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Voluntary labour worth thousands of dollars to the Camden Museum

What is the value of volunteering at the Camden Museum?

According to the latest research, the value of unpaid voluntary labour to the Camden Museum is worth around $580,000 a year.

Volunteers working on projects in the research room at the Camden Museum (I Willis, 2018)

Across an ordinary week, volunteers contribute around 240 hours of unpaid voluntary work to the Camden Museum.

In November 2021, the Australian Bureau of Statistics valued an hour of voluntary labour at A$46.62. (Funding Centre 2023)

Of course, the hourly rate greatly increases when the Camden Historical Society hires professional labour. So, the rate of $46.62 is probably an undervaluation. Specialist museum consultants can charge $1000 per day and more.

Volunteer survey at the museum

In 2018, Camden Historical Society President Dr Ian Willis conducted a brief survey of volunteers at the Camden Museum.

He was interested in the range of volunteer duties and the number of unpaid hours worked.

The frontage of the Camden Museum Library complex at 40 John Street Camden (HCNSW, 2023)

He found that Camden Museum volunteers and members of the Camden Historical Society, which manages the museum, do a host of unpaid activities.

The activities include: front welcome desk; tours; general administration; research; data entry; social media; writing; filing; committee work; travel; cataloguing; and other sundry duties.

This unpaid labour is essential to keep the museum open and the collection and archives in good condition.

Volunteering is an essential part of the wider society and is generally undervalued by government, businesses and volunteers themselves.

The most obvious unpaid labour is staffing the front desk to welcome visitors to the museum. The museum is open from 11am to 4pm on Thursday to Sunday.

Other unpaid voluntary work takes place behind the scenes, away from the public gaze.

Writing an article for the Back Page of The District Reporter, around 800 words, can take between 15 to 25 hours.

The Back Then page in The District Reporter. (TDR, 23 April 2023)

Value of volunteering calculator

The Centre for Volunteering has created a value of volunteering calculator.

When the Camden Historical Society’s weekly 240 hours were entered into the calculator, the annualised value calculated was A$590,304. This gives an hourly rate of A$47.41, assuming that most of the volunteers were between the ages of 55 and 64.

The Centre for Voluntary states:

https://www.volunteering.com.au/resources-tools/cost-of-volunteering-calculator/

In-kind contributions

Valuing volunteers for in-kind contributions can be challenging to figure out $ values for volunteer hours.

This figure is often required for grant applications.

Camden Museum volunteers lead a school group around the displays (Camden Museum 2018)

Value of volunteering to the Australian economy

Up-to-date research on what volunteering is worth to the Australian economy is either out-of-date or difficult to find.

One report from Flinders University in 2014 stated that volunteering was worth A$290 billion to Australia’s economic and social well-being, including the value of lives saved and emotional well-being.

According to Volunteering Australia, there are about 6 million volunteers.

The impact of Covid-19 has seen a decline in overall volunteering across the country.

According to the latest research in 2022 (UoS):

https://www.sydney.edu.au/content/dam/corporate/documents/brain-and-mind-centre/mental-wealth/mwi_the-decline-in-volunteering_final_clean-(181122).pdf
The Camden Museum and the Camden Family History rooms at the Camden Museum Library complex (CAFHS 2019)

Benefits of volunteering

There are a host of benefits to volunteering.

According to Health Direct, volunteering can:

  • give you a sense of achievement and purpose.
  • help you feel part of a community.
  • help you feel better about yourself by improving your self-esteem and confidence.
  • help you share your talents, learn new skills and create a better work-life balance.
  • help combat stress, loneliness, social isolation and depression.
  • help you meet new people, which can help you feel more connected and valued.

https://www.healthdirect.gov.au/benefits-of-volunteering

Legacy

The museum and the historical society are completely run by unpaid voluntary labour.

The Camden Museum would be forced to close without the generous contribution of the unpaid volunteers.

References

Funding Centre 2023, ‘Assigning value to your volunteer labour’. Funding Centre, https://explore.fundingcentre.com.au/help-sheets/valuing-volunteer-labour

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Menangle School of Arts hall, the heart of a village, under redevelopment

In 2022 the Wollondilly Shire Local Planning Panel approved the demolition and reconstruction of the Menangle Community Hall.

The Menangle Community Association originally lodged the Development Application with Wollondilly Shire Council in July 2021.

The Menangle Community Association originally is managing the Menangle School of Arts project.

In 2023 there is a vacant lot in central Menangle with a security fence. The reconstructed hall is proposed to open in 2024.

The vacant lot at 4 Station Street Menangle. The former Menangle School of Arts site was demolished after the Menangle Community Association received permission to demolish the building in 2022. (I Willis, 2023)

On the security fence is an information sign with the hall’s history, what is happening, funding and building timeline.

The information signage about the redevelopment of the former Menangle School of Arts building at 4 Station Street Menangle (I Willis, 2023)

What is happening

The information signage on the site security fence states:

The existing hall is unusable due to significant structural damage and will be deconstructed and materials reused where possible within the new building.

The hall will comfortably accommodate 132-150 guests, incorporating 242m2 of fully enclosed area including  a stage and storage area, spacious hall, kitchenette, box office and entry foyer.

As well as 63m2 of unenclosed covered areas: verandas, covered entry way, courtyard and ramp.

The hall will be fully accessible with suitable access ramps and accessible toilets.

The hall will also be fit out to ensure it is acoustically sound inside and out.

The hall will respect to the existing hall while ensuring it will be fit for purpose into the future.

The Menangle Community Hall project will construct a new state-of-the-art modern building.

Source: Signage, 4 Station Street, Menangle. 2023

The Australian, New South Wales government, South32, and South32 Community Partnership Program fund the hall.

The key milestones in the construction are listed as

  1. January 2023 -Deconstruction and preservation of materials and elements
  2. Feb 2023 – Foundations and construction
  3. Mid 2024 – Opening

The history of the hall

The information signage on the site security fence states:

The Menangle School of Arts hall was constructed c1890 by the Macarthur Onslow family for the use by the local village.

The building was used for funding raising for the Menangle Roman Catholic Church and the Australian Land Army used the hall during World War 11.

The hall was also used for functions, dances, plays and musicals.

It had many modifications over the years including in 1908, 1960 and a major refurbishment in 1984 that saw the flooring, roof, kitchens and bathrooms replaced.

In 1984 the hall was transferred to Wollondilly Council control who commissioned a number of reports in the late 2000s into its structural integrity.

The hall was later closed due to safety concerns.

In 2010, after petitioning the Council, the hall was transferred to the Menangle Community Association to rebuild the hall.

More history on the Menangle School of Arts can be found at Menangle.com.au

Source: Signage, 4 Station Street, Menangle. 2023

Wartime Red Cross fundraisers

Red Cross wartime fundraisers were held in the School of Arts hall during the First World War.

One notable 1917 Red Cross fundraiser was the ‘The Gilbulla Gad-Abouts’ concert. Described in the Camden press as ‘highly successful’ to ‘large audience’ present, which used ‘every inch of seating space’.  (Camden News, 7 June 1917)

In 1917 18-year-old Helen Macarthur Onslow, daughter of Enid Macarthur Onslow, held a Red Cross fundraising concert to smooth over local controversies following the 1916 conscription campaign.

According to historian Ian Willis:

The show attracted a huge crowd of over 400 who ‘travelled long distances’ from all over the district. While the night raised a modest £30, it was a much-needed boost for Red Cross morale. The show included several distinguished performers, including Lady Doris Blackwood, aged 22 years and the niece of Lady Helen Munro Ferguson, the founder of the Australian Red Cross. Doris Blackwood was Lady Helen’s companion when she came out to Australia in 1914 with her husband, Sir Ronald Munro Ferguson, who took up the post of Governor-General. Helen Macarthur Onslow and Doris Blackwood had formed a friendship on one of Helen’s regular trips to the Camden area. Other members of the concert party included Enid’s other daughter Elizabeth, aged 14 years, and Ethelwyn Downes, aged 25 years, the only daughter of FWA Downes MLA, politician and Camden conservative, from Brownlow Hill at Cobbitty, who had campaigned for the ‘Yes’ vote in the 1916 conscription referendum. The concert was topped off when a necklace, donated by Helen Macarthur Onslow, was won by Mrs McDonald, the wife of Sergeant McDonald, from the Menangle Light Horse Camp.

Source: Ian Willis, Ministering Angels, The Camden District Red Cross 1914-1945 CHS, Camden, 2014, pp.45-46.
One of the members of the 1917 concert party was Lady Doris Blackwood [2nd from left], who is shown in this group photograph with her patron, the wife of the Australian Governor-General, Sir Ronald Munro Ferguson [3rd from left], Lady Helen Munro Ferguson [4th from left]. Lady Helen was president and founder of the Australian branch of the British Red Cross in 1914.
(Personal Papers of Prime Minister Cook, NAA M3614, 3)

Another concert was held in August 1917 for the Red Triangle and Frances Day patriotic appeals, which raised £50. Press reports stated it was standing room only at the ‘highly successful’ show. There were instrumental and vocal solos, recitations, a children’s choir, and tableaux. During intermission, donated vegetables, cakes and ‘fancy work’ were auctioned off by Campbelltown Mayor Moore. At the end of the proceedings, a number of raffles and guessing competitions were drawn. (Camden News, 16 August 1917)

Renovations in 2013

The front view of the Menangle School of Arts at 4 Station Street Menangle in 2012. (I Willis)

The interior of the Menangle School of Arts, 4 Station Street, Menangle, during renovations in 2013 (I Willis)

A commemorative plaque to Menangle identity FV Veness was located on the decorative gates at the entry to the Menangle School of Arts, 4 Station Street, Menangle (I Willis, 2013)

A front view of the Menangle School of Arts, 4 Station Street, Menangle (I Willis, 2013)

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‘Baker, The Artist, The Influencer’, the exhibition

A new gallery exhibition

If you are observant when walking around central Camden, new vibrant posters are publicising a new exhibition at the Alan Baker Art Gallery Macaria in John Street Camden.

A poster to be found in a bus shelter in John Street Camden advertising the exhibition. This poster is of the artist Alan D Baker and provides a colourful addition to passengers using the local bus service. (I Willis, 2023)

The posters are in all sorts of locations.

One of the most interesting is the back wall of the Oxley Street carpark.

An exhibition poster for ‘Baker, The Artist, The Influencer’ located on the rear wall of the Oxley Street carpark. Illustrating that art is for everyone and is accessible to all. The subject of the poster is Alan Baker’s wife, Marjorie. (I Willis, 2023)

The new exhibition is ‘Baker, The Artist, The Influencer’ and runs until September 2023.

 The exhibition is the story of the Camden Art Group, which commenced sometime in 1972.

The art group started with local school teacher Ken Rorke. He was an art teacher at Camden Public School from 1961 to 1981.

As a keen artist, Ken asked artist Alan Baker to teach a Wednesday night class, which he refused, but he agreed to provide ‘advice and an expert hand’.

The experiences of the Wednesday night art group were quite varied and prompted some individuals to further their art careers.

An exhibition poster of ‘Baker The Artist The Influencer’ using one of his works ‘The Master’s Student’, which was completed at the Wednesday night Camden Art Group session in 1975. The poster is located in the laneway at the rear of the Oxley Street carpark and brightens up an otherwise drab masonry wall. (I Willis, 2023)

The exhibition catalogue states:

Camden Art Group was comprised of a mix of people from all walks of life. There were local business people, high school students, teachers, mothers, fathers, forestry workers – anyone with an interest in art was welcomed and found a place for themselves among the friendly group.

The art group, usually consisting of an attendance of about 20 artists, fostered the creative talents of many people who have gone on to bigger and better things.

Alan Baker’s role was to be ‘an inspiring and charismatic force for the class’. (Ahmad, et al, 2018)

Rizwana found it interesting to compare her training in South Asian training with Alan Baker’s Realist technique and style. (Ahmad, et al, 2018)

Some were encouraged to extend their professional interest in art after being discouraged early in life. (Ahmad, et al, 2018)

The displayed artworks at the Alan Baker Art Gallery Macaria in John Street, Camden. These are some of the works from the Camden Art Group. (I Willis, 2023)

There were other benefits from the art group included lifelong friendships, opportunities for professional development, the development of a collegiate artistic atmosphere, mentoring of local artistic talent, the creation of a thriving arts community that encouraged creativity, and several participants’ lives that were changed by art. (Ahmad, et al, 2018)

Baker, mentor, artist, and local identity encouraged the art group members to experiment and use a range of styles and materials, and their work is displayed alongside Baker’s art in the exhibition.

The exhibition catalogue states:

Sleek sculptures in stone and wood, commemorative busts, traditional oil paintings, drawings, and expressive watercolours hand side by side. These works showcase the impressive body of work created by the Camden Art Group in the years of the group meetings and, continuing beyond Baker’s death, into the present day.

This artwork called ‘An Artists Life’ portrays the Camden Art Group busily at work in one of the classrooms at Camden Public School. Ken Rorke instigated the formation of the art group and invited Alan Baker to teach the class, which he refused to do. Instead, he offered to attend the group sessions and provide advice and an expert hand. He did this from 1972 until his death in 1987. Some of the participant artists of the group are listed, and their work is displayed in the exhibition. This work is located just inside the front door of the gallery. (I Willis 2023)

The Camden art group’s ground-breaking influence and its collegiate atmosphere is still evident today.

Exhibitions of artwork by Baker and others create an atmosphere that fosters creativity and innovation. Art can catalyse economic activity, leading to new businesses and job opportunities.

References

Gallery 2023, Baker, The Artist, The Influencer. Alan Baker Art Gallery Macaria, Camden.

Ian Willis 2018, ‘Alan Baker, the artist’. Camden History, September, vol 4, no 6, pp242-247.

Rizwana Ahmad, Patricia Johnston, Olive McAleer, Shirley Rorke, Nola Tegel, and John Wrigley, 2018, ‘Alan Baker Art Classes’. Camden History, September, vol 4, no 6, 248-257.

Ian Willis, 2018, ‘Alan Baker Art Gallery opening, a brush of class’. Camden History Notes Blog, Camden, 5 March. Online at https://camdenhistorynotes.com/2018/03/05/alan-baker-art-gallery-macaria-opening/

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Red Flanders poppies, a field of memories

A flower honours the dead

The red Flanders poppy appeared in Camden in recent years when local identity Frances Warner was inspired to crochet them for Anzac Day in 2013. Frances was inspired by the efforts of two Melbourne women, Lyn Berry and Margaret Knight, who had organised the 5000 Poppies Project. They initiated the project to pay tribute to their fathers’ military service in World War Two, triggering a massive community outpouring of emotions, memories, and commemorations. Frances’ efforts were part of this response.

Wreaths with artificial poppies for the 2023 Anzac Day Ceremony in Camden from Camden Florist (CF 2023)

What is the significance of the red Flanders poppy?

The red Flanders poppies were among the first plants to spring up in the battlefields of northern France and Belgium after the war. Soldiers’ folklore said that the vivid red came from the blood of their fallen comrades.

The poppy symbolises many cultural mythologies, from remembrance to sacrifice, dreams, regeneration, and imagination. In Christianity, the red of the poppy symbolises the blood of Christ and his sacrifice on the cross. The Roman poet Virgil used poppies as a metaphor to describe fallen warriors in his epic tale, the Aeneid, written around 25 BC. (https://www.uniguide.com/poppy-flower-meaning-symbolism)

The Anzac Portal website states that Canadian medic John McCrae recalled the red poppies on soldiers’ graves who died on the Western Front and wrote the poem ‘In Flanders Field’. He wrote the poem whilst serving in Ypres in 1915, and it was published in Punch magazine after being rejected by The Spectator. (https://www.iwm.org.uk/history/why-we-wear-poppies-on-remembrance-day)

In Flanders Fields

by John McCrae (1915)

In Flanders fields the poppies blow

Between the crosses, row on row,

That mark our place; and in the sky

The larks, still bravely singing, fly

Scarce heard amid the guns below.

We are the Dead. Short days ago

We lived, felt dawn, saw sunset glow,

Loved and were loved, and now we lie,

In Flanders fields.

Take up our quarrel with the foe:

To you from failing hands we throw

The torch; be yours to hold it high.

If ye break faith with us who die

We shall not sleep, though poppies grow

In Flanders fields.

https://www.poetryfoundation.org/poems/47380/in-flanders-fields

Red poppies growing in the fields at Flanders remind the community of the soldiers’ lives lost in battle during World War One on the Western Front. (2023, Narellan Town Centre)

In response to In Flanders Fields, American humanitarian and teacher Moina Michael was so moved by the poem that she pledged to ‘keep the faith’ and scribbled down on an envelope ‘We Shall Keep The Faith’ in 1918.

We Shall Keep the Faith

by Moina Michael, November 1918

Oh! you who sleep in Flanders Fields,
Sleep sweet – to rise anew!
We caught the torch you threw
And holding high, we keep the Faith
With All who died.

We cherish, too, the poppy red
That grows on fields where valor led;
It seems to signal to the skies
That blood of heroes never dies,
But lends a lustre to the red
Of the flower that blooms above the dead
In Flanders Fields.

And now the Torch and Poppy Red
We wear in honor of our dead.
Fear not that ye have died for naught;
We’ll teach the lesson that ye wrought
In Flanders Fields.

Moina Micheal used the poppy symbol to raise funds for US ex-servicemen returning from World War One and was known as ‘The Poppy Lady’.  (http://www.greatwar.co.uk/people/moina-belle-michael.htm)

Australia

In Australia, the Returned Soldiers and Sailors Imperial League of Australia (RSS&ILA) first sold poppies for Armistice Day in 1921. The League imported one million silk poppies made in French orphanages. The RSL continues to sell poppies on Remembrance Day to assist its welfare work. (https://www.awm.gov.au/commemoration/customs-and-ceremony/poppies)

People place a red poppy next to a soldier’s name on the AWM Roll of Honour ‘as a personal tribute’. This practice began in 1993 at the internment of the Unknown Australian Soldier. (https://www.awm.gov.au/commemoration/customs-and-ceremony/poppies)

This image shows poppies on the Roll of Honour at the Australian War Memorial in Canberra. (K Alchin, 2021)

United Kingdom

Poppies are used in remembrance all over the world. In the United Kingdom, the white poppy represents an international symbol of remembrance for all casualties of war, civilians and armed forces personnel, and peace.

Artificial poppies were first sold in the UK in 1921 to raise funds for ex-servicemen and their families for the Earl Haig Fund supplied by Anna Guérin in France, who had manufactured them to raise funds for war orphans. It proved so popular that the British Legion started a factory in 1922 staffed by disabled ex-servicemen to produce their own.

The Imperial War Museum website states:

Other charities sell poppies in different colours, each with their own meaning but all to commemorate the losses of war. White poppies, for example, symbolise peace without violence and purple poppies are worn to honour animals killed in conflict.

(https://www.iwm.org.uk/history/why-we-wear-poppies-on-remembrance-day)

 Melbourne’s 5000 Poppies Project

The 5000 Poppies Project started when Lyn Berry and Margaret Knight set out to crochet around 120 poppies to ‘plant’ at Melbourne’s Shrine of Remembrance in 2013 to honour their fathers’ memory. Wal Beasley (14/32nd Battalion – Australian Imperial Forces) and Stan Knight (Queen’s Own West Kent Regiment – British Army). (https://5000poppies.wordpress.com/about/)

 The 5000 Poppy Project has had art installations on Anzac Day and Remembrance Day at Melbourne’s Shrine of Remembrance (2017, 2019) and in Canberra at the Australian War Memorial and Parliament House (2017). The 5000 Poppies Project has gone international with an installation at London’s Chelsea Flower Show in 2016. (ttps://www.rhs.org.uk/shows-events/rhs-chelsea-flower-show/2016/articles/a-field-of-poppies-at-chelsea)

Melbourne’s Shrine of Remembrance with the art installation of 5000 Poppies in 2017 (5000 Poppies)

The 5000 Poppies project has become an international tribute of respect and remembrance to those who have served in all wars, conflicts, peacekeeping operations, their families, and communities. (https://5000poppies.wordpress.com/about/ )

Frances Warner’s Red Poppy Project

Frances Warner has crocheted hundreds of red poppies, sold them for fundraising, and co-ordinated art installations with knitted poppies. All commemorating the memory of local men and women who have served our country in times of conflict and peace.

 Frances said that one red poppy takes around 45 minutes to crochet, and she estimates that she has knitted over 650. She has voluntarily contributed approximately 480 hours of her time, and she is not finished yet by a long way.

Frances says she is very ordinary yet has done an extraordinary job. Frances joins a long list of local women who have volunteered thousands of hours to honour the service of local men and women who have served in conflict and peacekeeping.

Knitted poppies made by Frances Warner (F Warner 2023)
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Blue Plaque recognises Camden Red Cross sewing circle in wartime

Camden Red Cross sewing circles during the First and Second World Wars

The wartime efforts of Camden women have been officially recognised for the first time by the successful nomination for a New South Wales Blue Plaque with Heritage NSW. Camden Red Cross women volunteers thousands of hours of their time and skill to provide requisites for military hospitals for wounded Australian soldiers.

The announcement appeared in the Sydney press with 17 other successful nominations for a Blue Plaque across the state. They include notable people and events in their local area.

The Blue Plaque on the front of the former Camden Town Hall. The plaque celebrates and remembers the service of the Camden Red Cross sewing circles women who donated thousands of hours of their effort and skills to supply hospital requisites for the soldiers and military hospitals in the First and Second World Wars. (I Willis, 2023)

What is being recognised?

The Blue Plaque officially recognised for the first time the Camden Red Cross patriotic wartime sewing circles at the Camden School of Arts (later the Camden Town Hall, now the Camden Library) – 1914-1918, 1940-1946. This is the only recognition of this type of Red Cross wartime activity anywhere in Australia.

The Sidman women volunteer their time and effort during the First World War for the Camden Red Cross. Patriotic fundraising supporting the war at home was significant, raising thousands of pounds. This type of effort was quite in all communities across Australia and the rest of the British Empire. (Camden Images and Camden Museum)

The story of the Camden Red Cross sewing circles

The Camden Red Cross sewing circles were one of Camden women’s most important voluntary patriotic activities during World War One and World War Two. The sewing circles started at the Camden School of Arts in 1914 and, due to lack of space, moved to the Foresters’ Hall on Argyle Street in 1918. At the outbreak of the Second World War, sewing circles reconvened in 1940 at the Camden Town Hall on John Street (the old School of Arts building – the same site as the First World War)

These sewing circles were workshops where Camden women volunteered and manufactured supplies for Australian military hospitals, field hospitals and casualty clearing stations. They were held weekly on Tuesdays, sale days in the Camden district.

Sewing circles were ‘quasi-industrial production lines’ where Camden women implemented their domestic skills to aid the war at home. Camden women cut out, assembled, and sewed together hospital supplies, including flannel shirts, bed shirts, pyjamas, slippers, underpants, feather pillows, bed linen, handkerchiefs, and kit bags. The workshops were lent several sewing machines in both wars.

The sewing circles also coordinated knitting and spinning for bed socks, stump socks, mufflers, balaclava caps, mittens, and cholera belts (body binders). The women also made ‘hussifs’ or sewing kits for the soldiers.  The sewing circles attracted 80-100 women weekly during the First World War. The list of items was strikingly consistent for hospital supplies for both wars, with the only significant addition during the Second World War being the knitted pullovers and cardigans.

The production output of the Camden women was prodigious. Between 1914 and 1918, Camden Red Cross sewing circle women made over 20,300 articles tallied to over 40,000 volunteer hours.  Between 1940 and 1946, during World War Two, women made over 25,000 articles, totalling over 45,000 voluntary hours.

The operation of the sewing circles was fully funded through the fundraising of Camden Red Cross and community donations.  In 1917 alone, over 95% of branch fundraising was dedicated to these activities.

In World War One, other Red Cross sewing circles in the Camden district were at The Oaks, Camden Park, Theresa Park, and Middle Burragorang. During World War Two, other centres across the local area included Bringelly-Rossmore, Menangle, Narellan, and The Oaks. Each group independently funded its activities.

These patriotic voluntary activities by Camden women were part of the war at home and have received little recognition at a local, state or national level. Wartime sewing and knitting have been kept in the shadows for too long. There needs to be a public acknowledgement of the patriotic effort of these women.

The placement of the plaque

The Blue Plaque was installed on the front of the Camden Library building in 2022 at 40 John Street Camden. This building was formerly the Camden Town Hall and the Camden School of Arts. The women of the Camden Red Cross used the town hall as the centre of their sewing effort in the First and Second World Wars to supply hospital requisites for soldiers and military hospitals. (I Willis, 2023)

The Blue Plaque was placed on the front of the former Camden School of Arts – later called the Camden Town Hall (1939-1945),then converted to offices in 1964 and now the Camden Library.

Camden School of Arts from 1866 to 1963 (PReeves/Camden Images)

Camden Museum Library building in John Street Camden, where the Blue Plaque will be located, recognising the efforts of the Camden Red Cross sewing circles in both World War One and World War Two. (I Willis, 2008)

Official recognition is long overdue

The official recognition of the wartime effort and skills of Camden women using their domestic arts and crafts in the patriotic service of Australia has taken over 75 years. This small acknowledgement of the wartime service of the Camden Red tells the story of ordinary women in extraordinary circumstances and has been long overdue.

Acknowledgement by the Member for Camden Peter Sidgreaves MP

This is an article from the newsletter from Peter Sidgreaves MP Member for Camden, where he has given official acknowledgement of the wartime patriotic service of Camden Red Cross women (Newsletter November 2022, Issue 14)

What is a Blue Plaque?

The Heritage NSW website states:

The Blue Plaques program aims to capture public interest and fascination in people, events and places that are important to the stories of NSW.

The Blue Plaques program celebrates NSW heritage by recognising noteworthy people and events from our state’s history.

The aim of the program is to encourage people to explore their neighbourhood and other parts of NSW and connect with people of the past, historical moments and rich stories that matter to communities and have shaped our state.

The program is inspired by the famous London Blue Plaques program run by English Heritage which originally started in 1866, and similar programs around the world.

“Behind every plaque, there is a story.”

The essence of the Blue Plaques program is the storytelling. A digital story will be linked to each plaque.

The Blue Plaques should tell stories that are interesting, fun, quirky along with more sombre stories that should be not be forgotten as part of our history.

English Heritage and Blue Plaques in the United Kingdom

The New South Wales Blue Plaques were based on the English model, and the English Heritage website states:

London’s blue plaques scheme, run by English Heritage, celebrates the links between notable figures of the past and the buildings in which they lived and worked. Founded in 1866, it has inspired many similar schemes in the UK and around the world.

Camden Red Cross Blue Plaque installation

Dr Ian Willis organised the paperwork through the office of the local Member for Camden Peter Sidgreaves MP, for the installation of the Blue Plaque. The competitive process meant only around 17 sites were chosen for plaques from around 70 applications across New South Wales for this round. The installation occurred on 14 October 2022. (I Willis, 2022)

Reference

Ian Willis, Ministering Angels, The Camden District Red Cross 1914-1945. Camden Historical Society, Camden, 2014.

Updated 24 April 2023. Originally posted 18 April 2022.

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Camden Show 2023

The show comes alive after Covid and floods

The 2023 Camden Show proves its resilience and came alive after the disasters of Covid and the 2022 floods when the show was postponed and cancelled.

Camden Show office for 2023 in the 1936 addition to the 1890s agricultural hall. The show office staff were forced out of their former office space underneath the hall due to the 2022 floods. (I Willis, 2023)

Exhibitors and competitors

The arts and crafts pavilion is a good place to start, the must-see at all country shows. On display are the hidden talents of the local area.

The talent of sugar artists is on display in the Arts and Crafts Pavillion. Some of these exhibits are true works of art. (I Willis, 2023)

A staple at all country shows are local farmers and producers who display their animals and produce. The cattle are always an interesting area to watch, and dairying has a rich history in the Camden area going back to the 1880s.

Dairying has been a staple farming activity in the Camden area for over 130 years. These dairy cattle show some of the local talent and why dairy farming has been so important in the local area for so long. (I Willis, 2023)

The produce exhibit is a snapshot of what can be grown and produced locally. Each of these products has been a vital part of the local farming scene over previous decades and in the present. For example, the apple industry was very important in The Oaks for most of the 20th century, and viticulture or growing grapes occurred across the Elderslie area for most of the last 100 years.

Apples, vegetables and other produce have been an important of the farming scene in the local area since the time of European settlement. An examination of Camden Show catalogues over the years shows the importance of these farming products for the local area. (I Willis, 2023)

The flower exhibits are always popular with show visitors, and 2023 is no exception. The flowers have moved out of the main pavilion to a more compact area and the number of exhibitors is down on previous years.

Flower exhibits at the 2023 Camden Show. This image shows the ever-popular dahlias. (I Willis, 2023)

Exhibitors are a mixture of keen amateurs and professional producers. All compete for the glory and fame that comes with first place. The cash prizes are really only pocket money, and it is the kudos that is the attraction.

A happy exhibitor who won a first with red capsicum and a highly commended with her squash and eggplants. All produce was locally grown. (I Willis, 2023)

The Show Ball and the Camden Show 2023 Young Woman of the Year

An often overlooked part of the show is the show ball and the announcement of the winner of the Camden Show 2023 Young Woman of the Year. The competition started in 1962 as the Camden Miss Showgirl and was rebranded in 1979 as the Showgirl competition. It is an excuse for the young, and not so young, folk of the area to get frocked up and enjoy themselves.

The promotional material for the annual show ball where the winner of the former Showgirl competition is announced for the following year. (CSS)

The winner of the Camden Show 2023 Young Woman of the Year competition was announced on the front page of The District Reporter.

The cover of The District Reporter, 4 November 2022, where the winner of the Camden Show 2023 Young Woman of the Year was announced. (TDR)

Camden Show promotional material

Much literature is produced at showtime; one of the most important is the show catalogue. The schedule lists all categories that competitors might want to enter with their animals, produce or crafts, the entry fees, the winning prizes and many other show time details.

The cover of the 2023 Camden Show catalogue and schedule (Camden Show Society)

Then there is the showground map which details all the exhibitors, events, show rings, entertainment, show bags, conveniences, parking and lots of other information.

The map of the 2023 Camden Show was produced by The District Reporter, and in comparison with maps of shows from earlier years, it is clear how the show has grown in size and moved into the surrounding Camden Bicentennial Equestrian Park from the boundary of Onslow Park. This year the Camden Bicentennial Equestrian Park is accommodating parking, horse events, the ute show, sheep, goats and alpacas, and sheep dog trials. (CSS)

One innovation this year has been the Agricultural Discovery Booklet for children. The booklet is full of puzzles, quizzes, colouring in, find-a-word, crosswords and other stuff. A great thing for the kids.

The cover of the Camden Show 2023 Agricultural Discovery Booklet (CSS)

Information stalls and exhibitors

The 2023 Camden Show has many exhibitors, including commercial enterprises, the show guild members who provide rides and entertainment, government information services, community organisations and many others.

The wonderful girls were found at the NSW Government Land Information Service exhibitor stall. These chooks were proudly standing guard over and host of information brochures and booklets and looking after the staff on duty. But these girls have their enemies and on the other side of the exhibitor stall in the corner were a number of them on display (I Willis, 2023)

Some of the enemies of the chooks look very menacing and dangerous at the NSW Government Land Information Services exhibitor stall. These feral animals are a nuisance and pest for farmers across rural New South Wales, with the fox starting to appear in the urban part of the Camden area. (I Willis, 2023)

Commercial exhibitors

The Sadek Motor Group exhibitor display shows the old and new motor cars. Displays by local motor dealers at the Camden Show has been a regular feature going back to the 1930s. This 1930s vehicle has attracted the attention of a showgoer dressed to drive away this historic specimen. (I Willis, 2023)

Exhibitors from the community

Community groups are regular exhibitors at the Camden Show, including the Country Women’s Association, Camden Historical Society, Camden Area Family History Society, Camden Hospital Women’s Auxiliary, Girl Guides, the Camden Show Society itself and many others.

The NSW Country Women’s Association is a regular participant at country shows across the state providing tea, coffee and scones for hungry showgoers. Here the Camden CWA signage is showing the 2023 Camden Show-goer the way to refresh their day with tea and scones. The women also sold a variety of other articles to assist their fundraising. (I Willis, 2023)

Show promotional liftout

Promoting the show is always essential, and The District Reporter has had their show liftout for many years. The liftout is part of the only print edition of a newspaper that still circulates in the local area and has the show’s history and many stories about show personalities, events and exhibitors.

The cover of the 2023 Camden Show liftout from The District Reporter. This print media has traditionally been the primary way the Camden Show Society has promoted the show over the last 130 years. (TDR)

The role of social media has increased in recent years as a way to promote the show.

This handsome specimen of an animal was used to promote the show on Facebook and Instagram in the lead-up to the 2023 Camden Show. Social media is an integral part of promoting the Camden Show in recent years. (CSS)

The show ends after another year

The show rides have ended, and it is pack-up time at the end of the 2023 Camden Show. Show guild members gather their bits and pieces, pack their rides and travel to the next country show. They will be back next year. (I Willis, 2023)

Packing up includes collecting the rubbish bins.

The bins have been emptied and are awaiting collection at the show’s end. The rides have ended, and will not be back until next year. The showground is starting to return to normality after the two-day festival of fun, frolic, entertainment and serious judging of stock, crafts and produce. Onslow Park is returning to normal. (I Willis, 2023)

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Young Woman trumps the Showgirl

Rebranding the Showgirl competition

In late 2022 the Camden Show Society announced that Rubey Williams had been named the Camden Show 2023 Young Woman of the Year.

Ms Williams is the first Camden Show Young Woman of the Year after the Royal Agricultural Society of NSW (RAS) changed the branding of the former Showgirl competition in 2019.

The competition had been rebranded earlier from the Miss Showgirl competition, which began in 1962. The name of the competition changed in 1979 by dropping ‘Miss’ from the title, indicating the competition moving with the times. (Canberra Times, 21 February 2019) And as Kate Darian-Smith has argued, changes in the competition have reflected changing representations of rural life and country towns, and the success of country shows (Darian-Smith, 2002, 17)

Yet there were supporters of the old name and the traditions it represented. In 2019 the Agricultural Societies Council of NSW (ASC) showgirl committee spokesperson Peter Gooch said, ‘We don’t want to change the name.’

‘Why change what’s not broken? It’s tradition and means so much to the show.’ (Canberra Times, 21 February 2019)

Dissatisfaction with Showgirl

Yet there was dissatisfaction with the marketing of the Showgirl concept.

Camden 2009 Showgirl Lauren Elkins, who came third in Sydney 2009, said there needed to be improved marketing for the competition at a grassroots level.

“The calibre of young women going to Sydney far exceeds what it was ten years ago,” she said.

“We need to look at how it is marketed and tell the stories of the girls of where they are and how they are developing.

“We are losing so many traditions; it would be a real shame to change the name, it’s tradition.”  (Canberra Times, 21 February 2019)

Ms Elkins, the 2009 Camden Showgirl Lauren Elkins, certainly had an eye on tradition when she prepared the 2009 Royal Agricultural Society Guide for Showgirl. The guide stressed etiquette, grooming, manners, dress sense, presentation and socialising skills – a solid list of skills for any aspiring job applicant. The competition even offered deportment lessons for entrants.  

Enduring anachronism

The Showgirl competition, formerly Miss Showgirl, has been an enduring anachronism and has withstood the assault of various forces and speaks well for its resilience.

I have maintained that

While the aims of the competition have not changed, part of its resilience has been its ability to cope with changes in the representation of rural life and women themselves. It expresses the agency of the young women who enter, whether university students or shop assistants, and provides personal development opportunities.  

These sentiments align with the feelings of Camden Show 2023 entrant Emily Perry who said she entered the competition because ‘she enjoys being involved in community activities, and wants to challenge herself and improve her own self-confidence’. (TDR, 21 October 2022)

Yet problems have persisted, and there have been concerns about the longevity of the competition.

Melanie Groves and Kemii Maguire have written, ‘ Nowadays, some view [the competition] as outdated pageantry from a bygone era at best, or the objectification of women at worst.’  (ABC News, 13 July 2019)

The popularity of the competition has waned in recent years, with only NSW and Queensland retaining the pageant. In Queensland, the entrants must be single, childless and under 28 years of age. (ABC News, 13 July 2019)

In Victoria, the competition stopped in 1995 after running for 38 years. (Darian-Smith, 2001)

RAS Young Woman of the Year

RAS Showgirl councillor Susan Wakefield has argued that changing the branding of the pageant to Young Woman of the Year has refreshed the program. (The Land, 19 October 2021)

‘The new title will continue to foster and encourage the fundamental building blocks of the competition through involvement in local shows and communities while also resonating better with younger generations’, said Ms Wakefield. (The Land, 19 October 2021)

2020 Cowra Showgirl Beatrice Patterson said her fellow showgirls supported the name change. Ms Patterson said that the RAS showgirl had received derogatory comments around ‘Miss Universe’ and beauty competition-related remarks earlier in the year. (Cowra Guardian, 30 June 2021)

Ms Patterson says that the Showgirl Competition is linked to the local show, yet others see Showgirl meaning ‘beauty’ and other negative connotations.

“I think this will be really good to get rid of that negative connotation.”

She hoped the name change would encourage more entrants. She said there were 15-20 entrants a few years ago, whereas in 2019, there were two or three.

She encouraged young women to enter the competition. ‘It’s a great program. You learn so much and develop as a person. You become more mindful of the world and agriculture’. (Cowra Guardian, 30 June 2021)

Ms Wakefield said that the professional development program within the competition encouraged young women to become community leaders. (The Land, 19 October 2021)

This was undoubtedly the Camden Show 2023 Young Women Rubey Williams situation. She said, ‘I want to become a bit of a role model in the community’. (TDR, 4 November 2022)

The District Reporter stated that Ms Williams had impressive agricultural credentials. She was the youngest ever Australian Alpaca Association Halter and Fleece Judge. (TDR, 4 November 2022)

She said she wanted to be a role model in the community and inspire young women to pursue careers in agriculture. (TDR, 4 November 2022)

Ms Williams felt strongly about the show movement and was keen to give women a pivotal role in shaping the future of rural Australia.  (TDR, 4 November 2022)

Kate Darian-Smith has argued that a sense of community shown by entrants was the result of long-standing family connections to the town, the agricultural society and other community organisations. (Darian-Smith, 2001)

Ms Williams certainly felt that her role as the 2015 Camden Show Junior Rural Ambassador ‘gave her a good grounding of how the show worked. I have a lot of good memories of the Camden Show; it still has a country feel.’ (TDR, 4 November 2022)

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Camden, a Macarthur family venture

The private English-style estate village of James and William Macarthur

The establishment of Camden, New South Wales, the town in 1840, was a private venture of James and William Macarthur, sons of colonial patriarch John Macarthur, at the Nepean River crossing on the northern edge of the family’s pastoral property of Camden Park. The town’s site was enclosed on three sides by a sweeping bend in the Nepean River and has regularly flooded the surrounding farmland and lower parts of the town.

John Macarthur on the cover of Australia’s Heritage 1970. The original oil painting of John Macarthur is held in SLNSW (I Willis, 2022)

The site of Camden was within the 5000 acres granted to John Macarthur by the 2nd Earl Camden [3.2], the Secretary of State for War and the Colonies, in 1805, while Macarthur was in England on charges for duelling. Macarthur was a fractious quarrelsome self-promoter who arrived in NSW with his wife Elizabeth and family in 1790 as paymaster of the New South Wales Corps. The Corps (sometimes called The Rum Corps) was formed in England in 1789 as a permanent regiment of the British Army to relieve the New South Wales Marine Corps, which had accompanied the First Fleet to Australia in 1788 to fortify the colony of NSW.

The town’s site, as part of the Macarthur grants, was located on some of the finest farming country in the colony in the government Cowpastures reserve on the colonial frontier. The grants were part of the dispossession of traditional lands of the Dharawal people by the British settler colonial project and inevitably led to conflict and violence. Macarthur claimed that the town’s establishment threatened the security of his landholdings at Camden Park and opposed it during his lifetime. On his death in 1834, his sons had a different worldview and moved to establish an English-style estate village dominated by a church.

A fine Gothic-style church

The ridge-top location of St John’s Church (1840) on the southern end of the town meant that it towered over the town centre and had a clear line of sight to the Macarthur family’s Georgian mansion at Camden Park 2.6 miles to the southwest. The fine English Gothic-style church was funded mainly by the Macarthur family and has been the basis of the town’s iconic imagery. There were a number of large gentry estates built on convict labour in the surrounding farmland, the largest being the Macarthur family’s Camden Park of over 28,000 acres.

St John’s Anglican Church in its hilltop location at the top of John Street Camden. This image is by Charles Kerry in the 1890s (Camden Images)

Many immigrant families came to the area under Governor Bourke’s 1835 plan and settled on the gentry estates as tenant farmers, some establishing businesses in Camden. The first land sales in the village occurred in 1841, which stifled the growth of the existing European settlements in the area. The population of Camden grew from 242 in 1846 to 458 in 1856, although the gentry’s estates still dominated the village. Camden Park, for example, had a population of 900 in 1850.

English-style gentry

The English-style gentry practised philanthropy in Camden to maintain its moral tone. Elizabeth Macarthur Onslow, John Macarthur’s granddaughter, encouraged the maintenance of the proprieties of life, moral order and good works, as well as memorialising her family by donating a clock and bells to St John’s Church in 1897. She also marked the memory of her late husband, Captain Onslow, by providing a public park in 1882 named after her husband (Onslow Park), which is now the Camden showground.

Transport hub

Camden became the district’s transport hub at the centre of the road network, primarily set by the pattern of land grants from the 1820s. The earliest villages in the district predated Camden and then looked to Camden for cultural and economic leadership as the district’s major centre. The arrival of the Camden tramway in 1882 meant that silver ore west of the district (1871) was shipped through the Camden railhead to the Main Southern Railway from Sydney.  

The Camden Branch Line Locomotive Crossing the Nepean River Bridge 1900 Postcard (Camden Images)

Progress assured

Combined with rail access to markets, the town’s prosperity was assured by a series of technical and institutional innovations that transformed the dairy industry in the 1890s. In the 1920s, the Macarthur family set up the Camden Vale Milk Company and built a milk processing plant at the eastern end of the main street adjacent to the rail line. Whole milk was railed to Sydney and bottled under its label until the mid-1920s. Milk was delivered daily to the factory by horse and cart until the 1940s from local dairy farms.

Camden Milk Depot, trading as Camden Vale Milk Coop Ltd located at the northern end of Argyle Street adjacent to Camden Railway Station. (Camden Images)

Camden’s progress saw the construction of a new bank (1878), the commencement of weekly stock sales (1883), the formation of the Camden Agricultural, Horticultural and Industrial Society and the first Camden Show (1886), a new post and telegraph office (1898), the foundation of two weekly newspapers (Camden Times, 1879, Camden News, 1880), a new cottage hospital (1898), the formation of a fire brigade (1900), the opening of a telephone exchange (1910), the installation of reticulated gas (1912), electricity (1929), town water (1899) and the replacement of gas street lighting with electric lights (1932), and a sewerage scheme (1939). By 1933 the population of the town had grown to 2394.

First local council

The first attempt at local government in 1843 was unsuccessful. A meeting of local notables formed the municipality of Camden at a public meeting in 1883. Still, it was not until 1889 that the municipality was proclaimed, covering 7,000 acres and including Camden and the neighbouring village of Elderslie. Nine townsmen were elected aldermen at the first election that year, and the first meeting was held at the School of Arts. In 1993 the Camden Municipal Council eventually became the Council of Camden.

In 2014 this is the head office of Camden Council in the former Victorian gentleman’s townhouse built by Henry Thompson. (Camden Images)

Street names

Camden’s 1840 street grid is still intact today, with streets named after members of the Macarthur family – John Street, Elizabeth, Edward Street – and NSW colonial notables – Oxley Street, Broughton Street, Mitchell Street. The main highway between Sydney and Melbourne (the Hume Highway) passed along the main street (Argyle Street), until it was re-routed in 1976. The town’s business centre still has several Victorian and Art Deco shopfronts.   

Some charming Federation and Californian bungalows in the church ridge-top precinct were the homes of the Camden elite in the early 20th century. The precinct is the site of Macarthur Park (1905), which was dedicated to the townsfolk by Elizabeth Macarthur Onslow and contained the town’s World War One cenotaph (donated by the Macarthur family).  

John Street heritage precinct

John Street runs north-south downhill to the floodplain from the commanding position of St John’s church. Lower John Street is the location of the Italianate house Macaria (c1842), St Paul’s Catholic church and the government buildings associated with the Camden police barracks (1878) and courthouse (1857), and Camden Public School (1851). This area also contains the oldest surviving Georgian cottage in the town area, Bransby’s Cottage (1842). Lower John Street has the Camden Temperance Hall (1867), which later served as Camden Fire Station (1916–1993), and the School of Arts (1866), which served as the Camden Town Hall, while the rear of the building was occupied for a time by Camden Municipal Council.

Camden School of Arts located in John Street PReeves c1800s (CIPP)

Volunteerism

Community voluntary organisations have been part of Camden’s life from the town’s foundation. In the late 1800s, they were male-dominated, usually led by the landed gentry, and held informal political power through patronage. James Macarthur sponsored the Camden School of Arts (1865) and Agricultural, Horticultural & Industrial Society (1886), later called the Camden Show Society, while the non-conformists sponsored various lodges and the temperance movement. A small clique of well-off local women established several conservative women’s organisations after Federation. Their social position supported their husbands’ political activities, and the influence of the Macarthur family was felt in these organisations, for example, the Camden Red Cross and Country Women’s Association.

The women of the Camden Red Cross at their weekly street stall in Argyle Street Camden in the 1920s. The women ran the stall for decades and raised thousands of pounds for local and national charities. (Camden Images)

Many men and women from Camden and the district saw military service in the Boer War and later World War One and Two when residents set up local branches of national patriotic funds and civil defence organisations. On the outskirts of the town, there were active defence establishments during World War II, including an airbase, army infantry, and training camps.

Coal mining

Economic prosperity from coal mining in the district’s western part challenged old hierarchies in the postwar years, replacing the old colonially-based rural hegemony. New community organisations like Rotary and later the Chamber of Commerce fostered business networks in the town. The Camden Historical Society (1957) promoted the town’s past and later opened a local museum (1970).

Camden Museum Library building in John Street Camden, where the Blue Plaque with being located, recognising the efforts of the Camden Red Cross sewing circles in both World War One and World War Two. (I Willis, 2008)

Urbanisation

The New South Wales state government decreed that the town would become part of a growth area in the form of ‘new cities’ under the Macarthur Growth Centre Plan (1973), modelled on the British Garden City concept. Increasing urbanisation threatened the town’s identity and the number of community members formed by the Camden Residents’ Action Group (1973).

Mount Annan suburban development, which is part of Sydney’s urban sprawl c2005 (Camden Images)

In 2007 Camden was the administrative centre of the Camden Local Government Area, which had a population of over 51,000 (2006) and an area of 201 square kilometres.  The Camden LGA became part of the state government’s Sydney South West Growth Centre, planned to house 500,000 new residents, and is one of Australia’s fastest-growing urban areas.  

Wave of nostalgia

Increasing levels of Sydney’s urbanisation have continued, threatened the loss of rural landscapes around the town, and awakened a wave of nostalgia. The NSW state government created the Camden Town Conservation Area (2008) based on the mid-20th century country town that aimed at preserving the town’s integrity and material fabric.

Macarthur Regional Tourist Promotion by Camden and Campbelltown Councils

Posted 19 September 2022

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Waley Convalescent Home at Mowbray Park

Waley Home for Returned Soldiers

In 1919 Mowbray Park, five kilometres west of Picton, was handed over to the Commonwealth Government to be converted to a convalescent home for invalided soldiers from the First World War. The home was called Waley after its philanthropic benefactors. 

From 1915 the Red Cross established a network of hospitals and convalescent homes due to the shortcomings of the Australian military medical authorities.  

By the end of the World War One hundreds of invalided soldiers were returning to Australia, and they passed through medical facilities managed by the Red Cross, and Waley was one of them.

Local Red Cross branches and state-wide campaigns organised by New South Wales Red Cross divisional headquarters in Sydney provided funding for these efforts. The Commonwealth Department of Repatriation paid a fee of six shillings a day for each patient to cover running expenses. (Stubbings, ‘Look what you started Henry!’ 1992. pp. 13-14.)

Foundation

The Waley Convalescent Home was created when Englishman FG Waley and his wife Ethel presented Mowbray Park and 180 acres (73 ha), to the Commonwealth Government as a “permanent home for shell-shocked and permanently incapacitated sailors and soldiers”. (SMH, 4 March 1920)  These days it is called posttraumatic stress disorder (PTSD).

The Waleys had originally purchased Mowbray Park (800 acres, 324 ha) in 1905 from WM Barker, who had had the main house built in 1884. (Mowbray Pk History). Mowbray Park had been the Waley family country retreat – a gentleman’s country estate.

FG Waley was an executive member of the New South Wales Red Cross in 1919 when the family donated the farm to the Commonwealth. Several wealthy landowners donated homes and buildings for Red Cross use as convalescent homes, a philanthropic practice adopted in the United Kingdom.

(Courtesy Mowbray Park)

The Farm

Waley was a farm hospital with about 60 acres under cultivation and the main house supplied with vegetables, eggs, milk and butter from the farms 21 cows and 26 pigs.

Most patients at Waley Hospital stayed at the home between one and three months, with some up to 8 months for those suffering from neurasthenia or hysteria. It was reported that “the quiet, regular life, under good discipline, with a regular work period each day, is the best way of endeavouring to the fit these men for occupation again”.

Activities were general farm work to return the men “to their own occupation”. Major-General GM Macarthur Onslow chaired the farm committee. (Annual Report 1923-24, ARCS (NSW), p. 19.)

The main entrance to Waley Convalescent Home in the early 1920s with some of the Red Cross staff in the background. (Mowbray Park)

Opening in 1920

The home was officially opened in March 1920. The Waley donation of the house was expressed in noble terms as an act of patriotic nationalism. The Sydney Morning Herald stated that

As the cars swung through the broad entrance gates and traversed the winding drive through an avenue of pines to the beautifully situated homestead one realised the noble sentiment which prompted the owners – Mr. and Mrs. F. G. Waley – to hand over to the nation this rich possession. In order that those men whose nerves had suffered from the shock of Year might be given an opportunity of recuperating their health. (SMH, 4 March 1920)

The opening ceremony attracted a list of Sydney notables and the Australian Governor Sir Ronald Munro-Ferguson and Lady Helen Munro-Ferguson, the founder of the British Red Cross in Australia. His Excellency accepted the house and land on behalf of the country. The press report stated:

The Governor-General expressed pleasure at being present to transfer the property from their host and hostess to the nation. “It is,” he added, a noble gift, and I am indeed glad to find myself under this Hospitable roof tree.” (SMH 4 March 1920)

Plaque commemorating the hand-over to the Commonwealth of Australian by the Waley family in 1920 (Courtesy Mowbray Park)

Entertainment

The home received considerable support from local Red Cross volunteers who provided entertainment in concerts, picnics, and library services from its inception. 

For example, in November 1919, the Camden Red Cross organised a basket picnic and an outing for the soldiers from Waley ‘on the banks of the [Nepean] river at the weir’ at Camden. Red Cross voluntary workers provided cakes, scones and afternoon teas for soldiers. (Camden News, 4 September 1919, 6 November 1919)

 In March 1920, the Camden News reported that the Narellan Red Cross donated three bookcases with over 600 books to fill them (Camden News, 18 March 1920)

(Courtesy Mowbray Park)

Staffing

The Red Cross staffed convalescent hospitals with voluntary aids (VAs) from detachments in localities adjacent to the home. In the Camden district, Waley’s opening triggered the foundation of voluntary aid detachments at Camden and The Oaks.

There were three dedicated staff positions for voluntary aids (VAs) at the home drawn from Camden, Picton, The Oaks, Menangle and Narellan voluntary aid detachments (VAD).

During 1919 six VAs from The Oaks VAD volunteered at Waley Hospital, and by 1921 this had increased to 10, with a further 10 VAs from the Camden VAD, who included Mary McIntosh, Miss Hall and Miss Gardiner.

In 1920 Narellan VAs Eileen Cross and Cory Wheeler were volunteering at the home. The Camden VAs put in 117 days in 1921 and 116 days in 1922 at the hospital. In 1922 the VAs relieved the cook and the ‘Blue Aids’ for their days off.

By 1923 there were 13 VAs, with one VA from Narellan Red Cross, who collectively worked 65 days. (NSW RC Annual Reports 1918-19 to 1923-24; Minutes, Camden Red Cross, 1915-1924.)

By 1924 the number of voluntary aids had dropped to only a ‘few’ making monthly visits to the patients.

Ward Waley Home which was managed by the Red Cross (Courtesy Mowbray Park)

Disposal of home

Waley was closed by 1925 and sold off at auction. The home operated from March 1920 to April 1925. Under the Waley deed of gift funds from the sale of the home by the Commonwealth of Australia were distributed to Royal Naval House in Sydney, the Rawson Institute for Seamen and the Sydney Mission for Seamen. (Sydney Morning Herald, 22 April 1925)

Groundbreaking medical care

Waley Convalescent Home was one of Red Cross medical activities that broke new ground in medical care and convalescence for ‘shell-shock’ now called PTSD.

By 1920 the New South Wales Red Cross managed 26 homes and rehabilitation centres, five field and camp hospitals, including Waley at Mowbray Park. (NSW RC AR) There were similar medical facilities in other states.

The Red Cross pioneered this area of clinical practice by providing a level of care and soldier welfare activities never seen before in Australia.

Red Cross duty room with staffing by Voluntary Aids from the Camden District Detachments (Courtesy Mowbray Park)
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Local identities, Colin and Dorothy Clark

Active citizens with a vision for the future

In 2002 the Sydney press commemorated the life and times of Camden identity Colin Clark, a successful pharmacist who served his community, church and family. (SMH 20 May 2002) Colin married Dorothy, and together, they shaped ‘a vision for their future’ in Camden.

My interest in the Clarks was partly prompted by a photograph of a bottle of liquid paraffin sent to me by local resident Nicole Comerford. Colin had dispensed the paraffin to Nicole’s grandmother, Sheila Murdoch of Orangeville.

Liquid Paraffin medicine that Sheila Murdoch purchased from Camden pharmacist Colin Clark in Argyle Street. The bottle dates from the mid-20th century. (N Comerford, 2021)

Colin Clark ran a pharmacy in Argyle Street for over 35 years.  He trained as a pharmacist at the Melbourne College of Pharmacy,  and met Dorothy in Stroud. They married in 1933 at Malvern Hill Methodist Church (Clark, Fix Ears, p.72) before moving to Camden in 1934.

Dorothy was an accomplished musician and an artist. In the mid-1920s, she received a scholarship to the Sydney Art School  (Julian Ashton Art School) (Clark, Fix Ears, p.71), which trained several notable Australian artists.

The Clarks planned to stay in Camden for seven years (Mylrea, Interview) and as things turned out, they stayed a lifetime. (Camden News, 6 August 1981)  Their Methodist faith shaped their worldview and they how fitted into Camden’s rich social fabric and became part of the ‘backbone of the community’. (Camden News, 6 August 1981). They mixed with other Methodist families who amongst others included the Whitemans, the Sidmans and the Stuckeys.

Colin became a well-regarded businessman and Dorothy, a stay-at-home mother. They were respected in all strata of society and mixed with people ‘of so-called high and low estate’. (Clark, Eulogy) 

Colin Clark Camden (Camden Images)

John Kearns argues that John Wesley ‘was an active citizen, concerned with people’s physical, mental and economic welfare as well as their spiritual well-being and he did many good works’. As were the Clarks.

Community service – ‘the backbone of the community’

Colin and Dorothy were community-minded active citizens who constantly devoted their ‘energies to the gentle pursuit of shaping their community’s lifestyle and character’ through several local organisations. (Camden News, 6 August 1981)

Colin was president of the Camden Historical Society from 1968 to 1970 and was made a life member in 1994. He was a foundation member of the Camden Rotary Club and served the club for 33 years. He was a member of the Carrington Hospital Board from 1967 to 1981, made a trustee in 1975 (Camden News 6 August 1981) and to honour his service, the board room was named after him (Clark Eulogy). He was president of the Camden Central School P&C in the early 1950s, a member of the Camden Masonic Lodge and a board member of the Camden Uniting Church. (Clark, Eulogy).

Colin was an active sportsman and participated in tennis, cricket, golf and lawn bowls. He was a foundation member of the Camden Golf Club, an early committee member of the Camden Bowling Club and instrumental in the foundation of the Camden CWA Rooms building.

Dorothy – musician, artist and mother

Dorothy was a musician and an artist with an appreciation of the arts.  She was an accomplished pianist, and in 1936 played the piano at a Methodist ladies ‘towel afternoon’ (Camden News, 6 August 1936). In 1942 she was the pianist for a concert for the troops at the Narellan Military Base (Camden News, 5 February 1942), and in 1952 she played the piano at a fashion parade fundraiser for the Camden Hospital Ladies Auxiliary (Camden News, 2 October 1952). Dorothy was the pianist for the first Camden Musical Society performance. (Camden News 6 August 1981)  

Dorothy Clark was an active member of the Camden Red Cross, Camden District Hospital Auxiliary, and the Camden Country Women’s Association.

Colin Clark (RHS) with fellow Rotarians Geoff McAleer (LHS) and Noel Riordan (centre) in the early development of the Camden Museum in 1969. The Camden Museum opened in 1970. The objects in the picture are the Brunero spinning wheel for spinning wool with a penny farthing bicycle in front. (Camden Images)

Camden Museum – ‘a vision for the future’

In the mid-1960s, Colin and Dorothy had a vision for a local history museum in Camden where a collection of objects and things could tell the local story. (Mylrea, Interview)  The Clark’s view of the world would have seen a museum providing  an educational experience based on authentic objects and stories taken from Camden’s cultural traditions and values, and the individuals who created them. (Willis, Stories and Things)

 The Clark’s vision and enthusiasm encouraged support after initial scepticism. With the help of Camden Rotary Club Colin eventually secured the old council rooms at the rear of the Camden School of Arts and opened a museum in 1970. (Wrigley, Camden Museum)

John Wrigley writes

Colin Clark was the president of the Camden Historical Society at the founding of the Camden Museum in 1970. Colin became a member of the society in 1963 and president in 1968. He was the fourth president of the society. (Wrigley, 2021)

Colin Clark 2nd from left on the 25th Anniversary of the Camden Historical Society in 1995. These fellows were all past presidents of the society and they are L-R: RE Nixon, Colin, Owen Blattman, John Wrigley. They are standing outside the original entry of Camden Museum in the laneway between Camden Library and the Presbyterian Church (Camden Images)

The village apothecary

Colin’s career as a pharmacist fitted into the English tradition of the village apothecary dating back to the 13th century where he was a person who kept a stock of these commodities, and he sold from his shop or street stall

The Clark pharmacy was part of the move  by the early 20th century when the role of pharmacist had shifted to a more scientific approach. There was a move away from compounding towards premanufactured proprietary products and the traditional role of apothecary of the frontier and colonial period. 

Colin recalled, ‘In the 1930s it was quite common to be called upon to dispense a prescription mixture. There were no prepared medicines and it took around 20 minutes to put a script together. There were very few cosmetic preparations.’ (The Crier, 14 November 1979) 

The Clark Chemist shop (on the LHS of the image) was located in the Whiteman’s building in the late 1930s at 90 Argyle Street Camden (Camden Images)

Colin’s pharmacy was initially located in the Whiteman building at 90 Argyle Street when he purchased Niddries business. The pharmacy opened at 8.30am, with half-an-hour for lunch to 8.30pm. The local doctors always ran a night surgery and Colin would be dispensing mixtures for the patients. On Saturday he opened at 8.30am to 1.00pm, then back at 6.00pm to 8.30pm and then Sundays and after-hours calls. ‘It was a very hard life.’ (Mylrea, Interview)  

In the mid-1950s Colin moved the business west along Argyle Street to 108 Argyle Street into the former Greens Ladies Wear. (Mylrea, Interview) His pharmacy was part of what Jill Finch has argued was the advent of patent medicines and manufactured tablets which broadened the range of drugs, and by the 1960s pharmacists were primarily dispensing premanufactured capsules and tablets.

References

Clark, GM 2021, I want to fix ears, Inside the Cochlear Implant story, Iscast, Melbourne.

Clark, Graeme 2002. Eulogy for CC, Camden. 27 March, Camden Museum Archives.

Dwyer, P 1997, Pharmacy Practice Today: An Increased Exposure to Legal Liability, UNSW Law Journal, vol. 20, no. 3, pp. 724-759.

Finch, J 2017, Pharmacy – Cultural Artefact, Companion to Tasmanian History, viewed 05 September 2021, <http://www.utas.edu.au/tasmanian-companion/browse_r_concepts.htm>.

Kearns, Adrian J. “Active Citizenship and Urban Governance.” Transactions of the Institute of British Geographers, vol. 17, no. 1, 1992, pp. 20–34. JSTOR, http://www.jstor.org/stable/622634. Accessed 4 Sept. 2021.

Mylrea, Peter 1994. Transcript of an Interview with CC, Camden, 12 November, 19 November, 10 December 1993, 19 January 1994, Camden Museum Archives.

Mylrea, Peter 2001. ‘Camden Historical Society, Its First 25 Years, 1957-1982’. Camden History, Vol 1, No 1, March 2001, p.11.

Mylrea, Peter 2001. ‘Glimpses of Camden, Interview with Colin Clark’. Camden History, Vol 1, no 2, September 2001, pp.24-28.

The Worshipful Society of Apothecaries 2021, Origins, The Worshipful Society of Apothecaries, viewed 05 September 2021, <https://www.apothecaries.org/history/origins/>.

Urick, B. Y., & Meggs, E. V. (2019). Towards a Greater Professional Standing: Evolution of Pharmacy Practice and Education, 1920-2020. Pharmacy (Basel, Switzerland), 7(3), 98. https://doi.org/10.3390/pharmacy7030098

Willis, I. 2009. ‘Stories and things: the role of the local historical society, Campbelltown, Camden and The Oaks’. Journal of the Royal Australian Historical Society, 95(1), 18–37. https://search.informit.org/doi/10.3316/ielapa.200906492

Worthing, M 2015, Graeme Clark, The man who invented the bionic ear, Allen & Unwin, Sydney.

Wrigley, John 2020. ‘The Rise and Rise of the Camden Museum, Celebrating Fifty Years!’, Camden History, Vol 4, no 9, March 2020, p405.

Wrigley, John 2021, ‘Colin Clark’. Typescript, Camden Museum.