The 2023 Camden Show proves its resilience and came alive after the disasters of Covid and the 2022 floods when the show was postponed and cancelled.
Camden Show office for 2023 in the 1936 addition to the 1890s agricultural hall. The show office staff were forced out of their former office space underneath the hall due to the 2022 floods. (I Willis, 2023)
Exhibitors and competitors
The arts and crafts pavilion is a good place to start, the must-see at all country shows. On display are the hidden talents of the local area.
The talent of sugar artists is on display in the Arts and Crafts Pavillion. Some of these exhibits are true works of art. (I Willis, 2023)
A staple at all country shows are local farmers and producers who display their animals and produce. The cattle are always an interesting area to watch, and dairying has a rich history in the Camden area going back to the 1880s.
Dairying has been a staple farming activity in the Camden area for over 130 years. These dairy cattle show some of the local talent and why dairy farming has been so important in the local area for so long. (I Willis, 2023)
The produce exhibit is a snapshot of what can be grown and produced locally. Each of these products has been a vital part of the local farming scene over previous decades and in the present. For example, the apple industry was very important in The Oaks for most of the 20th century, and viticulture or growing grapes occurred across the Elderslie area for most of the last 100 years.
Apples, vegetables and other produce have been an important of the farming scene in the local area since the time of European settlement. An examination of Camden Show catalogues over the years shows the importance of these farming products for the local area. (I Willis, 2023)
The flower exhibits are always popular with show visitors, and 2023 is no exception. The flowers have moved out of the main pavilion to a more compact area and the number of exhibitors is down on previous years.
Flower exhibits at the 2023 Camden Show. This image shows the ever-popular dahlias. (I Willis, 2023)
Exhibitors are a mixture of keen amateurs and professional producers. All compete for the glory and fame that comes with first place. The cash prizes are really only pocket money, and it is the kudos that is the attraction.
A happy exhibitor who won a first with red capsicum and a highly commended with her squash and eggplants. All produce was locally grown. (I Willis, 2023)
The Show Ball and the Camden Show 2023 Young Woman of the Year
An often overlooked part of the show is the show ball and the announcement of the winner of the Camden Show 2023 Young Woman of the Year. The competition started in 1962 as the Camden Miss Showgirl and was rebranded in 1979 as the Showgirl competition. It is an excuse for the young, and not so young, folk of the area to get frocked up and enjoy themselves.
The promotional material for the annual show ball where the winner of the former Showgirl competition is announced for the following year. (CSS)
The winner of the Camden Show 2023 Young Woman of the Year competition was announced on the front page of The District Reporter.
The cover of The District Reporter, 4 November 2022, where the winner of the Camden Show 2023 Young Woman of the Year was announced. (TDR)
Camden Show promotional material
Much literature is produced at showtime; one of the most important is the show catalogue. The schedule lists all categories that competitors might want to enter with their animals, produce or crafts, the entry fees, the winning prizes and many other show time details.
The cover of the 2023 Camden Show catalogue and schedule (Camden Show Society)
Then there is the showground map which details all the exhibitors, events, show rings, entertainment, show bags, conveniences, parking and lots of other information.
The map of the 2023 Camden Show was produced by The District Reporter, and in comparison with maps of shows from earlier years, it is clear how the show has grown in size and moved into the surrounding Camden Bicentennial Equestrian Park from the boundary of Onslow Park. This year the Camden Bicentennial Equestrian Park is accommodating parking, horse events, the ute show, sheep, goats and alpacas, and sheep dog trials. (CSS)
One innovation this year has been the Agricultural Discovery Booklet for children. The booklet is full of puzzles, quizzes, colouring in, find-a-word, crosswords and other stuff. A great thing for the kids.
The cover of the Camden Show 2023 Agricultural Discovery Booklet (CSS)
Information stalls and exhibitors
The 2023 Camden Show has many exhibitors, including commercial enterprises, the show guild members who provide rides and entertainment, government information services, community organisations and many others.
The wonderful girls were found at the NSW Government Land Information Service exhibitor stall. These chooks were proudly standing guard over and host of information brochures and booklets and looking after the staff on duty. But these girls have their enemies and on the other side of the exhibitor stall in the corner were a number of them on display (I Willis, 2023)
Some of the enemies of the chooks look very menacing and dangerous at the NSW Government Land Information Services exhibitor stall. These feral animals are a nuisance and pest for farmers across rural New South Wales, with the fox starting to appear in the urban part of the Camden area. (I Willis, 2023)
Commercial exhibitors
The Sadek Motor Group exhibitor display shows the old and new motor cars. Displays by local motor dealers at the Camden Show has been a regular feature going back to the 1930s. This 1930s vehicle has attracted the attention of a showgoer dressed to drive away this historic specimen. (I Willis, 2023)
Exhibitors from the community
Community groups are regular exhibitors at the Camden Show, including the Country Women’s Association, Camden Historical Society, Camden Area Family History Society, Camden Hospital Women’s Auxiliary, Girl Guides, the Camden Show Society itself and many others.
The NSW Country Women’s Association is a regular participant at country shows across the state providing tea, coffee and scones for hungry showgoers. Here the Camden CWA signage is showing the 2023 Camden Show-goer the way to refresh their day with tea and scones. The women also sold a variety of other articles to assist their fundraising. (I Willis, 2023)
Show promotional liftout
Promoting the show is always essential, and The District Reporter has had their show liftout for many years. The liftout is part of the only print edition of a newspaper that still circulates in the local area and has the show’s history and many stories about show personalities, events and exhibitors.
The cover of the 2023 Camden Show liftout from The District Reporter. This print media has traditionally been the primary waythe Camden Show Society has promoted the show over the last 130 years. (TDR)
The role of social media has increased in recent years as a way to promote the show.
This handsome specimen of an animal was used to promote the show on Facebook and Instagram in the lead-up to the 2023 Camden Show. Social media is an integral part of promoting the Camden Show in recent years. (CSS)
The show ends after another year
The show rides have ended, and it is pack-up time at the end of the 2023 Camden Show. Show guild members gather their bits and pieces, pack their rides and travel to the next country show. They will be back next year. (I Willis, 2023)
Packing up includes collecting the rubbish bins.
The bins have been emptied and are awaiting collection at the show’s end. The rides have ended, and will not be back until next year. The showground is starting to return to normality after the two-day festival of fun, frolic, entertainment and serious judging of stock, crafts and produce. Onslow Park is returning to normal. (I Willis, 2023)
In Camden the ideology of motherhood expressed itself in the foundation of the St John’s Mother’s Union in 1900 which saw that mothers were an integral part of women’s service role to the British Empire. (Ministering Angels, p19) and later the Red Cross in 1914 and Camden Country Women’s Association in 1930. (Ministering Angels, 21)
In the early 20th century the Red Cross was variously described as the ‘Greatest Mother in the World’, and the ‘Mother of all Nations’ (Ministering Angels, 6) The CWA were concerned with motherhood and infant mortality and of their main activities in the early 20th century was the foundation of baby health centres across the country.
This First World War poster is a lithograph by American artist Foringer, A. E. (Alonzo Earl) and is titled ‘The greatest mother in the world’ (1917). The poster is showing a monumental Red cross nurse cradling a wounded soldier on a stretcher.
Around the turn of the century a direct link was made between infant welfare, motherhood, patriotism and nationalism. Motherhood and mothering were expressed in terms of patriotism and a national priority. All driven by European exceptionalism, expressed in Australia as the White Australia policy. There was anxiety around falling birth rates, whiteness and the strength of the British Empire.
The story of the Camden District Red Cross 1914-1945 is published by the Camden Historical Society. It tells the story of Red Cross branches at Camden, Menangle, The Oaks, Bringelly, Mount Hunter, Oakdale and the Burragorang Valley.
Motherhood as national building
Sociologist Karen Swift writes that from the around the middle of the 18th century the state became interested in motherhood where ‘the state’s interest in controlling and using female fertility for nation building and economic purposes’. Biological determinism stated that motherhood was a natural state for women and that is should be a national priority.
The ‘master narratives’ governing European motherhood in earlier centuries was that of nation building, especially in the colonies. The creation of new nations required a growing, healthy population, with women’s roles focused on producing and rearing soldiers and laborers. Once nation-building efforts became established, mothers were called upon to contribute to the development of a large and prosperous white middle class needed to perpetuate and grow capitalism. For this purpose, white mothers were needed to learn, teach, and demonstrate the moral authority the middle class required to dominate those below in the social, economic, and racial hierarchies.
The metaphor of the Red Cross as mother and guardian angel was extended in the post-war environment and incorporated a concern for mothers and infants. The terrible losses of the First World War, and declining birth rate made the welfare of mothers and infants a national defence priority. There were calls to repopulate the country (The Maitland Weekly Mercury, 30 November 1918.) and a developing national anxiety around motherhood. Some of Sydney’s conservative elite had expressed concern about the issue of infant welfare, and set up the Kindergarten Union and Free Kindergartens in the 1890s.
Sibella Macarthur Onslow in the library at Camden Park House in 1922. Sibella known affectionately ‘Sib’ was a philanthropist, church woman, pastoralist, a woman of independent means and intensely private. She was a member of influential conservative women’s organisations during the Edwardian and Interwar periods including Sydney’s influential Queen’s Club and National Council of Women and the imperial Victoria League. (Camden Images)
Support from the National Council of Women of NSW, of which Sibella Macarthur Onslow of Camden Park was a member, and others who were concerned about the welfare of mothers and infants led to the establishment of day nurseries, supervised playgrounds and other initiatives in inner Sydney in the early 1920s. There were high rates of infant mortality in inner Sydney and social conditions for single mothers with children were less than desirable. There had been the Royal Commission on the Decline of the Birth Rate and the Mortality of Infants in New South Wales in 1904 and the Edwardian period was characterised by a nationalistic concern over the moral decline of the British race. (Ministering Angels, 65-66)
‘Perfect Motherhood is Perfect Patriotism’
‘Perfect Motherhood is Perfect Patriotism’ according to Sydney’s Daily Telegraph in 1926. The article was a part of the publicity associated with a fundraising campaign for the Karitane-Sydney Mothercraft Centre at Coogee operated by the Australian Mothercraft Society. The society had been established in Australia in 1923 modelled on the Royal New Zealand Society for Health of Women and Children, commonly called the Plunket Society, established by New Zealand doctor Sir Truby King in 1907.
You should have a white Australia. But if you find the Eastern nations more moral more noble to make more sacrifices for the continuity of the race, you know the result must be the same as has been the case with the great civilisations of the past. Greece and Rome went down, not through any failure in the valour or courage of their young men, but because of the increase in luxury, the repugnance to rearing families, followed by decadence and sterility and eventually extinction. If the population of Australia do not do their duty to the race there cannot be any resistance to other races coming in and populating this fair land.
In 1920 the women of the Camden Red Cross were concerned about these issues and donated £14 to the Society for Welfare of Mothers and Babies. The society had been formed in 1918 in Sydney, aimed to teach mothercraft and eventually set up the Tresillian training school at Petersham in 1922.
The women of the Camden Red Cross at their weekly street stall in Argyle Street Camden in the 1920s. The women ran the stall for decades and raised thousands of pounds for local and national charities. (Camden Images)
Red Cross Baby Day became an important part of the district Red Cross child welfare agenda in the post-war years. The Red Cross coordinated the first Baby Week in 1920 in the first week of April and encouraged the formation of local committees.
The Baby Week was supported by Lady Helen Munro Ferguson and had its origins in England with the National Baby Week Council in 1900. Its objects were to foster child welfare by decreasing infant mortality, to promoting the health of mothers, and to encouraging motherhood and maternal nursing(The Braidwood Dispatch and Mining Journal, 27 February 1920) (Ministering Angels, 66).
The 1920 Red Cross Baby Day in Camden was held on 30 March and the Camden branch had two street stalls, while the Narellan Red Cross had an afternoon tea stall at the Bank of New South Wales. (Minutes, Camden Red Cross, 9 March 1920 )
Camden RHS Adeline West with baby Kathleen LHS Adeline’s sister Ethel Jones & baby Edwin 1908 (Camden Images)
The support continued in 1925 when the Camden Red Cross was assisted on the dip stalls by Miss Gardner from Camden Public School and her kindergarten class. The total raised by Camden was £23 and Narellan Red Cross raised £9. Camden News, 1 April 1920)
The funds were donated to the Camden District Cot at the Royal Alexandra Hospital for Children. In 1925 Camden Red Cross members sought the assistance of the girls from Camden Superior Public School, with the girls helping out on one of the dip stalls. This practice continued until 1940. The Camden Red Cross branch made a regular donation and it generally varied between £20 and £50, with a peak in 1922 of £53. The overall average donation between 1921 and 1939 was £34, while during the Furner presidency the average donation was £37 and Macarthur Onslow’s presidency £32. The Camden Red Cross made a number of donations to nursery movement groups during the 1920s and they included: Nursery Association (1924, £10); Sydney Day Nurseries (1925, £10); Infant Home, Ashfield (1925, £7, and 1926, £10); and the Forest Lodge Day Nursery (1927, £6). (Ministering Angels, 66)
A popular TV drama ‘A Place to Call Home’ on Channel 7 has been set in and around the  Camden district. Amongst the characters is the fictional 1950s matriarch of the Bligh family, Elizabeth (Noni Hazlehurst). This figure has a number of striking parallels with Camden’s own 20th century female patrician figures.
Camden’s matriarchs, just like Elizabeth, were formidable figures in their own right and left their mark on the community.  The fictional Elizabeth Bligh lives on the family estate Ash Park (Camelot, formerly Kirkham) in the country town of Inverness during the 1950s.
A Place to Call Home was a hit TV series produced in Australia that premiered in 2013. The series used the John Horbury Hunt designed Victorian mansion Camelot located at Kirkham on the edge of Camden as the location setting for the TV show. (Amazon)
Frances Faithful Anderson
Kirkham’s own Elizabeth Bligh was Frances Faithful Anderson, who moved to the Camden area with her husband, William, in the 1890s. She renamed James White’s fairytale castle Kirkham, Camelot, in 1900 after being reminded of the opening verse of Tennyson’s The Lady of Shalott. Frances (d. 1948) lived in the house, with her daughter Clarice, until her death. Both women were shy and retiring and stayed out public gaze in Camden, unlike the domineering fictional character of Elizabeth Bligh. The Anderson women were supporters of the Camden Red Cross, Women’s Voluntary Services, the Country Women’s Association, Camden District Hospital and the Camden Recreation Room during the Second World War (DR, 29/3/13). Clarice willed Camelot to the NSW National Trust, according to Jonathan Chancellor. The NSW Supreme Court rule in 1981 that her mother’s 1938 will took precedence. Frances wanted the house to become a convalescent home, but this clashed with zoning restrictions.
Camelot house, originally known as Kirkham, was designed by Canadian-born architect John Horbury Hunt for James White. The house was built in 1888 on the site of colonial identity John Oxley’s Kirkham Mill. Folklore says that James White financed the house from the winnings of the 1877 Melbourne Cup by his horse Chester. Under White’s ownership the property became a horse-racing stud and produced a number of notable horses. (Camden Images)
Camden’s Edwardian period was dominated by the figure of Elizabeth Macarthur Onslow of Camden Park.  She took control of Camden Park in 1882 when her husband Arthur died. Under her skilful management the family estate was clear of debt by 1890 and she subsequently re-organised the estate. She established the pastoral company Camden Park Estate Pty Ltd, with her children as shareholders.  Heritage consultant Chris Betteridge states that she organised the estates co-operative diary farms, built creameries at Camden and Menangle, orchards and a piggery. Elizabeth was a Victorian philanthropist, a Lady Bountiful figure, and according to Susanna De Vries was a strong supporter of a number of local community organisations including the fore-runner of the Camden Show Society, the Camden AH&I Society. She died on one of her many trips to England and has dropped out of Australian history.
This image of Elizabeth Macarthur Onslow is from a portrait painting at Camden Park House. Elizabth was the daughter of James Macarthur. She married Captain Arthur Onslow in 1867 and had 8 children. (Camden Park)
Sibella Macarthur Onslow
Elizabeth’s daughter, Sibella, was a larger than life figure during Camden’s Inter-war period and was quite a formidable figure in her own right. She grew up at Camden Park and moved to Gilbulla in 1931, which had been the home of her sister-in-law, Enid Macarthur Onslow. Sibella never married and fulfilled the role of a powerful Camden patrician figure. She was a true female matriarch amongst her brothers who took public positions of power in the New South Wales business community. She was one of the most powerful female figures in New South Wales and her personal contact network included royalty, politicians and the wealthy elite of Sydney and London. Macarthur Onslow possessed strong conservative Christian values and was an active figure in the Sydney Anglican Archdiocese.  She was a Victorian-style philanthropist and was president of the Camden Red Cross from 1927 until her death in 1943.
The power vacuum in Camden’s women’s affairs left by the death of Sibella Macarthur Onslow was filled by Rita Tucker of The Woodlands, at Theresa Park. She had a high community profile in 1950s Camden and was well remembered by those who dealt with her. She became president of the Camden Country Women’s Association in 1939 and held the position until her death in 1961. She was a journalist and part-time editor of the North West Courier at Narrabri before she moved to Camden with her husband Rupert in 1929. She was an active member of the Camden Liberal Party in the 1950s, holding a number of positions, and was New South Wales vice-president of the CWA between 1947 and 1951. She was an accomplished musician and played the organ at the Camden Presbyterian Church in the early 1940s.
Rita Tucker, Camden NSW (J Tucker)
Zoe Crookston
A contemporary of Tucker was Zoe Crookston, the wife of Camden surgeon, Robert Crookston. A shy retiring type, she lived in grand Victorian mansion at the top of John Street and was the wartime president of the Women’s Voluntary Services. She was a Presbyterian, a liberal-conservative and an active committee member of the United Australia Party in the 1930s. According to her daughter Jacqueline, ‘her mother was a no-nonsense person who always liked to get on with the job at hand’. She was a foundation member of the Camden Red Cross and was actively involved until 1949. Other community organisations occupied her time including being on the committee of the Camden District Hospital Women’s Auxiliary from 1933 to 1945.
The Camden story is an ongoing project that aims to tell the untold stories of the Camden, Cowpastures and Macarthur districts. There is the telling, the learning and the showing of the story.
The project is constantly evolving and changing direction. It is centred around the construction of place and the meaning of landscape. These are culturally derived concepts from both Indigenous and European experiences.
An aerial view of Camden township in 1940 taken by a plane that took off at Camden airfield. St John’s Church is at the centre of the image (Camden Images)
There are the natural ecologies that make up the environment as well as atmospheric and geological elements. The natural elements are just as important as the cultural.
Complexities of the Camden story
The Camden story has its own complexities. There is no one single dominant narrative. There are many voices in the story and each has a right to be heard.
There are many threads to the Camden story and when woven together make a coherent story with many voices. The weave of the cloth represents the warp and weft of the daily lives of the actors on the stage. Together they create a vibrant design that can capture the imagination of many and inspire others.
There are many actors in the constantly evolving narrative, each with their own agenda. The story is played on a stage that is located on Sydney’s rural-urban fringe, a dynamic movable frontier on the city’s edge. It is a constantly changing and evolving cultural landscape.
There are many layers to the Camden story each with its own particularities. As each layer is peeled back it reveals memories and meanings from the past that influence the present. Those who are interested can dive into the many layers and help unravel the entangled threads of the web and give some clarity to their meaning within the story.
The Camden story is a journey that is constantly evolving with many signposts along the way. There are a lot of fellow travellers who have their own stories. There are many pathways and laneways to go down, each with its own meaning and memories to the travellers who come along for the journey.
The Camden story has its own road map of sorts with signposts and markers of significant places along the journey for those who want to look. There are many opportunities for those who want embark on this journey and uncover many of the undiscovered mysteries of the Camden story.
It is in the interests of those who want to tell the story that they walk the ground in which the story is embedded. The landscape speaks to those who want to listen. The experience is enriching and fulfilling and shapes the telling of the story.
Some parts of the Camden story
The Camden story has many parts and some are listed below:
This is a short history of the town, which is situated on the floodplain of the Nepean River, on the traditional land of the Dharawal people in an area known as the Cowpastures. The Camden area’s distinctive landscape has moulded the community’s identity and sense of place. From the earliest days of European settlement class and social networks ordered daily life in the village with the local gentry at the top of the social hierarchy.
Vista of St Johns Church from Macarthur Park in 1910. Postcard. (Camden Images)
The Camden district ran from the Main Southern Railway around the estate village of Menangleinto the gorges of the Burragorang Valley in the west. It was a concept created by the links between peoples’ social, economic and cultural lives across the area. The district became the centre of people’s daily lives for well over a century and the basis of their sense of place and community identity.
This short historiography  is one of the few that has been attempted to illustrate the construction of the history of a rural community. It is an attempt to examines the broad range of influences that shaped the writing of the Camden community’s history.
Movie makers have always had an eye on the Camden district’s large  country houses, rustic farm buildings, quaint villages and picturesque countryside for film locations. From the 1920s the area has been used by a series of film makers as a setting for their movies. It coincided was an increasing interest in the area’s Englishness from poets, journalists and travel writers.
The Camden bibliography is an attempt to highlight some of the research that addresses the notion of Camden as a country town and the subsequent urbanisation of the local government area. The sources listed in the bibliography cover the geographic area of the Camden district.
The Cowpastures emerged as a regional concept in the late 18th century starting with the story of the cattle of the First Fleet that escaped their captivity at the Sydney settlement. The region was a culturally constructed landscape that ebbed and flowed with European activity. It grew around the government reserve established by Governors Hunter and King. It then developed into a generally used locality name centred on the gentry estates in the area.
On the Cowpasture Road / Chrisr: Bunbury’s. from Views of Sydney and Surrounding District by Edward Mason, ca. 1821-1823; 1892. State Library of NSW PXC 459
The story of European settlement in the Cowpastures is intimately connected to the story of the convicts and their masters. This story has not been told and there is little understanding of the role of the convicts in the Cowpastures district before 1840. Who were they? What did they do? Did they stay in the district?
Kirkham is a picturesque, semi-rural locality on Sydney’s rural-urban fringe between the historic township of Camden, with its inter-war and colonial heritage and the bustling commercial centre of Narellan. The arrival of the rural-urban fringe at Kirkham in recent decades has created a contested site of tension and constant change, resulting in an ever-evolving landscape. This is an example of a short locality history within the local area published by the Dictionary of Sydney.
Camelot House (formerly known as Kirkham) located in the Kirkham area in the early 1900s (Camden Images)
Early European settlers were the key actors in a place-making exercise that constructed an English-style landscape aesthetic on the colonial stage in the Cowpastures district of New South Wales. The aesthetic became part of the settler colonial project and the settlers’ aim of taking possession of territory involving the construction of a cultural ideal from familiar elements of home in the ‘Old Country’. The new continent, and particulaly the bush, had the elements of the Gothic with its grotesque and the demonic, and the landscape aesthetic was one attempt to counter these forces. Settlers used the aesthetic to assist the creation of a new narrative on an apparenty blank slate and in the process dispossessed and displaced the Indigenous occupants. The new colonial landscape was characterised by English place-names, English farming methods and English settlement patterns, with only cursory acknowledgement of Indigenous occupation.
The rural-urban fringe is a dynamic frontier, an ever expanding zone of transition on the edges of Australia’s major cities and regional centres. This paper examines the proposition that Sydney’s urban growth has pushed the city’s rural-urban fringe into the countryside and unleashed the contested nature of place-making in and around the
country town of Camden. It will be maintained that the dynamic forces that characterise the rural-urban frontier have resulted a collision between the desires and aspirations of ‘locals’ and ‘outsiders’ and prompted a crisis in the identity of place. Community icons
and rituals have become metaphors for the continuity of values and traditions that are embedded in the landscapes of place. The actors have used history and heritage, assisted by geography and aesthetics, to produce a narrative that aims to preserve landscape identity, and has created a cultural myth based on a romantic notion of an idealised
country town drawn from the past, ‘a country town idyll’.
St Johns Church Camden around 1900 (Camden Images)
What’s in a name? Quite a lot if you live in the fringe urban communities of Campbelltown, Camden or Picton in the Macarthur district on Sydney’s rural-urban fringe. In the past these communities have been fiercely parochial country towns with clearly identifiable differences based on history, heritage, traditions, mythology, rituals, demographics, local government and a host of other factors. With the encroachment of Sydney’s urban sprawl they have been wrapped up by the tentacles of the metropolitan octopus and faced challenges on a variety of fronts. The questions that this article raises concern Macarthur regionalism. Is it authentic? How representative is it of the former country towns that are now incorporated within it?
The Nepean River is one of the most important waterways in the Sydney basin and has particular significance for Sydney’s southwestern rural-urban fringe. The Nepean River catchment extends south and east of the Sydney Basin to take in areas near Robertson and Goulburn. West of Wollongong the tributaries includng Cataract Creek, Avon River, Cordeaux River that flow north-west and then into the deep gorges of Pheasants Nest and Douglas Park. The river opens up into a floodplain and flows past  Menangle and crosses the Cowpastures and southern Cumberland Plain past Camden and Cobbitty. The river then flows north through the gorge adjacent to Wallacia  and enters Bents Basin before it is joined by the Warragamba River and changes its name to the Hawkesbury River.
The Nepean River in the early 1900s just below the Cowpasture Bridge during a dry spell. Postcard. (Camden Images)
Camden is a country town whose history and development has been influenced by war. The town was part of Australia’s homefront war effort, and from the time of the Boer War the most important part of this for Camden was volunteering. The Second World War was no exception, and the most influential voluntary organisation that contributed to the town’s war effort was the Womens Voluntary Services [WVS]. Â The Camden WVS was part of a strong tradition of Victorian female philanthropy in the town, which attracted, and depended on, middle class women socialised in Victorian notions of service, ideals of dependence, a separatedness of spheres, patriarchy, the status quo, and by the inter-war period, modernity.
On 21 October 2004 the former Member for Camden, Dr Elizabeth (Liz) Kernohan, died after suffering a heart attack. She was sixty- five. Thousands of people lined Argyle Street in Camden to see the cortege and pay their last respects, I and compliments flowed from both sides of New South Wales politics. There were over 1850 column centimetres devoted to her death and subsequent funeral in the local press. Kernohan was a popular, larger than life figure in Camden. She held the seat of Camden for the Liberal party for over 11 years in an area that some have claimed is the key to the success of the Howard Government. How was Kernohan able to gain this type of support? This paper will try to address this question, although initially it is useful to give a brief overview of the electorate.
A notable part of Camden modernism that has disappeared is the drive-in movie theatre. The Narellan Gayline Drive-in Movie Theatre was one of the notable attractions in the local area between the 1960s and 1980s located on Morshead Road, Narellan (now Narellan Vale). Along with rock ‘n roll, transistor radios, the bikini, the mini-skirt, it marked the lifestyle of the baby boomers. Always popular with teenagers and young families. The drive-in movie theatre was a defining moment in the district for a 20th century culture that was based around the icons of the period: cars and movies.
Signage from the Gayline Drive-In Movie Theatre at Narellan (I Willis)
Catherine Fields once boasted a national tourist facility which attracted thousands of visitors a year to the local area, the El Caballo Blanco entertainment complex. The El Caballo Blanco complex opened in April 1979 at Catherine Fields. The main attraction was a theatrical horse show presented with Andalusian horses, which was held daily in the large 800-seat indoor arena.
The Camden Country Women’s Association made camouflage nets during the Second World War and was the largest netting centre in the area. The Camden CWA camouflage netting centre was assisted by sub-branches at Campbelltown and Narellan, which were established after the joint CWA-WVS meeting in December 1941.
One of the most popular memories of the Camden area by locals and visitors alike is the Camden branch line and its famous locomotive Pansy. It has a truly dedicated and enthusiastic bunch of supporters who positively drool about it and overlook its foibles. Old timers tell and retell stories to anyone who wants to listen, all laced with a pinch of exaggeration and the romantic. A part of local nostalgia. The Camden branch line was operated by the New South Wales Railways from 1882 to its closure in 1963.
Pansy Camden train crossing Hume Hwy at Narellan in the early 20th century (L Manny Camden Images)
Oran Park Raceway was doomed in 2008 to be part of history when it was covered with houses in a new suburb with the same name. It was also the name of a former pastoral property that was part of the story of the settler society within the Cowpastures. The locality is the site of hope and loss for both locals and new arrivals. The Oran Park Motor Racing Circuit was located in the south-western and western part of the original Oran Park pastoral estate. The main grand prix circuit was 2.6 km long with a mixture of slow, technical and fast sweeping corners as well as changes in elevation around the track.
This post was prompted by an item in the Oran Park Gazette, an A4 newsletter newspaper. Gazette journalist Lisa Finn-Powell asked: What is the future of the community newspaper?  The local ‘rag’ in our suburb is a free tabloid newspaper thrown onto our front driveway each week. Actually there are two of them, the Camden Narellan Advertiser and  the Macarthur Chronicle. Where I live some of these newspapers stay on the neighbour’s driveway for weeks and disintegrate into a mess. Other neighbours just put them in the bin. So not everyone is a fan of the local ‘rag’ in the age of Snapchat, Instagram and Facebook.
The members of 32 Squadron arrived in Camden Airfield in September 1942 after seven months of hazardous operational duties supporting Allied Forces in New Guinea and the surrounding area, including New Britain. The squadron had been ‘hastily formed in the field’ in February 1942 with personnel drawn from other units. The squadron’s operational duties at Camden Airfield included reconnaissance and sea patrols off the east coast of Australia.
Once the army moved into Narellan Military Camp it commenced operation and became part of the wartime scene during WW2. Men were seen marching all over the district, there were mock raids and the men practiced firing small arms. Â The camp is an important part of the story of Narellan during war as thousands of men, and some women, moved through the camp on their way to somewhere in the theatre that was the Second World War.
Aerial View Narellan Military Camp c.1941 (Camden Images CHS)
Supermarkets are one of the ultimate expressions of modernism. The township of Camden was not isolated from these global forces of consumerism that originated in the USA. The Camden community was bombarded daily with American cultural influences in the form of movies, motor cars, drive-in, motels, TV, and radio. Now consumerism was expressed by the appearance of self-service retailing and the development of the supermarket.
The local milk bar is a largely unrecognized part of Camden modernism where the latest trends in American food culture made their way into the small country town by Australian-Greek immigrants. The design, equipment and fit-out of local cafes and milk bars was at the cutting edge of Interwar fashion. The cafes were a touch of the exotic with their Art Deco style interiors, where fantasy met food without the social barriers of daily life of the Interwar period. Camden milk bars rarely just sold milk shakes unlike their counterparts in the city. To make a living and ensure that their businesses paid their way the cafes and milk bars also sold fruit and vegetables, meals, sandwiches, lollies, sweets and chocolates.
The interwar period in Camden was a time of economic development and material progress. The prosperity of the period was driven by the local dairy industry and the emerging coal industry. During the interwar period one of the most important economic arteries of the town was the Hume Highway (until 1928 the Great South Road). For a country town of its size the town had modern facilities and was up-to-date with the latest technology. The interwar years were a period of transition and increasingly the motor car replaced the horse in town, and on the farm the horse was replaced by the tractor, all of which supported the growing number of garages in the town.
Camden AH&I Hall brick frontage was added in 1936 to celebrate the Jubilee Show and designed by Sydney architect A Bolot (1997 Photographer JKooyman, Camden Images)
On International Women’s Day in 2019 it is worthwhile reflecting on some of Camden’s prominent women over the decades. Camden elite women were formidable figures and matriarchs in their own right and left their mark on the community.
Kirkham’s own Frances Faithful Anderson, who moved to the Camden area with her husband, William, in the 1890s. She renamed James White’s fairytale castle Kirkham, Camelot, in 1900 after being reminded of the opening verse of Tennyson’s The Lady of Shalott. Frances (d. 1948) lived in the house, with her daughter Clarice, until her death. Both women were shy and retiring and stayed out public gaze in Camden, unlike the domineering fictional character of Elizabeth Bligh. The Anderson women were supporters of the Camden Red Cross, Women’s Voluntary Services, the Country Women’s Association, Camden District Hospital and the Camden Recreation Room during the Second World War (The District Reporter, 29 March 2013). Clarice willed Camelot to the NSW National Trust, according to Jonathan Chancellor. The NSW Supreme Court rule in 1981 that her mother’s 1938 will took precedence. Frances wanted the house to become a convalescent home, but this clashed with zoning restrictions.
(Eliza) Elizabeth Macarthur Onslow of Camden Park NSW (L Abraham)
Camden’s Edwardian period was dominated by the figure of Elizabeth Macarthur Onslow of Camden Park.  She took control of Camden Park in 1882 when her husband Arthur died. Under her skilful management the family estate was clear of debt by 1890 and she subsequently re-organised the estate. She established the pastoral company Camden Park Estate Pty Ltd, with her children as shareholders.  Heritage consultant Chris Betteridge states that she organised the estates co-operative diary farms, built creameries at Camden and Menangle, orchards and a piggery. Elizabeth was a Victorian philanthropist, a Lady Bountiful figure, and according to Susanna De Vries was a strong supporter of a number of local community organisations including the fore-runner of the Camden Show Society, the Camden AH&I Society. She died on one of her many trips to England and has dropped out of Australian history.
Sibella Macarthur Onslow (CPH)
Elizabeth’s daughter, Sibella, was a larger than life figure during Camden’s Inter-war period and was quite a formidable figure in her own right. She grew up at Camden Park and moved to Gilbulla in 1931, which had been the home of her sister-in-law, Enid Macarthur Onslow. Sibella never married and fulfilled the role of a powerful Camden patrician figure. She was a true female matriarch amongst her brothers who took public positions of power in the New South Wales business community. She was one of the most powerful female figures in New South Wales and her personal contact network included royalty, politicians and the wealthy elite of Sydney and London. Macarthur Onslow possessed strong conservative Christian values and was an active figure in the Sydney Anglican Archdiocese.  She was a Victorian-style philanthropist and was president of the Camden Red Cross from 1927 until her death in 1943.
Wartime president of the Camden branch of the Country Women’s Association Mrs Rita Tucker. (J Tucker)
The power vacuum in Camden’s women’s affairs left by the death of Sibella Macarthur Onslow was filled by Rita Tucker of The Woodlands, at Theresa Park. She had a high community profile in 1950s Camden and was well remembered by those who dealt with her. She became president of the Camden Country Women’s Association in 1939 and held the position until her death in 1961. She was a journalist and part-time editor of the North West Courier at Narrabri before she moved to Camden with her husband Rupert in 1929. She was an active member of the Camden Liberal Party in the 1950s, holding a number of positions, and was New South Wales vice-president of the CWA between 1947 and 1951. She was an accomplished musician and played the organ at the Camden Presbyterian Church in the early 1940s.
This portrait is of Zoe Crookston’s daughter Miss Suzanne Crookston painted by Arthur Murch of Sydney in 1935 (AGNSW)
A contemporary of Tucker was Zoe Crookston, the wife of Camden surgeon, Robert Crookston. A shy retiring type, she lived in grand Victorian mansion at the top of John Street and was the wartime president of the Women’s Voluntary Services. She was a Presbyterian, a liberal-conservative and an active committee member of the United Australia Party in the 1930s. According to her daughter Jacqueline, ‘her mother was a no-nonsense person who always liked to get on with the job at hand’. She was a foundation member of the Camden Red Cross and was actively involved until 1949. Other community organisations occupied her time including being on the committee of the Camden District Hospital Women’s Auxiliary from 1933 to 1945. She was married to Camden medical practitioner Robert Crookston, and had two daughter Suzanne and Jaqueline.
A more recent woman of note was Elizabeth Kernohan.  Elizabeth (Liz) Kernohan was the first woman in Camden to be elected as an alderman on council (1973), to the hospital board (1974) and subsequently as deputy mayor (1974), mayor (1980) and finally as a member of parliament (1991). She was a popular local identity until her death in 2004.
Elizabeth Kernohan 1994 (Camden Images)
Kernohan, like earlier Camden women (Sibella Macarthur Onslow and Rita Tucker), combined female agency and active citizenship, and developed a ‘parallel path’ for herself where she acquired considerable social, moral and political authority. She combined her conservatism with civic duty and an ethic of selfless service.
Kernohan’s political success was based on her aggressive use of localist politics in an area that was proud of its rural traditions and heritage. She was plain speaking to the point where ‘What you see is what you get…(and) I call a spade a bloody shovel’. An approach that endeared her to the local community.
Kernohan was a fierce advocate of Camden’s rural identity in the face of the New Cities Plan (1973) which planned massive urban growth  on the metropolitan fringe. She maintained in 1981 that Camden should become the ‘Double Bay of Sydney’s southwest’, an exclusivity that is still recognizable in the area’s identity and sense of place. This identity of difference drove her popularity and appealed to the ‘aspirationals’ who moved to the area from the ‘burbs’. The new arrivals were looking for a place where the ‘country still looked like the country’ and were ready converts to her cause. Above all she proved that all politics is local, to the detriment of her career.
The Camden community was galvanised by the emergency created by the entry of Japan into the Pacific War on 7 December 1941 and the US declaration of war on 8 December.
Wardens and Air Raid Precautions
Stan Kelloway, Camden’s chief warden and mayor, called a public meeting which was held on Tuesday night at the town hall, 18 December 1941. He made an urgent appeal for wardens and volunteers for air raid precaution work in the town area.
Australian women making camouflage nets during the Second World War. These volunteering efforts greatly assisted the war effort. (AWM007671) cc
Camden women held a joint emergency meeting on the same night at the Camden CWA Rooms in Murray Street. The meeting was chaired by Rita Tucker, with Grace Moore, the secretary of the Women’s Voluntary Service (WVS) acting as the meeting’s secretary.
The Camden District Hospital Women’s Auxiliary was represented by its president, Emma Furner, and the CWA Younger Set by Mary Sparkes and Anita Rapley. Apologies were received from Zoe Crookston, Mary Davies, Albine Terry and Hilda Moore. Mary Davies was the treasurer of the Camden Red Cross and the vice-president of the Camden Hospital Women’s Auxiliary, Albine Terry, Camden WVS treasurer and Camden Hospital Women’s Auxiliary vice-president, and Hilda Moore, the secretary of the Camden Red Cross.
Camouflages Nets
There was much discussion at the meeting and a decision was taken to concentrate on making camouflage nets. The CWA and Women’s Voluntary Service, which were conducting separate camouflage netting meetings, decided to combine their separate netting efforts. The combined effort would be located at the CWA rooms on Monday and Tuesday nights, and Friday afternoons.
These arrangements were organised so that they did not conflict with existing service commitments, particularly the WVS and Red Cross sewing circles at the town hall. Camden volunteers were requested to bring ‘a hank of string for practice’. The Camden press maintained in December 1941 that ‘anyone who possibl[y] can is urged to take this opportunity of rendering national service in a time of crisis’. The meeting also asked volunteers to fill out forms for the Women’s Voluntary National Register and to cooperate with local wardens of the National Emergency Services.
National Emergency Services
The Camden press maintained in December that the ‘National Emergency Services can provide a job for practically every woman’, and forms for the Women’s Voluntary National Register were obtainable from Nancy Freestone, the assistant secretary of the WVS, at the town hall library.
The Women’s Voluntary National Register was established in New South Wales in early 1939. It was part of a federal government scheme to determine how many women would be able to provide ‘manpower’ and national service, if required, when the nation went to war.
The most efficient means of doing this was to tap into the pre-existing network of women’s clubs and organizations, and call upon their membership to provide the information. Clubs that affiliated with the register would collect the details of (eligible) volunteers from within their membership base and forward that information to the central register. Women would then be classified according to the type of work available, and the type of work they were suited to do.
Women, according to the Australian Women’s Register, who weren’t members of an organization could still volunteer through the state council headquarters, but clearly, ‘outsourcing’ much of the work to the organizations was a cost and time efficient method of operation.
An affair at the CWA
From December 1941 the manufacture of netting in Camden turned into a CWA affair. Reports on netting production from the Camden centre were sent to the state CWA Handicrafts Committee in Sydney, which co-ordinated the state netting effort for the CWA and received all the completed nets from the Camden centre.
The central CWA netting centre co-ordinated all organisational details, issued instructions to branches on the packing, despatched nets to Sydney and acted as a clearinghouse for the Army, which supplied all the twine and collected all the finished nets.
The Countrywoman in New South Wales for July 1941 which was a special handicraft issue with patterns and designs for making soldier comforts. The Countrywoman had lots of advice on wartime activities including instructions on making camouflage nets by local branches. Sheepskin vests were made for servicemen during the winter cold of Europe. (CWA)
The New South Wales CWA journal The Countrywoman in New South Wales reported that by January 1942 the handicraft committee was supplying 230 country branches and over 100 suburban circles with twine for making nets.
When compared to netting efforts in some other country towns Camden’s output was relatively small. Between February 1941 and February 1944 the Camden netting centre made 578 nets. Una Swan acted as netting secretary and roped all nets, while Mary Poole acted as demonstrator.
At Nowra netting centre, which was a joint effort between Nowra CWA and Red Cross, and made 1,320 nets in the 2½ years that their centre was operational from mid-1941 to December 1943. Camden netting centre was never able to sustain the same effort as Nowra.
To the end of 1942 the Nowra centre had made 875 nets, while Camden’s centre had manufactured 489 nets. While at the Quirindi CWA local women made 14 camouflage nets in one week in March 1942 and by the end of the war had sent away 565 nets. Most country towns had similar voluntary patriotic projects.
The Camden centre was kept abreast of statewide netting activity by the Countrywoman, which issued monthly tallies of nets supplied to the Sydney CWA depot by netting centres, as well as reporting other related, netting information.
Learn more
Read more about the CWA and other conservative women’s organisations in wartime Camden @ UOW research
The Camden Country Women’s Association, formed in 1930, played an important role in wartime Camden between 1939 and 1945. The branch undertook a number of roles under the direction of its wartime president Mrs MS (Rita) Tucker.
Mrs Tucker was a lifelong member of the CWA and its president from 1939 until her death in 1961. She was driven by community service as were most of the Camden women that worked for the homefront war effort.
Wartime president of the Camden branch of the Country Women’s Association Mrs Rita Tucker. (J Tucker)
Mrs Tucker was a foundation member of the Camden CWA. She was an active member of the Camden Presbyterian church and played the organ on Sundays. She was a member of the Camden female elite and moved in influential circles in Sydney. She was very determined, intelligent and forthright. She did not suffer fools and said so, which could rub people up the wrong way. She was outspoken and a straight talker.
Mrs Marguerita Tucker (nee Blair) was born in 1894 in Finley NSW and attended Goulburn Presbyterian College. Her parents were William and Flora Blair, and she was one of three children, brother Douglas and sister Doreen. Her family moved to Narrabri in 1910, where she later worked as a journalist and part-time editor for the North West Courier as well as supporting her family’s pastoral interests in the area.
Rita Blair married Rupert Tucker in 1915, whose family owned Merila, a wheat and sheep property, between Narrabri and Boggabri. Rita and Rupert had a daughter Joanna (1920) and a son John (1938), after losing their first child. They moved their family to the Camden area in 1929 and purchased Nelgowrie near Macquarie Grove. They later purchased The Woodlands at Theresa Park, made some additions to the house, then moved the family there in 1935.
Rita Tucker joined the Camden CWA on its foundation in 1930. She was a modern independent woman at a time where there was changing aspirations for rural women. Tucker was vice-president of the Nepean Group of the CWA in 1931, worked tirelessly for the organisation and was New South Wales CWA treasurer in 1937.
Agency of country women
Tucker took advantage of the groundbreaking role of the Camden Red Cross which had empowered Camden women within the strict social confines of the town’s closed social order. She exercised her agency as a Camden conservative and carved out a space within Camden’s female voluntary landscape.
Rita Tucker was part of the New South Wales CWA which was founded in 1922 by the conservative wives of the rural gentry. The foundation president was Mrs Grace Munro from the New England area of New South Wales and was in the same mould as Tucker. Mrs Munro proceeded to implement policies that were aimed at empowering rural women who were confined by isolation, marriage, poor education, rural poverty, poor services and a lack of mothercraft support in the bush.
Munro was born at Gragin near Warialda NSW and educated at Kambala in Sydney. She lost a child in 1911 while away from home attending to medical matters for another of her children in Sydney. She had gained valuable experience during the First World War in the country Red Cross. Helen Townsend’s Serving the Country, the history of the New South Wales CWA, has described Grace Munro as a formidable energetic women who was totally dedicated to the CWA. Tucker and Munro were active agents of change for country women.
Change Agents
The conservatism of the NSW CWA founders was reflected in the women who established the Camden CWA. These women put matters of family, church and community at the forefront of their voluntarism and implemented policies within the CWA that reflected these values. The CWA founders in Camden and at a state level supported the status quo where patriarchy and class ruled daily interactions in country towns.
During the Second World War the women of the New South Wales and Camden CWA saw their role as a support organisations as part of the Australian family on the homefront. Townsend’s history states that in 1939 member’s patriotism was stirred by the promise of ‘action, excitement, purpose and drama’.
A woman’s part in this heroic struggle is to inspire our men, to cheer and to comfort and to sustain them through good and evil report, until we shall reach the Pisgah’s heights of victory and guarantee to our children and our children’s children that they may pursue honourable lives as free men and women along the paths of peace in the years to come.
During the war years the most important wartime activity undertaken by the CWA in Camden and across the state was making camouflage nets for the army. In Camden making camouflage nets was based at the CWA’s Murray Street headquarters, while the branch regularly sent finished camouflage nets to Sydney from 1940.
Over 70 years later the Camden CWA is still serving the local community and is part of Australia’s most powerful women’s organisation.
Learn more
Read more about the CWA and other conservative women’s organisations in wartime Camden  @  UOW research
A Camden netting volunteer, Elaine, remembered volunteering for duty at the Camden netting centre when she was 15 years old. She recalled that the netting effort was organised and supervised by Rita Tucker. She stated that she had left school and attended the centre on a weekly basis with a group of friends.
Elaine maintained that Camden men ‘were away and we were doing our bit’ for the war effort. She stated that Camden women ‘all had to do something to help our boys’ and they took up netting as part of their civic and patriotic duty. Elaine reported that, for her, netting was not hard work and she enjoyed going with her friends. She maintained that they worked ‘long hours’ and ‘didn’t really worry about it’.
Australian women making camouflage nets during the Second World War. These volunteering efforts greatly assisted the war effort. (AWM007671)Â
Another net making volunteer, Ida, recalls that netting was ‘hard work’, but ‘she went with her friends, and it was her bit for the war effort’. She helped at a netting circle located above a shop in Campsie, attending on a Wednesday nights after work, but could not recall who organised it.
Ida maintains that at around eighteen years of age, ‘there was not much else to do’ and all the boys ‘were either too old or too young’. Another netter, Kerry worked during the day as a clerk and attended the Nowra netting centre after work at the age of eighteen. The Nowra centre was located above a shop in the main street and she considered that netting was her ‘patriotic duty’.
Another Nowra netter, Grace, lived at home on a dairy farm. In 1942, when she was seventeen years old, she went with a friend to the Nowra netting centre for ‘a couple of hours’ a week on a Tuesday afternoon. She would catch the train from Berry to Nowra, attend classes at Nowra Technical College, then attend netting where there would be between ’10-15 other women’.
Grace recalls that as the netters had ‘to be careful making [the] knots’, she found them ‘hard and difficult to make… as they had to be stable and couldn’t move’. In hindsight, she ‘didn’t think [that she] ever got very proficient at it’, but she still went along ‘to help the war effort, for company and a chat’. Rita, a volunteer at the Armidale Teacher’s College netting centre in 1941, maintained that ‘we were expected to do our bit for the war effort – it all helped’.
Netting Centres at Campbelltown and Narellan
The Camden CWA camouflage netting centre was assisted by sub-branches at Campbelltown and Narellan, which were established after the joint CWA-WVS meeting in December 1941. These sub-branches provided a small but steady stream of nets to add to the Camden effort. By February 1942 the Campbelltown News reported that the ‘sub-centres’ were providing ’24 nets a month’ to the ‘urgent’ appeals from the military authorities for nets.
In June 1942 Mrs Una Swan reported that thirty-four nets had been sent from Campbelltown, and Narellan was working well. By late 1942 ‘Campbelltown was [still] keeping our end up’ according to Mrs Swan, and in March 1943 supplied sixteen nets. The Narellan netting effort was under the leadership of Eliza Byrne, who was the wife of the local publican at Narellan, and president of the Narellan Red Cross.
Camden was the largest netting centre in the area, and the only CWA branch, and following directives from the CWA Handicrafts Committee, distributed netting twine to the smaller netting centres at Campbelltown, Narellan and Buxton.
Net making finishes
The enthusiasm in Camden for netting waned and in 1943 the output was ‘negligible’ according to Tucker, but Swan made ‘herself responsible to complete all unfinished nets by the end of the year’. The winding down of netting activity started in September 1943 and Dorothy Inglis of the State Handicrafts Committee advised branches ‘to complete all on hand as quickly as possible’.
Mrs Swan reported at the October CWA meeting that ‘no official word had been received to cease making nets’. In October, Francis Forde, the Minister for the Army announced the end of net making, which sent ‘shock waves’ throughout the CWA. The Camden netting centre eventually closed in February 1944, after operating for over two and half years, with Una Swan finishing the last of the nets.
With the cessation of netting the New South Wales CWA Handicrafts Committee looked for alternative ways to hold the netting groups together. The Army requested that the New South Wales CWA branches assist in the re-conditioning of Army clothing. In November 1943 the Camden CWA received a request from the Army at Liverpool and the women considered the request at their December meeting.
By the end of 1943 no arrangements for sewing had been made with the Liverpool Army Camp authorities, although the women expected to make a start early in 1944. Camden CWA president Rita Tucker felt that the ‘matter… must be discussed thoroughly at a branch meeting, when it will be seen if it is possible to rise to the occasion’.
In the end the Camden CWA did not proceed with the project. According to the New South Wales Women’s Voluntary Services reconditioning military clothing ‘did not attract the same enthusiasm’ as making camouflage nets.
By 1944 women who undertook wartime volunteering started looking ahead to the time after the war when their communities would need their time and effort.
Learn more
CWA and other women’s organisations in wartime Camden @ UOW research
Camden History Notes 
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