Take a stroll down any street in Australia and raise your eyes and the past will reveal itself before your very eyes.
You are wandering through living history. The past is all around you. Street names, street layout, the width of the street, the location of buildings and more.
The landscape of our cities and towns, and the countryside all owe their origins to the past.
The landscape will speak to you, but you must be prepared to listen.
Take time to let the landscape reveal itself. Just stand and soak up the past around you.
Cannot see it? Cannot feel it?
You need to look beyond the surface.
Like a painting will tell a story if you peel back the layers, so the landscape will do the same.
The landscape will speak to you. It will reveal itself.
Ask a question. Seek the answer.
The position of the tree. The type of street trees. Their size and species.
The bend in the road. The width of the street. The location of the street.
The position of the house. The colour of the house. The building materials.
Why is the street where it is? Why does it have that name?
Who walked along the street before you. Who grew up in the street? What were their childhood memories?
Ghosts of the past.
Some would say spirits of the past.
The past will speak to you if you let it in.
What was it like before there was a street?
The street is constantly changing. There are different people all the time. What clothes did people wear in the 1890s, 1920s, 1930s?
You walk along the street and into a shop. When was it built? Who owned it? What did it sell? How was it set up?
Stand at the entrance door – unchanged in 50 years – image what it was like in the past.
Just like a movie flashback.
Who moved through the landscape 1000 years ago? What was there?
Let you imagination run wild.
Let the past wash over you. The past is all around you. Let it speak to you.
The brick wall that has been there for 100 years. Who built it? Where did they live? What did they eat? What else did they build? What was the weather? Was it a sunny day like today?
Walk around the corner and you come to a monumental wall at the entry to a town. Who put it there? What does it mean?
The past is hiding in plain sight. It is in front of us all the time.
Sometimes the past is lodged in our memories and sometimes it is locked up in a photograph.
Sometimes the memories flood back as a special event or family gathering or a casual conversation.
The past is layered. It was not static. It was constantly changing.
The past is not dead. It is alive and well all around us. You just need to take it in and ‘smell the roses’.
The stories of the past are like a gate into another world. Let your imagination run wild. Like a movie flash back – like a photograph from 100 years ago – or a greying newspaper under the lino or stuffed in a wall cavity.
Like revealing layers of paint on a wall. They are layers of the past. Layers of history. Each layer has a story to tell. A past to reveal. Someone put the paint on the wall. Who were they? What did they do? Where did they go?
The Layers of history are like a mask. You want to take off the mask to reveal the face. You want the real person to reveal themselves. Sometimes the mask stays on.
The mask hides a mystery. What is it? What does it tell us? The mast of the past will reveal all eventually, maybe, sometime?
Sometimes other words are used to express the layers of history – progress – hope – nostalgia – loss – change – continuity.
The past has brought us to the present. The past is embedded in the present.
Take a moment. Think about what is around you. Take in the past in front of you. Hiding in plain sight.
The past is all around us and has created the present. The present would not exist without the past. We need to understand the past to understand the present.
The past is all around us and has created the present. The present would not exist without the past. We need to understand the past to understand the present.
One of the most important pieces of public art In the Macarthur region is the Camden Pioneer Mural. The mural is located on the corner of the Old Hume Highway and Menangle Road, adjacent to Camden Hospital. Thousands of people pass-by the mural and few know its story.
Public art is an important part of a vibrant community and adds to its cultural, aesthetic and economic vitality. Public art promotes
‘a sense of identity, belonging, attachment, welcoming and openness, and strengthen community identification to place. [It creates] a tangible sense of place and destination’.
The pioneer mural does all these and more. The mural makes a public statement about Camden and the stories that created the community we all live in today.
reflect the social fabric of communities past and present – visual representations of their dreams and aspirations, social change, the cultural protests of an era, of emerging cultures and disappearing ones.
Public murals have recently gone through a revival in Australia and have turned into tourist attractions. Murals have become an important part of the urban landscape of many cities including Melbourne, Brisbane, Sydney, Launceston and other cities around the world. Mural art in the bush has been used to promote regional tourism with the development of the Australian Silo Art Trail.
The Camden pioneer mural is visual representation of the dreams and aspirations of its creators.
The mural was originally the idea of the town elders from the Camden Rotary Club. The club was formed in halcyon days of the post-war period (1947) when the club members were driven by a desire for community development and progress. Part of that vision was for a tourist attraction on the town’s Hume Highway approaches, combined with a wishing well that would benefit the hospital. (Clowes, 1970, 2012)
The next incarnation of the vision was a mural with a ram with a ‘golden fleece’ to ‘commemorate the development of the wool industry by the Macarthurs’. The credit for this idea has been given to foundation Rotary president Ern Britton, a local pharmacist. (Clowes 1970, 2012)
Club members were influenced by the mythology around the exploits of colonial identity and pastoralist John Macarthur of Camden Park and the centenary of his death in 1934. Macarthur was a convenient figure in the search for national pioneering heroes. The ‘golden fleece’ was a Greek legend about the adventures of a young man who returned with the prize, and the prize Macarthur possessed were merino sheep.
The scope of the mural project had now expanded and included a number of themes: the local Aboriginal tribe; local blackbirds – magpies; First Fleet arriving from England; merino sheep brought by the Macarthur family establishing Australia’s first wool industry; grapes for a wine making industry; dairy farming and fruit growing; and development of the coal industry. (Clowes, 2012)
Mansell created a concept drawing using these historic themes. (Clowes, 2012) The club accepted Mansell’s concept drawings and he was commissioned to complete the mural, creating the ceramic tiles and firing them at his studio. (Clowes, 2012)
The mural concept seems to have been an evolving feast, with Mansell refusing to supply the Rotary Club with his interpretation of his artwork. (Clowes, 1970)
The artist and the meaning of the mural
To understand the meaning what the artist intended with the design this researcher has had to go directly to Mansell’s own words at the 1962 dedication ceremony.
Mr Mansell said,
‘I was happy to execute the work for Camden and Australia. We are a great land, but we do not always remember the early pioneers. But when I commenced this work there came to me some influence and I think this was the influence of the pioneers.
Mr Mansell said,
‘The stone gardens at the base is the symbol of the hardships of the pioneers and the flowers set in the crannies denote their success.’
‘The line around the mural, represents the sea which surrounds Australia.
‘To the fore is Capt Cook’s ship Endeavour and the wheel in the symbol of advancement. The Coat-of-Arms of the Macarthur-Onslows, pioneered sheep, corn, wheat, etc are all depicted as are the sheep which were first brought to this colony and Camden by John Macarthur.
‘Aboriginals hunting kangaroos are all depicted and so on right through to the discovery of coal which has been to us the ‘flame of industry’. Incorporated in the central panel is the Camden Coat-of-Arms, and the Rotary insignia of the wheel highlights the panel on the left.
‘Colours from the earth have been used to produce the unusual colouring of the mural. (Camden News, 20 June 1962)
According to Monuments Australia the mural ‘commemorates the European pioneers of Camden’ and the Australian Museums and Galleries Online database described the three panels:
There is a decorative border of blue and yellow tiles creating a grape vine pattern. The border helps define the triptych. The three panels depict the early history of Camden. The large central panel shows a rural setting with sheep and a gum tree in the top section. Below is a sailing ship with the southern cross marked on the sky above. Beside is a cart wheel and a wheat farm. There are three crests included on this panel, the centre is the Camden coat of arms bearing the date 1795, on the proper right is a crest with a ram’s head and the date 1797, and on the proper left is a crest with a bunch of grapes and the date 1805. The proper right panel of the triptych, in the top section depicts an Aboriginal hunting scene. Below this is an image miner’s and sheafs of wheat. The proper left panel depicts an ornate crest in the in the top section with various rural industries shown below. (AMOL, 2001)
The mural has three panels is described as a ‘triptych’ constructed from glazed ceramic tiles (150mm square). The tiles were attached to wall of sandstone blocks supported by two side columns. The monument is 9.6 metres wide and 3 metres high and around 500mm deep. There is a paved area in front of the mural 3×12 metres, associated landscaping works and a wishing well. (AMOL, 2001; Clowes, 1970)
Tourists visit mural
Tourists would stop in front of the mural and have their picture taken as they travel along the Hume Highway.
Photographs provide a rare glimpse of a particular second in time, which will never again be repeated. This is especially true for events that occurred before the development of television or digital technologies.
The photographic work of Roy Dowle is a collection of glass plates found their way to The Oaks Historical Society and have recently been digitized by the society.
Digitizing The Roy Dowle Photographic Collection
Trish Hill and Allen Seymour
Roy William Dowle was born in 1893, the first child to Charles and Madeline Dowle (nee Dominish) and his siblings were Frank (1896), Edgar (1898) and Leonard (1904). Charles Dowle purchased their “Collingwood” property in Quarry Road, at The Oaks around the time of Roy’s birth. It is presumed that Roy lived there until his marriage to Emily J Smith in 1915.
Roy & Emily’s home was in Camden at the top of Barsden Street. Roy was a photographer and the Camden News of March 26th, 1914 records that he received an award for photography in the amateur section at the Camden show.
In 1937 he supplied photographs of Camden to the Council for use by the railways in their passenger carriages. Roy worked for Whitemans, and in 1943 he was called on to make a presentation to Charles Whiteman when the latter retired. The Dowle’s also had a holiday home at Erowal Bay – St George’s Basin.
Roy died in 1955, but fortunately, a large number of his glass and film negatives survived. These were donated to the Wollondilly Heritage Centre in 2016 by Roy’s grand-daughter. An index book came with the collection, but unfortunately, a lot of the negatives were not in their original boxes, making identification of the people difficult. The photographs range in age from around 1910 to the 1940s.
The Wollondilly Heritage Centre was successful in obtaining a New South Wales Community Heritage grant in 2019 to digitize the collection which consists of 1100 glass plate negatives and a further 120 plastic film negatives.
There was considerable work in preparing the negatives for digitizing, as they all had to be cleaned and numbered. This was done by volunteers from the centre over several weeks, and they were then transported in batches to Digital Masters at Balgowlah for digitizing. Most were still in excellent condition, and the quality of the scanned images is superb.
Roy photographed a lot of people, with weddings, babies and young children being popular subjects. He also photographed local buildings and houses, views, animals, local events such as parades or sporting events.
Buildings photographed include St Johns church (inside also), Camden Hospital (even inside shots), Camden Inn, Plough & Harrow Hotel, Narellan Hotel, Oakdale wine shop, Maloney’s store, Narellan school, Mt Hunter school, Camden railway station, Camden Milk Depot, Mater Dei and others.
The unveiling of the Mt Hunter war memorial (pictured) was also covered by Roy, along with Mt Hunter School and some beautiful interior shots which show honour boards with photos of local soldiers.
Some really fascinating photos are of children in fancy dress, and two that stand out, are of the same girl dressed firstly as a wedding cake, and then as a lampshade!! A number of the houses have been identified as still being in Camden, and other more easily identified homes include “Edithville” in Mitchell street, the former Methodist parsonage in Menangle Road and Harrington Park house.
Among the groups photographed are St John’s Choir, returned servicemen, cricket teams, football teams, Masonic dinner, the Royal Forrester’s, staff and children from Macquarie House, visiting school teachers and Sunday school groups. One photograph of a group of three male cyclists picnicking may be one of the first selfies, as we believe the centre one is Roy himself, holding a string which runs to the camera. Soldiers were another popular subject, and there are also some women dressed as soldiers. Roy also copied photos. This was done by photographing it, and a lot of the soldier photos have been copied this way.
Some of the views are of Wollongong, Bulli, Burragorang, Douglas Park, Theresa Park, Chellaston Street and some great shots taken from St Johns steeple. There are also numerous flood scenes around Camden. Animals didn’t escape Roy’s camera, and there are shots of cattle, horses, poultry, dogs. Even a camel. Some other remarkable photos are of a shop window display featuring Persil washing powder. Some of these have been dated to 1910.
A lot of the film negatives show his holidays, with some taken at their holiday home, while others are taken whilst on a trip to the north, and scenes have been identified as Cessnock, Dungog, Taree, Kew & Paterson. There are some photos of Warragamba Dam in the very early stages before any concrete was poured, and a magnificent shot of the winding drums of the overhead cableway.
Several Roy’s photos have already appeared on the Back Page and in numerous publications on local history because his subjects were local and numerous copies of them have survived in private collections.
The scanned photos can be viewed either on a computer or in albums at the Wollondilly Heritage Centre & Museum, open on Saturdays, Sundays & public holidays.
Check out old photographs from the Roy Dowle Collection at the Wollondilly Heritage Centre Website Click here.
Recently I came across an article about the future of the Airds shopping mall in the Macarthur Chronicle headed ‘Dilapidated centre set to be transformed’. It stated:
A wrecking ball could be swinging towards a dilapidated shopping village. The grand plans propose to demolish Airds Village shopping centre, on Riverside Drive, and replace it with a $21 million centre.
A sad story of decay and neglect
The imminent demolition of the decaying and neglected Airds shopping mall is a sad indictment of the dreams of many and the ultimate demise of the 1970s Macarthur Growth Centre.
The shopping mall is an example of urban decay in the middle of our local suburbia. It is a failure of modernism and the town planning utopia of city-based decision-makers.
Local confidence saw the construction of the 1964 modernist council chambers and in 1968 the declaration of city status, electrification of the railway and the announcement of Sydney Region Outline Plan by the state government.
The Radburn principles were applied to five public housing estates that were developed by the Housing Commission of New South Wales in the Campbelltown area between 1972 and 1989. The other four estates were Macquarie Fields, Claymore, Minto and Ambervale.
The design concept originated from the town of Radburn in New Jersey in 1928 and reflected the optimism of American modernism around the motor car and consumerism.
Houses were developed ‘back-to-front’ with the front of the house facing a walkway or green open space and the back door facing the street. This meant that there was a separation of pedestrians and cars, with a large communal open area centred on the walkways between the rows of houses. This resulted in a streetscape consisting of rows of high blank fences enclosing backyards.
Travis Collins from the University of New South Wales argues that the Radburn principles were initially designed for aspirational upper-middle-class areas and their desire for a garden suburb, where pedestrian walkways and common areas linked across the estate. These areas were expected to be the centre of neighborhood life without the need for a car.
Radburn watered down
The suburb of Airds, and other Campbelltown public housing estates, started off with grand plans that evaporated over time due to: changes of government; cost-cutting; abolition of government instrumentalities; and neglect. This resulted in a ‘watered down’ Radburn vision.
The public housing estates did have extensive open space which was true to Radburn principles. Yet there were compromises and the Housing Commission built townhouses that were counter to the Radburn concept.
The tracts of open space became wastelands of neglect and vandalism that were poorly provisioned and maintained by the Housing Commission with a lack of privacy and security. The back lanes and streets were isolated, lacked security and resident surveillance and were sites characterised by dumped rubbish and graffiti.
The estates were populated with high numbers of single-parent families who suffered from high levels of social exclusion, unemployment, and low incomes.
Collins argues that the Radburn principles were a failure and contributing factors included: poor surveillance of the street by residents because of high rear fences fronting the street; anti-social behaviour along the walkways and open space areas; and the low socio-economic status of residents.
The failure of the Radburn scheme was finally recognised by the authorities in the early 2000s. They acknowledged that: the design was unsuitable for concentrated public housing estates; they created confusing neighborhoods with unsafe walkways, poor car access, and poor surveillance of areas of open space; the poorly constructed housing stock became run down and dilapidated; the housing stock was infested with termites. Some of these issues were reflected in Airds and the shopping mall from the mid-1970s.
Memories of hope
In the 1970s I taught at Airds High School adjacent to the shopping mall and my memories are mixed. Young people who came from dysfunctional backgrounds, yet their resilience allowed them to rise above it, grow and mature into sensible young adults. This process is supported by the life experience of former Airds resident Fiona Woods (Facebook, April 2020) who grew up in Airds in the 1970s and 1980s. She says:
I have the best memories of Airds, especially that shopping centre. Riding our bikes to buy lollies. Growing up in Airds in the 70s was very communal. I loved it. I arrived at Airds in 1977 when I was 3 and lived there until 1984. I went to John Warby [Public School]. There was such a strong sense of community. My mum met her best friend when they moved into their new houses in Airds. They have been friends for over 40 years and still speak daily.
Fiona tells the story of her sister who taught at Airds High School in the 1990s. She found the teaching experience challenging, as I did 20 years earlier, yet the youngsters were confident, grounded and without airs and graces.
Similarly I found Airds school children had a refreshing unsophisticated innocence that was generated by difficult circumstances. They were unpretentious and you quickly knew where you stood with them teaching in a classroom that was always full of unconfined energy. You always had classroom ‘war stories’ and I said that this is where I did my ‘missionary work’.
Bogans galore and more
The Airds shopping mall is a metaphor for what happened to Campbelltown between the 1970s and the present. It represents the collision of modernism and neoliberalism in place. The optimism of the 1960s contrasting with the despair of the 1980s.
As visitors approach the Camden town centre along Camden Valley Way at Elderslie they pass Curry Reserve which has a quaint late 19th-Century workman’s cottage and next to it a ship’s anchor. What is not readily known is that the anchor disappeared for 34 years. What happened? How did it become lost for 34 years? How did it end up in a park on Camden Valley Way?
The cottage is known as John Oxley Cottage and is the home of the local tourist information office The anchor is a memorial which was gifted to the Camden community from British naval authorities on the anniversary of the death of noted Englishman and New South Wales colonial identity John Oxley. So who was John Oxley and why is there a memorial anchor?
This tale could also be viewed as a celebration of European invaders displacing and dispossessing the Indigenous Dharawal people from their country. Englishman and colonial identity John Oxley was part of the colonial settler society which, according to LeFevre, sought to replace the original population of the colonized territory with a new society of settlers.
Whichever view of the world you want to take this tale is an example of how the past hides many things, sometimes in plain view. This story is one of those hidden mysteries from the past and is also part of the patina of the broader Camden story.
Pioneer, Explorer and Surveyor General of New South Wales.
This Navel Anchor marks the site of the home and original grant of 1812 to John Oxley RN.
The anchor was relocated to Curry Reserve in Elderslie in 2015 by Camden Council from a privately-owned site in Kirkham Lane adjacent to the Kirkham Stables. The council press release stated that the purpose of the move was to provide
greater access for the community and visitors to enjoy this special piece of the past.
Mayor Symkowiak said:
The anchor represents an important part of our history and [the council] is pleased that the community can now enjoy it in one of Camden’s most popular parks.
We are pleased to work with Camden Historical Society in its relocation to Curry Reserve. The society will provide in-kind support through the provision of a story board depicting the history of the anchor.
The anchor had originally been located in Kirkham Lane adjacent to Kirkham Stables in 1963. According to The Australian Surveyor, there had been an official ceremony where a descendant of John Oxley, Mollie Oxley, of Cremorne Point, NSW unveiled the plaque. The report states that there were around 20 direct descendants of John Oxley present at the ceremony organised by the Camden Historical Society.
British naval authorities had originally handed over the anchor to the Camden community in 1929. So what had happened between 1929 and 1963?
[had] languished in the council yard all but forgotten.
In 1929 the British Admiralty had presented the anchor to the Camden community to commemorate the centenary of the death of Englishman and New South Wales colonial identity John Oxley.
The British Admiralty actually had presented three commemorative anchors to Australia to serve as memorials. The Sydney Morning Herald reported:
One anchor, from the destroyer Tenacious, is to be sent to Wellington, where Oxley heard of the victory at Waterloo. A second anchor, from the minesweeper Ford, will to Harrington, to mark the spot where Oxley crossed the Manning River. The third anchor is from the destroyer Tomahawk, and will go to Kirkham, near Camden, where the explorer died.
The Australian Surveyor noted that Oxley came to New South Wales on the HMS Buffalo in 1802 as a midshipman, returned in England in 1807, gained his lieutenancy and came back to New South Wales in 1809. Oxley returned to England in 1810 and was then appointed as New South Wales Surveyor-General in 1812 and returned to the colony.
Oxley was born in Kirkham Abbey in Yorkshire England and enlisted in the Royal Navy in 1802 aged 16 years old.
The sculpture of Oxley’s profile had been originally erected in John Oxley Reserve in Macquarie Grove Road at Kirkham in 2012 after lobbying by the Camden Historical Society. The metal cut-out silhouette was commissioned by Camden Council at the instigation of Robert Wheeler of the society. The sculpture commemorated the bi-centennial anniversary of Oxley’s appointment as surveyor-general to the New South Wales colony.
Mayor Greg Warren said:
John Oxley was a major part of Camden’s history. The signage and silhoutte will be a continual reminder of [his] significant contribution to the Camden area. (Camden Narellan Advertiser 20 June 2012)
John Oxley Cottage
The John Oxley Cottage is only remaining building from a row of workman’s cottages built in the 1890s along what was the Great South Road, later the Hume Highway (1928) and now the Camden Valley Way.
The Visitor Information Centre was opened in 1989 after the cottage, and its surrounding curtilage was purchased by Camden Council in 1988 and added to Curry Reserve. The cottage was originally owned by the Curry family and had been occupied until the late 1970s, then became derelict.
The four-room cottage had a shingle roof that was later covered in corrugated iron. There were several outbuildings including a bathroom and toilet, alongside a well.
Curry Reserve is named after early settler Patrick Curry who was the Camden waterman in the 1840s. He delivered water he drew from the Nepean River to townsfolk for 2/- a load that he transported in a wooden barrel on a horse-drawn cart.
John Oxley is remembered in lots of places
There is Oxley Street in the Camden Town Centre which was named after Oxley at the foundation of the Camden township in 1840.
An obelisk has been erected by the residents of Redcliffe that commemorates the landing of Surveyor-General Lieutenant John Oxley. In 1823, John Oxley, on instructions from Governor Brisbane, was sent to find a suitable place for a northern convict outpost.
There are more monuments to the 1824 landing of John Oxley and his discovery of freshwater at North Quay and Milton in the Brisbane area.
An anchor commemorates the route taken by John Oxley in his exploration of New South Wales in 1818 and marks the spot where Oxley crossed the Peel River in 1818 outside Tamworth. In 2017 the anchor was targeted as a symbol of settler colonialism and the European invasion of the lands of the Wiradjuri people. The anchor was obtained from the Australian Commonwealth Naval Department and came off the British survey ship HMS Sealark.
A monument, the anchor from the HMS Ford from British naval authorities, was erected at Harrington NSW in honor of explorer John Oxley who explored the area from Bathurst to Port Macquarie. Oxley and his 15 men crossed the Manning River on 22 October 1818 having stayed here from 19 October in the lands of the Biripi people.
There is John Oxley Park in Wellington NSW on the Macquarie River on the land of the Wiradjuri people. Wellington was named by the explorer John Oxley who, according to the popular story, unable to cross the Lachlan River because of dense reeds, climbed Mount Arthur in 1817 and named the entire landscape below him Wellington Valley, after the Duke of Wellington who, only two years earlier, had defeated Napoleon at Waterloo.
The Oxley Historical Museum is housed in the old Bank of New South Wales, on the corner of Warne and Percy Streets, in a glorious 1883 Victorian-era two-story brick building designed by architect J. J. Hilly. Wellington’s Oxley anchor memorial is today found in the grounds of the Wellington Public School.
Updated 4 July 2020; original posted 27 March 2020
a potentially debilitating fungal infection that thrived in the wet, cold and squalid conditions, and could lead to gangrene and amputation if left untreated.
Soldiers wore stiff leather boots that were poorly insulated with two pairs of socks in freezing winter conditions to keep out the cold and wet.
Authorities recommended that troops change their socks twice a day to avoid trench feet. Reports from New Zealand maintained in 1915 that
a pair of socks lasted no more than two weeks when on active service.
So it was unsurprising that there was a constant shortage of socks.
Shortages from the start
Sock shortages commenced from the outbreak of war and illustrated how the progress of the war completely overwhelmed military authorities with their unrealistic expectations.
At the Liverpool Infantry Camp in November 1914 military authorities were advising that three pairs of woollen socks would be adequate for the duration of the campaign, while new recruits were advised by bring ‘strong boots’ and ‘knitted socks’ because the army could not supply them.
Knitting for the troops was not restricted to the American Red Cross.
Knitting was part of the homefront response to the outbreak of war across all British Empire countries including Australia, New Zealand, Canada, and the United Kingdom.
Across the globe, millions of knitted items found their way to the trenches on the Western Front.
Socks were only one of a large list of items that women made for the war effort. Other knitted items included cholera belts, scarves, gloves and balaclavas, and this was supplemented by a considerable effort sewing hospital supplies.
Women volunteer to supply socks
Australian women volunteered to supply knitted from the start of the war. Unlike women in the United Kingdom, Australian women did not replace men in their civilian roles during the war.
In Australia, the push for knitted-socks, and other items, was co-ordinated by the Red Cross, the Australian Comforts Fund and other groups including the Soldiers’ Sock Fund.
In Queensland, the Governor’s wife, Lady Goold-Adams, established the Queensland Soldiers’ Sock Fund.
Knitted socks were part of the soldier’s bag that Red Cross volunteers signed up to supply on the foundation of branches throughout New South Wales in August 1914. Red Cross knitters in Camden and across Australia supplied thousands of pairs of knitted socks to soldiers.
In Camden, the new Red Cross branch supplied ‘a large number of socks’ in the first weeks of the war’ including supplies to the Australian Light Horse regiment and the 4th Battalion of Infantry. By September 1915 Camden Red Cross workers had supplied 456 pairs of knitted socks to Red Cross headquarters in Sydney amongst a host of other hand-made items.
Annette, Lady Liverpool, the wife of New Zealand Governor Lord Liverpool,
Lady Liverpool instigated ‘Sock Day’, when the women of New Zealand were encouraged to knit enough socks to provide every soldier with two new pairs (around 30,000 pairs in total).
The First World War was not the first time that women volunteers had supplied knitted socks to Australian troops in wartime. In 1900 Camden women supplied 120 pairs of knitted socks to Camden troops in South Africa in the New South Wales Mounted Rifles. These were similar to the activities of British women.
Millions of socks
It has been estimated that Australian women knitted over 1.3 million pairs of socks for the Red Cross and Australian Comforts Fund for the war effort.
Often with a small personal note inside the sock informing the digger who had knitted the garment along with a brief message. (The Conversation 11 August 2014)
Knitting patterns were distributed and cheap wool was made available to knitters.
In 2012 volunteer knitter Janet Burningham from Wrap with Love found that it took about a day to knit each sock. She used a rare grey sock pattern and Paton’s 8-ply grey wool and needles. Socks were knitted in the round on double-pointed needles leaving no seams.
The iconic sock knitter
The solo woman sock knitter was one of the everlasting iconic images of the war at home in Australia.
The iconic image of The Sock Knitter is a 1915 painting by Grace Cossington Smith found at the Art Gallery of NSW. The gallery states
The subject of the painting is Madge, the artist’s sister, knitting socks for soldiers serving on the frontline in World War I. Distinctly modern in its outlook, ‘The sock knitter’ counterpoints the usual narratives of masculine heroism in wartime by focusing instead on the quiet steady efforts of the woman at home.
Knitting mediating grief
The action of Camden women and others who became wartime sock knitters was an act of patriotism. They were supporting their boys using one of their traditional domestic arts.
Knitting, sewing, and other domestic arts were unpaid war work and a form of patriotism when women in Australia did not replace men at home in the First World War, unlike the United Kingdom. Historian Bruce Scates has written that women invested a large amount of ‘emotional energy’ in their knitting and sewing.
Women were the mediators of wartime grief and bereavement and knitting and sewing groups were women-only spaces where they could comfort each other and ease the loneliness.
Suzanne Fischer writes that the sock problem and trench foot still existed in the Second World War for American troops stationed in Alaska. She states:
Characteristically, Americans finally reduced their trench foot casualties by throwing more technology at the problem. Thee Shoepac system, introduced in 1944, combined a rubber foot and an impermeable outer leather layer with a felt liner to keep feet dry. These boots were also stylish, which increased their use.
Updated 17 April 2020; original posted 10 March 2020.
I recently attended a seminar day at Picton showcasing the latest Thirlmere Lakes Research presented at The Thirlmere Lakes Third Annual Science Day held at the Picton Bowling Club.
There was a positive tone to the day where stakeholders were supportive of the goals of the research project. The Thirlmere Lakes Research Program aims to shed light on changes in water levels in the lakes by better understanding the land and groundwater of the system.
This was the third day in a series of seminars and was attended by a range of stakeholders including the community, researchers, and state and local government.
A team of scientists from a variety of research institutions presented a variety of papers ranging across lake geology, geophysics, sedimentation, groundwater, surface flow, chemistry, water balance, and vegetation.
The day was an opportunity for academic researchers to collaborate with each other and stimulate further research. Researchers were drawn from University of New South Wales (UNSW), GeoQuEST Research Centre, the University of Wollongong (UOW), the Australian Government and the Australian Nuclear Science and Technology Organisation (ANSTO), Deakin University and the NSW Department Primary Industry and Environment and NSW National Parks and Wildlife Services.
The research project was initiated by community activism started with the Rivers SOS group in 2010 and local concern about mining in the lakes area. Rivers SOS is an alliance of over 40 environmental and community groups concerned with the wrecking of rivers in New South Wales by mining operations.
The science day was very instructive from several perspectives including networking opportunities. Researchers tend to work in silos and conduct their work in isolation from other disciplines. The science day was an opportunity for researchers to interact with each other and generate new ideas from their work.
There was a positive tone around the day where stakeholders were supportive of the goals of the research project. In the past, there are often tensions between stakeholders based on cynicism and lack of trust. There has been a mixed history of community consultations and engagement over policy decisions. In the past city-based decision-makers have shown little regard for the views of small communities. Their concerns have often been ignored.
The science days appear to have generated a significant level of trust between the community and the research team. There has been an open and transparent approach to the research project. Generally, science researchers do not like to present preliminary findings as they may differ significantly from the final results. This can prove problematic. The general community may not be fully aware of this process and can become suspicious and trust falls away.
The science day encouraged community engagement with positive comments from delegates, researchers and seminar day organisers. Before the commencement of the project, there was a high level of community cynicism about government responses to community concerns about the disappearance of the water in the lakes. The research project seems to have ameliorated many community concerns and lessened community cynicism towards decision-makers and the research process.
The second science day was held in June 2018 with five presentations showcasing preliminary findings from research partners. Feedback indicated that there was a strong interest in the early findings and the need for further community engagement – hence the 2020 day.
Announcement of Thirlmere Lakes Research project by the state government
In 2017 the Macarthur press announced the launch of the current Thirlmere Lakes Research project. The South West Voice reported
The research partners, University of New South Wales (UNSW), University of Wollongong (UOW) and Australian Nuclear Science and Technology Organisation (ANSTO), will investigate the sensitivity of these wetland systems to external influences, such as the effects of mining activity and groundwater extraction, over the next four years. (South West Voice 20 October 2017)
The press reports detailed that the 2017 project was built on a 2014 monitoring program that has been continuously recording water levels in the 5 lakes.
The Voice stated that the areas of investigation for the 2017 project included
Geological mapping and geophysical surveys of the Thirlmere Lakes area (UNSW – Dr Wendy Timms);
Environmental isotopes investigations into periodic and recent water losses from Thirlmere Lakes (ANSTO – Dr Dioni Cendón);
Thirlmere Lakes: the geomorphology, sub-surface characteristics and long term perspectives on lake-filling and drying (UOW – Dr Tim Cohen);
Surface Water – Groundwater Interaction (UNSW – Dr Martin Andersen);
Developing an integrated water balance budget for Thirlmere Lakes to provide a detailed understanding of hydrological dynamics (UNSW – Associate Professor Will Glamore). (South West Voice 20 October 2017)
The Thirlmere Lakes National Park is 629 acres located in the Macarthur region and was proclaimed a national park in 1972. In 2000 the national park was inscribed as part of the UNESCOWorld Heritage-listedGreater Blue Mountains Area. The lakes have been a popular recreation spot with local families for many decades.
Recently Rene at the Camden Museum posted an intriguing photograph taken at the Camden Showground on the Camden Museum Facebook page. It showed a large group of young men and women who were identified as trainee teachers from Sydney Teachers College.
Camden resident Peter Hammond asked on the Camden Museum Facebook page: Any idea why they were in Camden?
So what is the mystery?
The photograph is a bit of a mystery.
The photograph was contributed to the Camden Museum by John Donaldson and was taken in May 1924. The photograph shows 48 women, 34 men, and 2 children.
The photograph reveals more. You can see the spire of St Johns Church in the background and the absence of the 1938 brick front on the show hall. There are no brick and iron gates on the showground. The brick building at the corner of Argyle and Murray is yet to be built.
Photographs can tell so much about the past. They are a wonderful resource and this image provides much information about this mystery.
So I set off on a journey to solve the mystery of the question about the photograph.
A quick search of the Camden News on Trove revealed that in May 1924 there was indeed a camp of trainee teachers who stayed at the Camden Agricultural Hall in Onslow Park. The report in the Camden News revealed more information.
There are 109 students and some ten lecturers and authorities gathering, from the University Teachers’ College. The students are obtaining practical knowledge by attending the different schools in the district, and much good should be the result. Those in charge are to be complimented on the excellent arrangements at the camp. (Camden News 15 May 1924)
More to the story
So was this a one-off or is there more to the story?
Further digging reveals that the first camp was in 1921, there were two camps per year one in May and the second around August. There were between 70 and 100 trainee teachers at each camp and they attended several local schools during their stay. The camps seem to have been for about three weeks each. There appears to have lots of interaction between locals and visitors with sporting events, dances, lectures, and lots of other activities.
The first camp in May 1921 seems to have been a big deal not only for the town but also for the AH&I Society. Following the First World War, the finances of the AH&I Society were in a parlous state and the hall hire was a welcome boost to finances.
Bright-eyed and bushy-tailed
Camden was first graced with the presence of these bright-eyed and bushy-tailed budding young teachers in 1921 when 64 of them settled in for a week at the show hall. The Camden camp provided for them an opportunity to practice their teaching theory and practice of the New South Wales New Syllabus that they learned in the classroom at Sydney Teacher’s College. The 1921 trainees were all single and were made up of 49 women and 15 men and four weeks after the Camden camp were to be placed in schools. (Camden News, 12 May 1921)
The Sydney Teachers College trainees were allocated to schools across the local region and the list included: Camden Campbelltown, Campbelltown South, Cawdor, Cobbitty, Glenfield, Ingleburn, Minto, Mount Hunter, Narellan and The Oaks. (Camden News, 12 May 1921)
The teaching practice visits were organised on a group basis and transport was either by train or bus. By end of their training course, the students had had at least three weeks of practice teaching in teaching at rural schools. (Sydney Mail, 8 June 1921)
In 1920 the STC students had been based at Glenbrook and the success of the experiment encouraged the college to extend it to Camden. The venture, according to the Sydney press, was a first in Australia for teacher training and it was believed at the time to be a world-first for such a camp. During the week in Camden, the camp was visited by the New South Wales Director of Education Peter Board and the chief inspector HD McLelland. (Sydney Mail, 8 June 1921)
A party of 89
In 1921 the party of 89, made up of students and lecturers and their families, had arrived by train at Camden the previous Saturday afternoon. The group was put up the show hall with conversion to a dormitory and the construction of cubicles to accommodate the mixed sexes. The show pavilion was converted to a kitchen and dining area from 6am to 9am, and then again after 4pm. The Camden press reports stated that at these times ‘the showground was a scene of great activity’. (Camden News, 12 May 1921)
The STA trainees had some time for recreation and in the evenings singing and games were organised between 7pm and 8pm by the music lecturer Miss Atkins, and the education lecturer Miss Wyse. Games and singing were held at the St Johns Parish Hall and sometimes the students’ organised tennis games. (Camden News, 12 May 1921)
Do you have any mysterious photographs that tell a great story about our local area?
Updated 17 April 2020; original posted 3 April 2020.
The Camden story is a collection of tales, memories, recollections, myths, legends, songs, poems and folklore about our local area. It is a history of Camden and its surrounding area. I have created one version of this in the form of a 1939 district map.
Camden storytelling is as old as humanity starting in the Dreamtime.
The Camden story is made up of dreamtime stories, family stories, community stories, settler stories, local stories, business stories, personal stories and a host of others.
These stories are created by the people and events that they were involved with over centuries up the present.
Since its 1997 inception History Week has been an opportunity to tell the Camden story.
What is the relevance of the Camden story?
The relevance of the Camden story explains who is the local community, what they stand for, what their values are, their attitudes, political allegiances, emotional preferences, desires, behaviour, and lots more.
The Camden story explains who we are, where we came from, what are we doing here, what are our values and attitudes, hopes and aspirations, dreams, losses and devastation, destruction, violence, mystery, emotions, feelings, and lots more. The Camden story allows us to understand ourselves and provide meaning to our existence.
Local businesses use the Camden story as one of their marketing tools to sell local residents lots of stuff. There is the use of images, logos, branding, slogans, objects, window displays, songs, pamphlets, newspapers, magazines, and other marketing tools.
What is the use of the Camden story?
The Camden story allows us to see the past in some ways that can impact our daily lives. They include:
the past is just as a series of events and people that do not impact on daily lives;
the past is the source of the values, attitudes, and traditions by which we live our daily lives;
the past is a way of seeing the present and being critical of contemporary society that it is better or worse than the past;
the present is part of the patterns that have developed from the past over time – some things stay the same (continuity) and some things change.
History offers a different approach to a question.
Historical subjects often differ from our expectations, assumptions, and hopes.
The Camden storyteller will decide which stories are considered important enough to tell. Which stories are marginalised or forgotten or ignored – silent stories from the past.
Just taking one of these component parts is an interesting exercise to ask a question.
Does the Camden story contribute to making a strong community?
The Camden story assists in building a strong and resilient community by providing stories about our community from past crises and disasters. These are examples that the community can draw on for examples and models of self-help.
A strong and resilient community is one that can bounce back and recover after a setback or disaster of some sort. It could be a natural disaster, market failure or social crisis.
Studley Park was located on the Hume Highway at Narellan. During the war period, its role as a as defence facility for the Australian Army Service Corps (AASC) School was to conduct infantry training courses. The property was leased in October 1939 by the Department of Defence at £12/12/- per week although it had been first occupied in September.
A report for the defence authorities in 1940 gave a detailed description of the property including a valuation. According to the report the site fronted the Hume Highway, with the rear of the property on Lodges Road. The property consisted of an undulating country that was mostly cleared and grassed and was 193 acres. The soil was clay and land was suitable for grazing, fruit growing, and viticulture. It was felt to be an appropriate site for a country club and golf course or an agricultural school.
The site had been purchased by Archibald Gregory, a company director, in 1933, who had established a golf course. Gregory had converted the house into a high-class residence and the author of the report considered that it was unlikely that the property could be maintained in that state during its occupation by the Army. The report author considered it probable that the entire golf course would have to be reconstructed after occupation.
Land- 198 acres – £4,958; House – £6,592; Theatre – £465; Club House – £1,057; Barn – £370; Swimming Pool – £188; Golf Course – £4,625; Motion Picture Plant, Screen – £750; Rental Value – £25 per week; Improved Value – £20,000.
During the early occupation of the site by the army, Gregory continued to occupy the house, but by May 1940 his patience had worn thin. He complained to the authorities that the army had occupied the site from September 1939 without payment and had caused considerable disorganisation to his business and considerable damage to his property.
Gregory’s solicitors made representations that the government had published a report in the press in April that the army had decided to purchase the property. Since the publication of the report Gregory’s business had virtually stopped and had resulted in considerable losses.
In April 1940 approval was given for the purchase of the entire property at a cash price of £16,000, including all buildings, property, floor coverings and some furniture. 
August 1941 – Major Ironmonger, CO, Captain Peach, Adjutant;
29 November 1943 – 26 February 1944 – Major John Whitmore, Chief Instructor. Lt Max Cadogan, 17th Battalion, Instructor
The Eastern Command Training School conducted courses in tactical instruction on the Vickers machine gun and driving Matilda tanks.
Most of the instruction at the school, including artillery, was conducted by the Australian Instructional Corps. The instructors were warrant officers and the chief instuctor was Captain Peters, a Duntroon graduate. Other instructors included W/O Jim Turpie, W/O Johnston, W/O Chad (WW1 veteran).
Alan Bailey reports that he would occasionally take mail and quartermasters stores from Narellan Military Camp to Studley Park, usually by horse transport.
In their time off some of the troops would `flag down’ Pansy, and it was reported the driver would pick them up anywhere along the line on the way into Camden. The guard and the driver would wait a reasonable time for the return journey in Camden and they would be rewarded with a bottle of wine, `…the only drink available in take-away form at the time…’.
Exercises were carried out on the Nepean River with river crossings, there were day and night exercises around Menangle and Camden Park, bayonet training, anti-gas warfare, range practice with a rifle, Bren Gun, mortars, pistols, sub-machine, carbines, and hand grenades. There were infantry tactics, leadership, supporting arms applicable to the infantry. In 1941 there was also instruction Vickers Machine Gun, Aircraft Identification and protection from air attacks.
All soldiers who attended the courses spoke well of them and Bede Tongs reports that they helped in action as a member of the 2/3rd Infantry Battalion against the Japanese in 1942 New Guinea in the Wewak campaign. The accommodation was two to a tent.
During the war, the School provided married officers and well as single officer’s quarters.
Units Attending School
September 1939 – October 1939 – Sydney University Regiment
Early part of the war – 1 Field Brigade, RAA, and various other units: Artillery, Light Horse, Infantry, Signallers; 130 personnel;
August 1941 – 3rd Infantry Battalion, AMF, Course Series No 1, Infantry Training; 30 participants in each of 3 platoons – total 90 personnel;
The troops at the school had little if any contact with the local community. If they had any time off, such as an hour in the evening, then they tended to walk across the paddock to the Narellan Hotel. It is reported by Sir Roden Cutler, that at such time the Camden Police were understanding enough not to monitor the hotels opening hours too closely.
Cutler stated that Camden was a very quiet pleasant little town and in their off-duty time they frequented the Camden Inn milk bar, where the owner, his wife and their daughters always gave them a warm welcome. Bede Tongs reports that Camden shops and streets were full of friendly people.
After the war, the military use of the site continued and initially the AASC School was used by the Citizen Military Forces. In 1951 the School took the First Recruit Platoon of the newly formed Women’s Royal Australian Army Corps. During the Vietnam War, the School was used as intelligence centre where troops were introduced to helicopter tactics. The site has also served as the base for Camden Troop of the 1/15th Royal New South Wales Lancers, Second Ordinance Platoon and the Officer Cadet Training Unit (OCTU). 
The farmland surrounding the house was leased in 1945 to A Chapman of Kirkham for grazing his cattle. In 1949 a group of Camden residents approached the Department of the Army to secure all but 18 acres of Studley Park for use as a golf club, and eventually, in 1996 the Camden Golf Club purchased the site.
.Ray Herbert, ‘Jobs for the girls’, District Reporter 12 February 1999, 29 July 1998, 5 September 1998, 19 February 1999; Ray Herbert, Brief History of Studley Park, Pamphlet, (Camden: Studley Park Camden Golf Club, 1998);
. AA: SP857/PC681, Studley Park, Dept of Interior, Correspondence, May 1945, 1955.
.Ray Herbert, ‘Jobs for the girls’, District Reporter 12 February 1999, 29 July 1998, 5 September 1998, 19 February 1999; Ray Herbert, Brief History of Studley Park, Pamphlet, (Camden: Studley Park Camden Golf Club, 1998);