Agency · Art · Artists · Artworks · Attachment to place · Belonging · Camden Council · Community · Community building · Community Engagement · Community identity · Craft · Cultural Heritage · Heritage · Living History · Local History · Local Studies · Oran Park · Place making · Placemaking · Public art · Sense of place · Social History · Stories · Storytelling · Women's art · Women's stories

Public Art, Young Women Artists Have Something to Say

Something to Say art installations

Young people are often described as having nothing to say. Well, at Oran Park, outside the Camden Council administration building, there is a series of artworks that have Something to Say. The artworks are part of the Camden Council’s Camden Council’s Youth Participation Public Art Program, which began in 2016.

These works are described as temporary art installations. They were created by young women artists between the ages of 12 and 24. The artists were encouraged to tell their own stories within their own communities and enhance their skills as artists.

The aim of the public art program is as

Artworks often tell stories through a series of images or by selecting a moment in time. These are narrative works that illustrate aspects of an artist’s life or some historical event, cultural festival, religious theme, or perhaps a legendary figure or mythic character.

The J Paul Getty Museum states that teaching young people stories in art involves lessons that

https://www.getty.edu/education/teachers/classroom_resources/curricula/stories/
Something to Say art installation outside Camden Council administration building at Oran Park (CC 2023)

The young women who participated in the Something to Say program worked with local Menangle artist Michele Arentz.

On the Camden Council website, each of the artists in the program has issued a statement of intent or a statement that outlines the story that each of the artists tell in their works.

These young women are from different cultural backgrounds and have used their agency to tell intensely personal stories. The stories reflect a diversity of life experiences and provide an insight into the minds of Gen Z.

The artworks reflect different storytelling techniques across a range of art mediums and styles.

Women artists and their statements of intent

Team leader

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Young women artists

Ayesha Khan @ajk_afflatus

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Channie Chu

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Eashtha Inavolu

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Evie Hay

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Jade Stein

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Jessica Beck

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Karrin Smith-Down

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

https://www.camden.nsw.gov.au/community/support/cultural-development-and-arts/camden-council-public-arts/something-to-say-eoi/

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Srihitha Nagella

https://www.camden.nsw.gov.au/community/support/cultural-development-and-arts/camden-council-public-arts/something-to-say-eoi/

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Rosa Quispe

https://www.camden.nsw.gov.au/community/support/cultural-development-and-arts/camden-council-public-arts/something-to-say-eoi/

Something to Say art installation outside the front of the Camden Administration building at Oran Park. (I Willis 2024)

Concluding Remarks

These art installations demonstrate how art can contribute to community-building through the construction of placemaking.

Public art encourages cultural tourism by promoting community identity and a sense of place. These factors contribute to job creation and the enhancement of local business opportunities.

Something to Say art installation on a bus shelter in Harrington Street Elderslie in the early dawn light (I Willis 2024)

All photographs are by Ian Willis unless otherwise indicated.

Updated on 29 March 2024. Originally posted on 22 March 2024 as ‘Public art by young women artists on display at Oran Park’.

Art · Artists · Belonging · Commemoration · Community identity · Cultural Heritage · Local Studies · Memorial · Memorialisation · Memorials · Monuments · Mural artwork · Narellan · Narellan Library · Placemaking · Public art · Sense of place · Storytelling · Street Art · Uncategorized · Urban development · Urban Planning · Urbanism

Narellan Library Murals, a wall of public art

Colourful mural artwork

The casual observer may have noticed the colourful murals outside the Narellan Library along Queen Street Narellan.

These mural artworks were commissioned by Camden Council in 2017, which engaged mural artist Mandy Salter.

A portion of one of the two mural artworks on the Queen Street wall of Narellan Library. (I Willis, 2023)

Salter collaborated with local young artists as part of Camden Council’s 2017-2018 Youth Public Art Participation Project.

The designs were settled after a workshop in January 2018  and depict young people reading and playing, and the design incorporates living plants and a 3-D sensory element. (CC Media Release 19 April 2018)

Mayor Lara Symkowiak stated:

The mural artwork was commenced in April 2018 and completed in late May. (CC Media Release 19 April 2018)

A portion of one of the two mural artworks adjacent to the footpath along Queen Street outside Narellan Library (I Willis, 2023)

Youth Participation Public Art Program

The Narellan Library murals were part of Camden Council’s Youth Participation Art Project, which began in 2016 as a place-making initiative to create a sense of identity and belonging.

Established artists were engaged to mentor young artists and provide an opportunity for them to tell a personal story with new, distinctive, and innovative approaches.

The project covered the entire local government area and developed artworks on bus shelters, small-scale mural and pavement artworks, and a series of ARTangle display boxes at Oran Park.

The $25,000 budget from the youth project provided the funding for the Narellan Library murals. (CC Media Release 23 May 2018)

A portion of one of the two mural artworks along the Queen Street frontage of Narellan Library (I Willis 2023)

Mural artist Mandy Salter

Camden Council commissioned Blue Mountains-based mural artist Mandy Salter to undertake the murals at Narellan Library.

Salter draws her inspiration from a range of sources and writes on her LinkedIn page

Mural artworks are a tool for economic development

Mural artworks are part of public artworks and can provide a source of economic development and have been used to build a sense of place and community identity in small country communities.

The first mural art to appear on siloes and public buildings appeared in Western Australia in 2015 and has since sparked interest across rural Australia.

Chris Fry writes about the Western Australia silo art trail.

In country New South Wales, the silo art trail has sparked a growth in local tourism. Annette Green writes:

One of the two mural artworks on the Queen Street frontage of Narellan Library (I Willis 2023)

The Central University of Arkansas Center for Community and Economic Development director Amy Whitehead says that community murals can generate economic development. The Centre’s website states:

Mural artwork is an outdoor art gallery

Mural artwork is a form of street art that emerged from the counterculture of the 1980s and 1990s and provides an outdoor art gallery for all to enjoy. Mural art is accessible and democratic.

The Australia Your Way website states that

Australian street artist, muralist, and illustrator Happy Decay states

A portion of one of the two mural artworks along the Queen Street frontage of the Narellan Library. (IWillis 2023)
1973 New Cities Campbelltown Camden Appin Structure Plan · Airds · Attachment to place · Belonging · Campbelltown · Community identity · Cultural Heritage · Education · Families · Family history · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Lifestyle · Living History · Local History · Local Studies · Macarthur · Malls · Memory · Place making · Radical history · Sense of place · Storytelling · Women's history · Women's Writing

Fiona’s story, growing up in Airds

Memories of hope

These memories are a moving personal account of a childhood growing up in Airds in the 1970s and 1980s.

This story from former Airds resident Fiona Woods counterpoints stories of despair and loss from these suburbs. In many ways, Airds was a suburb on the fringe of the world. Many residents lived on the edge and faced many challenges.

Airds Fiona Woods School sisters
Airds Fiona Woods School sisters (F Woods)

At the moment, many Australians have felt a heightened sense of anxiety and need a little hope. There have been many grim stories since the bushfires on Australia’s East Coast in September 2019.

The uncertainty and lack of control have continued into the Covid crisis, and many feel despair and at a loss.  Fiona’s story provides a ray of sunshine in today’s shadows.

Fiona uses memory to explain the meaning of past events and people’s involvement in them. She has not created a meaningless collection of unrelated facts.

There are linkages between memory and storytelling.  Each is full of meaning.

Fiona says,

‘Everyone has a story. It’s easy to think of our ancestors as names on a page or a black-and-white photograph of well-dressed, serious people.’

‘But behind those images is a life that has been lived through both adversity and celebration. With love and pain and all that goes with being human. So many stories that have been untold’.

Fiona’s memories are about a suburb where some residents succeeded and others did not.

This is Fiona’s story and how hope can win in the end.

Growing up in Airds

Fiona Woods

Growing up in a housing commission estate is not something that traditionally elicits feelings of pride and success. But for me, it does just that. I moved into Airds in 1977, when I was three years old.

My dad had suffered a traumatising work accident, one that would leave him with debilitating, lifelong injuries. My parents already had three small children and were expecting a fourth.

Airds Fiona Woods and brother
Fiona Woods and brother (F Woods)

I can only imagine how difficult it would have been for them – Dad was in and out of the hospital, and Mum didn’t drive. Here was where their neighbours stepped in, and my earliest memories of the community began.

Back then, neighbours weren’t just people you waved to from the driveway. They were people you could count on, whether it be for food or childcare or even a simple chat over a cup of tea.

I grew up as part of a village, where a lady in my street took my sisters and me to our first gymnastics lessons.  I developed friendships that have stood the test of time. I have even taught alongside my closest childhood friend, an experience that is something I treasure.

Airds Fiona Woods Kids Airds
Fiona Woods Kids Airds (F Woods)

I laugh with my siblings that we can never shop with Mum in Campbelltown – she remembers everyone who lived remotely near us. But for her, it was the friendship she struck up with her new neighbour the day they both moved in that is the most special.

A friendship that has lasted for over 43 years. It still involves daily coffee catch-ups and phone calls.

I started Kindergarten at John Warby Public School, where I learned more than just academics. It was during this time that I experienced how the love of a teacher extends beyond the classroom.

I truly believe it was these experiences that led me to join the profession. I had so much to give back. I remember some of these teachers visiting our home to check in on our parents and even drive them to appointments.

They really took the home-school connection to a new level! I will be forever grateful for the investment they made in us and their belief that we would all succeed.

Living in Airds during the late 70s and early 80s was a time where friendships were built, and people stuck together. It was the freedom of riding bikes with friends until the street lights came on, building makeshift cubbies and performing concerts for the neighbours.

I can still remember the excitement of walking to the local shops with my sisters to buy a few groceries for Mum. The constant search for ‘bargains’ in the hope there would be twenty cents leftover to buy some mixed lollies.

To this day, I still can’t resist a markdown and resent paying full price for anything. Lollies aside, the mere act walking to the shops was an adventure. Teetering along with the giant concrete snake and pretending we were on a secret journey.

Our simple life ensured we had opportunities to use our imagination and explore the world around us, creating memories with our neighbours and friends.

Airds Shopping Centre Interior3 2020 Aust247
Airds Shopping Centre 2020 (I Willis)

But life wasn’t always easy. I remember eating dinner and seeing my parents eat toast because there wasn’t enough to go around.

By this stage, they were raising five children, including my youngest brother, who rarely slept for more than an hour each night. He became a case study for professors looking into hyperactivity disorders.

That was little comfort to my mum, who was also Dad’s primary carer, living on minimal sleep and a frugal budget. Yet she showed up every day, always reminding us about the power of education and instilling a true love of learning in us all.

What we lacked for in material possessions was made up by so much more. We learned to be resilient and grateful, and we learned to be kind. We continue to work hard in our chosen fields, always considering how we can help others.

One of the proudest moments for our parents was seeing all five children graduate from university. That and the ongoing pride they feel for their thirteen grandchildren, who love their Nan and Pop like no one else.

Airds Fiona Woods Family pic
Airds Fiona Woods Family pic (F Woods)

The roots that were planted back in those early days have been tended with such love and care.

Those trees continue to flourish, branching out into wonderful opportunities. I am forever grateful for the foundations my childhood was built upon.

And I proudly tell everyone about where it is I came from.

Updated on 29 March 2024. Originally posted on 30 April 2020 as ‘Fiona’s story’.


Comments to re-publication of the post on South West Voice Facebook page  5 May 2020

  • Daniel Draper Fantastic story Eric Kontos, I am also a Proud Airds Boy moving their in 1977. My mother still lives in the same house. I always said growing up in Airds built character. We had a fantastic childhood and explored every part of the George’s River bushland. They where great days!
  • Frank Ward What a great story and I have come across so many great similar accounts of growing up in Campbelltown and the estates.
    Noting Fiona’s record that she and all her siblings got to go to University makes me particularly proud of the work my late sister Joan M Bielski AO AM who was a teacher but she devoted her life to the promotion of equal opportunity for women in education, politics and society. Her main work was to change the education system so that women got access as when she started at Uni only 25% of women got to Uni and then mainly in teaching now ove 56% of all graduates are women and more women are in political powerful positions This pandemic has been another example of the value of an educated female workforce as they have been on the frontline of this war on the virus so we can only hope that the government will give them equal pay instead of empty words that usually flow from the PM
  • Sam Egan Love this, my family moved to airds in the late 70s, I started at John warby public, we moved when I was 7 or 8 to St Helens park, changed schools. 30+ years later after ending a long relationship i was set up on a date, who just so happened to be the boy who lived across the road from us at airds, who I used to walk to school with every day. His mom still lives in the same street. 15 years later and our own little boy we love going to visit, after all those years you realize how strong that little community is.
    1 reply
  • Leonie Chapman What a fabulous article and account of the old days.
    I grew up there from about 1978 and went to Briar Rd PS and then St Pats.
    I have so many fond memories and close bonds that I made back then and still am lucky to have today

Comments on Fiona’s Facebook page

Fiona Woods  writes

30 April

I have always been proud of my roots, especially the early beginnings of growing up in housing commission. You don’t need riches to be surrounded by love, hope and a desire to succeed.

I am honoured that my story was shared on the blog of local historian, Dr Ian Willis. I thought I’d share it with you all 

Comments

Tracey Seal Wagstaff Thank you for sharing this beautiful story Fiona Woods. I also grew up in Airds in the 70’s & 80’s I can honestly say that your story is just the same as many of us. Your words reflect the same community spirit of my upbringing in Airds where everyone had each others back. My mums house was like a halfway house everyone was welcome and the front door was always open to all. Those where the days. Riding in the streets, building jumps, having dance concerts, this was the way of life. We still have longtime friends from our neighbourhood that we still have contact with today after 40 years…

Wilfred J Pink Great story and well deserved recognition Fi. Congratulations mate.

Linda Hunt Oh Fiona. This bought a tear to my eye. Beautiful words that ring so true. Life growing up in this neighbourhood is truly one to remember. Thank you. I’m happy I was able to read this on this day.
Congratulations. X

Jowen Hillyer How clever are you? Gorgeous words xx
Patricia O’Brien Absolutely gorgeous. What an outstanding view of the many children grew up in Airds. Two of my own children were brought up in Airds and also went to John Warby and they are both school teachers. So proud of how all my children grew up to be people who respect their families and friends.
Stephen Chomicz Inspiring
Jen Nay Beautiful story Fiona Woods
Jowen Hillyer Aww lovely. Great job xxx
Deborah Littlewood Oh Fiona, what an amazing story. Brings back so many wonderful memories with your beautiful family. I love so much that our friendship is as close as it was all those years ago. Us ‘Airds chicks’ certainly did ok for ourselves.
Deborah Littlewood Fiona Woods my favourite part of your story ❤️.
I always remember your mum did so much for everyone else and now you and your daughters are exactly the same. Always putting everyone else before yourselves.
Raylene Neville Naw, that was beautiful x
I was a housing commission kid too! I remember that we had a blue fridge!
Merrideth McGregor Beautifully written ❤️ love it x
Jeff Williams Pretty good writing for a teacher! 🙂 I love waiting for people bagging out housing commission and then letting it be known I grew up there!
Valeska Spratford Jeff Williams the classic old John Warby PS uniform. Little do people know that this low-socioeconomic school gave us free dental and some of the best memories of our lives. C’town represents. . . . .Airds 4Eva 😉
Judi Wood Wonderful story; thanks for sharing 🏆
Ann Hawkins Beautiful Fiona
Cass Bien Beautiful! I also grew up in Housing Commission, we had great neighbours too and I met my best friend at 8 yrs old, still besties today. So grateful for these times. xx Your story is lovely. 😊
Caf Airs Great story showing what family, community and education can achieve.
Melissa Salter Beautiful words Fiona, it is a true depiction of many of us “Airds” kids of that era, great community and John Warby was definitely a major part of all of our success
Jeffrey R Williams Well done. Mum and I are so proud 😤 of you. Love 😍 ya heaps.
Fiona Woods Jeffrey R Williams thanks Dad. And thanks for always believing in us and for never giving up on us, even when we made mistakes and stupid decisions in our lives.
We knew we could always count on you and Mum.
I can even laugh now about how you joked about karma when I cried to you about the horror of having 3 teenage girls 😂
Kim Pike Inspiring and great story 🏅👏
Noleen Spencer Great job , we also came from humble beginnings, not much money but plenty of love to go around , we appreciated every little blessing and was always taught it cost nothing to smile and to lend a helping hand. I’ve always said to my children , you don’t have to be the best , you just have to try your best .
Christine Quensell Loved reading your story Fiona. Thank you for sharing.
Shane Campbell Great story and great family …
Bec Brown This is wonderful Fi. Beautifully told and very inspiring. Love you my friend x
Kristy Sorouni Awesome. 👏
Very powerful and inspiring, love you xx
Cam Maber Beautiful story Fiona. Thankyou so much for sharing..♥️
Julie Douglas Love this, Fiona ❤️
Louise Counsell That was moving. Your family was so rich in the things that mattered
Cathy Harle Fiona, you had the very great privilege of growing up in a home full of love and values with your sisters and brothers, and each one of you have instilled those values in your own children – you can all be very proud of yourselves 💕
Harder Karen Ian Beautiful and well written Fiona and as auntie Noleen said, we also come from a large family, one income earner, little money and a lot of bad health issues but there was also plenty of love and we always appreciated what little we had. I am so grateful for everything and for how all of our beautiful children turned out, I am I only very sad our dear mum and dad didn’t live long enough to see how all their beautiful grandchildren turned out. Your mum and dad did such a good job raising such a beautiful family and I can clearly see you are all doing the same with your own families. Much love 😘😘
Salome Mariner Borg I love this so much! 💙
So well articulated that I could just feel the love and could picture everything as if it were a movie..actually, why not turn it into a movie ☺️👌
Thanks for sharing xx
JoJo Axe Will always be thankful for our humble beginnings and everything our families have done for each other. That beautiful special friendship like no other that our Mum’s have, the joy and support they give to one another is amazing. Something to be very grateful for 😘
Amy Lou Thank you for sharing this. An inspiring story with some aspects that remind me of my own childhood. ❤️
Michelle Halloran Love your story Fiona. Thank you so much for sharing! Eplains why you are such an amazing teacher and person 🤗 We moved into a housing commission place at Ambarvale in 1981 when I was 6, the neighbours were awesome their too! So many great memories growing up there. Freedom to roam the neighbourhood on our bikes, visiting 5 or 6 friends on a Saturday, Mum and Dad having no idea where I was until I arrived home before dark! Sadly it’s a different world now.
Stephanie Compton That story is beautifully written. I can really feel your heat’s journey and the feel of family and community… which has helped make you the amazing woman and mother you are today! xoxo
Fiona Maureen That was such a nice read. Good to get to know you more. ☺️
Yvette Underwood Torr That is wonderful. Your parents did an amazing job.

Originally posted 30 April 2020

Updated 19 June 2020
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The Camden story: some reflections

What does the Camden story mean to you?

What is the importance of the Camden story?

What is the relevance of the Camden story?

These appear to be simple questions. But are they really?

I have posed these questions in response to the theme of History Week 2020 which asks History: What is it good for?

Narellan Studley Park House 2015 IW
Studley Park House sits on the top of a prominent knoll above the Narellan Creek floodplain with a view of Camden township (I Willis, 2015)

So, what is the Camden story?

What is the Camden story?

The Camden story is a collection of tales, memories, recollections, myths, legends, songs, poems and folklore about our local area. It is a history of Camden and its surrounding area. I have created one version of this in the form of a 1939 district map.

Camden’s storytelling is as old as humanity, starting in the Dreamtime.

The latest version of the European story started with The Cowpastures in 1795.

The Camden story is about the Camden community.

The Camden story comprises dreamtime stories, family stories, community stories, settler stories, local stories, business stories, and personal stories.

These stories are created by the people and events that they were involved with over centuries up to the present.

Since its 1997 inception, History Week has been an opportunity to tell the Camden story.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District. This book covers an overview of the Camden story from the First Australians, the Cowpastures, gentry estates, the Camden township, Camden as a little England, the Interwar period, First and Second World Wars, voluntarism, mid-20th century modernism and the approach of Sydney’s rural-urban fringe. (Kingsclear, 2015)

What is the relevance of the Camden story?

The relevance of the Camden story explains who is the local community, what they stand for, their values, attitudes, political allegiances, emotional preferences, desires, behaviour, and much more.

The Camden story explains who we are, where we came from, what we are doing here, our values and attitudes, hopes and aspirations, dreams, losses and devastation, destruction, violence, mystery, emotions, feelings, and more. The Camden story allows us to understand ourselves and provide meaning to our existence.

Local businesses use the Camden story as one of their marketing tools to sell local residents lots of stuff. There is the use of images, logos, branding, slogans, objects, window displays, songs, pamphlets, newspapers, magazines, and other marketing tools.

Camelot House formerly known at Kirkham, Camden NSW
Camelot House, known initially as Kirkham, was designed by Canadian-born architect John Horbury Hunt for James White. The house was built in 1888 on the site of colonial identity John Oxley’s Kirkham Mill. Folklore says that James White financed the house from the winnings of the 1877 Melbourne Cup by his horse Chester. Under White’s ownership, the property became a horse-racing stud and produced several notable horses. (Camden Images)

What is the use of the Camden story?

The Camden story allows us to see the past in some ways that can impact our daily lives. They include:

  • the past is just a series of events and people that do not impact daily lives;
  • the past is the source of the values, attitudes, and traditions by which we live our daily lives;
  • the past is a way of seeing the present and being critical of contemporary society that it is better or worse than the past;
  • the present is part of the patterns that have developed from the past over time – some things stay the same (continuity), and some things change.
Camden & Laura Jane & Debbie photoshoot epicure store History Videos CRET 2019[1] lowres
Storyteller Laura Jane is ad-libbing for a short tourist promo for Tiffin Cottage. Camera operator Debbie issues instructions and generally supervises the production crew. (I Willis)

History offers a different approach to a question.

Historical subjects often differ from our expectations, assumptions, and hopes.

The Camden storyteller will decide which stories are considered important enough to tell. Which stories are marginalised, forgotten, or ignored – silent stories from the past.

Aust Day 2018 Museum Open Frances&Harry
Australia Day 2018. The Camden Museum was open, and here are two enthusiastic supporters and volunteers for the museum. They are Frances and Harry Warner. These two larger-than-life Camden identities have devoted their lives to the Camden community. They have lived and worked on Camden Park Estate for decades. (I Willis)

The historian is well-equipped to unpack and peel back the layers of the Camden story.

The tools the historian uses to unravel the Camden story might include historical significance; continuity and change; progress and decline; evidence; historical empathy; and hope and loss.

An understanding of this process is all called historical consciousness and has been examined in Anna Clark’s Private Lives Public History.

I feel that the themes of History Week 2020 provide a convenient way to wrap up all of this.

The History Council of NSW has recast this in its  Value of History Statement and its components: identity; engaged citizens; strong communities; economic development; critical skills, leadership, and legacy.

Just taking one of these component parts is an interesting exercise to ask a question.

Camden Park House Country Road Photoshoot 2019
Country Road fashion shoot at Camden Park House. Peek at Camden Park House on the Country Road page and visit us on our annual Open Weekend in September. (Camden Park House)

Does the Camden story contribute to making a strong community?

The Camden story assists in building a solid and resilient community by providing stories about our community from past crises and disasters. These are examples that the community can draw on for examples and models of self-help.

A strong, resilient community can bounce back and recover after a setback or disaster. It could be a natural disaster, market failure or social crisis.

The Camden story can tell citizens about past examples of active citizenship and volunteerism within Camden’s democratic processes from the past. There are stories about our local leaders from the past who helped shape today’s community in many ways.

The Camden story tells stories about family and social networks that crisscross the district and are the glue that holds the Camden community together in a crisis – social capital.

Active citizenship contributes to community identity, a sense of belonging and stories about others who have contributed to their area contribute to placemaking and strengthening community resilience.

Menangle Promo MilkShake UP
Menangle Milk Shake Up Community Festival, organised by the Menangle Community Association in 2017 (MCA)

Updated on 2 May 2023. Originally posted on 27 February 2020.

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St John’s Church, a contested sacred site in the historic landscape of the Cowpastures

A sense of place and a contested narrative

St John’s church is a contested site where there is competition around the ownership of the dominant narrative surrounding a former horse paddock. The paddock in question lies between St John’s Anglican Church and the former Rectory, all part of the St John’s Church precinct.

St Johns Church
St Johns Church Camden around 1900 (Camden Images)

Church authorities want to sell the horse paddock to fund a new worship centre.

There has been a chorus of objections from some in the Camden community over the potential sale. Community angst has been expressed at public meetings, protests, placards, and in articles in the press.

camden st johns church paddock 1907 cipp
Camden Rectory & Horse Paddock 1907 with Menangle Road on right-hand side of the image (Des & Pru Fowles/Camden Images)

The principal actors (stakeholders) who have taken up positions around the issue include churchgoers, non-churchgoers (residents, outsiders, ex-Camdenites, neighbours), the parish, local government, state government, and the Macarthur family.

The former horse paddock looks like an unassuming vacant block of land in central Camden. So why has there been so much community angst about its possible sale?

camden st johns fjoss image 7 (5)
St Johns Anglican Church showing a former horse paddock in front of the church (2018 C Cowell)

The simple answer is that the community ascribes representations of a church beyond the building being a place of worship. Yet this raises a paradox for the owners of these religious sites. Generally speaking, different faiths put worship and the spiritual interests of their followers ahead of their property portfolio.

This paradox has created angst in some communities when the owners of religious buildings and sites want to sell them, for example, in Tasmania in 2018 or other examples discussed by Graeme Davison.

Unraveling a paradox

Historian Graeme Davison, in his book The Use and Abuse of Australian History, has highlighted the different representations that communities have ascribed to local churches. They have included:

  • a symbol of the continuity and community rather than a relic of their faith;
  • a local shrine where the sense of family and local piety are given tangible form;
  • ‘a metaphor of the postmodern condition’;
  • a ‘kind of absent present, a site now unoccupied but irreplaceable and unable to be rebuilt;
  • a transcendence and spiritual continuity in a post-Christian society. (pp. 146-161)

So the question here is, are any of Davison’s representations applicable to Camden’s St John’s Church?

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St Johns Anglican Church Camden 2018 (I Willis)

Cultural landscape

St John’s church is the centre of Camden’s cultural landscape, its cultural heritage and the narrative around the Camden story. I wrote in the Sydney Journal in 2008 that

In 2012, I extended this and said that community icons, including St John’s,

In this dispute, the actors, as others have done,

The actors in the dispute want to preserve the landscape identity of the area by preserving the church precinct, including the horse paddock.

A world long gone

The church precinct is a metaphor for a world long gone, an example of the past in the present. In Davison’s eyes ‘a symbol of continuity and community’.

St John’s Anglican Church is part of an English-style landscape identity, that is, Camden’s Englishness. This is not new and was first recognised in 1828 by Englishman John Hawdon.

Hawdon saw a familiar landscape and called it a ‘little England’.  A type of English exceptionalism.

The colonial oligarchs had re-created an English-style landscape in the Cowpastures that mirrored ‘home’ in England. The English took control of territory in a settler society.

The local Indigenous  Dharawal people were dispossessed and displaced by the English through the allocation of land grants in the area.

The English subdued the frontier with violence as they did other parts of the imperial world.

The Hawdon allegory was present when the town was established by the Macarthur family as a private venture on Camden Park Estate in 1840. The construction and foundation of St John’s church was part of the process of the building of the new town.

The first pictorial representation of this was  used in Andrew Garran’s 1886 Picturesque Atlas of Australasia, where there is

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Engraving showing vista of Camden village from Camden Park House. The aspect is northeast with Cawdor centre distance and St John’s church right-hand distance.  (Andrew Garran’s 1886 Picturesque Atlas of Australasia)

The hilltop location of the church was no accident.  St John’s church is ‘the moral heart’ of English-style ‘idyllic representations as the

The hilltop location has spiritual significance with Biblical references to love, peace and righteousness.

A sense of place

St John’s church has had a central role in the construction of place and community identity in the town.

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St John’s Anglican Church in its hilltop location at the top of John Street Camden. This image is by Charles Kerry in the 1890s (Camden Images)

The church and its hilltop location are an enduring colonial legacy and a representation of the power of the colonial gentry,  particularly the position of Camden Park Estate and the Macarthur family within the narrative of the Camden story.

Camden Park 1906 (Camden Images)
Camden Park House and Garden in 1906 is the home of the Macarthur family. It is still occupied by the Macarthur family and is open for inspection in spring every year. (Camden Images)

Many Camden folk feel a sense of belonging to the church expressed by memory, nostalgia, customs, commemorations, traditions, celebrations, values, beliefs and lifestyles.

The community feel that the church belongs to them as much as it belongs to the churchgoers within the church community.

Belonging is central to placeness. It is home and a site where there is a sense of acceptance, safety and security. Home as a place is an important source of stability.

An extension of this is the role of the church as a loved place in terms laid out by Peter Read in his book, Returning to Nothing, The Meaning of Lost Places. As Veronica Strang writes in Read’s book:

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Vista of St John’s Church from Macarthur Park in 1910. Postcard. (Camden Images)

The church buildings and precinct are a shrine to a lost past and are considered by many to be sacred land. The sale of the former horse paddock has caused a degree of community grief over the potential loss of sacred land.

St John’s church is an important architectural statement in the town centre and is one of Australia’s earliest Gothic-style churches.

So what does all this mean?

The place of St John’s church in the Camden community is a complex one. The story has many layers and means different things to different people, both churchgoers and non-churchgoers.

The church is a much-loved place, and the threatened loss of part of the church precinct generates feelings of grief and loss by many in the community.

The legacy of the English landscape identity from the early 19th century and the establishment of the Cowpastures is very real and still has a strong presence in the community’s identity and sense of place. The English-style Gothic church is a metaphor for Hawdon’s ‘Little England’ allegory.

The Cowpastures was the fourth location of European settlement in Australia, and the local area still has a strong Anglo-demographic profile.

These factors contribute to re-enforcing the iconic imagery projected by St John’s church combined with the story of a settler society and its legacy in a contested landscape.

Check out this publication to read more about the Camden district.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)

Updated on 16 September 2023. Originally posted on 31 January 2019 as ‘A contested sacred site in the historic landscape of the Cowpastures’