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Oran Park Raceway: the finishing line as new horizons open up

A new community at Oran Park

Oran Park Raceway was doomed in 2008 to be part of history when it was covered with houses in a new suburb with the same name. It was also the name of a former pastoral property that was part of the story of the settler society within the Cowpastures. The locality is the site of hope and loss for locals and new arrivals.

The suburb of Oran Park is on Sydney’s southwestern urban fringe just east of the history, and picturesque village of Cobbitty, and the relatively new suburb of Harrington Park is to the south.

Oran Park DSC_oranparktown
Signage at the entry to the Oran Park land release area (I Willis, 2018)

Oran Park Raceway was a glorious thing

The Oran Park Motor Racing Circuit was located in the southwestern and western part of the original Oran Park pastoral estate. The main Grand Prix circuit was 2.6 km long with a mixture of slow, technical and fast sweeping corners and elevation changes around the track.

The primary circuit was broken into two parts: the south circuit, the original track built in 1962 by the Singer Car Club and consisted of the main straight, pit lane garages and a constant radius of 180-degree turns at the end.

The north circuit was added in 1973  and was an 800-metre figure-8.  Apart from the primary racing circuit, there were several subsidiary activities, and they included two dirt circuits, two four-wheel training venues, a skid pan, and a go-kart circuit.

Oran Park Raceway 1997 CIPP
Oran Park Raceway was a popular motorsport venue in the Sydney area. This image is from 1997, showing open-wheelers racing at the circuit. (Camden Images)

The racing circuit has been used for various motorsport, including club motorkhanas, touring cars, sports sedans, production cars, open-wheelers, motocross and truck racing. In 2008 several organisations used the circuit for driver training, including advanced driving, defensive driving, high performance, and off-road driving.

The track hosted its first Australian Touring Car Championship in 1971, a battle between racing legends Bob Jane and Allan Moffat. The December 2008 V8 Supercar event was the 38th time a championship was held at the track. Sadly for some, the track will go the way of other suburban raceways of the past. It turned into just a passing memory when it closed in 2010.

The Daily Telegraph noted that several other Sydney tracks that have been silenced. They have included Amaroo Park, Warwick Farm, Mt Druitt, Sydney Showground, Liverpool and Westmead speedways. The public relations spokesman for Oran Park, Fred Tsioras, has said that a few notable drivers have raced at the circuit including Kevin Bartlett, Fred Gibson, Ian Luff, Alan Moffat, Peter Brock, Mark Weber, and others.

Innovations introduced at the Oran Park Raceway included night, truck, and NASCAR racing. Tsioras claims the track was a crowd favourite because they could see the entire circuit.

Oran Park Raceway Control Tower

An integral part of the Oran Park Raceway was the control tower. It had offices for the Clerk of the Course, timekeepers, the VIP suite, the press box, and general administration.

Oran Park Raceway 1997 CIPP
Control Tower Oran Park Raceway 1997 (Camden Historical Society)

In the early days, the facilities at the circuit were pretty basic, including the control tower. The circuit was a glorified paddock, and race organisers held mainly basic club events. The track surface was pretty rough, and there was a make-do attitude among racing enthusiasts.

The control facilities in the early days at the track were very rudimentary. The first control tower used in 1962 by the members of the Singer Car Club, who established the track, was a double-decker bus. Race officials and timekeepers sat in the open air under a canvas awning on the top of the bus at club race meetings.

The Rothmans tobacco company funded a new control tower, built around 1980. The Rothmans company was a major sponsor of motorsports in Australia then. Tobacco sponsorship of motorsports was seen as an efficient marketing strategy to reach boys and young men.

Tobacco & cigarette advertisements were banned on TV and radio in September 1976. While other tobacco advertising was banned from all locally produced print media — this left the only cinema, billboard and sponsorship advertising as the only forms of direct tobacco advertising banned in December 1989.

Motorsport projected an image of style, excitement, thrills and spills that drew men and boys to the sport. Motorsport has been symbolized by bravery, strength, competitiveness, and masculinity. This imagery is still portrayed in motorsport like Formula One racing.

According to Will Hagan, the influence of the tower’s design was the El Caballo Blanco Complex at Narellan, which opened in 1979 and was a major tourist attraction. The control tower, like El Caballo Blanco, was constructed in a Spanish Mission architectural style (or Hollywood Spanish Mission) like the Paramount cinema in Elizabeth Street (1933) or Cooks Garage in Argyle Street (1935) Camden.

Cooks Garage 1936
Cooks Service Station and Garage at the corner of Argyle and Elizabeth Streets Camden in the mid-1930s. This establishment was an expression of Camden’s Interwar modernism. (Camden Images)

The Spanish Mission building style emerged during the Inter-war period (1919-1939). It was characterised by terracotta roof tiles, front loggia, rendering of brickwork and shaped parapets.

The Spanish Mission building style was inspired by the American west coast influences and the relationship between the automobile, rampant consumerism and the romance promoted by the motion pictures from Hollywood.

According to Ian Kirk and Megan Martin from their survey of interwar service stations, the Spanish Mission building style was popular with service stations in the late 1920s and early 1930s, particularly in the Sydney area. Their survey discovered more than 120 original service stations surviving in New South Wales from the interwar years.

Some examples of Interwar garages included the Broadway Garage and Service Station in Bellevue Hill, the former Seymour’s Service Station in Roseville, Malcolm Motors in King Street, Newtown and the Pyrmont Bridge Service Station in Pyrmont. Kirk and Martin have maintained that, unlike the United States, early service stations in Australia were privately owned and did not have to be designed according to an oil company’s in-house style.

Motorsports became popular in the Interwar period and were associated with the glamour and excitement of the cars. The interwar period (1918-1939) is interesting in the history of Australia. It was a time that contrasted the imperial loyalties of the British Empire with the rampant consumerism and industrialisation of American culture and influence.

The interwar period was one in which country towns and the city were increasingly dominated by motor vehicles. It was a time when the fast and new, the exotic and sensual came to shape the style of a new age of modernism and competed with the traditional and conservative, the old and slow, and changes to social and cultural traditions.

There were many motor car brands competing for consumers’ attention, and the aspirations and desires of a new generation were wrapped up in youth, glamour, fantasy, and fun.

This was reflected in the growth of elegant and glamorous car showrooms and the appearance of service stations and garages to serve the increasing number of motor car owners.

In Camden, this period of modernism generated Cooks Garage at the corner of Argyle and Elizabeth Street, not far from the new slick and exciting movie palace, the Paramount Movie Theatre. In central Camden, the Dunk commercial building at 58-60 Argyle Street was a shiny new car showroom displaying Chevrolet motor cars from the USA. Advertisement boasted that the cars were:

Beautiful new Chevrolet is completely new. New arresting beauty of style; new riding comfort and seating; …with more comfort.

The buyer had the choice of car models from commercial roadster to sports roader, tourer, coupe and sedan, which sold for the value price of £345.

In New South Wales, motor vehicles increased from 22,000 in 1920 to over 200,000 in 1938.  There was an increasing interest in motorsports in Sydney by enthusiasts of all kinds.

 Dreams and development on the raceway site

In 1983 the Oran Park Raceway track was owned by Bill Cleary, and he stated to the Macarthur Advertiser that his family had owned the property for 38 years.  In 1976 he put together a proposal to create a sports and recreation centre for the raceway area. The proposal was raised again in 1981 and included a themed entertainment park, an equestrian centre, a dude ranch, a motel, a health and fitness centre, a model farm and cycling, hiking and bridle trails. But it all came to nothing.

Oran Park Raceway 2008 PMylrea CIPP
An aerial view of the former Oran Park Raceway in 2008 shows the track and its surroundings. Now all are covered by housing. (P Mylrea/Camden Images)

The current track was purchased in the mid-1980s by Leppington Pastoral Company (owned by the Perich family) and in 2004, was rezoned for housing.  It was estimated at the time that there would be 21,000 houses. Tony Perich stated in 2007 to the Sydney Morning Herald that he planned to build almost one-fifth of the 11,500 dwellings in Oran Park and Turner Road in a joint venture with Landcom. Mr Perich’s company spokesman, Greenfields Development Corporation, stated that the first houses would be on the larger lots.

Oran Park 2008 planned housing development

In 2008 Oran Park is part of the  South West Growth Centre area, which is the responsibility of the New South Wales Government’s Growth Centres Commission, which was eventually planned to accommodate 295,000 people by 2031. The Oran Park and Turner Road Development were expected in 2008 to house 33,000 people.

In an area east of the raceway, it is planned that an aged care facility will be developed for elderly and retired citizens with work starting in 2011. The project will consist of independent living villas and apartments, assisted living units, a daycare centre and a high and low-care aged facility with a dementia unit.

Oran Park DSC_opdisplayhomes
Oran Park display homes near the town centre in 2012. (OPTC)

In 2008 the raceway made way for 8000 homes to house 35,000 people, complete with the town centre, commercial precinct, and entertainment facilities. It was planned to include primary schools, two high schools, a court, a police station, and a community centre. The suburb, Raceway Hill, was planned to have streets named after the old track.

The colonial history of Oran Park

In the colonial days of early New South Wales, Oran Park was initially made up of two principal land grants, one of 2,000 acres, Harrington Park,  granted to William Campbell in 1815 and another to George Molle in 1817, Netherbyes, of 1600 acres which ran between South Creek and the Northern Road. According to John Wrigley, the name Oran Park appears on the pre-1827 map as part of Harrington Park,  Campbell’s grant. Campbell arrived on the brig Harrington, in 1803 as a master.

The New South Wales State Heritage Register states that the Oran Park portion was subdivided from the Harrington Park estate in 1829 and acquired by Henry William Johnston in 1852.  The Oran Park estate is representative of the layout of a country manor estate, with views afforded to and from the manor over the landscape and to the critical access points of the estate. These were representative of the design philosophies of the time.

Oran Park House CHS 3090 early 20thc donor JHiggs gddhtr FLMoore
The image clearly shows the hilltop locality of Oran Park House, typical of gentry estate houses across the Cowpastures. This landscape drew on the influence of the philosophy of Scot JC Loudon and Englishman Capability Brown (early 20thc, Camden Images)

Oran Park House was located in a picturesque Arcadian pastoral scene by using the best of European farming practices and produced an English-style landscape of a park, pleasure grounds and gardens. The house was located in a ‘sublime landscape’ with the integration of aspect, orientation, and design, drawing on influences of Scotsman JC Loudon, Englishman Capability Brown and Sydney nurseryman Thomas Shepherd.

Oran Park House

The two-story Georgian-style house was built in c.1857 and is described as having a roof with a simple colonial hipped form, windows with shutters, an added portico and a bridge to the two-story original servant’s wing at the rear. There are detailed cedar joinery and panelling on the interior. The house is located on a knoll creating an imposing composition set amongst landscaped grounds with a panoramic view of the surrounding area.

ORan Park House CL0218
Oran Park House in 1995 in a photograph taken by John Kooyman (Camden Images)

According to the NSW State Heritage Register, the house is an example of the Summit Model of a homestead sited on a hilltop with the homestead complex.  The entrance to Oran Park is on an axis with the house’s southern façade, with a carriage loop with mature plantings in front of the house.

Oran Park house was acquired by Thomas  Barker (of Maryland and Orielton), who sold it to Campbelltown grazier Edward Lomas Moore (of Badgally) in 1871. The property was leased and subsequently owned by Atwill George Kendrick, who had a clearing sale on the site in 1900. The house had alterations, possibly under the direction of Leslie Wilkinson (professor of architecture, University of Sydney) in the 1930s.

The Moore family sold the Oran Park House, and land to B Robbins and Mr Smith operated a golf course with trotting facilities. It was sold in 1945 for £28,000; in 1963, 361 acres were purchased by ER Smith and J Hyland, farmers. The homestead and stables were sold in 1969 by John and Peggy Cole and purchased by the Dawson-Damers, members of the English aristocracy. The Dawson-Damers undertook restoration guided by architect Richard Mann. John ‘DD’ Dawson-Damer was an Old Etonian and car collector.

John Dawson-Damer was a prominent motor racing identity and was killed in an accident while driving his Lotus 63 at a race meeting at Goodwood, West Sussex, in 2000. Dawson-Damer was the managing director of Austral Engineering Supplies Pty Ltd and was involved with the International Automobile Federation and the Historic Sports Racing Car Association of New South Wales. Ashley Dawson-Damer, his wife and socialite, was a member of the council of governors of the Opera Australia Capital Fund and a board member of the National Gallery of Australia Foundation.

After her husband’s death, she sold the house, with its historic gardens and 107 hectares of pasture, in 2006 for $19 million to Valad Property Group.  The State Heritage Register describes the house and surrounding estate as an outstanding example of the mid-nineteenth-century cultural landscape with a largely intact homestead complex and gardens within an intact rural setting.

Oran Park House was renamed Catherine Park House

Oran Park was renamed Catherine Park House in 2013 by the developers of the new housing release Harrington Estates Pty Ltd (Mac Chronicle 10 Oct 2013). The name change was agreed upon by Camden Council and celebrated Catherine Molle, the wife of George Molle.

In 1815 Molle was allocated a grant of 550 acres which he called Catherine Fields after his wife Catherine Molle, on the northern bank of South Creek opposite his grant of Netherbyres.

In 1816 George Molle was granted Netherbyres, of 1,600 acres (647.5 hectares) which ran between South Creek and the Northern Road on the south bank of South Creek. In 1817 he was granted Molles, Maine, 1550 acres east of the Great South Road.

George Molle was baptized in Mains, Berwickshire, Scotland, on 6 March 1773. George joined the Scots Brigade (94th Regiment) as an ensign and served in Gibraltar, The Cape of  Good Hope, India, Egypt and Spain. He was promoted to Colonel and served at Gibraltar before transferring as the Colonel of the 46th Regiment of Foot when ordered to serve in the Colony of New South Wales.

On 20 March 1814, he was appointed Lieutenant-Governor of the Colony, second in command to Governor Macquarie.

George and his wife played an active part in the public life of the colony of New South Wales, patron of the Female Orphan School and a member of the committee for the Civilization, Care and Education of Aborigines.

The suburb of Catherine Park was planned in 2013 to contain 3100 with 9500 residents. (Mac Chronicle 15 Oct 2013)

Oran Park, in recent times

In early 2018 the developer Greenfields and Landcom reported in their newsletter that construction of the new Camden Council Library building is progressing well. A new off-leash dog area was under construction in the new release areas around the new high school. It is the second area developed in the land release.

Oran Park Public School 2014 [2] (OPPS)
Oran Park Public School at the opening in 2014 (OPPS)

The newsletter detailed the road construction for Dick Johnson Drive, one of the many roads named after motor-racing greats. The street will connect with The Northern Road in 2019. Works are progressing on the latest release areas around Oran Park Public School and on earthworks associated with Peter Brock Drive. The school opened in 2014 with new staff and students adjacent to Oran Park Podium shopping centre.  The shopping centre was opened by New South Wales Premier Mike Baird in late 2014 with 28 speciality shops.

OranParkTownCentre
Oran Park Town Centre has been used as the land sales office since the first land release in 2013 (OPTC)

New parkland was opened in a recent release area in 2018, and new traffic lights were operational at Peter Brock Drive and Central Avenue.

A new free monthly 20pp A4 newspaper, the Oran Park Gazette, appeared in the suburb in 2015. It is published by the Flynnko Group based at Glenmore Park. The Gazette started with a circulation of 3500 and is part of a stable of five mastheads distributed across the Western Sydney region.

Camden Council transferred an administrative function to the new office building in 2016. An open day inviting residents to inspect the new facilities was a huge success.

The Macarthur Chronicle has developed a time-lapse to illustrate some of the changes at Oran Park.
https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FMacarthurchronicle%2Fvideos%2F10155207700341135%2F&show_text=1&width=560

Updated on 10 May 2023. Originally posted on 21 February 2018.

Aesthetics · Architecture · Attachment to place · Belonging · British colonialism · Collective Memory · Colonialism · Community identity · Cultural Heritage · Cultural icon · England · Governor Macquarie · Highways · History · Living History · Local History · Local Studies · Memorialisation · Memorials · Memory · Mileposts · Monuments · Parks · Place making · Settler colonialism · Settler Society · Storytelling · Sydney · Urban development · Urban history · Wayfinding

Macquarie Place: an overlooked city space of monumental importance

One of Sydney city’s hidden places is Macquarie Place, just off Bridge Street.  Tucked between Loftus Street and Pitt Street is a little bit of green. Rather dull, hidden from direct sunlight. A little bit tired, a little bit at heel amongst the skyscrapers and traffic congestion. A space in the city for today’s world of financial gurus, hotshots and lawyers.

Macq Place c1926 SLNSW
Macquarie Place with Obelisk c1926 (SLNSW)

Macquarie Place Park is a triangular-shaped space that has seen the city change around over 200 years. Once upon a time, it was an open space for the colonial elite in the elegant part of town next to the Governor’s House precinct, on the high ground above the Tanks Stream.

The New South Wales State Heritage Inventory states

 Macquarie Place was the first formally laid out public space in Sydney and thus in Australia. Governor Macquarie was responsible for its formal layout, befitting its important situation at the centre of the colony. The park and the memorials standing in this park outline the development of Sydney since its foundation.

On the harbour side of the park, The City of Sydney states that some of Sydney’s prominent early colonial businessmen held leases. They included  Simeon Lord, Thomas Randall, William Chapman, Andrew Thompson and Thomas and Mary Reibey.

The park was formalised when the sandstone obelisk designed by Francis Greenway was erected in 1818.  It was to mark Sydney’s first public square and the place from which all roads in New South Wales were to be measured.

The construction of Circular Quay between 1839 and 1847 saw an extension of several streets and took up a portion of the park. The reserve was enlarged in the 1970s when Macquarie Place (street) was closed and incorporated into the park.

Over the years, its position at the centre of its world changed. Government House was moved up to Macquarie Street. By the end of the Victorian period, Macquarie Place was surrounded by government administration and commercial offices of shipping merchants and agents.

In the eyes of many, the fate of Macquarie Place is representative of the changing faces of the city, from a working maritime harbour to part of the 24/7 global financial network which never turns off. The wheeling and dealing of today’s financial houses are reminiscent of the 17th and 18th centuries, which shaped the future of imperial London and the British Empire and appeared around the park in the late 19th century.

Macquarie Place has always had a global feel from those who passed through in the past in the Victorian and early colonial period and the international financial hotshots and hipsters of the present. It has been a transient place for those who occupied it, and the current batch of latte-sipping dealmakers is no different. The space is a site of both continuity and change.

The space was filled with monuments to the commercial pioneers (Mort), relics from the seafaring age (Sirius anchor), and the symbols of the power of colonial administrators. Macquarie Place monuments represent the changing period of the usage of the city and the world.

In 1907 the anchor and cannon from the HMS Sirius (1780-1790) were placed in Macquarie Place. HMS Sirius was one of the naval escorts of the First Fleet in 1788. The anchor was brought to Sydney after HMS Sirius was wrecked at Norfolk Island in 1790. The HMS Sirius was built in 1780-1781 as an Eastern Indian trader and named Berwick of 510 tons. It was purchased by the British Admiralty as a store ship in 1781 and renamed HMS Sirius in 1786. It was armed with 10 canons, carried 160 men and could do 10 knots with a strong wind.

There is the bronze statue of Thomas Sutcliffe Mort. The dedication on the  plinth:

 A pioneer of Australian resources, a founder of Australian industries, one who established our wool market.

Mort (1816-1878) arrived in Sydney in 1838 with his parents. He was a successful and flamboyant Sydney businessman, auctioneer, mine owner, pastoralist, manufacturer, horticulturalists and churchman. He lived at Darling Point, where he was a keen gardener.

Unveiling Thomas Mort Statue 1887 (Wikimedia)
Unveiling Thomas Mort Statue 1887 (Wikimedia)

There is also the 1908 domed toilet building with Edwardian Art Nouveau ironwork and an 1857 cast iron drinking fountain.

The beginning of the Remembrance Driveway from Sydney to Canberra is marked by two plane trees planted by Her Majesty Queen Elizabeth II in 1954.

The New South Wales State Heritage Inventory states:

Macquarie Place is now the oldest town square in Australia. Together with Hyde Park, it is also the oldest urban park in Australia and has been in continuous operation as a public space for at least 195 years.

The park provides a breath of fresh air between the city towers that now enclose it. Today Macquarie Place is a world of cafes frequented by Sydney’s financial gurus who determine the future of Australia. The Victorian edifices to colonial administration are silent, awaiting the wishes of the latest rent-seeking developers.

Read more about Macquarie Place

  1. City of Sydney

2. NSW State Heritage Inventory

3. Anne Marie Whitaker, ‘Macquarie Place’, Dictionary of Sydney

Updated on 4 May 2023. Originally posted on 16 February 2018.

Anzac · Attachment to place · Community identity · First World War · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Local History · Memorials · Menangle · Monuments · Sense of place · Volunteering · War

Missing wartime photographs re-appear at Menangle

Out at Menangle it has been brought to my attention that three First World War Honour Roll photographic montages have re-appeared after many years.

The honour rolls are framed photographs of local Menangle men who served during the First World War.   Across the three framed montages there are photographs of 31 Menangle diggers.

Meaning of photographs

The Menangle photographs carry a special meaning and memory from the past. These individual portrait images are simple yet poignant reminder to today’s generations of the incredible loss of young men in the Great War.

The wartime photographs of Menangle men are a reminder of a less innocent period in Australia’s past. The men appear relaxed and without airs and graces. They look straight ahead without the weight of the world on their shoulders and carnage that lay before them.

A number of the Menangle men in the photographic montage were killed in action.

The National Archives of Australia has a webpage where it displays images of Australian diggers from the First World War. Many other libraries and galleries have similar collections, like the State Library of Victoria.

The website Camden Remembers has many photographs of local diggers from the First World War.

Menangle School of Arts

The Menangle framed photos were hanging in pride of place in the front rooms at the Menangle School of Arts for decades. The rooms were used as a library and meeting rooms.

The individual who originally organised the framed Menangle photographs certainly went to a large amount of effort and expense to put the photographic montages together.

The framed photographs were taken away for restoration when the hall was renovated and toilets added to the hall in the late 1970s.

The framed honour rolls montages recently re-appeared after many years.

The aim is to have the honour rolls restored and replaced in the School of Arts after the hall has had conservation work completed.

 

Menangle Honour Roll Photographic Montage No 1

Menangle Honour Roll no2 BPeacock HQ no1 lowres

 

Menangle Honour Roll Photographic Montage No 1

Ashford, A

Ferguson, JP

Hawkey MC, Major JM

Hawkey, FJ

Kemp, M

Macarthur Onslow, Captain AW

Macarthur Onslow, Lieut JA

McDonald, GL

McKnight, WL

Raymond, LF

Stark, J

Starkey, CC

Tulloch, C

Tulloch, R

Williams, JE

Menangle Honour Roll Photographic Montage No 2

Menangle Honour Rolls No 2 Brian Peacock HQ No2 lowres

 

Menangle Honour Roll Photographic Montage No 2

Gale, B

Hawkey, H

Heighington, HC

Mahoney, GE

Matthews, R

Murdoch, HT

Onslow Thompson, Lieut Colonel AJ

Price, GA

Menangle Honour Roll Photographic Montage No 3

Menangle Honour Rolls No 3 Brian Peacock HQ N03 lowres

 

Menangle Honour Roll Photographic Montage No 3

Buckman, S

Hancock, C

Hawkey, RJ

Macarthur Onslow, Brigadier General GM

Mahoney, H

Morris, W

Muir, RL

Starr. HA


List of Menangle diggers from honour roll photographic montages (alphabetic order)

Ashford, A

Buckman, S

Ferguson, JP

Gale, B

Hancock, C

Hawkey, Major JM

Hawkey, FJ

Hawkey, H

Hawkey, RJ

Heighington, HC

Kemp, M

Macarthur Onslow, Brigadier General GM

Macarthur Onslow, Captain AW

Macarthur Onslow, Lieut JA

Mahoney, GE

Mahoney, H

Matthews, R

McDonald, GL

McKnight, WL

Morris, W

Muir, RL

Murdoch, HT

Onslow Thompson, Lieut Colonel AJ

Price, GA

Raymond, LF

Stark, J

Starkey, CC

Starr. HA

Tulloch, C

Tulloch, R

Williams, JE

 

Menangle War Memorial Wall Plaque at St James Anglican Church Menangle

Menangle War Memorial wall BPeacock 2018 lowres (2)
Memorial Plaque, St James Anglican Church Menangle, Wall of Remembrance, St James Anglican Church, Menangle  (B Peacock, 2018)

 

Inscription on memorial plaque: 

IN MEMORIAM
CAPT A W MACARTHUR ONSLOW 16TH LANCERS YPRES
Lt COL A J ONSLOW THOMPSON 4TH BN AIF GALLIPOLI
CORPORAL R J HAWKEY 6TH AIF PALESTINE
SIGNALLER B GALF 3RD BATTALION AIF FRANCE
PRIVATE J E WILLIAMS 56TH BATTN AIF FRANCE
1914 – 1918
1939 – 45
Flt. Sgt J.D. PRATT R.A.A.F

 

Menangle War Memorial Wall 2018 BPeacock
Menangle War Memorial Wall at St James Anglican Church Menangle (B Peacock, 2018)

Featured image:

Memorial Plaque, St James Anglican Church Menangle, Wall of Remembrance (B Peacock, 2018)

 

 

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Goulburn Evening Penny Post and its Art-Deco newspaper office and printery

Goulburn’s Interwar Modernism

Hidden in plain sight in Auburn Street, Goulburn’s main street, several Interwar buildings are amongst this imposing Victorian grandeur.  

One of these buildings in the office and printer of  The Goulburn Evening Penny Post at 199 Auburn Street Goulburn was built in 1935.  

The newspaper office reflected confidence in the future of Goulburn. A statement about the town.

Goulburn Post newspaper Office 1935 lowres
The new 1935 newspaper office of the Goulburn Evening Penny Post in Art-Deco styling showing the beacon with the lamp on top above the newspaper signage (I Willis, 2018)

Country newspaper barons

The Daniels family, who owned the Penny Post, were part of the country press barons who ruled their rural media empires with an iron fist.

Families liked the Sommerlads of New England, the Sidmans of the Macarthur region, the Shakespeare family of the mid-west, the Robinsons in the Hunter, the Parkers of the mid-west, the Musgraves of Wollongong, the Motts of Albury and a host of others.

The newspaper landscape in Goulburn

Goulburn was a vibrant colonial newspaper landscape reflecting a prosperous colonial pastoral economy. While the Goulburn had a literate population, it was still a frontier town. Publishers were self-made men and editors as well.  Colonial New South Wales was a rugged and robust publishing environment  – a boom and bust cycle.

The first newspaper in the town was the Goulburn Herald in 1848. By the 1920s, 21 separate newspaper mastheads had come and gone in Goulburn.  

The Interwar period appears to have been a prosperous time for the New South Wales country press. According to Rod Kirkpatrick’s Country Conscience, 238 titles were published in 1920, only slightly reduced to 221 in 1930.

Goulburn Post newspaper Office 1935 shopfrontdoors lowres
The front entrance of the Art-Deco style 1935 newspaper building shows the chromium and Carrara glass of the Goulburn Evening Penny Post (I Willis, 2018)

The first issue of the Penny Post in 1870 was produced under the cumbersome masthead of the Goulburn Evening Penny Post and Southern Counties General Advertiser as a short tabloid (11 x 14 inches) of 4pp. By 1930 the Goulburn Evening Penny Post was the last standing.

Goulburn society was driven by its religious zeal; the city even had 3 publications. They were: The Goulburn Banner (1848 – Presbyterian), the Monthly Paper (1893 – Church of England) and Our Cathedral Chimes (1920s – Roman Catholic).

A special edition celebrates the new newspaper office building

The December 1935 edition of the Goulburn Evening Penny Post celebrated the opening of the new office building. The edition was 36pp, with most of the editorial space taken over by recounting the history of the Goulburn township and area.

At the time, the Post was a daily, Monday to Friday, incorporating The Goulburn Daily Herald with a cover price of one penny.

Goulburn Penny Post 1935 Dec128
A special edition of the Goulburn Evening Penny Post for 18 December 1935 celebrating the opening of the new Art-Deco style newspaper office. (NLA)

Staff photographs

Goulburn Evening Post Staff 1935 GEP[2]
Goulburn Evening Post Staff 1935 (GEP, 1935) (Image supplied by Paul Titheradge )

Goulburn Evening Post Staff 2016 Evening Post Staff Paul Titheradge
Goulburn Evening Post 1965 Staff Photo of Management, Editorial and Production Staff. Amongst the staff are Reg Martin, Mark Collier (Linotype Operators), Paul Titheradge (supplied image), Vern Daniel, and Col Daniel. (GEP, 1965)

Architect LP Burns

The anniversary edition ran an article titled ‘Inside A Modern Country Newspaper Office’. The Sydney architect LP Burns designed an office building described as a ‘fine, modern building’  of ‘distinction’ in a ‘modern’ style.

Burns also designed Goulburn’s Elmslea Chambers at 17 Montague Street in 1934. It is described as one of the first buildings in Australia to use coloured polychrome terracotta in its façade, which features a fine relief of birds, flowers, leaves and typical Art Deco sunbursts under the windows.

The building was designed for wealthy pastoralist FG Leahy.

Goulburn Elmslea Chambers 17 Montague St des. LP Burns 1934
Goulburn’s Elmslea Chambers at 17 Montague Street Goulburn was designed by Sydney architect LP Burns in 1934 (Pinterest)

The front of Goulburn’s Elmslea Chambers was Wunderlich terra cotta polychrome panels. The Building Magazine claimed that ‘Goulburn [had] never before seen a block of offices of such a lavish and commodious nature’.

The building interior had Silky Oak panelling with Tasmanian Oak inlay, chromium light fittings, and frosted green glass. The builders were Armstrong and Stidwell.

The newspaper building design

The new Goulburn Evening Penny Post building was an example of sleek Art-Deco styling. A stripped-back minimalism of the realities of the commercial world – a no-nonsense, business-like, functional and matter-of-fact. Just like the owners and editors.

Goulburn Post newspaper Office 1935 shopfront lowres
The shop front of the 1935 newspaper office building for the Goulburn Evening Penny Post shows the Art-Deco styling of chromium and Carrara glass windows (I Willis, 2018)

Art-deco styling was an expression of modernism – sleek, fast, stripped back, not frilly like the Victorian frippery, not tizzy – reminiscent of the world of the railways, movies, motor cars, ocean liners, aeroplanes, consumerism, fashions, and wireless. The influences coming down the Hume Highway to Goulburn. The building conveys a powerful statement about the Interwar period in Goulburn.

The Penny Post article on the newspaper office mentioned the beacon with the lamp on top, which made it different from other commercial buildings and with the shopfront Carrara glass. The journalist writing the story was keen to assure the readers that the Carrara glass front was ‘pleasing and harmonious’ and emphasised that this type of glass could give a ‘creeping appearance of extravagance’.

Carrara Glass was developed in the USA. It was a high-strength coloured glass used globally in Art Deco and Streamline Moderne buildings. Carrara glass was usually white or blue-grey, which resembled the high-quality Carrara marble from Tuscany in Italy. The pigmented glass was an acceptable low-cost alternative building material.

Goulburn Post newspaper Office 1935 shopinterior lowres[3]
The interior public foyer area of the 1935 newspaper office of the Goulburn Evening Penny Post with timber panelling probably Silky Oak which was popular at the time (I Willis, 2018)

 According to the 1935 press reports, the building frontage was marked by its ‘judicious display’ and ‘would attract attention in any of Sydney’s busiest streets’. The first floor of the building contained the newspaper’s editorial offices and a large, strong room where the newspaper archives were kept.

The report continued stating that the building was centrally heated by steam, including the composing and machinery rooms. This would, it was maintained, be greatly appreciated by the newspaper’s employees.

The printing presses were at the rear of the building and the newsroom in the centre, while the retail shopfront area dealt with advertisers and local folk buying the newspaper.   

There was a staff of over 20 journalists, compositors, printers, editors, clerical and retail support. These staff were witnesses to the town’s daily life as it passed through the doors of the newspaper office.

History in plain sight

Today the Goulburn Post building is evocative of a time when print media was king. Walking into the 1935 Penny Post office is like stepping back into the past. Into a world that has disappeared, best illustrated currently by the US movie The Post.

The movie explores the buzz of the newsroom at the Washington Post and the publishing of the Pentagon Papers during the heyday of the Vietnam War. When print was king.

While the Goulburn Evening Penny Post was not a large metro daily, it is easy to visualize the hive of activity in the newsroom and printing shop. The approaching print deadlines and the smoke-filled rooms amongst the evocative timber-panelled rooms throughout the building.

Goulburn Post newspaper Office 1935 shopinterior lowres
The interior public foyer area of the 1935 newspaper office of the Goulburn Evening Penny Post shows the Art-Deco style light fittings and timber panelling which is throughout the building (I Willis, 2018)

The fabric of the building is still largely intact and retains its integrity, charm and character. The building reveals the layers of history to those who care to take a look. The building has escaped any major renovations, and the structure is as it was in 1935. If these walls could talk, they would tell many great yarns of hard-bitten country press barons, editors and journos.

It is easy to imagine the smell of the printers’ ink; the whir of the printing presses; the buzz of the newsroom; the clacking of typewriters; and the babble of conversations at the front desk with advertisers, stock and station agents, and wool merchants. The newspaper was the town’s heartbeat, and the ink and newsprint flowed through the arteries and veins of the community.

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The 1993 commemorative plaque on the front of the 1935 newspaper office of the Goulburn Evening Penny Post was opened by the local member of parliament. (I Willis, 2018)

Today’s newspaper

The current Goulburn Post, the offspring of the Goulburn Evening Penny Post, is still in the 1935 building. It is the hub for 10 mastheads within Fairfax Media. Goulburn Post editor Ainsleigh Sheridan says the newspaper is about creating community history.

She would concur with the former president and publisher of the Washington Post, Phillip Graham, who is credited with saying that ‘journalism is the first rough draft of history’ in 1997.

The Goulburn Post is a tri-weekly masthead and is just one of the Fairfax Media group that is produced in the building. The Post is coordinated in the Auburn Street office and sent online to Canberra for printing. In the past, printing was done on-site in the back of the Auburn Street building.

The current building has issues with fire regulations that did not exist in 1935, and the upstairs area is not currently in use.

Walking the ground

There is nothing quite like experiencing history in the field to gather a feel for a place. Walking the ground provides a perspective for historians that cannot be gained by staying in the archive. Such is my experience of Goulburn.

Goulburn Auburn St 2018[2] lowres
A street view of the central business of Goulburn in Auburn Street showing the Victorian grandeur of the Goulburn Post Office built 1880-1881 (I Willis, 2018)

The inland city of Goulburn was one of the most important rural centres in 19th-century New South Wales.

Modernism and a country newspaper office

Modernism in the 20th century is represented by the CML building and the small office of the local newspaper, Goulburn Evening Penny Post.

 The world seems to have passed the town by with its eclectic collection of building styles – Victorian, Edwardian, Interwar and post-war.    

Tucked around every corner is a new surprise – Catholic and Anglican Cathedrals, the imposing railway station, a grand Victorian post office and an imposing courthouse that would have made a statement about law and order in 19th-century Goulburn.   

Another world away from the present.

Updated 3 July 2023. Originally posted on 5 February 2018 as ‘Modernism and a country newspaper office’.

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‘Remaking Cities’, a conference with a heady mix of urban delights

Melbourne’s RMIT University Centre for Urban Research and its bluestone campus proved a thought provoking site when it hosted the 14th Urban History Planning History Biennial Conference ‘Remaking Cities’ in 2018.

 

UHPH Conf 2018 Magistrates Court RMIT
A view of the Magistrate Court building at the UHPH Conference 2018 RMIT University at the corner of La Trobe and Russell Streets Melbourne. The city watch-house, used for holding alleged offenders until they were officially remanded or released on bail, operated on the site next to the Magistrates’ Court from 1892.  (I Willis, 2018)

 

The eclectic mix of architecture at the RMIT La Trobe Street Campus ranged from venues that were located in magnificent Victorian colonial building used for the administration of justice to those that were examples of ultra-modern late 20th century style of architecture.

The venues were an inspiring setting for the discussion of the lofty ideas surrounding an array of urban issues. From the former Melbourne Magistrates’ Court (1842) and City Watch-house Russell Street (1892), Melbourne,  and the Francis Ormond Building which was formerly the Working Men’s College (1886) and the adjoining Supreme Court building (1890).

 

UHPH Conf 2018 Magistrates Court Room RMIT
A view of one of the court rooms at the Magistrates Court Building RMIT University where some of the conference sessions were held during the conference. These court rooms provided a dramatic backdrop to the host of papers presented by conference delegates across the three day conference. (I Willis, 2018)

 

The Storey Meeting Hall of the Hibernian Australasian Catholic Benefit Society (1887) has been remade in modern form reliving its iconography as an important symbol of Melbourne’s social and political protest movement.

Morning and afternoon teas were taken in the alumni courtyard, which was previously the car park of the Russell Street Police Headquarters. The venue provided food for thought located next door to the Old Melbourne Gaol (1842).  If these bluestone walls could speak they would tell harrowing tales from the the colourful past of the site.

 

UHPH Conf 2018 Alumni Courtyard RMIT
A view of the Alumni Courtyard at RMIT University where the conference catering for morning and afternoon tea were held. The view of Melbourne city in the distance provides a contrast of urban development and growth for delegates. (I Willis, 2018)

 

The conference theme of ‘Remaking Cities’ was inspired by Melbourne as an exemplar of cities that are continually remade. Melbourne was a manufacturing centre, a site of land speculation and a place re-made on the land management practices of the Kulin nation.

The process of re-making Melbourne is underpinned by the processes of settler colonialism, speculation and taking of territory. These factors cast a long shadow of how a shared future might be achieved and the role of the planning processes within these processes.

Industrial growth and development are themes that have been central to the Australia’s nineteenth-century cities, including Melbourne, and their subsequent decline by the late 20th century. The post-manufacturing period provides a whole new set of challenges for cities like Melbourne as the financial, service and cultural sectors drive urban growth.

 

UHPH Conf 2018 Courtyard Francis Ormond Bldy RMIT
A view of the courtyard in the Francis Ormond Building at the RMIT University. The Francis Ormond Building is on the Register of the National Estate, classified by the National Trust, and designated a ‘notable building’ in the Melbourne City Council planning scheme.  (I Willis, 2018)

 

The three day conference provided a forum where keynote speakers and delegates struck a workable balance between the scholarly and the practitioner. The keynote speakers were: Kate Torney, CEO State Library of Victoria; Cathie Oats, Trove director of digital services; Jefa Greenaway, director of Greenaway Architects; Chris Gibson, Professor of Human Geography at UOW; Ben Shrader, author and historian from Wellington, NZ; John Masanauskas, City Editor of Herald Sun.

This was a heady mix that was matched by the mix of 72 presentations from scholars, practitioners and community members  across three separate streams. Delegates came from interstate and overseas (New Zealand) with a strong contingent of local Melbournites.

 

UHPH Conf 2018 330 Swanton St Bldg RMIT
A view of some of the post-modern artwork at 330 Swanston Street, RMIT University, Building 22. The campus has much to offer the enthusiast for this style of architecture in the university setting. (I Willis, 2018)

 

There were sessions ranging from: planning histories; postwar campus; heritage; land speculation; music; maps; housing; rivers and wetlands; parks and gardens; museums; governance; transport; commerce; streetscapes; quarries; urban agriculture and food systems; placemaking; to Indigenous planning and policy.

Camden historian and CHN blogger Ian Willis presented a paper called ‘Utopia or dystopia, a contested space on Sydney’s urban frontier’.

The conference organising committee put out a book of abstracts and will publish the conference proceedings later this year.

 

UHPH Conf 2018 Francis Ormond Bldg RMIT
A view of the Francis Ormond Building with the Pearson and Murphy’s Cafe in the foreground where patrons can take in the atmospherics offered by the Victorian style architecture while enjoying their coffee. The cafe was named after Charles Henry Pearson and William Emmett Murphy, who were key players in the original foundation of RMIT as the Working Men’s College back in 1887. (I Willis, 2018)

 

The conference reception and dinner were held at The Old Melbourne Gaol in Russell Street. The bluestone walls are rich in meaning from the 133 hangings on the site and the execution in 1842 of two Palawa brought to Victoria from Van Dieman’s Land by GA Robinson: Tunnerminnerwait and Maulboyheener.  

 

UHPH Conf 2018 Melbourne Gaol Signage
The entrance of The Old Melbourne Gaol in Russell Street Melbourne. Daily tours of the museum are well worth the effort where the visitor can view the cells and take in the atmospherics and witness Ned Kelly’s gallows. (I Willis, 2018)

 

Delegates were invited to dine beneath the gallows that famously ended the life of notorious bushranger Ned Kelly on 11 November 1880. Kelly is certainly one of the icons of Australian history and has inspired poetry, song, film, art and literature. He has variously been called a bushranger, larrikin, bushman, underdog and arguably an anarchist. The venue was heavy with the atmospherics of its history and delegates could wander in and out of the cells where they could walk the ground from the past.

 

UHPH Conf 2018 Melbourne Gaol Dinner
The venue for the conference reception and dinner was The Old Melbourne Gaol. The venue reeks of atmosphere and for the ghoulish it is a ready site for investigating ghosts of the 133 who were hanged on the site from 1842. (I Willis, 2018)

 

The bluestone walls provided a ghoulish backdrop to the sounds of Melbourne trio The Orbweavers.

The conference organising committee are to be complemented on doing a grand job.