Ferguson’s Nursery at Hurstville, Mittagong and Sylvania
During the post-war years, Ferguson’s Nurseries continued to be located on Sydney’s urban fringe as the metropolitan area expanded into the rural surrounds.
Hurstville nursery prospered then closed, another opened on the urban fringe at Sylvania while a cold-climate nursery opened at Mittagong and the Camden nursery closed.
In the mid-1960s, the family had sold the business to new owners who continued to use the Ferguson nurseries as a trading name.
The importance of the colonial legacy of Francis Ferguson is emphasised in July McMaugh’s Living Horticulture. She only lists four New South Wales 19th colonial horticulturalists of significance, one of whom is Ferguson.
The Camden nursery site remains quite significant in the history of the Australian nursery industry. Morris and Britton maintain that the site is
A rare remnant of an important and influential colonial nursery from the late 1850s and includes a collection of 19th century plantings and is a landmark in the local area. (Morris and Britton 2000)
Camden Nursery site
The Camden nursery on the Nepean River stopped operating in the immediate post-war years, and the nursery headquarters re-located to Hurstville.
In 1937 Camden Municipal Council rejected an offer from Ferguson’s nurseries of 100 rose bushes for planting out in Macarthur Park. The council did not want the nursery to take cuttings from the park’s rose bushes. (Camden News, 13 May 1937)
In the 1930s, the Camden press reported that Ferguson’s nurseries had purchased the property of W Moore between the Old Southern Road and the Hume Highway (Camden News, 11 April 1935). This was in the vicinity of Little Street. (Cole, CHS, 1989) This is likely the 1937 outlet fronting the Hume Highway in Camden and still operating in 1944. (Camden News, 18 February 1937, 17 February 1944)
The Camden nursery outlet had stopped trading by 1946. The Camden press reported an application to connect to the electricity supply to RB Ferguson’s property at the ‘the Old Nursery’. (Camden News, 19 December 1946, 27 November 1947)
By the mid-1950s, the nursery was trading as F Ferguson & Son, headquartered at Hurstville with branches at Sylvania and Mittagong. (Sun Herald, 13 September 1953)
Operations for the Ferguson’s Nurseries were centralised at the Hurstville nursery in the post-war years, and the area around the nursery became known as Kingsgrove.
There was growth in the area following the opening of Kingsgrove Railway Station in 1931. Sydney’s residential development followed the development of suburban railway lines.
There was increased growth in the Hurstville area in the post-war years with increased housing in the area and rising land values.
The NSW Housing Commission built over 200 homes on what was called the Ferguson Nursery Estate at Kingsgrove. (St George Call (Kogarah) 21 September 1945)
In the 1957 Plant Catalogue, the nursery indicates that the business had a Kingsgrove address and had branches at Sylvania and Mittagong (Ferguson Nursery 1957)
1957 Plant Catalogue
In the 1957 Plant Catalogue of 54 pages, the nursery listed a Kingsgrove address and branches at Sylvania and Mittagong (Ferguson Nursery 1957). The catalogue listed plant stock for sale with advice for the gardener to achieve the best results.
The catalogue listed for sale: fruit trees; Australian trees and shrubs; flowering plants including roses, camellias (51 varieties), azaleas, hibiscus; conifers; ornamental trees; palms and cycads (varieties from California, Canary Islands, Siam, South America, India, China and Japan).
Amongst the fruit trees, the catalogue listed apples, apricots, citrus (cumquats, oranges, lemons, mandarins, grapefruit), nectarines, passionfruit, peaches, pears, plums (English, Japanese), prunes, quinces, as well as almonds and walnuts.
Roses were a speciality and included novelty roses for 1957, standard roses and others. The catalogue provided advice for gardeners to achieve the best results with roses, particularly care about planting and pruning. (Ferguson Nursery 1957)
Under Australian trees and shrubs, the catalogue stated:
Australia is endowed with of indigenous Trees and Shrubs that are entirely different and considered by many far superior to anything else in the world. Nothing is more useful for Parks, School Grounds, etc, that some of out Native Flora, and certainly nothing is more hardy or topical. (Ferguson Nursery 1957)
Fergusons offered a landscaping service to
assist and advise you in the correct formation and setting-out of Lawns, Drives, Shrubberies, also in the correct selection of suitable Shrubs, Roses, and all kinds of Flowering Plants, so that the ultimate results will be charming. (Ferguson Nursery 1957) (Ferguson 1957)
111 Port Hacking Road, Sylvania
Ferguson’s made a business decision post-war to follow Sydney’s urban fringe and establish a new nursery to the south of Hurstville in the Sutherland Shire at Sylvania.
Sutherland Shire was growing in the late mid-20th century. McDowells opened a department store at Caringbah in 1961, Miranda Fair Shopping Centre opened in 1964, the new Sutherland District Hospital opened in 1958, and the Sutherland Daily Leader was launched with its first edition on 29 June 1960. (Sutherland Shire Library)
The first mention of the Sylvania nursery in the Sydney press was in 1955 when Fergusons placed an advertisement for contractors to provide a quote to build a fibro cottage on the nursery site at 111 Port Hacking Road. (SMH, 1 October 1955)
The nursery opened for trading in 1961. A story in the Sutherland press about the history of the Ferguson nursery group. (Sutherland Daily Leader, 26 April 1961)
Nurseryman Rex Jurd conducted the management of the Sylvania nursery. (McMaugh 2005:252) (McMaugh 2005)
Nurseryman Jurd recalled that Francis Ferguson’s granddaughter, Nancy, and husband lived on the site. He said, ‘It seemed to Rex that they had little interest in the business’.
‘It was run down and he spent two years there fixing it up, and replacing all the plant material’, wrote Judy McMaugh.
The Sylvania nursery extended from Port Hacking Road to the waterfront on Gwawley Bay (now Sylvania Waters) (McMaugh 2005: 252-253). According to Jurd, the nursery was not clearly visible to on-coming traffic and was on the low side of the road and suffered from ‘few customers’.
Jurd, a fellow student with well-known Sydney nurseryman Valerie Swain at Ryde School of Horticulture, left Fergusons in 1959 and started working for Smart’s Nurseries at Gordon. (McMaugh 2005: 252-253)
The Sylvania nursery was sold to the Pike family in 1966 and it became part of Ferguson Garden Centre Pty Ltd. The new business retained the Ferguson name as part of the sale. (Sutherland Daily Leader, 16 May 1966)
Hume Highway (then Old Hume Highway, then Ferguson Cres) Mittagong
Ferguson’s Nurseries developed a cold-climate nursery at Mittagong in 1939 and developed under the management of nurseryman Arthur Carroll.
According to nurseryman Bill Starke, Arthur Carroll ‘was equipped with a draught horse, a cross-cut saw, and an axe, and he basically cleared the property by hand’. (McMaugh 2005: 105)
Mr Carroll was away on active during the Second World War and returned in 1946 as manager of the nursery which traded as F Ferguson and Son. (Southern Mail, 10 May 1946)
Bruce Ferguson sold the Mittagong nursery to the Pike family in 1970. (McMaugh 2005:363)
New ownership and the Ferguson name continues
Bruce Ferguson sold the Sylvania nursery in 1966. (Reeve 2017)
The new owners were Jack Pike of Pikes Nurseries Rydalmere and Arch and Alan Newport of Newport Nurseries Winmalee (Springwood). (McMaugh 2005: 320) The new ownership arrangement was incorporated in 1966 as Ferguson’s Garden Centres Pty Ltd. (Sydney Morning Herald, 15 October 1967).
The Pikes were innovative businessmen, and the Sydney press ran a story in 1967 that promoted the nursery as Sydney’s new ‘supergardenmarket’. (Sydney Morning Herald, 15 October 1967).
In 1970 the business purchased the Baulkham Hills Garden Centre and re-named it Ferguson’s Baulkham Hills Garden Centre. By 1973 the Newports had sold out to the Pike family interests. (McMaugh 2005:320, 366)
In 1974 outlets opened at Narrabeen and Warringah Mall, and the Sydney CBD. (McMaugh2005:365-366)
By the 1980s, there were many centres across the Sydney metropolitan area, including Baulkham Hills, Sylvania, Bonnyrigg, Narrabeen, Guilford, Mittagong in the Southern Highlands, in Victoria the Mornington Peninsular and on the far-north coast at Alstonville. (McMaugh 2005:366)
Ferguson, F. (1957). Ferguson’s Nursery Catalogue. Hurstville, F Ferguson & Sons.
McMaugh, J. (2005). Living Horticulture, The lives of men and women in the New South Wales nursery industry. Sydney NSW, Nursery and Garden Industry NSW & ACT.
Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW : A survey of selected pre – 1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.
Reeve, T. M. (2017). “‘Rawson’, Condamine Street, Campbelltown, a private residence, formerly known as ‘Marlesford’.” Grist Mills 30(2): 25-32.
The 20th-century story of Ferguson’s Australian Nurseries is about their location within Sydney’s rural-urban fringe.
Sydney’s urban fringe is a zone of transition that is constantly being shaped and re-shaped by the forces of urbanisation and a host of competing forces. (Willis 2014)
Plant nurseries arrive in the fringe, and competing forces eventually drive them from it after a time.
In this space, the Ferguson Australian Nurseries came and departed Sydney’s urban fringe as it moved with urban growth over the past 170 years. Shrewd business judgements ensured that the nurseries survived and thrived in this dynamic space and place.
Double Bay outlet
Ferguson’s nurseries arrived on Sydney’s fringe at Double Bay in the 1870s when Sydney was still a ‘walking city’. Horse trams, and later steam trams, started to appear in the city and travel out to Double Bay.
Double Bay was sparsely settled, and there was an array of colonial villas and mansions like Alexander Macleay’s colonial regency mansion Elizabeth Bay House (1839).
As Sydney grew in population, there were land sub-divisions from the 1840s. (Sheridan 2021) (SLNSW)
By the early 20th-century, land values had risen with increased residential development (Sheridan 2021). The land was more valuable for housing than a nursery, so economic forces gathered for its relocation.
By this time, Annie Henrietta Ferguson ran the nursery following the death of her husband FJ Ferguson, aged 48 years, in 1899. Annie had married FJ Ferguson in 1875.
Annie managed the Double Bay outlet until 1902, closed it by 1905 and moved the nursery to Hurstville. (WCL 2021)
Annie’s daughter, Margaret Elizabeth (Lizzie), born at Campbelltown in 1876, had married Alfred Denison (AD) Littleat All Saints Woollahra in 1902. (WCL)
By 1903 Lizzie and AD Little had moved back to Camden from Double Bay with the birth of their son Sydney. AD Little was to play a leading role in the nursery’s management and became a partner in the business. (WCL 2021)
In 1902 the Sydney press reported a fire at the Camden Nursery that destroyed a packing shed full of equipment. The same report stated that AD Little was now one of the proprietors, the mayor of Camden (1904-1905) and a presiding magistrate. (Daily Telegraph, 15 August 1905)
The oldest nursery
The Camden News boasted in 1905 that Ferguson’s Australian Nurseries were the ‘oldest fruit nursery and garden in Australia’. (Camden News, 17 August 1905)
Hurstville nursery outlet
By 1904 the Double Bay nursery had been relocated to Hurstville on Stoney Creek Road. (Morris and Britton 2000)
The Hurstville area was a sparsely populated farming area with the first land subdivision in the 1880s. By the early 20th century, the urban fringe of Sydney had reached the site, and there were a series of residential land releases. (SLNSW)
The Camden press reported in 1913 that Ferguson’s nurseries were being run by AD & FB Little, and land had been leased at Elderslie, where 150,000 grafted apple trees had been planted out. (Camden News, 7 August 1913)
In 1915 the business was being managed by Fred Little. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)
Nurseryman Eric Jurd recalls, ‘Fergusons grew open-ground stock at a site in Peakhurst’. Jurd believed that Ferguson’s had extensive land holdings in the Kingsgrove and Peakhurst. (McMaugh 2005: 251-253)
The Hurstville nursery site was purchased by the New South Wales Government to establish Kingsgrove High School on the corner of Kingsgrove Road and Stoney Creek Road in 1958. (SRNSW)
The nursery continued to expand, and by 1915, a report in the Gosford press indicated that Fergusons were operating from four sites:
Hurstville – a 40-acre site which was a general nursery and despatching centre for sales
Camden – a 60-acre site mainly producing fruit trees
Gosford – a 40-acre site a nursery for grape vines and fruit trees
Ronkana (Ourimbah) – a 100-acre site under preparation. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)
In the early 1920s, there were extensive land releases in the Hurstville area, including the King’s Park Model Suburb of 600 lots adjacent to Ferguson’s Nursery on Stoney Creek Road. (St George Call (Kogarah) 22 September 1922) In 1926 the Simmons Estate next door to Ferguson’s Nursery was offered for sale. (St George Call (Kogarah) 5 February 1926)
By the interwar years, the Hurstville nursery site was a well-known landmark and often referred to by correspondents in the press. For example, a press report of Tooth’s Brewery purchase of a site at Bexley (Construction and Local Government Journal, 13 July 1927), and the NRMA used the nursery as a prominent and well-known landmark in their tourism promotion for road trips in and around the Sydney area. (Sun (Sydney) 18 November 1927).
The nursery business continued under the control of AD & FB Little until the 1930s, and they were followed by Arthur Bruce (AB) Ferguson (1889 -1949). (Little 1977)
Fruit trees and vines
Ferguson’s nurseries sold fruit trees and vines to new producers in the emerging horticulture areas throughout Australia and New Zealand.
Large quantities of grapevines had been supplied to the Yanco Irrigation Area in 1915. (Gosford Times and Wyong District Advocate, Friday 21 May 1915)
In 1926 an article in the Leeton press mentioned that Fergusons Nurseries had fruit trees for sale. (Murrumbidgee Irrigator (Leeton, NSW: 1915 – 1954), Tuesday 16 February 1926)
Agents for the nursery were often keen to promote that stock of fruit trees, vines and flowering plants were available for purchase, as indicated by a story in the Tumut press. (Tumut and Adelong Times, 28 May 1929)
A reliable water supply is essential for horticulture and the nursery industry.
In 1922 an irrigation licence was issued to Alfred D (AD) Little, a partner for Ferguson & Sons, Australian Nursery, Camden, to pump up to 150 gallons per minute on the right bank [Elderslie]. (NSW Government Gazette, 11 August 1922)
The next generation
In 1927 FB Little died at Hurstville, and in 1933 AD Little died at Camden and is buried in St John’s Cemetery.
In 1932 the Australian Nursery site on the Nepean River, known as The Nursery or the Camden Nursery, part ownership passed to Stanley Nigel (SN) Ferguson. (Sanders 2008b) After World War II, SN Ferguson’s son, Bruce (1916 – 2008), inherited a half-share in The Nursery site. (Sanders 2008a)
In 1935 Ferguson’s nursery purchased land owned by Mr W Moore between the Old South Road and the Hume Highway. (Camden News, 11 April 1935)
Following this period, the Camden nursery moved to Broughton & Little Street (Nixon 1989) at the rear of the Camden District Hospital until the business was sold in the mid-1960s. (Nixon 1991)
Little, S. F. (1977). Correspondence to CHS 17 February 1977. Ferguson File, Camden Museum Archive.
Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre – 1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.
Nixon, R. E. (1989). File notes for correspondence to CHS from Helen R Dick 18 July 1989, Camden Museum Archives.
Nixon, R. E. (1991). The Rose Festival. Rose Festival File, Camden Museum Archives.
Sanders, G. J. (2008a). Distinguished in war and peace, Bruce Ferguson, Obituary 31 May. Sydney Morning Herald. 31 May 2008.
Sanders, G. J. (2008b). Eulogy for Bruce Ferguson. Ferguson File, Camden Museum Archives.
Sheridan, P. (2021). Sydney Art Deco and Modernist Walks Potts Point and Elizabeth Bay. Sydney, Bakelite and Peter Sheridan.
In 1883 the Double Bay outlet of Ferguson’s Australian Nurseries at Camden was described in the Sydney press as a ‘well-ordered establishment…covering three acres…laid out in a most systematic manner’. (Illustrated Sydney News, 14 April 1883, page 3)
The Double Bay nursery was one part of the Ferguson horticultural enterprise, which started in the 1850s at Camden. Sales encouraged opening a second nursery at Campbelltown, later moved to Double Bay. The 20th century brought more changes and eventually new owners.
Ferguson’s nursery and William Macarthur’s Camden Park nursery were part of a British imperial horticultural network that satisfied the Victorians’ insatiable demand for plants. The industry was driven by plant hunting expeditions and a Victorian fetish for orchids, ferns, palms and other new plants.
The burgeoning colonial nursery industry in the Cowpastures was an integral part of British imperialism and the settler-colonial project. The Enlightenment notions of progress and development were good for business and re-enforced the dispossession and displacement of Dharawal people from their country.
Nurseryman Francis Ferguson
The Camden nursery was established in 1857 by Englishman Francis Ferguson on a 50-acre site fronting the Nepean River. Francis originally came out to New South Wales as an assisted immigrant in 1849 on the John Bright after working at Chatsworth Estate in Derbyshire and other English estates. Initially, he worked for Sir Thomas Mitchell, laying out his estate at Parkhall (later Nepean Towers, St Mary’s Towers) at Douglas Park. (Morris and Britton 2000)
Historian Alan Atkinson describes Ferguson as ‘a man of education, some capital and mercurial habits’. (Atkinson, 1988)
Ferguson was head gardener at Camden Park Estate for William Macarthur (later Sir William) from 1849-1856 and could be styled as a Macarthur protege. (Reeve 2017) The Camden Park website maintains that William Macarthur ran one of the most important nurseries in 19th century New South Wales. According to visiting English nurseryman John Gould (JG) Veitch Macarthur was well known in Europe. Veitch Nurseries were reportedly the largest family-run plant nurseries in 19th century Europe.
Ferguson remained indebted to the patronage of William Macarthur (Morris and Britton 2000) and his experience at Camden Park and acted on Macarthur’s behalf when he was not in Australia. (WCL 2021)
In 1864 a 25-year-old JG Veitch (Financial Times, 27 September 2014), led a plant hunting expedition to the ‘South Seas’ and delivered several Wardian cases to Australian colonial contacts. While in New South Wales, he visited William Macarthur’s Camden Park nursery and Fergusons Australian Nursery, which impressed him. For a time Ferguson acted as an agent for James Veitch and Sons nurseries. (Morris and Britton 2000; McMaugh 2005)
Fruit trees, camellias and roses
Francis Ferguson opened the Camden nursery sometime in 1857 (Nixon 1991; Little 1977; Farmer and Settler, 8 July 1937, 15 July 1937) and it became the centre of a growing horticultural enterprise that extended well beyond the area.
The Ferguson nursery was located on the left bank of the Nepean River at the Macquarie Grove river crossing on the northern boundary of Camden Park estate. The nursery site had an east-west alignment with a 600-metre river frontage along its northern boundary ending at Matahil Creek to the east, with the Ferguson homestead on the rise to the southwest.
The homestead had ‘a fine view’ of the Camden township to the northeast with the spire of St John’s Church and allowed a ‘glimpse of Camden Park house in the distance’ to the southeast. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)
According to Alan Atkinson, the Australian Nursery specialised in ‘trees “peculiarly adapted to the requirements of Australia”, together will shrubs and native seeds’. (Atkinson, 1988)
According to an 1880 Sydney press report, the nursery was about eight acres in extent with ‘a long avenue’ terminating at a ‘large gate’ below the house ‘making a very nice carriage drive’. There were ‘very well laid out walks’ throughout the nursery, surrounded by ‘gigantic pines, araucarias, and poplars’. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)
Reports indicate that in 1879 Fergusons sold over 60,000 fruit trees and 5,000 camellias (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68). The nursery plant stock consisted of over 6000 camellias, 100,000 hawthorn seedlings. (Ferguson 1871)
In 1871 issued a series of five trade catalogues that listed plant stock for sale. The catalogues were:
New and Rare Plants
Hardy Trees, Shrubs and Conifers
Fruit Trees, with directions for forming the orchard.
Bulbs and Tubers. (Ferguson 1871)
The ‘Catalogue of New and Rare Plants’ listed over 950 individual plants and was a mixture of native plants from the Australian continent and exotics from worldwide. The catalogue listed a substantial selection of popular flowering plants, including roses, camellias, azaleas, pelargoniums and chrysanthemums, fuchsias, carnations, and dahlias. Utilitarian plants included ‘trees for avenues’ and ‘hawthorn for hedges’. Under the heading of ‘trees and shrubs’, details listed the plants’ ‘scientific name’, ‘native country’, ‘height in feet’, and price. (Ferguson 1871)
The Ferguson catalogue provided practical advice for the colonial gardener and a plant description. For example, ‘Araucaria Bidwilli – The Queensland Bunya Bunya, forming magnificent trees as single specimens’. Camellias were a favourite but hard to grow in the colonial climate, and details were provided on how to look after them. The hawthorn was a ‘favourite English Hedge Plant [and] thrives remarkably well in all parts of Australia, forming, undoubtedly, the best defensive hedge’. (Ferguson 1871)
Ferguson’s also offered advice on new and rare plants in the press. In 1876 the nursery published advice on the ‘rare’ Jacaranda mimosifolia described as ‘a singularly beautiful and rare flowering tree’. The report stated, ‘the Jacaranda mimosifolia is perfectly hardy in all but the very coldest districts of New South Wales, Queensland, and Victoria.’ (Australasian (Melb), 6 May 1876)
Ferguson’s sold extensively across the colonial garden market in New South Wales, Victoria, Queensland and New Zealand, supported by 14 agents in locations ranging from Auckland to Wellington and Wanganui in New Zealand’s North Island and to Dunedin in the South Island. In Queensland, agents were listed at Warwick and Darling Downs, while those in New South Wales ranged from Bega to Mudgee and out to the Liverpool Plains. Ferguson claimed that there was an increasing demand for ‘Australian Timber Trees’ in Northern India, California, Southern Europe, and New Zealand. (Ferguson 1871)
Condamine Street, Campbelltown
By the late 1860s, increasing demand and the distance from the Campbelltown railway station encouraged Ferguson to establish a nursery outlet at Campbelltown. (Ferguson 1871)
The Camden nursery was nine miles from Campbelltown Railway Station, and it took Mr H Ferguson in a buggy with a ‘fine stepper’ and an hour to get there. (Sydney Mail and New South Wales Advertiser, 10 January 1880, page 68)
The firm opened the Campbelltown nursery in 1869 in Condamine Street, close to the convict-built water supply reservoir. (Reeve 2017) It was stocked with 50,000 ‘well-grown healthy plants’ to supply growing demand from ‘up-country and adjacent Colonies’. (Ferguson 1871)
From 1874 the Campbelltown outlet was managed by Francis John (FJ) Ferguson, Francis’s son, who had returned from five years with English firm Veitch Nurseries at Chelsea and the firm now traded as Francis Ferguson and Son. (Reeve 2017)
Double Bay Nursery
Manning Road and New South Head Road, Double Bay
The business continued to prosper, and FJ Ferguson moved the Campbelltown outlet closer to Sydney. A site was chosen at Double Bay on a former market garden in 1876 and opened in 1878. (WCL 2021) (Reeve 2017)
The Double Bay Nursery site had ‘a large frontage’ on New South Head Road with ‘rich deep alluvial’ soil in a low lying area that drained into Double Bay. (Illustrated Sydney News, 14 April 1883)
By 1887 the nursery had two propagating glasshouses with impatiens and lasiandras, a bush house that accommodated a mixture of pot plants including camellias, bouvardias, magnolias, conifers and tree ferns. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)
In 1885 the nursery opened a shopfront in Sydney’s Royal Arcade, which ran between George Street and Pitt Street and had been designed by Thomas Rowe in 1881. The nursery shop was successfully managed by Herbert Ferguson and specialised in plants, seeds and cut flowers. (Sydney Mail and New South Wales Advertiser, 6 August 1887, page 278)
The Ferguson’s also ran a small nursery near Ashfield railway station to supply the Royal Arcade shop with cut flowers. (Sydney Mail and New South Wales Advertiser 6 August 1887, page 278)
The 20th century beckons
The beginning of the 20th century brought more changes for the Ferguson nursery business, and by the late 1960s, new owners.
Atkinson, Alan (1988). Camden, Farm and Village Live in Early New South Wales. OUP, Melbourne.
Ferguson, F. (1871). Catalogue of new and rare plants, hardy trees, shrubs, conifers &c. Camden NSW, Ferguson’s Australian Nurseries. (NLA)
Little, S. (1977), Correspondence to CHS 19 February, MSS, Camden Museum Archives
McMaugh, Judy (2005). Living Horticulture, The lives of men and women in the New South Wales Nursery Industry. Nursery and Garden Industry NSW & ACT, Sydney
Morris, C. and G. Britton (2000). Colonial landscapes of the Cumberland Plain and Camden, NSW: A survey of selected pre – 1860 cultural landscapes from Wollondilly to Hawkesbury LGAs. Sydney NSW, National Trust of Australia (NSW). 1 & 2.
Nixon, RE (1991). Camden Rose Festival. Typescript, Camden Museum Archives.
Reeve, T. M. (2017). “‘Rawson’, Condamine Street, Campbelltown, a private residence, formerly known as ‘Marlesford’.” Grist Mills 30(2): 25-32.
In 2018 the love of the Jacaranda in the Camden area extended to the launch of a new festival around the purple blossoms.
The idea first germinated in 2017 with the support of Argyle Street Business Collective. (Camden Narellan Advertiser, 8 August 2018)
In 2018 Camden Council threw its support behind Business Collective’s Jacaranda Festival. Council withdrew support for the annual Light Up Camden festival conducted by the Camden Chamber of Commerce, Tourism and Industry.
The town’s Christmas celebrations were incorporated into the new Jacaranda Festival.
The current generation of Jacaranda trees and their flush of purple haze started with street plantings in the 1920s.
an erect, though umbrageous and handsome growing tree, 30ft. to 40ft high. Its foliage is, perhaps, the most beautiful of all exogenous trees.
It is soft, feathery, fern or frond like, and exquisitely elegant, while at the same time it is decidedly grand, both in its proportions, graceful arrangements, and symmetry.
It may be said of the species that even out of flower it has no equal amongst moderate-sized ornamental trees, while to give expression to the effect of its appearance when in fall bloom no words would suffice. It must be seen to be appreciated.
The blossoms are large, of a most striking and delightful blue, and produced in such profusion that, viewed from a little distance, the tree appears, as it were, a graceful and living cone of floral grandeur.
Though rare, as we have remarked, enough has been proved to warrant us in stating that the Jacaranda mimosifolia is perfectly hardy in all but the very coldest districts of New South Wales, Queensland, and Victoria. (Australasian, 6 May 1876)
“On returning, they would unload at Kangaroo Point cliffs’ wharfs and the first curator of the gardens, Walter Hill, would row across the river and exchange seeds and plants with visiting sea captains.
“A visiting sea captain from South America gave Walter Hill the first jacaranda, which he planted at the rear of the city botanic gardens in 1864.”
Camden Jacaranda Festival
The 2018 Jacaranda Festival was the inaugural event under founder and Camden Hotel manager Andrew Valciukas. Mayor Symkowiak said the ‘festival cheer will remain a highlight and nothing has changed [from Light Up Camden]’. (Macarthur Chronicle, 21 August 2018)
The festival ran from 23-25 November and opened on Friday night with live music throughout the town centre, including hotels, shopfronts and the Alan Baker Art Gallery.
The Jacaranda Experience opened on Saturday afternoon and into the evening when the Christmas tree was lit followed by fireworks. There was a street market with stalls and outdoor dining along Argyle Street and a stage in John Street for ‘local school children, dance schools and local professional acts’.
Larkin Place featured a motocross demonstration and a display of ‘fabulous street metal’. Fireworks topped out the festivities on Saturday night. (What On Macarthur, leaflet, November 2018) (Camden Narellan Advertiser, 8 August 2018)
Camden Region Economic Taskforce director Debbie Roberts put together several short films with Camden personality and historian Laura Jane Aulsebrook. The Jacarandas featured along with Camden Cottage, Show Pavilion, Camden Library Museum, Macaria and other historic sites.
CRET’s films appeared on Facebook in the week leading up to the festival. They were popular and prompted a bus group from Sydney’s northern suburbs to visit Camden for a walk led by LJ Aulesbrook.
Walks of town’s Jacaranda lined streets and historical sites were conducted on Sunday by members of the Camden Historical Society, including Laura Jane. The program of historic walking tours started at the Camden Museum. (The Jacaranda Walking Tour Map 2018)
Camden Flower Festivals
Flower festivals were not new to Camden.
In the late 1960s, the Camden Rose Festival committee organised an annual festival and street parade, topped out with the crowning of Miss Rose Festival Queen. The celebrations were initiated by Camden community worker JW Hill in aid of Camden District Hospital. (Camden Advertiser, 11 February 2009)
The beauty, resilience and fragrance of roses have made it a favourite of gardeners and flower-lovers, as well as a symbol of love, for centuries. Roses are romantic and voluptuous, with their petals painted in beautiful colours.
Camden’s Ferguson’s Australian Nurseries had an extensive catalogue of roses and sold them all over Australia and beyond.
Flower shows were not new in Camden, and the annual St John’s Church Flower Show was held each year starting in the 1890s and continuing for many decades.
our love of gardening, plants and soil can perhaps be attributed to the combination of the British heritage – reflected in a lot of garden design before modern trends and native practicality infiltrated our yards and apartments – and a climate that lends itself to spending time outdoors planting and pruning.
As you wander around the administration-library-shopping precinct at Oran Park, there is a sense of anticipation that you are being watched. If you look around, several bronze bovine statues are guarding the site. They are a representation of the Cowpastures Wild Cattle of the 1790s.
The bronze herd of horned cattle consists of six adult beasts and one calf wandering in a line across the manicured parkland landscape. The bovine art connoisseur can engage with the animals and walk among them to immerse themselves in a recreated moment from the past – a form of living history.
The bronze cattle dramatically contrasts with the striking contemporary architecture of the council building across the road. Opening in 2016, the cantilevered glass-boxed and concrete Camden Council administration building was designed by Sydney architects GroupGSA.
This bovine-style art installation is the second memorial to the Cowpastures, the fourth location of European settlement in the New South Wales colony. The artwork is found in Perich Park, named after the family that endowed the community with the open space.
The story of the Cowpastures is told on the storyboard located adjacent to the artwork. It states:
The Wild Cattle of the Cowpastures
There are several versions of this story. There seems to be a consensus that two bulls (one bull calf) and five cows were purchased at the Cape of Good Hope and landed at Sydney Cove with the First Fleet in January 1788. The cattle were black and the mature bull was of the Afikander [sic – Afrikander] breed.
Shortly after the arrival of the First Fleet the two bulls and five cows could not be found and it was not until seven years later in 1795 that a convict reported sighting a herd of cattle in the bush.
Governor Hunter dispatched Henry Hacking to report on the cattle. Hunter resolved to inspect them himself and in November 1795 with a party of mainly Naval officers he found a herd of sixty-one cattle near the Nepean River near what is now known as Menangle.
Governor Hunter named the area The Cowpastures Plains. He wrote ‘They have chosen a beautiful part of the country to graze in…and they may become…a very great advantage resource to this Colony’. They were rather wild and inferior but bred rapidly.
By 1801 the herd had increased naturally to an estimated five or six hundred head. In 1811 they were estimated to be in their thousands.
The bronze cattle here have been kindly donated to the Community by the Perich Family.
The bronzed-bovines in Perich Park on Central Ave were installed in 2016 to coincide with the opening of the new council building.
The Perich Park art installation is preceded by an earlier artwork that depicted more bovines just up the street. The other animal sculptures were a set of concrete cows that were represented wandering around in a small reserve opposite the Oran Park development sales office in Peter Brock Drive.
The reserve is located between Peter Brock Drive and Moffat Street, and this batch-of-bovines were installed around 2010. The reserve and open space is not designated parkland, and signage indicates that it is destined for housing development.
The use of public art is one approach to placemaking that is employed by urban planners and designers, architects, and others. The authorities responsible for creating the Oran Park community and the new suburbs within it have used public art for placemaking.
What is placemaking?
Placemaking is a multi-faceted approach to the planning, design and management of public spaces. Placemaking capitalizes on a local community’s assets, inspiration, and potential, with the intention of creating public spaces that promote people’s health, happiness, and well-being.
integrates arts, culture, and design activities into efforts that strengthen communities. Creative placemaking requires partnership across sectors, deeply engages the community, involves artists, designers and culture bearers, and helps to advance local economic, physical, and/or social change, ultimately laying the groundwork for systems change.
Storytelling promotes the concept of place and the process of placemaking. One of those stories is the Cowpastures and the Wild Cattle history from the days of colonial New South Wales.
Understanding the past through storytelling contributes to the construction of community identity and builds resilience in new communities. The cultural heritage of an area is the traditions, ceremonies, stories, events and personalities of a place. There are also dark and hidden stories of the Cowpastures that need telling, such as the frontier violence of the Appin Massacre.
The Cowpasture art installation uses a living history approach to tell the story of the European occupation of the local area that is part of the history of colonialism and the settler society project in New South Wales.
The cultural heritage of the local area makes the historic town of Camden, according to Sydney architect Hector Abrahams, the best preserved country town on the Cumberland Plain (Camden Advertiser, 28 June 2006).
The town was established in 1840 on the Macarthur family estate of Camden Park Estate in the Cowpastures on the banks of the Nepean River.
The township provides a glimpse of life from times gone past with the charm and character with its Victorian style built heritage and early 20th century cottages and commercial buildings.
The visitor can experience Camden’s historic charm by walking around the town’s heritage precinct by following the Camden Heritage Walk.
Camden’s heritage precinct is dominated by the church on the hill, St John’s Church (1840) and the adjacent rectory (1859). Across the road is Macarthur Park (1905), arguably one of the best Victorian-style urban parks in the Sydney area. In the neighbouring streets there are a number of charming Federation and Californian bungalows.
A walk along John Street will reveal the single storey police barracks (1878) and court house (1857), the Italianate style of Macaria (c1842) and the Commercial Bank (1878). Or the visitor can view Bransby’s Cottage (1842) in Mitchell Street, the oldest surviving Georgian cottage in Camden. A short stroll will take the visitor to the Camden Museum, which is managed by the Camden Historical Society. The museum is located in John Street in the recently redeveloped Camden Library and Museum Complex.
The visitor can take in Camden’s rural past when they enter the northern approaches of the town along Camden Valley Way. They will pass the old Dairy Farmer’s Milk Depot (1926) where the farmers delivered their milk cans by horse and cart and chatted about rural doings.
The saleyards (1867) are still next door and the rural supplies stores are indicative that Camden is still ‘a working country town’. As the visitor proceeds along Argyle Street, Camden’s main street, apart from the busy hum of traffic, people and outdoor cafes, the casual observer would see little difference from 70 years ago.
The picturesque rural landscapes that surround Camden were once part of the large estates of the landed gentry and their grand houses. A number of these privately owned houses are still dotted throughout the local area. Some examples are Camden Park (1835), Brownlow Hill (1828), Denbigh (1822), Oran Park (c1850), Camelot (1888), Studley Park (c1870s), Wivenhoe (c1837) and Kirkham Stables (1816). The rural vistas are enhanced by the Nepean River floodplain that surrounds the town and provides the visitor with a sense of the town’s farming heritage.
The floodplain also reveals to the railway enthusiast the remnants of railway embankments that once carried the little tank engine on the tramway (1882-1963) between Camden and Campbelltown. The locomotive, affectionately known as Pansy, carried a mixture of freight and passengers. It stopped at a number of stations, which included Camden, Elderslie, Kirkham, Graham’s Hill and Narellan. The stationmaster’s house can still be found in Elizabeth Street in Camden, and now operates as a restaurant.
For the aviation buffs a visit to the Camden Airfield (1924) is a must. It still retains its wartime character and layout. As you enter the airfield view the privately owned Hassall Cottage (1815) and Macquarie Grove House (1812) and think of the RAAF sentry on guard duty checking the passes of returning airmen on a cold July night.
There are also a number of historic villages in the Camden area. Amongst them is the quaint rural village of Cobbitty where the visitor can find Reverand Thomas Hassall’s Heber Chapel (1815), St Paul’s Church (1840) and rectory (1870). Narellan (1827), which is now a vibrant commercial and industrial centre, has the heritage precinct surrounding the St Thomas Church (1884) and school house (1839). The buildings are now used for weddings and receptions.
There is also the Burton’s Arms Hotel (c1840) now operating as a real estate agency and the Queen’s Arms Hotel (c1840), which is now the Narellan Hotel. A visit to Cawdor will reveal a real country church that has been functioning continuously for over for over 100 years, the Cawdor Uniting Church (c1880). Cawdor is the oldest village in the Camden area.
Updated 24 May 2021. Originally posted on Camden History Notes 18 December 2016. This post was originally published on Heritage Tourism as ‘Camden: the best preserved country town on the Cumberland Plain’ in 2010.
Once again, country show societies are gearing up for the annual New South Wales Miss Showgirl competition. In 2008 500 young women entered the pageant at a local level representing 120 show societies, with the Sydney Royal Easter Show finals. The 2011 Camden Miss Showgirl has attracted seven young local women – four of the seven are university students, two business owners and one business manager.
The competition has come a long way since its beginnings in 1962. It has seen off a variety of other pageants and successfully competes with several others. In these days of television celebrity fashion competitions, the Miss Showgirl competition is a bit of an anachronism. Rather quaint, yet with an underlying strength that is endearing to supporters.
Miss Showgirl is a complex mix of paradoxes and apparent contradictions, just like other aspects of rural life: it is very traditional while accommodating the aspirations of young women; it is staid yet has had an underlying strand of commodification of young women as objects of display; it is conservative yet encourages sexualisation of young women through good times at balls and the like; it avoids the stereotypes of other beauty pageants, yet it promotes a version of a stereotypical young rural woman; it is part of the town and country divide yet brings the country to the city; and more.
The showgirl competition is a relic of a time when rural women were confined by home and family. The foundation sponsor was the racy tabloid, The Daily Mirror, which commodified womanhood images on page three. Later competition sponsors, The Daily Telegraph and then The Women’s Weekly, used different representations of womanhood, and today The Land newspaper takes a newsworthy approach to rural affairs.
The values expressed in the Royal Agricultural Society Guide for Showgirl entrants prepared by 2009 Camden Showgirl Lauren Elkins are a little bit old fashioned. The guide stresses etiquette, grooming, manners, dress sense, presentation and socialising skills – a solid list of skills for any aspiring job applicant. The competition even offers deportment lessons for entrants – An echo from the past.
While the aims of the competition have not changed, part of its resilience has been its ability to cope with changes in the representation of rural life and rural women themselves. It expresses the agency of the young women who enter, whether they are university students or shop assistants, and provides personal development opportunity.
Showtime, the show ball and Miss Showgirl, are representative of notions of rurality. Miss Showgirl is part of the invocation of rural nostalgia. People use the competition as a lens through which they can view the past, including the young women who enter it. In 2009 Camden Showgirl Lauren Elkins ‘was keen’, she said, ‘to get into the thick of promoting the town and its rural heritage’.
Organising committees select entrants who have a sense of belonging to and identify with the local area. According to Suzie Sherwood, a member of the 2004 Camden organising committee, the winning showgirl projects the values and traditions of the local community..
In a historical analysis by Kate Darian-Smith and Sara Wills (2001), they see the current response to Miss Showgirl as ‘an embodiment of meaningful and rural belonging’. Miss Showgirl entrants indeed embrace parochialism and the interests of local show societies as part of the competition. These forces have long shaped rural identity and its response to city-based decision making.
Rural New South Wales faces constant challenges, and Miss Showgirl’s success is a rural showcase in the ‘big smoke’. The competition embraces the experience of showtime in Sydney when the country comes to town, and there are social engagements, cocktail parties and pictures in the social pages. Miss Showgirl draws on rural traditions surrounding debutante balls, bachelor and spinsters balls and similar community gatherings that express a sense of place. The essence of localism.
Glamour and style are back, and Miss Showgirl has an element of ‘fashions on the field’. Young women have an opportunity to ‘frock up’. Something authentic. It harks back to the days of the country race meeting and the local polo match. The exclusivity that was once the rural gentry’s domain when deference and paternalism ruled the bush. Press photographs of ‘glammed up’ Miss Showgirls sashing 1st place in the dairy-cow-section recall days of the ‘Lady of the Manor’ and the English village fair.
Miss Showgirl competitions have not been without their critics. The competition has survived in New South Wales and Queensland while not in Victoria. Understandably entrants passionately defend the competition.
None of these issues have been a problem for 2011 Camden Showgirl winner Hilary Scott, a 22-year-old horse-loving university student from The Oaks. She appeared on the front page of The District Reporter, all glammed up in the paddock, under the banner headline ‘Showgirl Hilary supports agriculture’. Hilary is a confident young rural woman that projects the contemporary vibrancy and complexities of Miss Showgirl.
Camden Showgirl Winners
1962 Helen Crace 1963 Helen Crace 1964 Sue Mason 1965 Barbara Duck 1966 Dawn Dowle 1967 Jenny Rock 1968 Heather Mills 1969 Michelle Chambers 1970 Joyce Boardman 1971 Anne Macarthur-Stanham 1972 Kerri Webb 1973 Anne Fahey 1974 Sue Faber
1975 Janelle Hore 1976 Jenny Barnaby 1977 Patsy Anne Daley 1978 Julie Wallace 1979 Sandra Olieric 1980 Fiona Wilson 1981 Louise Longley 1982 Melissa Clowes 1983 Illa Eagles 1984 Leanne Reily 1985 Rebecca Py 1986 Jenny Rawlinson 1987 Jayne Manns
1988 Monique Mate 1989 Linda Drinnan 1990 Tai Green 1991 Toni Leeman 1992 Susan Lees 1993 Belinda Bettington 1994 Miffy Haynes 1995 Danielle Halfpenny 1996 Jenianne Garvin 1997 Michelle Dries 1998 Belinda Holyoake 1999 Lyndall Reeves 2000 Katie Rogers
2001 Kristy Stewart 2002 Margaret Roser 2003 Sally Watson 2004 Danielle Haack 2005 Arna Daley 2006 Victoria Travers 2007 Sarah Myers
2008 Fiona Boardman 2009 Lauren Elkins 2010 Adrianna Mihajlovic 2011 Hilary Scott 2012 April Browne 2013 Isabel Head 2014 Jacinda Webster
The Competition aims to find a young female Ambassador for rural NSW and the agricultural show movement.
The Showgirl Competition is definitely not a beauty pageant. Entrants must have a genuine interest in, and knowledge of, rural NSW. The Competition encourages the participation and awareness of issues faced by women in rural NSW.
This time of the year usually is show week in Camden when the festival rolls into town.
2021 is a bit different. Not normal at all. In the middle of a pandemic, there is no show for the second year in a row.
That has not stopped the Camden Show society from getting into action and the spirit of the event.
Committee member Jason Sharpe provided a taste of the show with a colourful temporary display at the recent sponsors’ night.
I was lucky enough to attend the sponsors’ night as the guest of Ian Johnson, the principal at IJ Ag Services.
Better known as a horseman and a sometimes renowned bush-poet Jason Sharpe turned his hand to constructing a sample show display for the assembled guests.
Jason out-did himself and blew everyone away with his creativity. His artistic work with pumpkins, corn, hay, chooks, and other produce to be seen to be believed.
If you want to learn how to make a pumpkin look classy beside a handsome bale of hay surrounded by a chorus of chooks, have a chat with Jason.
Jason observed that ‘you cannot understand where you are going without knowing where you have come from’. He used this philosophy in his construction of the temporary display and his acknowledgement of the rich history of the Camden Show.
It was a real shame that it was only a temporary display. I am sure it would have appealed to lots of others in the absence of the 2021 show.
A sponsors’ night in the middle of a pandemic
The show committee regularly holds a sponsor’s event each year to say thank you for their support. Without the sponsor’s support, the show would be unlikely to happen.
The current sponsors are listed on the show society website.
Show president Greg Wall gave a stirring speech drawing from Eddie Jaku’s The Happiest Man on Earth. Jaku uses a quote attributed to French philosopher and Nobel Prize winner (1957) Albert Camus that Greg finds inspirational for life. Camus said:
Don’t walk behind me; I may not lead. Don’t walk in front of me; I may not follow. Just walk beside me and be my friend.
President Wall said that sponsors followed Camus’s philosophy and walked beside the committee, and were friends of the Camden Show.
a form of affinity marketing that provides certain rights and benefits to the buyer or “sponsor”. Sponsorship is particularly effective when the sponsor and the property have similar goals, values and vision. Properly activated, this affiliation casts a “halo” or conveys certain characteristics to the sponsor as a result of the strong recognition or fan base of the property.
provides business access, connections, hospitality, affinity, audience access, data, and helps to shape public perception in a way that can be hard to achieve using your own marketing and branding efforts alone.
It is good business practice to create a sponsorship policy within the organisation before you apply for sponsorship.
The Camden Show committee following this principle on its webpage called ‘Why Be a Sponsor?‘ Here the committee maintains that show sponsorship offers:
opportunities available offer your brand an unparalleled opportunity to reach, connect and engage with an average of 45,000 people over two days at the show. This is in addition to the people we reach through our media campaigns across digital, radio, TV and print avenues.
The Camden Show is far from unique either in concept or history. The history of agricultural shows goes back to the early 19th century when they copied similar events in Europe. Historian Helen Doyle argues that the early shows were primarily ‘a means of promoting new agricultural technology and were used to teach farmers and display the latest farming innovations. Prizes were awarded, and one of the earliest contests were ploughing contests.
Geoff Raby’s Making Rural Australia details that Australia’s first agricultural show was in Hobart in 1822, organised by the Van Diemen’s Agricultural Society. The same year several leading colonial ‘gentleman’ formed the Agricultural Society of New South Wales.
with the aim of encouraging profitable cultivation techniques and livestock production suited to the local environmental and climatic conditions. A key activity of the new Society was the organisation of an annual competitive display of animals and produce, thus providing agricultural education to the public and enabling its members to meet and conduct business. The first show was held at Parramatta in 1823 and included prizes for high performing servants as well as the ‘best’ rams, cheeses, and beer.
The original Camden Show in 1886 followed these traditions. The first show was organised by a committee formed in 1885 with the grand title of the Camden Agricultural, Horticultural and Industrial Society. The AH&I Society was a ‘gentlemen’s club’ made up of the local landed gentry headed by president JK Chisholm of Gledswood and a committee of other ‘local notables’.
The 1886 show held competitive farming displays for stock and produce with the best exhibits awarded prizes. The show had a section for the ‘colonial’ red and white wines reflecting the importance of the area to the foundation of the Australian wine industry. Camden women were encouraged to supervise their children’s efforts and entries in the domestic arts of sewing, cooking and artwork.
In the Camden village, James and William Macarthur named streets after themselves and their supporters. They include John Street, Macarthur Road, Elizabeth Street, Edward Street, Broughton Street, Exeter Street, Oxley Street, Mitchell Street. The Macarthur family and funded the construction of St John’s church on the hill and donated the surrounding curtilage.
The village was strategically located at the Nepean River ford where the first Europeans crossed the river. By the 1820s the river crossing was the main entry point to Macarthur brothers’ Camden Park Estate, the largest gentry property in the area.
The situation of the village on the Great South Road re-enforced the Macarthur brothers economic and social authority over the countryside.
The river crossing was one of the two northern entry points to their realm of Camden Park Estate, the other being at the Menangle. Menangle later became another private estate village.
The Macarthur village of Camden would secure the northern entry to the family’s Camden Park estate where the Great South Road entered their property. By 1826 the river ford was the site of the first toll bridge in the area.
None of this was new as the river crossing had been the entry into the Cowpastures reserve declared by Governor King in 1803. The site was marked by the police hut in the government reserve at the end of the Cowpasture track from Prospect.
English place names, an act of dispossession
The Camden village was part of the British imperial practice of placing English names on the landscape. The name of the village is English as is the gentry estate within which it was located – Camden Park.
English place names were used in the area from 1796 when Governor Hunter names the site the Cow Pastures Plain. The Cowpastures was a common grazing land near a village.
Under the aims of the colonial settler project, as outlined by Patrick Wolfe and later LeFevre, the new Europeans sought to replace the original population of the colonised territory with a new group of settlers.
Hunter’s naming of the Cowpastures was the first act of expropriation. Further dispossession occurred with the government reserve, and later Governor Macquarie created the government village of Cawdor in the centre of the Cowpastures.
The Europeans seized territory by grant and purchase and imposed more English place names in the countryside, and created a landscape that mirrored the familiarity of England.
The colonial settlers brought Enlightenment notions of progress in their search for some kind of utopia.
The Macarthur private venture village was located in a landscape of self-style English gentry, and their estates interspersed with several small villages.
The gentry estates and their homestead and farm complex were English style village communities. One of the earliest was Denbigh (1818).
The oligarch-in-chief was Camden Park’s John Macarthur.
The Europeans used forced labour to impose English scientific farming methods on the country.
On the left bank of the Nepean River were the gentry estates of Camden Park along with Brownlow Hill. On the right bank were the gentry properties of Macquarie Grove, Elderslie, Kirkham and Denbigh and several smallholders.
The village of Stonequarry was growing at the southern limits of the Cowpastures at the creek crossing on the Great South Road. The village was located on the Antil’s Jarvisfield and later renamed Picton in the 1840s.
The picturesque Cowpastures countryside greeted the newly arrived Englishmen John Hawdon from County Durham. In 1828 Hawdon became the first person to put in writing that the Cowpastures area reminded him of the English countryside when he wrote a letter home.
The progress and development of the country town
The Enlightenment view of progress influenced the Macarthur’s vision for their Camden village. They sought to create an ideal village community of yeoman farmers and sponsored self-improvement community organisation including the School of Arts.
The architectural styles of the town centre shine a light on the progress and development of the Macarthur village. The architectural forms include Georgian, Victorian, Edwardian, Interwar moderne, Mid-20th century modern, and Post-modern.
The town centre served a host of functions for the community that are indicated by the types of land use in a country town. These include commercial, government, open space, industrial, transport, residential, religious, agricultural, amongst others.
The country town idyll and the appearance of heritage
Urban growth and the loss of rural countryside has encouraged a nostalgic desire for the past. This process had led to the evolution of the Camden, the country town idyll.
The heritage of the town centre is what the community values from the past that exists in the present. It is made up of tangible and intangible heritage, as well as multi-layered and multi-dimensional. The town centre story can is a timeline with many side shoots or a tree with the main stem and many branches.
Camden time traveller and the town centre
The living history of the town centre is evident at every turn. At every corner. A visitor can be a time-traveller into the past. A view along the main street is a view into the past.
There are many locations in our local area where a person can be a time-traveller into the past. The traveller can be a participant in the area’s living history, ‘simply by being present’.