrived in New South Wales in 1798, was appointed the minister of the Cowpastures district in 1827.
Thomas Hassall built The first chapel in the area, called Heber Chapel, and opened in 1827, with Thomas as rector. It was named after the Bishop Heber of the Calcutta Diocese, where Cobbitty was at the time.
This image is of Thomas Hassall’s 1827 Heber Chapel Cobbitty, taken by John Kooyman in 1997, who was commissioned by Camden Library to document important heritage sites across the Camden District (CIPP)
As its first school and church, Heber Chapel became the centre of village life. The chapel was used as a school building during the week and for religious purposes on weekends. Schooling at the chapel continued until 1920.
The Heber Chapel was constructed of hand-made bricks with a shingle roof. Its simple design perhaps reflected the rustic frontier nature of Cobbitty of the 1820s when Pomari Grove, the site of the church and chapel, was owned by Thomas Hassall.
Recent renovations and restoration were carried out in 1993.
There was the opening of St Paul’s Church in 1840, with consecration by Bishop William Broughton. The community supported the construction of a Rectory in 1870 and a church hall in 1886.
This Charles Kerry image of St Paul’s Anglican Church at Cobbitty is labelled ‘English Church Cobbitty’. The image is likely to be from around the 1890s and re-enforces the notion of Cobbitty as an English-style pre-industrial village in the Cowpastures (PHM)
St Paul’s Anglican Church was consecrated in 1842, designed by Sydney architect John Bibb in a neo-Gothic style with simple lancet-shaped windows, typical of the design. These windows originally had plain glass and, over the decades, were changed for stained-glass
The church was built with plain glass windows. Stained glass became popular again in the mid-19th century as part of the Gothic revival movement in England and New South Wales. Stained glass was originally installed in medieval churches and cathedrals and then fell out of popularity. (Dictionary of Sydney)
There are 10 memorial windows in St Pauls, the oldest dated 1857 and made by English glass artist William Warrington. It was donated by the Perry family in memory of their daughter Carolyn. There is one original window dating from 1842 with small glass panes in the period’s style.
Well-to-do members of the church community preferred to donate a window as a memorial rather than a wall plaque or other church object to commemorate their loved ones.
This image of one of the memorial stained glass windows in St Paul’s Anglican Church Cobbitty was taken by J Lummis of Cobbitty and donated to the Dictionary of Sydney in 2011 (DoS)
The current presentation of the church is different from the 1840 St Pauls. Today’s church represents the many changes that have occurred over the years. The changes in the building reflect changes in style, technology, tastes and support, as well as periods of neglect.
A presentation by John Burge on ‘The History of the Cobbitty Anglican Church’ illustrated the many lives of the church, from periods of solid support by the local community to relative neglect. During the 1980s, the graveyard became overgrown, and graves were hidden under bushes. John’s images showed numbers of past symbolic trees, mainly cypress, that were planted and grew into large trees. Sometimes these were planted too close to the church building endangering its safety and stability. They were removed.
When you look at the church, you see a slate roof and automatically assume this was original. It is not. The slate roof is a recent addition in 2014 and was installed as part of the church restoration when work was done on roof trusses, barge boards, and guttering. The church initially had a shingle roof with a plastered interior vaulted ceiling. Now it has a slate roof with a maple timber-lined interior ceiling. The walls are quarried sandstone from Denbigh.
Electricity was installed in 1938 after originally being lit by candles and then kerosene lamps.
The pews and pulpit are unchanged and are Australian red cedar timberwork.
Music is provided by an 1876 Davidson organ from Sydney after the music was initially provided by violin, then harmonium.
The Anglican story of Cobbitty continues to evolve around the Heber Chapel, St Pauls, the Rectory and the church hall. The village continues to grow, as does the life of the church community, with a host of activities under the current church leadership.
Updated on 6 June 2023. Originally posted on 8 October 2017 as ‘A little bit of England celebrates 190 years at Cobbitty’
It is a landscape where dreams are fulfilled and memories are lost. The promises of land developers in master-planned suburban utopias meet the hope and expectations of newcomers.
As Sydney’s rural-urban fringe moves across the countryside, it becomes a contested site between locals and outsiders over their aspirations and dreams. The conflict revolves around displacement and dispossession.
Sydney’s rural-urban fringe is similar to the urban frontier of large cities in Australia and other countries. It is a dynamic landscape that makes and re-makes familiar places.
More than this the rural-urban fringe is a zone of transition where invasion and succession are constant themes for locals and newcomers alike.
Searching for the security of a lost past
As Sydney’s urban sprawl invades fringe communities, locals yearn for a lost past and hope for some safekeeping of their memories. They use nostalgia as a fortress and immerse themselves in community rituals and traditions drawn from their past. They are drawn to ever-popular festivals like the Camden Show and Campbelltown’s Fishers Ghost Festival, which celebrate the rural heritage of Sydney’s fringe.
Local communities respond by creating imaginary barriers to ward off the evils of Sydney’s urban growth that is about to run them over. One of the most important is the metaphorical moat created by the Hawkesbury-Nepean River floodplain around some of the fringe communities of Camden, Richmond and Windsor.
Fringe communities use their rural heritage to ward off the Sydney octopus’s tentacles that are about to strangle them. In one example, the Camden community has created an imaginary country town idyll. A cultural myth where rural traditions are supported by the church on the hill, the village green and the Englishness of the gentry’s colonial estates.
Hope and the creation of an illusion
Outsiders and ex-urbanites come to the new fringe suburbs looking for a new life in a semi-rural environment. As they escape the evils of their own suburbia, they seek to immerse themselves in the rurality of the fringe. They want to retreat to an authentic past when times were simpler. It is a perception that land developers are eager to exploit.
Ex-urbanites are drawn to the urban frontier by developer promises of their own piece of utopia and the hope of a better lifestyle. They seek a place where “the country still looks like the country”. These seek what the local fringe communities already possess – open spaces and rural countryside.
The imagination of new arrivals is set running by developer promises of suburban dreams in master-planned estates. They are drawn in by glossy brochures, pollie speak, media hype and recent subsidies on landscaping and other material benefits.
Manicured parks, picturesque vistas and restful water features add to the illusion of a paradise on the urban frontier. Developers commodify a dream in an idyllic semi-rural setting that new arrivals hope will protect their life savings in a house and land package.
Destruction of the dream
Oran Park Development 2010 (Camden Image/P Mylrea)
Dreams are also destroyed on Sydney’s urban frontier for many newcomers. Once developers of master-planned estates have made their profit, they withdraw. They no longer support the idyllic features that created the illusion of a suburban utopia.
The dreams of a generation of ex-urbanites have come crashing down in the suburbs like Harrington Park and Mount Annan. The absence of developer rent-seeking has meant that their dreams have evaporated and gone to dust. Manicured parks have become overgrown. Restful water features have turned into dried-up cesspools inhabited by vermin.
Paradoxically, the ex-urbanite invasion has displaced and dispossessed an earlier generation of diehard motor racing fans of their dreams. The destruction of the Oran Park Raceway created its own landscape of lost memories. Ironically new arrivals at Oran Park bask in the reflected glory of streets named after Australian motor racing legends and sculptures that pay tribute to the long-gone raceway.
The latest threat to the dreams of all fringe dwellers is the invasion of Sydney’s southwest urban frontier by the exploratory drilling of coal seam gas wells. Locals and new arrivals alike see their idyllic surroundings disappearing before their eyes. They are fearful of their semi-rural lifestyle.
So what of the dreams?
Sydney’s rural-urban fringe will continue to be a frontier where conflict is an ever-present theme in the story of the place. Invasion, dispossession, opportunity and hope are all part of the ongoing story of this zone of constant change.
Sydney’s urban growth is about to invade the Macarthur region yet again. This is a re-run of the planning disasters in Campbelltown of the late 1970s. These planning decisions were originally part of the 1968 Sydney Region Outline Plan and the 1973 New Cities of Campbelltown, Camden, Appin Structure Plan.
These urban plans were grossly over-optimistic then and only appeared in the Camden LGA in the 1980s at Mount Annan and Currans Hill. Tracts of land were sold off for housing in 1973, including part of Camden Park Estate, while historic buildings in Camden were demolished – Royal Hotel.
The areas in the current proposal are: Appin & West Appin, Wilton Junction, South Campbelltown, Menangle Park, Mount Gilead and Menangle areas.
Mount Annan, NSW, a new suburb on Sydney’s urban fringe, 2002 (CHS2005/P.Mylrea)
Sydney’s metropolitan fringe is a theatre for the creation and loss of collective memories, cultural myths and community grieving around cultural icons, traditions and rituals. European settlement took the Aboriginal dreaming and then had its own dream removed by an east invasion in the form of Sydney’s urban growth.
The re-making of place in and around the fringe community of Camden and Campbelltown illustrates the destruction and reconstruction of cultural landscapes. Locals dream of retaining the aesthetics of inter-war country towns and have created an illusion of a historical myth of a ‘country town idyll’.
In the new suburbs of Oran Park, Mt Annan and Harrington Park, urbanites have invaded the area drawn by developer spin, which promised to fulfil hopes and dreams and never really lived up to the hype. Unfulfilled expectations mean that Sydney’s rural-urban fringe is a transition zone where waves of invasion and succession have created perceptions of reality, and all that is left is imagination.
Learn more about urban development in the Macarthur region.
![Map Camden District 1939[2]](https://camdenhistorynotes.files.wordpress.com/2018/02/map-camden-district-19392.jpg)
![Camden Airfield 1943 Flood Macquarie Grove168 [2]](https://camdenhistorynotes.files.wordpress.com/2014/08/camden-airfield-1943-flood-macquarie-grove168-2-e1507949232355.jpg)
![CoverBook[2]](https://camdenhistorynotes.files.wordpress.com/2016/01/coverbook2.jpg)
Camden History Notes 
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