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Hope, heritage and a sense of place – an English village in the Cowpastures

Camden Heritage Conservation Area

In 2006 Camden Council designated the Camden town centre as a  Heritage Conservation Area, and later incorporated it in the  2010 Local Environment Plan. A heritage conservation zoning, according to Camden Council, is :

 an area that has historic significance… [and]… in which historical origins and relationships between the various elements create a sense of place that is worth keeping.

Map Camden Town Centre HCA LEP 2010 CRAG
Map of the Camden Town Centre Heritage Conservation Area from 2010 Local Environment Plan. (Taken from 2016 Camden Residents Action Group Submission for State Listing)

 

Historic significance

Several writers have offered observations on Camden’s historical significance.

Historian Ken Cable argued in the 2004 Draft Heritage Report prepared by Sydney Architects Tropman and Tropman that: Camden town is a significant landmark in the LGA.  

In 2006 Sydney architect Hector Abrahams stated that Camden was ‘the best-preserved rural town in the entire Cumberland Plain’ (Camden Advertiser, 28 June 2006).

Hector Abrahams -best preserved- Camden Advertiser 2006 Jun28
Comment by architect Hector Abrahams that Camden was the best preserved country town rural town in the Cumberland Plain. Camden Advertiser 28 June 2006.

 

Historian Alan Atkinson has argued that Camden is ‘a profoundly important place’, while historian Grace Karskins maintains that ‘Camden is an astonishingly intact survival of early colonial Australia’.  

 

Sense of place

In the early 20th century poets, artists and writers waxed lyrical that the town was like ‘a little England’.

Camden Council documents stress the importance of rural nature of the town for the community’s sense of place and community identity.

Camden Aerial 1940 CIPP
An aerial view of Camden township in 1940 taken by a plane that took off at Camden airfield. St John’s Church is at the centre of the image (Camden Images)

 

This is quite a diverse range of views.

This blog post will look at the historical elements that have contributed to the town’s sense of place, and ultimately its historical significance.

While none of these elements is new, this is the first time they have been presented this way.

 

A private venture of Englishmen James and William Macarthur

The village was a private development of Englishmen James and William Macarthur on the family property of Camden Park Estate.

The Macarthur brothers had their private-venture village of Camden approved in 1835, the street plan drawn up (1836) and the first sale of land in 1841.  All within the limits of Camden Park Estate.

The Macarthur brothers had another private venture village at Taralga on Richlands and Menangle on Camden Park Estate.

Camden James Macarthur Belgenny
James Macarthur (Belgenny Farm)

Creation of a little English village

The notion of an English-style village on the family estate must have been an enticing possibility for the Macarthur brothers.

In the Camden village, James and William Macarthur named streets after themselves and their supporters. They include John Street, Macarthur Road, Elizabeth Street, Edward Street, Broughton Street, Exeter Street, Oxley Street, Mitchell Street. The Macarthur family and funded the construction of St John’s church on the hill and donated the surrounding curtilage.

St Johns Church
St Johns Church Camden around 1900 (Camden Images)

The Macarthur brothers created vistas from the family’s Georgian hilltop Georgian mansion across the Cowpastures countryside to their Gothic-style village church.

The Englishness of the Camden village entranced many visitors and locals, including artists and writers. On a visit in 1927, the Duchess of York claimed that the area was ‘like England.’

 

Strategic river crossing into the Cowpastures

The village was strategically located at the Nepean River ford where the first Europeans crossed the river. By the 1820s the river crossing was the main entry point to Macarthur brothers’ Camden Park Estate, the largest gentry property in the area.

The situation of the village on the Great South Road re-enforced the Macarthur brothers economic and social authority over the countryside.

The river crossing was one of the two northern entry points to their realm of Camden Park Estate, the other being at the Menangle.  Menangle later became another private estate village.

The Macarthur village of Camden would secure the northern entry to the family’s Camden Park estate where the Great South Road entered their property. By 1826 the river ford was the site of the first toll bridge in the area.

Camden Cowpastures Bridge 1842 Thomas Woore R.N. of Harrington Park CIPP
Camden Cowpastures Bridge 1842 Thomas Woore R.N. of Harrington Park CIPP

 

None of this was new as the river crossing had been the entry into the Cowpastures reserve declared by Governor King in 1803. The site was marked by the police hut in the government reserve at the end of the Cowpasture track from Prospect.

 

English place names, an act of dispossession

The Camden village was part of the British imperial practice of placing English names on the landscape. The name of the village is English as is the gentry estate within which it was located – Camden Park.

English place names were used in the area from 1796 when Governor Hunter names the site the Cow Pastures Plain. The Cowpastures was a common grazing land near a village.

Naming is a political act of possession, or dispossession, and is an active part of settler colonialism.

Camden Signage
The Camden sign on the entry to the town centre at Kirkham Reserve on Camden Valley Way formerly The Great South Road and Hume Highway. (I Willis)

 

The Cowpastures was a meeting ground in between the  Dharawal, the Dharug and the Gundungurra people. The area was variously known as ‘Baragil’ (Baragal)’ or Benkennie (dry land).

Indigenous names were generally suppressed by English placenames until recent decades.

Initially, the Wild Cattle of the Cowpastures that escaped from the Sydney colony in 1788 occupied the meadows of the Nepean River floodplain.

The Cowpastures became a contested site on the colonial frontier.

 

Dispossession in the English meadows of the Cowpastures

The foundation of the Macarthur private village venture was part of the British colonial settler project.

The first Europeans were driven by Britain’s imperial ambitions and the settler-colonial project and could see the economic possibilities of the countryside.

Under the aims of the colonial settler project, as outlined by Patrick Wolfe and later LeFevre, the new Europeans sought to replace the original population of the colonised territory with a new group of settlers.

Hunter’s naming of the Cowpastures was the first act of expropriation. Further dispossession occurred with the government reserve, and later Governor Macquarie created the government village of Cawdor in the centre of the Cowpastures.

Art Governor Macquarie SLNSW
Governor Macquarie SLNSW

 

The Europeans seized territory by grant and purchase and imposed more English place names in the countryside, and created a landscape that mirrored the familiarity of England.

The colonial settlers brought Enlightenment notions of progress in their search for some kind of utopia.

 

Cowpasture patriarchs

The Macarthur private venture village was located in a landscape of self-style English gentry, and their estates interspersed with several small villages.

The gentry estates and their homestead and farm complex were English style village communities. One of the earliest was Denbigh (1818).

denbigh-2015-iwillis
Denbigh Homestead Open Day 2015 IWillis

 

The oligarch-in-chief was Camden Park’s John Macarthur.

The Europeans used forced labour to impose English scientific farming methods on the country.

The Cowpasture colonial elite created a bunyip aristocracy and styled themselves on the English gentry.

On the left bank of the Nepean River were the gentry estates of Camden Park along with Brownlow Hill. On the right bank were the gentry properties of Macquarie Grove, Elderslie, Kirkham and Denbigh and several smallholders.

The ideal society for the colonial gentry included village communities. To foster their view of the world, the Europeans created the small village of Cobbitty around the Hassall family’s private Heber Chapel.

The village of Stonequarry was growing at the southern limits of the Cowpastures at the creek crossing on the Great South Road.  The village was located on the Antil’s Jarvisfield and later renamed Picton in the 1840s.

The picturesque Cowpastures countryside greeted the newly arrived Englishmen John Hawdon from County Durham. In 1828 Hawdon became the first person to put in writing that the Cowpastures area reminded him of the English countryside when he wrote a letter home.

 

The progress and development of the country town

The Enlightenment view of progress influenced the Macarthur’s vision for their Camden village. They sought to create an ideal village community of yeoman farmers and sponsored self-improvement community organisation including the School of Arts.

Camden School of Arts PReeves c1800s CIPP
Camden School of Arts PReeves c1800s CIPP

 

Within the Macarthur fiefdom, former estate workers became townsmen, took up civic duties and ran successful businesses.

The village of Camden prospered, became a thriving market town and the economic hub of a growing district.

The architectural styles of the town centre shine a light on the progress and development of the Macarthur village. The architectural forms include  Georgian, Victorian, Edwardian, Interwar moderne, Mid-20th century modern, and Post-modern.

The town centre served a host of functions for the community that are indicated by the types of land use in a country town. These include commercial, government, open space, industrial, transport, residential, religious, agricultural, amongst others.

 

The country town idyll and the appearance of heritage

Since the 1973 New Cities Structure Plan for Appin, Campbelltown and Camden there has been increased interest in the cultural heritage of the town centre. This is the first appearance of the influence of post-modernism in the Camden story.

The New Cities Plan 1973[1]
The New Cities Structure Plan Campbelltown Camden Airds 1973
John Wrigley conducted the first heritage study of the Camden town centre in 1985 for the Camden Historical Society.

Urban growth and the loss of rural countryside has encouraged a nostalgic desire for the past. This process had led to the evolution of the Camden, the country town idyll.

The heritage of the town centre is what the community values from the past that exists in the present. It is made up of tangible and intangible heritage, as well as multi-layered and multi-dimensional. The town centre story can is a timeline with many side shoots or a tree with the main stem and many branches.

 

Camden time traveller and the town centre

The living history of the town centre is evident at every turn. At every corner. A visitor can be a time-traveller into the past. A view along the main street is a view into the past.

There are many locations in our local area where a person can be a time-traveller into the past. The traveller can be a participant in the area’s living history, ‘simply by being present’.

One of these sites is the commanding view from the hilltop at St John’s church. Here the traveller can view the Cowpasture countryside that nestles the Camden town centre within its grasp.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
Aesthetics · Art · Attachment to place · Belonging · Camden · Colonial Camden · Colonial frontier · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · England · Farming · Floods · Frontier violence · Georgian · Gothic · Heritage · Historical consciousness · Historical Research · History · Landscape aesthetics · Living History · Local History · Local Studies · Macarthur · Memory · Myths · Place making · Ruralism · Sense of place · Settler colonialism · Storytelling

A colonial diarist of the Cowpastures

Janice Johnson (ed), Camden Through a Poet’s Eyes, Charles Tompson (Jnr). Camden Historical Society, Camden, 2019. pp.126. ISBN 978-0-6485894-9-5

 

In 1854 Charles Tompson described that the ‘village of Camden’ had ‘the aspect and the attributes of an English village’ (p.118) In doing so he was probably the first European to describe Camden’s Englishness, an attribute that numerous writers have agreed with, particularly in the early 20th century. Tompson was not the first to note the Englishness of the Cowpasture district. That privilege belonged to John Hawdon in 1828.

These are some of the observations of the Cowpastures drawn from the pen of Charles Tompson in a new collection of his work, Camden Through a Poet’s Eye, Charles Tompson (Jnr). The Camden Historical Society has published a work that the late Janice Johnson had had been working on while she was alive. The book has been funded by a bequest Johnson estate.

Tompson-Camden-ThroughAPoetsEyes-Cover_lowres
Cover of Camden Through a Poet’s Eyes, Charles Tompson. ‘The  Cow-Pastures, Camden Park’ William McLeod. c1886.

 

Tompson was a prolific writer and observer of the Cowpastures under the byline ‘From our Correspondent – Camden’ for The Sydney Morning Herald between 1847 and 1852. He wrote about the ordinariness of the area, while occupying the position of Clerk of Petty Sessions and his reports are far from ordinary.

Tompson was an educated man by colonial standards, born on the Castlereagh and attending the local parish school run by Irish rebel Rev. Henry Fulton. His observations are full of colour and movement and provide an invaluable archive of data, descriptions and general goings-on across the area.

Tompson published regular reports on a host of topics including farming, the weather, cropping, local identities, police rounds, court proceedings and the movement of people through the area, amongst other topics. He was an astute observer and has provided the earliest detailed overview of the early years of the Camden village from his position at the local court house.

A detailed reading of Tompson’s work provides the patient and curious observer with a detailed description of rural life in the Cowpastures. In 1847 Tompson identified the area as the Cowpastures (p.23) as it was to remain into the late 19th century. He provided a useful descriptions of the area (p.23). For example, there was a constant shortage of farm labour in 1847 to cut hay by hand on ‘small scale’ farms across the area worked by smallholders. (p.28). Maize was planted in October (p.28), and wheat and hay were harvested by hand-sickle in November (p.33), although the drought restricted the harvest (p.32).

Market prices are provided for those who need to know about such things. Horses were worth between £8 to £10 in 1847 (p.29), wheat might get 4/6 a bushel, maize worth 2/- a bushel, and good hay was worth £10 per ton.(p.32). By March 1848 price of wheat had dropped to 3/6 to 4/- a bushel, while fine flour was worth £12 a ton, and vegetables were scarce with potatoes between 1d to 1½d per pound (p.42). Flour was ground at one of mills in the area.(p.23)

Tompson Book Back Cover Camden sketch 1857-lowres
Back Cover of Camden Through a Poet’s Eyes Charles Tompson. Sketch of Camden, HG Lloyd, 1857 (SLNSW)

 

The local population and its growth (p.23) were detailed by Tompson along with the villages and hamlets in the immediate area including Narellan, Cobbitty (p.24), Picton and Menangle (p.25). Tompson could be effusive in his description and Cobbitty was a ‘diamond of the desert on the dead sea shore’ while he could be more grounded and just described Narellan as the ‘Government township’. (p. 24)

The local colonial grants are detailed for the reader and their links to each location. Cobbitty was surrounded by ‘Wivenhoe, Denbigh, Matavai and Brownlow Hill – all beautiful in their own way – from the homely milkmaid-like undecorated farm and the verandahed cottage, with group plantations, to the elegant Italian villa, embowered in orange groves, and the secluded chateau of dignified retirement’ (p.24). Similar descriptions were used by travel writers in the early 20th century.

The gentry estates were the same ones that reminded Englishman John Hawdon of his Durham homeland in the 1820s. The description of the landscape provided by Tompson reminds the reader how short the gap was in years between the original European settlement of the Cowpastures and his presence in the Camden village in the 1840s.

Camden Park was described by Tompson as ‘magnificent’, which had in the last few years had ‘been opened up and cultivated by a story of primitive pioneer who takes farms on clearing leases’ (pp24-25). The tenant farmers were  not the yeoman farmer the British colonial authorities were trying to create at the time. They were closer to a peasant culture.  Tompson likened Camden Park to a European ‘principality’ rather than the gentry ‘Estate’ it was and would remain for over the next 150 years. (p.26)

TompsonCharles-Camden-ThroughAPoetsEyes-lowres

 

The Razorback Range was ‘scarcely…a mountain’ and was ‘in fact a tract of excellent arable land’. The Nepean River and Bent’s Basin was a ‘small lake of about a furlong’s diameter’ and it was ‘round and deep’. (p.27)

The weather was an ever-constant in Tompson’s travails of the Cowpastures as were the constant dry spells that are all part of the Australian environment. He laments ‘how sadly the rain keeps off’ in October 1847 (p.27) A month later he left his thermometer in the sun and it rose to 1200F when left on the ground on his way home from church (p.28). He observed that the continued dry spell of 1847 had ‘driven’ the smallholders ‘to despair’ (p.28).

Thunderstorms unsurprisingly were typical of a summer’s afternoon across the Cowpastures. In December 1847 a ‘heavy thunder storm passed over, without much rain’ (p.33) as it still happens today. Thunderstorms could be the cause of bush fires that burnt throughout the hotter months of the year (p.30). Fire was been an ever-present part of the Cowpasture’s ecology – both natural and man-managed – by Indigenous Australians.

Tompson was not a fan of the Indigenous people and possessed the British attitude to the inferior nature of the Australian Aborigine that was the basis the settler society colonial project. In March 1848 ‘the blacks [Dharawal] from the south country always visit the Cowpasture…in great numbers’. Reminiscent that the colonial frontier could be violent site and a male domain. Tompson reported that there was a woman of a lonely farm hut ‘scarcely considers her safe’ as the Indigenous people moved through the area ‘in the absence of her husband’.(p.44)

The newbies to the local area in the 21st century could do themselves a favour and read the description of the 1848 flood at Camden. The flood was caused by an east-coast-low-pressure-system as they are in eastern Australia’s today. The 1848 flood event was over after three days with its peak reached within 24 hours of the river starting to rise. Tompson witnessed an ‘expanse of water several miles in circumference’ that had previously ‘dry land’. (p.43)

Disease was a problem with influenza (p.31) prevalent in 1847 and ‘everybody is wrapped up, pale, coughing and wearing a certain indescribable dreamy appearance’. (p.31) Tompson reported the presence of scarlet fever in 1848 (p.61) and called it scarlatina (p.61) as it was also known. Even as early as 1848 the Camden village was regarded by many Sydney ‘invalid refugees’ as a type of health resort with many staying at Lakeman’s Camden Inn. (p.61)

The very English activity of hunting made an appearance in 1849 and the Sydney gentry brought their ‘dingo hounds’ with them. Tompson reported that they were joined by some local ‘gentlemen’ and went deer hunting ‘in the bosky glens of the Razorback’. It was reported that some hounds ‘ran down a fine kangaroo’ and the party returned drenched ‘by heavy rain’. The following day the party moved to Varroville.(p.79)

Janice Johnson’s collection of Tompson’s musings and sometimes whimsical commentary on life in the Cowpastures is a convenient summary of work published in the Sydney Morning Herald. The researcher does not have to wade through hundreds of pages looking for a short descriptive paragraph as Alan Atkinson did for his work on Camden.

Johnson has done the hard graft by extracting these snippets of Cowpasture life using the National Library’s wonderful database Trove. This is a treasure trove of information for any researcher complemented by a useful index. For those interested in colonial New South Wales this book should be a standard reference of the colonial period in any library.

Aesthetics · Architecture · Art · Attachment to place · Belonging · British colonialism · Camden · Camden Park House and Garden · Churches · Colonial Camden · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · England · Farming · Gothic · Heritage · Historical consciousness · Historical Research · History · Landscape aesthetics · Living History · Local History · Macarthur · Memorials · Memory · Monuments · Myths · Place making · Ruralism · Sense of place · Settler colonialism · Tourism · Victorian · Women's history

A contested sacred site in the historic landscape of the Cowpastures

Place and St John’s Anglican Church

St John’s church is a contested site where there is competition around the ownership of the dominant narrative surrounding a former horse paddock. The paddock in question lies between St John’s Anglican Church and the former Rectory, all part of the St John’s Church precinct.

St Johns Church
St Johns Church Camden around 1900 (Camden Images)

Church authorities want to sell the horse paddock to fund a new worship centre.

There has been a chorus of objection from some in the Camden community over the potential sale. Community angst has been expressed at public meetings, protests, placards, and in articles in the press.

camden st johns church paddock 1907 cipp
Camden Rectory & Horse Paddock 1907 with Menangle Road on right hand side of image (Des & Pru Fowles/Camden Images)

 

The principal actors (stakeholders) have taken up positions around the issue include: churchgoers, non-churchgoers (residents, outsiders, ex-Camdenites, neighbours), the parish, local government, state government, and the Macarthur family.

The former horse paddock looks like an unassuming vacant block of land in central Camden. So why has there been so much community angst about is possible sale?

camden st johns fjoss image 7 (5)
St Johns Anglican Church showing former horse paddock in front of the church (2018 C Cowell)

 

The simple answer is that the community ascribes representations of a church beyond the building being a place of worship. Yet this raises a paradox for the owners of these religious sites. Generally speaking different faiths put worship and the spiritual interests of their followers ahead of their property portfolio.

This paradox has created angst in some communities when the owners of religious buildings and sites want to sell them, for example, in Tasmania in 2018 or other examples discussed by Graeme Davison.

 

Unraveling a paradox

Historian Graeme Davison in his book The Use and Abuse of Australian History has highlighted the different representations that a communities have ascribed to local churches. They have included:

  • a symbol of the continuity and community rather than a relic of their faith;
  • a local shrine where the sense of family and local piety are given tangible form;
  • ‘a metaphor of the postmodern condition’;
  • a ‘kind of absent present, a site now unoccupied but irreplaceable and unable to be rebuilt;
  • a transcendence and spiritual continuity in a post-Christian society. (pp. 146-161)

So the question here is, are any of Davison’s representations applicable to Camden’s St Johns Church?

camden st_johns_church02
St Johns Anglican Church Camden 2018 (I Willis)

 

Cultural landscape

St John’s church is the centre of Camden’s cultural landscape, its cultural heritage and the narrative around the Camden story. I wrote in the Sydney Journal in 2008 that

 St John’s church is the basis of the town’s iconic imagery and rural mythology and remains the symbolic heart of Camden.

In 2012 I extended this and said that community icons, including St John’s, have

 have become metaphors for the continuity of values and traditions that are embedded in the landscapes of place.

In this dispute the actors, as others have done,

have used history and  heritage, assisted by geography and aesthetics, to produce a narrative that aims to preserve landscape identity.

The actors in the dispute want to preserve the landscape identity of the area  by preserving the church precinct including the horse paddock.

 

A world long gone

The church precinct is  a metaphor for a world long gone, an example of the past in the present. In Davison’s eyes ‘a symbol of continuity and community’.

St John’s Anglican Church is part of an English style landscape identity, that is, Camden’s Englishness. This is not new and was first recognised in 1828 by Englishman John Hawdon.

Hawdon saw a familiar landscape and called it a ‘little England’.  A type of English exceptionalism.

The colonial oligarchs had re-created an English-style landscape in the Cowpastures  that mirrored ‘home’ in England. The English took control of territory in a settler society.

The local Indigenous  Dharawal people were dispossessed and displaced by the English through the allocation of  land grants in the area.

The English subdued the frontier with violence as they did other part of the imperial world.

The Hawdon allegory was present when the town was established by the Macarthur family as a private venture on Camden Park Estate in 1840. The construction and foundation of St John’s church was part of the process of the building of the new town.

The first pictorial representation of this was  used in Andrew Garran’s 1886 Picturesque Atlas of Australasia where there is

an enduring image within the socially constructed concept of Camden’s rurality has been the unparalleled vista of the Camden village from the Macarthur’s hilltop Georgian mansion.  (Image below) The romantic image portrayed an idyllic English pastoral scene of an ordered farming landscape, a hive of industrious activity in a tamed wilderness which stressed the scientific and the poetic.

camden park 1886 garran
Engraving showing vista of Camden village from Camden Park House. Aspect is north-east with Cawdor centre distance and St John’s church right hand distance.  (Andrew Garran’s 1886 Picturesque Atlas of Australasia)

 

The hilltop location of the church was no accident.  St John’s church is ‘the moral heart’ of English-style ‘idyllic representations as the

 ‘citadel on the hill’ at the centre of the ‘village’. It acts as a metaphor for order, stability, conservatism and a continuity of values of Camden’s Anglophile past. The Nepean River floodplain keeps Sydney’s rural-urban fringe at bay by being the ‘moat around the village’ which occasionally was the site of a torrent of floodwater.

The hilltop location has spiritual significance with Biblical references to love, peace and righteousness.

 

A sense of place

St John’s church has had a central role in the construction of place and community identity in the town.

camden_johnst_chs0083
St John’s Anglican Church in its hilltop location at the top of John Street Camden. This image is by Charles Kerry in the 1890s (Camden Images)

 

The church and its hilltop location is an enduring colonial legacy and a representation of the power of the colonial gentry,  particularly the position of Camden Park Estate and the Macarthur family within the narrative of the Camden story.

Camden Park 1906 (Camden Images)
Camden Park House and Garden in 1906 is the home of the Macarthur family. It is still occupied by the Macarthur family and open for inspection in spring every year. (Camden Images)

 

Many Camden folk feel a sense of belonging to the church expressed by  memory, nostalgia, customs, commemorations, traditions, celebrations, values, beliefs and lifestyles.

The community feel that the church belongs to them as much as it belongs to the churchgoers within the church community.

Belonging is central to placeness. It is home and a site where there is a sense of acceptance, safety and security. Home as a place is an important source of stability.

An extension of this is the role of the church as a loved place  in terms laid out by Peter Read in his book, Returning to Nothing, The Meaning of Lost Places. As Veronica Strang writes, Read’s book:

makes it plain that the feelings engendered by the loss of place can be equated with those experienced in the loss of a close relative, friend or partner. This straightforward analogy helps to make visible the symbolic role of place in enabling human beings to confront issues of mortality.

camden st johns vista from mac pk 1910 postcard camden images
Vista of St Johns Church from Macarthur Park in 1910. Postcard. (Camden Images)

 

The church buildings and precinct are a shrine to a lost past and considered by many to be  sacred land. The sale of the former horse paddock has caused a degree community grief over the potential loss of sacred land.

St John’s church is an important architectural statement in the town centre and is one Australia’s earliest Gothic style churches.

 

So what does all this mean?

The place of St John’s church in the Camden community is a complex one. The story has many layers and means different things to different people, both churchgoers and non-churchgoers.

The church is a much loved place and the threatened loss of part of the church precinct generates feeling of grief and loss by many in community.

The legacy of the English landscape identity from the early 19th century and the establishment of the Cowpastures is very real and still has a strong presence in the community’s identity and sense of place. The English style Gothic church is a metaphor for the Hawdon’s ‘Little England’ allegory.

The Cowpastures was the fourth location of European settlement in Australia and the local area still has a strong Anglo-demographic profile. These contribute to re-enforce the iconic imagery projected by St John’s church combined with the story of a settler society and its legacy.

Check out this publication to read more about the Camden district.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
British colonialism · Camden Museum · Colonial Camden · Colonialism · Community identity · Convicts · Cultural Heritage · Elizabeth Farm · Farming · Georgian · Gothic · Governor Macquarie · Heritage · History · Landscape aesthetics · Local History · Macarthur · Myths · Place making · Settler colonialism · Victorian

Celebrity author at Camden Museum

 

The Camden Museum hosted celebrity author Michelle Scott Tucker recently at a local book launch. The event attracted an enthusiastic audience of 50 members and guests to an engrossing talk from Tucker, the author of Elizabeth Macarthur, A Life at the Edge of the World.

Camden Museum MSTucker talking BookLaunch 2018Jun13
Michelle Scott Tucker spoke about her new book Elizabeth Macarthur A Life At the Edge of the World at the Camden Museum. She had the large audience sitting on the edge of their seats as she told the story of Elizabeth and her life in colonial New South Wales. The launch was held at the Camden Museum on Wednesday 13 June 2018 (I Willis, 2018)

 

Michelle delivered an eloquent and gripping lesson on Elizabeth Macarthur to an audience sitting on the edge of their seats. Tucker spoke for 40 minutes without notes and then handled a number of penetrating questions. Earlier in the day she had been interviewed on ABC Sydney Local Radio by James Valentine in wide ranging conversation about Macarthur that clearly impressed him. Tucker is an impressive media performer telling an engrossing story about her hidden subject of Elizabeth.

 

After the Museum talk there was a long line of those who had purchased books to have them signed by the author.  The most excited person in room was Camden Historical Society secretary Lee Stratton who drove into Surry Hills to pick up Michelle and then returned her to the city after the launch. Lee is a devoted fan and was not phased at all by her providing this generous effort.

Camden Museum MichelleScottTucker BookSigning 2018Jun13
Michelle Scott Tucker signing a copy of her new work Elizabeth Macarthur A Life At the Edge of the World at the Camden Museum. There was a long queue for book signing from the large audience of members and friends on Wednesday 13 June 2018 (I Willis, 2018)

 

Michelle Scott Tucker writes in an engaging and open style that is easily accessible by anyone interested in colonial Australia, women’s biography or just a great yarn. She takes a fresh look at an old story from a woman’s perspective, from the other side.

 

In the early 19th century the world was divided into the women’s private sphere and the public world inhabited by men.  Michelle Scott Tucker takes a look from the domestic private world of women. It is a form of radical history.

Book Elizabeth Macarthur 2018 Cover TextPub
The cover of Michelle Scott Tucker’s Elizabeth Macarthur A Life at the Edge of the World. The book was launched in Camden at the Camden Museum to a large and enthusiatic crowd of readers on Wednesday 13 June 2018 (Text Publishing)

 

Michelle’s analogy of her approach to the story is looking at the stitching on the back of tapestry, and inspecting the intricate nature of the threads. This gives you an insight into how the whole work is kept together from the hidden and dark shadows of the work. Without the stitching the work would fall apart, and so it was the Macarthur family enterprises in colonial New South Wales. Tucker draws the stitches together to create a story showing the colour and movement of colonial New South Wales.

 

Elizabeth Macarthur, the farmer’s daughter from Devon, married a cantankerous irascible army officer called John Macarthur when she was pregnant with her first child. Tucker draws an parallel with another Georgian story that of the women in the romantic novel Pride and Prejudice by Jane Austin. She makes the point that Elizabeth Macarthur, and husband John, were Georgian figures while her family were Victorians.

 

Tucker tells how Elizabeth Macarthur, heavily pregnant and with a small child at her side,  endured probably the worst journey out from England of any convict transport on the Second Fleet in the Scarborough. She nursed her husband back from illness that he suffered at the Cape and lost a child on the voyage out which was buried at sea. She suffered the social ignominy of sharing a cabin space with convict women well below her station in life.

Camden Museum MSTucker BookLaunch President Ian Willis with Michelle 2018Jun13 Lee Statton
The president of the Camden Historical Society Dr Ian Willis with Michelle Scott Tucker at the Camden launch of her new book Elizabeth Macarthur A Life at the Edge of the World. The launch was held at the Camden Museum on Wednesday 13 June 2018 (Lee Stratton)

 

Macarthur was not on her own and many colonial women endured the sea voyage from England with few comforts. Their diaries detail the trials and tribulations throughout the early years of the colony. One such figure in the Camden story was Caroline Husband who fell on hard times and fled their Hampstead Hill house near London with debt collectors in pursuit. She married pastoralist Henry Thomas and eventually lives at Wivenhoe, and her descendants grew up at Brownlow Hill.

 

The ever practical Elizabeth managed and developed the family business empire in colonial New South Wales while her husband was dealing with military charges in England. She entertained governors, politicians, businessmen, officers, while managing a large domestic staff, farm workers and convicts on their extensive landholdings. The role and influence of Elizabeth Macarthur as part of the story of settler colonialism in Australia and has been understated along with many other women of her time.

Camden Museum MSTucker BookLaunch Harry Warner Michelle and Frances Warner 2018Jun13 Lee Statton
Camden identities Frances and Harry Warner with author Michelle Scott Tucker at the Camden launch of Elizabeth Macarthur A Life at the Edge of the World. Frances and Harry have lived most of their lives at Camden Park and have been involved in a host of community activities over many years. Frances organised a small card gift for Michelle from Camden Park. The launch was held at the Camden Museum on Wednesday 13 June 2018. (Lee Stratton)

 

Tucker makes the point in an article for Inside Story that the story of Elizabeth Macarthur is not unique and that other colonial women made a significant contribution on their own. There was Esther Abrahams who ran Annandale, and Harriet King who raised a family and ran a property west of Parramatta. In Van Diemen’s Land (now Tasmania) a retail empire was developed by former convict Maria Lord, while Eliza Forlonge ran a pastoral empire.

 

Camden Park was an out-station in the Macarthur family empire and Elizabeth Macarthur never lived there. The mansion house was the home of her sons, William and James. Elizabeth lived at Elizabeth Farm at Parramatta all her life and died at their holiday home at Watsons Bay in her 80s.

Camden Museum MSTucker BookLaunch John Michelle and Edwina 2018Jun13 Lee Stratton
The owners of Camden Park House John and Edwina Macarthur Stanham with author Michelle Scott Tucker. The event was the Camden launch of Tucker’s Elizabeth Macarthur A Life At the Edge of the World held at Camden Museum on Wednesday 13 June 2018. (Lee Stratton)

 

Unlike many of her colonial contemporaries who viewed the Australian landscape as a Gothic world Elizabeth had a more sympathetic eye. She drew comparisons with England and in her letters home she stated that her around her home at Parramatta, she wrote:

The greater part of the country is like an English park, and the trees give to it the appearance of a wilderness, or shrubbery commonly attached to the habitations of people of fortune’.

Many of her contemporaries contributed to the English-style landscape aesthetic that was identified as early as 1828 by John Hawdon when he arrived in the Cowpastures. The Englishness of the Camden township is still evident and has shaped the landscape since the arrival of the Europeans.

 

Under Elizabeth’s gaze the colonial outpost of Sydney grew from a military garrison to a bustling colonial port in the South Pacific. Macarthur supported her husband, John, throughout his ordeals and never returned to England, despite having the means to do so. Her female descendants regularly traveled between Camden Park, Sydney and London and elsewhere, and benefited from the transnational networks that she and her family established in the early 19th century.

camden-library museum
The venue for the Camden launch of Michelle Scott Tucker’s Elizabeth Macarthur A Life at the Edge of the World on Wednesday 13 June 2018. Camden Library Museum in John Street Camden  (I Willis, 2016)

 

Elizabeth Macarthur is an important character in the Camden story and there are other Macarthur women in her family who played similar roles such as Elizabeth Macarthur Onslow, Sibella Macarthur Onslow and Enid Macarthur Onslow. All intelligent, strong and successful women. They were not alone in the Camden story and others that could be mentioned include Rita Tucker, Zoe Crookston, Clarice Faithful, amongst others.

 

Elizabeth Macarthur produced a family that founded the township of Camden, and created a pastoral and business empire that still endures today. She is celebrated in our local area with the Elizabeth Macarthur Agricultural Institute, Elizabeth Macarthur High School and roads and streets named after her and her family.

 

As Michelle Scott Tucker states of Elizabeth Macarthur, she  ‘played a crucial role in Australia’s colonial history. Hers is not a household name — but it ought to be’. Elizabeth Macarthur, A Life at the Edge of the World certainly goes a long way in this direction.

The book by Michelle Scott Tucker Elizabeth Macarthur, A Life at the Edge of the World is available at the Camden Museum.

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The Cowpastures Project

The Cowpastures project is a community based collaborative research enterprise which is co-ordinated by UOW historian Dr Ian Willis.

Presentation The Cowpastures 2017Oct3

 

It is a long term venture which aims to reveal the intricacies of the Cowpastures district from 1795 to 1850.

The Dharawal people occupied the area for centuries.

 

Sydney1790_Aborgines in Port Jackson
Sydney 1790 Aborigines in Port Jackson (SLNSW)

The district was part of the Australian colonial settler society project driven by British colonialism.

There was the creation of the government reserve for the wild cattle between 1795 and 1823. After this period the Cowpastures became a regional locality that was in common usage well into the 19th century.

 

1824-view-of-cowpastures-joseph-lycett
View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett (SLNSW)

The British aimed to create an English-style landscape from their arrival in the area from 1790s. The earliest written acknowledgement of this by Englishman John Hawdon in 1828.

 

1932_SMH_CowpastureCattle_map
Map of the Cowpastures government reserve (SMH 13 August 1932)

Learn more about the Cowpastures from these blog posts and other resources: 

A colonial diarist of the Cowpastures

This blog post is a review of Janice Johnson (ed), Camden Through a Poet’s Eyes, Charles Tompson (Jnr) (2019).  Tompson was a prolific writer and observer of the Cowpastures under the byline ‘From our Correspondent – Camden’ for The Sydney Morning Herald between 1847 and 1852. In 1854 Charles Tompson described that the ‘village of Camden’ had ‘the aspect and the attributes of an English village’ (p.118) for the first time.

A contested sacred site in the historic landscape of the Cowpastures (blog post)

This blog post examine community concerns around the sale of glebe land attached to St John’s Anglican Church in Camden and highlights community sensitivities to sale of church sites. This church was largely funded by the Macarthur family and has since its foundation in 1847 has received considerable endowments from the family.

The Cowpastures Region 1795-1840 (blog post on regionalism & boundaries)

This blog post attempts to put a regional boundary on The Cowpastures for the first time and examines some of the historical evidence for this boundary.

Camden Cowpastures Bicentenary Celebrations  (Blog post)
‘Just like England’, a colonial settler landscape  (Peer-reviewed article)
Cowpastures and Beyond: Conference 2016  (Camden Area Family History Society)
Convicts in the Cowpastures (Blog post)
Governor Macquarie in the Cowpastures 1810 (Blog post)
Governor Macquarie returns to the Cowpastures 1820 (Blog post)
Mummel and a Cowpastures Patriarch (Blog post)

The Cowpastures, just like a English landscape (Presentation)

The Cowpasture, just like an English landscape (Slideshare)
Viewing the landscape of the Cowpastures (Blog post)
John Hawdon of Elderslie (Blog post)
John Hawdon of Elderslie English Origins (Blog post)
The Cowpastures at the Campbelltown Arts Centre (2017) (Exhibition)
The Came by Boat Exhibition Campbelltown Arts Centre (Exhibition Review, 2017)
John Macarthur the legend (Blog post)
Hope, heritage and a sense of place – an English village in the Cowpastures (Blog post)

This blog post looks at the historical elements that have contributed to the Camden sense of place, and ultimately its historical significance.

A walk in the meadows of the past

This blog post is about the Miss Llewella Davies Pioneers Walkway at the Camden Town Farm. The beauty of the Cowpastures landscape characterises the recently opened Miss Lewella Davies Memorial Walkway which weaves its way across the Nepean River flats on the western side of Camden’s township historic town centre.

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The historic Bennett wagon

One of the larger items in the collection of the Camden museum is an item that few of the current members are aware of or would know the history. It is the Percival wagon that was located next to Macaria for a number of decades, the former headquarters of Camden Council.

In 2012 a group of schoolboys got the opportunity to pull it to bits and put it back together again. They did a lot of work but were unable to finish the project. The wagon has been fully restored and conserved and is now located at the Wollondilly Heritage Centre in a new blacksmith’s display.

Camden Percival Wagon_0003
The historic Camden (Percival) wagon is probably a Bennett construction and was placed in the forecourt area next to Macaria by the Camden Historical Society in 1977. Where is stayed for a number of decades until 2012. (Camden Historical Society)

 

Bennetts Wagon Works at St Marys

The Percival wagon is likely to have been built at the Bennetts Wagon Works at St Marys which   started in 1858 and eventually closed down in 1958. The Western Plains Cultural Centre at Dubbo states:

Bennett coach and Wagon works were operated by brothers James and George T. Bennett. Their tabletop wagons became famous throughout Australia; they were capable of carrying from 10 to 20 tonnes, and were regarded as the best heavy transport wagons to be bought. They were used in both rural and urban areas.

The Bennett wagon works at St Marys employed around 25 men at the end of the 19th century, with its wagons selling for between £150 to £250. The wagons were usually painted green and red, or red and blue and some had nick names, like ‘The Maxina’ (in South Creek Park now), ‘King of the Road’, and ‘The Pioneer’.

st-marys-bennett-wagon-works-1910-penrithcitylibrary-e1499829672934.jpg
George T. Bennett’s Wagon Works, St Marys. The photograph, taken in 1910, shows George Bennett’s wheelwright and blacksmith’s workshop in Queen Street, St Marys which was built in about 1875. The business was on the western side of Queen Street, a short distance north of King Street. George’s brother James joined him in the business but after a disagreement, James built his own workshop closer to the highway. George closed his business in 1920. (Penrith City LIbrary)

 

The Penrith City Regional Library states the Bennett wagons were used by teamsters to haul silver from the Burragorang Valley. In 1904 there were 15 teams of horses and bullocks plying the road between Yerranderie and Camden railhead from the silver field which lasted from around 1900 to 1925.

The silver ore was originally forwarded to Germany for smelting, and after the First World War it went to Port Pirie in South Australia and then Newcastle. The story of the teamsters who worked out the Burragorang is celebrated in a monument outside Macaria in John Street, which was installed in 1977 by the Camden Historical Society.

 

Wagon finds a home at Camden

The historical society’s wagon was one of the last in the Macarthur area. It was around 70 years old when the society purchased it from Sydney Percival of Appin in 1977 using a public fundraising appeal organised by society president Owen Blattman and Dick Nixon for $200. Once the society secured the funds and purchased the wagon it was then restored by retired Camden carpenter Ern Howlett and painted red and blue.

Deidre Percival D’Arcy says:

 My father, Norman Dyson Percival, owned the wagon and the property Northampton Dale. He first offered the wagon to Campbellltown & Airds Historical Society where Norman”s brother, Sydney Rawson Percival, was a member. He assisted in the move to Camden Historical Society. 

Northampton Dale

The original owner of the society’s wagon was Sydney’s father Norm Percival who died in 1942 with the wagon passing to his son. Norm lived on the property called Northampton Dale which was part of William Broughton 1000 acre grant of Lachlan Vale.

John Percival purchased Northampton Dale when Broughton’s grant was subdivided 1856 and named it after his home in England. The Percival property was used for horse breeding, then beef cattle and later as a dairy farm. During the First World War the farm was a popular venue with local people for playing tennis. (Anne-Maree Whitaker, Appin, the story of a Macquarie Town)

Campbelltown Percival Wagon_0001

 

Typical of Bennett wagons the society’s Percival wagon was used to cart wheat at Junee in 1913 while around 1900 it had previously been used to cart chaff from Campbelltown Railway Station to the Cataract Dam construction site.

Wagon at Appin

The wagon was also used to cart coal in Wollongong and then around the Percival Appin farm of ‘Northampton Dale’ and the Appin district. The Percival wagon had been restored by the Percivals in 1905 and was fitted with new front wheels, and plied for business around with Appin area. The signage along the side of wagon was ‘EN Percival, Appin’.

The Percival wagon was placed adjacent to Macaria in John Street in 1977 and by 1992 was a little the worse for wear. A team of society members took to the task with gusto and contributed over 200 hours to the restoration, with Camden Council contributing $600 to the total cost of $1200.

Another decade passed and the weather and the elements again took their toll on the wagon. Repainting was needed in 2001.

Camden HS Teamsters Wagon
The Percival wagon in Argyle Street Camden driven by Mr Biffin before being located next to Macaria in John Street in 1977 (Camden Museum)

 

Restoration by Macarthur Anglican School students

In 2012 the Dean of Students at Macarthur Anglican School Tim Cartwright suggested that the wagon become a restoration project for the school boys. Cartwright, who had retrained as a teacher, had been a master carpenter in Europe before coming to Australia. The wagon was taken out to the school later in that year and the students completed some work on it.

Tim Cartwright stated in 2018

When the School took possession of the Wagon, the entire sub structure was affected by white-ant and dry rot. This became evident when the front wheels folded under themselves unable to steer or take their own weight.

A small team of enthusiastic Year 7 and Year 9 boys with no practical carpentry experience gathered every Friday afternoon and sometimes through School holidays, with the intention of renovating and replacing all parts of the Wagon to bring it to a point where it could be used rather than just as a display.

Over the four year period the boys learnt essential Carpentry skills often producing work that demanded great attention to detail and a skill level that would be demanding even for modern practice.

The boys included Adam Ebeling, Jack Jansen, Richard Cartwright, Henry Cartwright
Tom Oliver, Daniel Pearce.

The boys took great pride in their work and were always concerned to replicate original parts instead of compromising on easier or more convenient solutions. This project has been rich in learning in many aspects and I am thrilled to have led the boys on this pathway of preserving our local heritage and introducing them to skills they will be able to revisit in years to come.

Restoration and conservation by The Oaks Historical Society

The latest restoration of the wagon has been completed by volunteers at The Oaks Historical Society.

The Oaks Cover Newsletter 2019 Wagon Restoration

 

Camden HS Wagon SoS Cover
Camden Museum, Teamsters’ Wagon, Statement of Significance, Item No 1995.423.

 

 

Read more about Bennett Wagons

http://www.stmarysstar.com.au/story/2590835/historic-wagons-coming-home/

http://www.penrithcitygazette.com.au/story/3331875/historic-wagons-roll-into-town/

Originally posted 7 December 2017. Updated 24 July 2020

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Richlands, an outpost of a colonial farming empire

A farming outpost of empire

Richlands Georgian style homestead built in the 1840s  on the 2016 open day (I Willis)

The Richlands estate, north of Goulburn in the NSW Southern Tablelands, was an important part of the Macarthur family pastoral empire for nearly 100 years.  The Richlands estate acted as an outstation about one days ride west of Camden Park estate. The property  reached its hiatus in the 1840s when its extent reached around 38,000 acres including the private village of Taralga.

James Macarthur managed the Richlands estate with his brother William Macarthur from Camden Park. (Belgenny Farm)

James and William Macarthur initially took up adjacent land grants of around 2000 acres between Taralga Creek and Burra Lake in 1822.  The area had been traversed by a party led by Charles Throsby in 1819 looking for an alternative route to Bathurst other than the arduous route across the Blue Mountains. Throsby and company journeyed from the Moss Vale area, crossing the Wollondilly River then the Cookbundoon Ranges near Tarlo, turning north are eventually arriving at Bathurst.

Opening up the Southern Tablelands

Reports of these areas encouraged pastoralists to take up land, one of the first was Hannibal Macarthur, John Macartur’s nephew, at Arthursleigh on the Wollondilly. In a speculative venture in 1822 James Macarthur and partners Lachlan MacAlister and John Hillas, overseer with William Macarthur, moved a mob of cattle over the Cookbundoons and left them in charge an assigned convict Thomas Taylor at Tarlo. Hillas and MacAlister also took up a grants adjacent to the Macarthur holdings.

On the death of John Macarthur in 1834 the Richlands estate passed to Edward Macarthur, a career British soldier, while managed by James and William Macarthur on his behalf.

Governed by absentee landlords

While the Richlands estate was governed by absentee landlords the real story is of those who formed the microcosm of society on the estate. They  included convicts, managers, tenant farmers, servants and the Burra Burra people, who were dispossessed and displaced from their country.

Fledgling settlement of Taralga

For the twenty years of the Richlands estate it was managed from the fledgling settlement of Taralga on the southern edge of the property. There was a central store and a number of skilled tradesmen,  convicts and their overseers were based in the village from the 1820s.

Taralga village main street 2000s. The initial management of the Richlands estate was conducted from the village in the 1820s until it was shifted to the new hilltop homestead built in the 1840s. The village is one of number of private towns that the Macarthur family established in colonial NSW. ULSC

Rural empire of 38,000 acres

James and William Macarthur acquired land by grant and purchase north and south of the hamlet of Taralga including 600 acres from Thomas Howe of Glenlee in the Cowpastures in 1837. The diary of Emily Macarthur’s, James’ wife, showed that William made six-monthly visits to Richlands from 1840. Lieutenant Colonel Edward Macarthur visited Richlands in 1851 after being posted to Sydney as deputy adjutant general.

Edward Macarthur (1789-1872), who inherited the Richlands estate on the death of his father John Macarthur in 1834. ( Richard Daintree and Antoine Fauchery, c1858)

Strategic hilltop

Work began to move the management of the estate from the village to the hilltop overlooking Burra Lake and Guineacor to the east. Hilltop locations for homesteads were common throughout the Cowpastures and as they were of other Macarthur properties. This practice followed Laudon principles and provided a defendable strategic location on the estate.

Richlands Georgian style homestead on hilltop location built in the 1840s on 2016 open day (I Willis)

William Campbell was appointed superintendent in 1839 and work began on stone offices on the farm hilltop site, along with underground grain silos, convict accommodation and outbuildings. Work was completed by 1844 when Thomas and Martha Denning occupied the house forming a small quadrangle.  Denning was appointed overseer (farm manager).

Georgian-style residence

Work on a new on a Georgian-style residence began in 1845 for new English estate manager George Martyr, who took up the position after his arrival in the colony in 1848 after marrying Alicia in Sydney.

Martyr took an active interest in community affairs serving on Goulburn Council and supervising construction of the Catholic Church in the village. A qualified surveyor from Greenwich, Martyr surveyed the village of Taralga and the Macarthurs offered village lots for sale from 1847. George and Alicia raised six children on Richlands.

Richlands Georgian style homestead built for estate manager George Martr and his family in the 1840s on the 2016 open day (I Willis)

The property was eventually resumed by the New South Wales Government in 1908, broken up for closer settlement and sold in 30 smaller lots in 1910.

Notes

Peter Freeman Pty Ltd, Richlands-Taralga, Conservation Management Plan, Richlands Conservation Management Plan, 1997.

 

 

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Bella Vista Farm, an early part of the Macarthur rural empire

The late Victorian house built Bella Vista by the Pearce family in the late 1800s UTP

Bella Vista Farm was part of the colonial farming empire of the Macarthur family of Elizabeth Farm which they called the Seven Hills Farm. The farm was on the overland route opened up between Rose Hill (Parramatta) and the Hawkesbury settlement around 1791 a road constructed between Toongabbie and Windsor by the NSW corps using convict labour. Intially the route was called the Hawkesbury Road and eventually the Old Windsor Road.

The farm is located on the lands between the clan areas of of the Toogagal Toongabbie and the Bidjigal of the Castle Hill area of the Darug people. Bella Vista is located on a hilltop and would have been a lookout site.

John Macarthur purchased the property in 1801 for £2000 with 1250 sheep from Major Joseph Foveaux. In 1799 John Foveaux and Charles Grimes, the Deputy Surveyor of Crown Lands,  were granted 980 acres in the Crestwood area, and within months Grimes sold his share of the grant to Foveaux a month later.

Combined with a further grant of 190 acres in 1799, and 600 acres in 1800 was called by Foveaux, Stock Farm. This made him the largest landholder in the colony of 2020 acres, together with his flock of 1027 sheep the largest stock-owner in the colony.

Major Joseph Foveaux the owner of Stock Farm which he sold to the Macarthur family (AP)

Foveaux sold his property,  which he called  ‘Stock Farm’, to the Macarthurs in 1801 after he was appointed Acting Lieutenant Governor on Norfold Island.

John Macarthur was absent from New South Wales from 1801 1805. Macarthur was always an argumentative character and had a disagreement with Colonel Paterson his commanding officer, fought a duel, and Paterson was wounded. Governor King had Macarthur arrested and sent for trial in England in 1801.

In John’s absence the family’s pastoral interests were managed by Elizabeth from her home at Elizabeth Farm at Parramatta. She called Stock Farm her Seven Hills Farm and was ably assisted by her farm manager, or overseer, initially with Richard Fitzgerald, followed by William Joyce, John Hindle and Thomas Herbert.

Elizabeth Macarthur SLNSW

Under Elizabeth’s management the Macarthur’s flock of sheep increased from 2000 to 1801, to 3000 in 1803 and 5920 by 1805. A substantial number of this sheep flock was held at the Seven Hills Farm.

Sheep in pen at Bella Vista Farm Park 2016 IWillis

Elizabeth subsequently purchased land a neighboring property from Richard Fitzgerald. This purchase was made up of two part, one a 1799 160 acre to Richard Richardson, and a 270 acre grant to William Goodhall. Fitzgerald  sold his holding to Elizabeth and worked for the Macarthurs as a steward, manager and record keeper.

John was again absent from New South Wales between 1809 to 1817  over his part in the only coup d’etat  in Australian history, the  arrest of Governor Bligh in a tin pot take over called the Rum Rebellion.

John asked Elizabeth to negotiate to exchange the Seven Hills estate for land in the Cowpastures in 1809. There was a devastating drought between 1813 and 1815 and the sheep flock was moved elsewhere.

By 1821 the farm was known as Seven Hills Farm and covered 2270 acres. The Macarthurs exchanged the farm for Crown land in the Cowpastures. It was on the Seven Hills Farm that Elizabeth bred some of the earliest Spanish merino sheep.

Aerial view of Bella Vista Farm Park with house and outbuildings dating from the late Victorian period of the Pearce family. BVFP

Subsequent owners of Bella Vista and support groups

1821 James Robertson

1838 Isabella Acres

1842 William Pearce

1865 Edward Pearce, inherited from father

1912 Edward WCS Pearce, inherited from father

1933 leased by Edwards wife after Edward’s death

1950 North Sydney Brick and Tile Company

1952 house leased

1974 Metropolitan Water, Sewerage and Drainage Board for water storage

1979 Interim Heritage order

1980 Formation of the Elizabeth Macarthur Seven Hills Farm Assocation

1997 Permanent Heritage order

1997 Department of Planning, NSW Government

1997 Baulkham Hills Shire Council

2006 Formation of The Friends of Bella Vista Farm

From Gate of Bella Vista Farm Park 2016 BVFP

Significance

The New South Wales State Heritage Inventory states that Bella Vista Farm is significant because of the:

Evidence of the documentary record, of the agricultural activities of the Macarthur family, managed by Elizabeth Macarthur from Elizabeth Farm, Parramatta (SHR item # 1), and locally by her stewards. These records indicate early experiments at grazing sheep by Grimes, Foveaux and the Macarthurs that failed due to insect plagues, low stock per acre ratios, droughts and the unsuitability of hoofed animals to Australian conditions. Indicating also the monopoly held by, and extensive grants given to certain officers, including John Macarthur.

The Farm is a rare example of an intact rural cultural landscape on the Cumberland Plain, continuously used for grazing since the 1790s. The Farm is one of the most intact and best examples on the Cumberland Plain of the summit model of homestead siting, where the house and plantings are sited high on a prominent hill in contrast with open fields around. The farm is an increasingly rare example, on the Cumberland Plain, of a rural property, where the evidence of the staged development of the homestead survives from slab cottage to villa.[1]

Bella Vista Farm market day open to the general public and used to raise funds for the management of the site with the Bunya Pines at the rear planted in the 1840s 2016 IWillis

Notes

[1] Office of Heritage and Environment, ‘Bella Vista’, NSW Government, Sydney. Online @ http://www.environment.nsw.gov.au/heritageapp/ViewHeritageItemDetails.aspx?ID=5045705 Accessed 16 April 2017

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Elizabeth Farm, the foundation story of the Macarthur rural empire

Elizabeth Farm

Elizabeth Farm was the home of John and Elizabeth Macarthur and the centre of their mercantile and farming empire for over 35 years.  The homestead is regarded as both the oldest and most historic building in Australia and is an important site in the development of the wool industry.

John Macarthur (Wikimedia)

 

Elizabeth Farm was the site of political intrigue around Australia’s only coup d’etat and the personal struggles of John’s incredible mood swings suffering depression. The house is an important centre in the Camden story and many decisions made here that effected the family’s holdings at Camden Park in the Cowpastures district.

The house was lucky not to be demolished and lay derelict for a period.  Once when architect William Swann’s family rescued it in 1904 and again the mid-20th century.  Elizabeth Farm is currently a house museum opened in 1984 and owned by Sydney Living Museums, formerly the Historic Houses Trust of New South Wales.

Elizabeth Macarthur SLNSW

 

Background

Elizabeth Veale, who became the first lady of the colony of New South Wales, married the fractious John Macarthur, an ambitious officer on half-pay, in England in 1788 in the village of Bridgeule in Devonshire. Macarthur joined the 68th Regiment just before his marriage as an ensign and after the birth of his son transferred as a lieutenant in the New South Wales Corps.[1]

Parramatta Elizabeth Macarthur 1785 SLNSW
Elizabeth Macarthur 1785 SLNSW

 

The couple travelled to New South Wales in the Second Fleet on the Neptune, before transferring to the Scarborough arriving in 1790. John’s reputation and ill-temper was a constant source of frustration, which Elizabeth bore with patience and forbearance.

In 1793 John Macarthur was granted 100 acres at Rosehill of some of the best land on the  Parramatta River which he named after his wife. The family with three children moved to Elizabeth Farm in 1793. By 1794 the farm had expanded to 250 acres with 100 under crops, 20 acres of wheat, 80 acres of corn and potatoes. His livestock included horses, cows, goats, and pigs and with additional grants and purchases, the farm expanded to over 500 acres.

Elizabeth Farm J Lycett 1825 SLNSW

 

 Building Elizabeth Farm

The house was constructed in 1793 as a single level building of four rooms with adjoining kitchen and servants quarters built on a low ridge overlooking the Parramatta River. James Broadbent describes the house as a simple late 18th century English vernacular cottage, with a shingle hardwood roof. From this design evolved a characteristic form of the colonial cottage.[2]

JM Freeland describes the house as a simple rectangle. built of hand-made English-size bricks set in clay and shell-lime mortar. The steeply pitched roof was formed of massive balks of pit-sawn timber held together with wooden pegs, sheathed with cedar planks and covered with split swamp-oak shingles.[3]

Parramatta Elizabeth Farm 2016 IWillis[3]
Elizabeth Farm northern verandah (2016 I Willis)
 

 

Sydney Living Museums states:

The cottage… resembled countless farmhouses seen in southern England. The balanced, symmetrical design of paired windows placed to either side of a central doorway was typical of the Georgian style then popular in England.[4]

An extra bedroom was added along with a verandah. James Broadbent maintains that the addition of the verandah was influenced by Colonel Grose’s addition of a verandah on Government House, which Grose had seen while serving during the American War of Independence.[5]

John was exiled from the colony in 1809 for his part in the Rum Rebellion with Governor Bligh. During his absence Elizabeth ran the household and the family’s pastoral interests at Camden and Seven Hill, from Elizabeth Farm. The house was possibly shaded from the north and east by verandahs. Elizabeth had little interest in redesigning the homestead.

Macarthur returned to New South Wales in 1817. The Macarthurs were successful selling wool in London and pressed for another grant at Camden. With good fortunes, John Macarthur sought to build a house appropriate to his wealth. He began home building and planning. Elizabeth Farm was remodeled.   He added new stables, and a new cottage, called Hambledon, and building at Camden under the influence of Sydney architect Henry Kitchen.

From 1821 the house was remodeled under the supervision of stonemason and bricklayer John Norris from a Georgian house to a Regency style that better suited colonial taste. Elizabeth was turned out of the house in 1826 due to renovations when the dining room, drawing rooms, and library bedroom were extended into the verandah area completed by 1827.[6]

Macarthur’s depressed state of mind meant that his building frenzy subsided. He recovered by 1828 and put his time into the Australian Agricultural Company. In 1831 he was again planning building additions, mainly at Camden. In 1832 he was declared insane and confined to Elizabeth Farm. Macarthur’s insanity worsened and he was moved to Camden in 1833, where he died in 1834.

Elizabeth returned to Elizabeth Farm in 1833 and with the assistance of architect John Verge had it habitable with needed repairs. She did not make any further changes to the house.[7]

Elizabeth Farm 2010 Australian Travel

 

Life at Elizabeth Farm

Elizabeth Farm was a mixture of town and country life. The house was about half-a-days travel by boat from Sydney and a short walk from Parramatta.

In 1794 the house was surrounded by a vineyard and garden of three acres, including fruit trees and vegetables. The fruit trees included almonds, apricots, pear and apple trees. There were between 30 and 40 staff at the farm – 13 as stockmen, gardeners or stable hands and female servants in the house.

Elizabeth had nine children, with seven surviving. Elizabeth learned to play the piano in her first days in the colony. The Macarthurs were well-read with books, magazines, and albums from England. Elizabeth was part of the Sydney social set and was on cordial terms with the governor’s wives.

James Broadbent reports that the house was elegantly fitted out with fine china and silver from England. Furnishings were never opulent[8] and the house was never a centre of the colony’s social life.

Parramatta Elizabeth Macarthur 1845 SMOMacofCP1912
Elizabeth Macarthur 1845 SMO SomeRecords (1912)

 

After Macarthur’s death, the farm was managed by her sons, while Elizabeth and her daughters lived in a comfortable style. In Elizabeth’s last years she visited her daughter Emmeline and husband Henry at Watson’s Bay.

After Elizabeth died in 1850, aged 83 years, Emmeline and Henry lived at Elizabeth Farm until 1854. Edward Macarthur inherited the house and leased it out. On his death in 1872 the house was inherited by his niece Elizabeth Macarthur, James’ daughter. The house standing on 1000 acres was sold in 1881 for £50,000.[9]

Elizabeth Farm G Marler 1925 Private Collection

 

The table at Elizabeth Farm

John Macarthur was an early riser, usually, 4am and breakfast, served around 10.00am, might have consisted of ham, boiled eggs, bread and butter, and perhaps mutton. The table would have been set symmetrically which was typical of Georgian order and decorum.[10]

Parramatta Elizabeth Farm 2016 IWillis[2]
Elizabeth Farm Dining Room (2016 I Willis)
 

The family would probably have been waited on by the butler, a convict named James Butler, who arrived in 1818 with convictions for forgery and started work at Elizabeth Farm in 1825. In the 1828 Census, the household staff consisted of 13 staff: a gardener, a coachman, a butler, two grooms, a cook, four labourers, two maidservants, and a footman – all convicts.

The cook was Thomas Blake, two maidservants, Jane Mead and Margaret Shepherd, a footman, John Bono, an Indian.  The staff were reported to have been well treated and returned this with loyalty during times of difficulty with John’s incredible mood swings.[11]

Elizabeth Farm 1910 WH Broadhurst

 

Garden at Elizabeth Farm

Scott Hill makes the observation that little remains of the original garden, while paintings and sketches of the period only give an idealised view of things. Conrad Martin’s works were completed after Elizabeth’s death and only give a glimpse of what was present in the garden.[12]

Parramatta Elizabeth Farm 2016 IWillis[1]
Elizabeth Farm Garden (2016 I Willis)
 

There was an ‘extensive’ kitchen garden that was to the east of the house although some hoop pines survive. From Hill’s research, an 1816 letter from Elizabeth states that the kitchen garden had 23 fruit trees, oranges, peaches, pomegranates, loquats, shaddock, and guava.[13]

Parramatta ElizabethFarm CMartin 1859 Pencil SLNSW
Garden Sketch Elizabeth Farm by Conrad Martins 1859 in preparation for his painting of the house in pencil SLNSW

 

Hill notes that the famous ‘waratah’ camelia at Camden Park was first planted at Elizabeth Farm in 1831 and later transplanted to their country property, where it still prospers.

The garden also had roses, foxgloves, aloes, agaves, and bulbs. It is thought the garden had the first olive tree in the country which is described by Thomas Mitchell.[14]

Parramatta Elizabeth Farm 2016 IWillis[4]
Elizabeth Farm Garden (2016 I Willis)
 

Elizabeth fostered a botanical interest in the next generation, particularly William, who managed a successful nursery at Camden Park for many years. She valued the local vegetation of the Parramatta River area and 1795 she wrote home to her friend Miss R Kingdon from Elizabeth Farm at Parramatta:

The greater part of the country is like an English park, and the trees give it the appearance of a wilderness or shrubbery, commonly attached to the habitations of people of fortune, filled with a variety of native plants, placed in a wild irregular manner.[15]

On Elizabeth’s carriage trips out and about she noted that in spring:

The native shrubs are also in flower and the whole country gives a grateful perfume.[16]

Recent Ownership

The Historic Houses Trust acquired the property in 1983 and opened it as a house museum in 1984. Before this the house had fallen into disrepair.

The house was purchased in 1968 by the Elizabeth Farm Management Trust from the Swann family, who had previously lived in it The house was placed on a list of historic buildings by 1949 Cumberland County Council.

Parramatta Elizabeth Farm 2016 IWillis[5]

 

Management of the house passed to the State Planning Authority, then the Heritage Council of New South Wales continued restoration.

The HHT was established in 1980, and rebranded as Sydney Living Museums in 2013, and is part of the NSW Office of Heritage and Environment within the state government.

 

Significance

The NSW State Heritage Inventory states that:

The Elizabeth Farm house is part of the oldest surviving construction in Australia and a rare survival of the earliest period of colonial architecture. The house is one of the most evocative houses relating to the earliest period of Australian European history and is one of the most aesthetically pleasing of colonial bungalows.

The garden contains remnants of some of the earliest European plantings in Australia, including the European Olive. Older indigenous species include kurrajong and bunya bunya and hoop pines. [17]

Further reading

Michelle Scott Tucker, Elizabeth Macarthur: A Life at the Edge of the World. Sydney: Text Publishing, 2018.

Michelle Scott Tucker shines a light on an often-overlooked aspect of Australia’s history in this fascinating story of a remarkable woman.

Kate Grenville, A Room Made of Leaves. (Novel). Sydney: Text Publishing, 2020.

What if Elizabeth Macarthur—wife of the notorious John Macarthur, wool baron in the earliest days of Sydney—had written a shockingly frank secret memoir? And what if novelist Kate Grenville had miraculously found and published it? That’s the starting point for A Room Made of Leaves, a playful dance of possibilities between the real and the invented.

Notes

[1] James Broadbent, Elizabeth Farm Parramatta, A History and a Guide. Historic Houses Trust, Sydney, 1984, pp. 5-11.

[2] Broadbent, 18-22.

[3] JM Freeland, ‘Elizabeth Farm, New South Wales’, in Historic Homesteads of Australia Vol One, Australian Council of National Trusts Heritage Reprints 1985.

[4] Hill, ‘A Turbulent Past’.

[5] Broadbent, 18-19.

[6] Broadbent, 24-26

[7] Broadbent, 35.

[8] Broadbent, 38-39.

[9] Broadbent, 44-48

[10] Scott Hill, ‘At the Macarthurs’ table’, The Cook and the Curator (Blog), Sydney Living Museums, 10 January 2013. Online @ http://blogs.sydneylivingmuseums.com.au/cook/at-the-macarthurs-table/ Accessed 14 April 2017

[11] Scott Hill, ‘Mr Butler: The Macarthurs’ Butler’, Elizabeth Farm, Sydney Living Museums. Online @ http://sydneylivingmuseums.com.au/stories/mr-butler-macarthurs-butler Accessed 14 April 2017.00

[12] Scott Hill, ‘Abundance & Curiosity At Elizabeth Farm’, Elizabeth Farm, Sydney Living Museums, 2014. Online @ http://sydneylivingmuseums.com.au/stories/abundance-curiosity-elizabeth-farm Accessed 14 April 2017.

[13] Letter from Mrs Elizabeth Macarthur to Eliza Kingdon, March 1816. State Library of NSW (SLNSW): ML A2908 in Scott Hill, ‘Abundance & Curiosity At Elizabeth Farm’, Elizabeth Farm, Sydney Living Museums, 2014. Online @ http://sydneylivingmuseums.com.au/stories/abundance-curiosity-elizabeth-farm Accessed 14 April 2017.

[14] Hill, ‘Abundance and Curiosity’.

[15] S. Macarthur Onslow, Early Records of the Macarthurs of Camden (Syd, 1912) Online http://gutenberg.net.au/ebooks13/1302011h.html Viewed 10 February 2017

[16] Letter from Elizabeth to Miss Kingdon, September 1795, Elizabeth Farm, Parramatta in Sibella Macarthur Onslow, Some Early Records of the Macarthurs of Camden. Angus & Robertson, Sydney, 1914. Online @ http://gutenberg.net.au/ebooks13/1302011h.html  Accessed 10 Feb 2017

[17] Office of Heritage and Environment, Elizabeth Farm, NSW Government, 2014. Online @ http://www.environment.nsw.gov.au/heritageapp/ViewHeritageItemDetails.aspx?ID=5051394  Accessed 14 April 2017

Originally posted 14 April 2017. Updated 25 July 2020.

Agriculture · Attachment to place · Australia · British colonialism · Colonial frontier · Colonialism · Community identity · Convicts · Cowpastures · Cultural Heritage · Denbigh · Economy · Elderslie · England · Farming · Gothic · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Living History · Local History · Local Studies · Macarthur · Memory · Place making · Radical history · Sense of place · Settler colonialism · Storytelling

Convicts in the Cowpastures, an untold story

The convict story in the Cowpastures

The story of European settlement in the Cowpastures is intimately connected to the story of the convicts and their masters. This story has not been told and there is little understanding of the role of the convicts in the Cowpastures district before 1840.  Who were they? What did they do? Did they stay in the district?

View near Woolwich in Kent shewing [sic] the employment of the convicts from the hulks, c. 1800 (State Library of NSW)
View near Woolwich in Kent shewing [sic] the employment of the convicts from the hulks, c. 1800 (State Library of NSW)
 

Part of a global story

The convicts were a form of forced labour, with a global history that goes back to Roman times. Amongst those who were landed were human souls who were part of the dark story of banishment and exile. The story of convicts and banishment is an integral part of the European colonialism from the 16th century and the rise of labour camps. The story parallels that of slavery. Convicts came to New South Wales after the British lost the American colonies in the revolutionary wars in the 1780s.

Convicts in the Australian colonies

The convicts that ended up the in Cowpastures district were part of the 160,000 who were transported to the Australian colonies from England, Wales, Ireland, and the British colonies. Convicts were usually employed in several ways by the colonial authorities: assignment; government work gangs; Tickets of Leave; Conditional Pardon; and an Absolute Pardon with complete freedom to do as they wished including returning to Britain.

Generally speaking, most convict women could be classified as domestic servants, while male convicts had a host of skills with town trades dominating over rural workers.  The literacy rates and skills of convicts were the same or better than the English and Irish working classes.

Map of Cowpastures SMH 13 August 1932
This is a map of the Cowpastures published in the Interwar period when then was an increased increase in the story of the cattle, John Macarthur and Camden Park Estate. Map of Cowpastures (SMH 13 August 1932)

 

The Cowpastures district

The Cowpastures district was an ill-defined area that included Governor Hunter’s government reserve from 1795.   The reserve covered an area that generally south of the Nepean River between Stonequarry Creek (Picton), The Oaks and Menangle to the east. By 1840 the Cowpastures district had become a general locality name that extended north of the Nepean River to include Narellan and Bringelly.

View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett
View upon the Nepean River, at the Cow Pastures New South Wales 1824-1825 Joseph Lycett

Stories of Convicts

The best short reference of the convicts in the Cowpastures is Ken Williams’ 1824 Cawdor Bench of Magistrates Population, Land and Stock Book (2011), where he lists the names and masters. Williams indicates that in the Cowpasture in 1824 there were 430 convicts and of them, 15 were women, who were listed as domestic servants.[1]  Elizabeth Villy indicates that the stock books indicate 29 landholders, who were mostly absentee landlords.[2]

The best account to date of the activities of the convicts in the Cowpastures is Elizabeth Villy’s The Old Razorback Road (2011). She states that in the 1820s in the last days of the Cowpastures Government Reserve there were around 550 convicts assigned to settlers including around 100 at Camden Park Estate. These men were employed as shepherds and labourers, who were clearing land, and preparing the ground for ploughing and growing pasture.[3]

Convicts and civil works in the Cowpastures

The Great South Road was one of the major civil engineering projects in the Cowpastures district that employed convicts. A major bridge (Cowpasture Bridge) was constructed by convicts across the Nepean River mid-way between the river crossings at the Home Farm at Belgenny and the Hassall’s at Macquarie Grove.  Villy details how the bridge was built by a team of convicts between 1824 and 1826. The construction was supervised by convict Samuel Wainwright, a Cheshire carpenter, who arrived on the Neptune in 1818. Villy lists 24 convicts who worked on the bridge construction between 1827 and 1829.[4]

The other major project was The Great South Road itself and in the Cowpastures section Villy estimates that around 400 men worked on the road. Her research indicates that they left no surviving records and many just ‘melted into society after their sentences’ (p.67).  The ethnography of the convicts up to 1828 was mainly English, with smaller numbers of Welsh and Scots. From this time as more Irish were sent out the ratio English to Irish was around half and half. If the convicts misbehaved they were punished by whipping and the Cawdor Bench imposed punishments up to 50 lashes. Mostly they involved insolence, absconding, drunkenness, and laziness. On the Camden-Stonequarry road section, there were no portable stockades or vans. Villy provides interesting accounts of the activities of individual convicts, their punishments and the convict lifestyle of the road gangs. [5]

John Hawdon Australian Town and Country Journal (Sydney, NSW : 1870 - 1907), Saturday 18 January 1879, page 17
John Hawdon arrived in New South Wales with his family and servants in 1828. He took a six-year lease on John Oxley’s former grant of Elderslie and became a colonial identity. He later took up a grant in the Moruya area of the New South Wales South Coast and built Kiora homestead in 1836  (Australian Town and Country Journal (Sydney, NSW: 1870 – 1907), Saturday 18 January 1879, page 17)

 

Elderslie

Convicts were part of the John Oxley’s Elderslie enterprise and when John Hawdon leased it in 1828 off Francis Irvine he was impressed with the range of trades amongst the 30 ‘government men’ who worked on Elderslie. He was not deterred by dark Gothic notions of the penal settlement and expressed his frustration with the attitude of his countrymen in a letter home.[6] Hawdon felt that the dark stories and fear about the colony were over-rated. He wrote:

‘I am aware of the feeling you all have at home about us having so many convicts around us. Your fears, I can assure you are most unfounded’.[7]

Elderslie according to Alan Atkinson supported 9 convicts when Oxley sold the grant to Francis Irvine in 1827.[8] At Macquarie Grove under Samual Hassall, there were 30 convicts with 3 families of children.[9]

Denbigh

Reverend Thomas Hassall who purchased Denbigh in 1826 on the death of Charles Hook had 20 convicts, according to his son James Hassall in his In Old Australia, Records, and Reminiscences from 1794. The worked from six in the morning in summer and from eight in winter until sundown. The convicts were managed by a Scottish overseer and they carried out the farming activities on the property. The rations included tea, sugar, meat, flour or when which they ground for themselves on a small steel mill.[10]

Denbigh Homestead Open Day 2015 IWillis
Denbigh Homestead is an important colonial farm complex in the Cowpastures. The original grant of 1812 was to Charles Hook and he built a single story dwelling on the site. The property was purchased by Thomas Hassall in 1827 and added a bedroom story to the house. The farm is significant because it contains a rare and remarkable group of the homestead and early farm buildings from colonial New South Wales. (Open Day 2015 I Willis)

 

Kirkham

At the time of the 1828 Census at ‘Kirkham’, which had 54 people including 44 convicts. (SRNSW NRS 1273 1828 Census).

Birling

Birling’ was a 1000 acre granted to Robert Lowe in 1812. According to the 1814 muster, Robert Lowe employed seven assigned convicts which had increased to 21 by the 1822 muster, while by 1828 this had dropped to 12 convicts. (SRNSW)

The Cowpastures Convict and Settler Database

Some members of the Camden Historical Society drew together a database of names of convicts and settlers in the Cowpastures in the early part of the 19th century in the 1990s. The data was drawn from a variety of sources including convict musters. On extracting the names of convicts the following information is now available for several gentry properties in the Cowpastures District before 1840 and include: Brownlow Hill  – 44 convicts between 1823 and 1828. In 1823 there were 11 convicts assigned to Peter Murdoch who had the Glendaural grant, which later became part of Brownlow Hill; Denbigh – 8 convicts in 1828; Kirkham – 103 convicts between 1814 and 1830 with a mix of skill including ploughman, shepherds, millers, and general labourers; Macquarie Grove – 28 convicts in 1828 with skills including ploughman, wheelwright, labourer, and house servants; Matavai (Cobbitty) – 14 convicts in 1828 who included blacksmith, sawyer, labourers and house servants; Wivenhoe – 6 convicts in 1828 who included a cooper and shoemaker. The database is located at the Camden Museum.

Notes

[1] Ken Williams, 1824 Cawdor Bench of Magistrates Population, Land and Stock Book, A Biographical Register of the Inhabitants residing in the Cowpastures, Picton & District Historical and Family History Society, Picton, 2011.

[2] Elizabeth Villy, The Old Razorback Road, Life on the Great South Road between Camden and Picton 1830-1930, Rosenberg, Dural, 2011. p. 35.

[3] Villy, The Old Razorback Road, pp. 34-35.

[4] Villy, The Old Razorback Road.pp. 62-65

[5] Villy, The Old Razorback Road.pp. 66-90.

[6] The Sydney Morning Herald, Saturday 26 October 1929, p 13.

[7] The Sydney Morning Herald, Saturday 26 October 1929, p 13.

[8] Alan Atkinson, Camden, Farm and Village Life in Early New South Wales, OUP, Melb, 1988, p.20. Peter Mylrea, Camden District, A History to the 1840s, Camden Historical Society, 2002, p.34.

[9]  Atkinson, Camden,  p.20

[10] James S Hassall, In Old Australia Records and Reminiscences from 1794, RS Hews,  Brisbane, 1902 (BiblioBazaar, 2015), pp. 4-5

The Cowpasture Project

More information about the Cowpastures can be found on the Cowpastures project blog page. Click here