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Sydney’s urban fringe: a transition zone of hope and loss

Winners and losers on the urban fringe

Mount Annan around 2002 CHS2005
Mount Annan around 2002 CHS2005

Sydney’s rural-urban fringe is a site of winners and losers.

It is a landscape where dreams are fulfilled and memories are lost. The promises of land developers in master-planned suburban utopias meet the hope and expectations of newcomers.

At the same time, locals grasp at lost memories as the rural countryside is covered in a sea of tiled roofs and concrete driveways.

Conflict over a dream

As Sydney’s rural-urban fringe moves across the countryside, it becomes a contested site between locals and outsiders over their aspirations and dreams. The conflict revolves around displacement and dispossession.

Sydney’s rural-urban fringe is similar to the urban frontier of large cities in Australia and other countries. It is a dynamic landscape that makes and re-makes familiar places.

More than this the rural-urban fringe is a zone of transition where invasion and succession are constant themes for locals and newcomers alike.

Searching for the security of a lost past

Fishers Ghost Festival

As Sydney’s urban sprawl invades fringe communities, locals yearn for a lost past and hope for some safekeeping of their memories. They use nostalgia as a fortress and immerse themselves in community rituals and traditions drawn from their past. They are drawn to ever-popular festivals like the Camden Show and Campbelltown’s Fishers Ghost Festival, which celebrate the rural heritage of Sydney’s fringe.

Local communities respond by creating imaginary barriers to ward off the evils of Sydney’s urban growth that is about to run them over. One of the most important is the metaphorical moat created by the Hawkesbury-Nepean River floodplain around some of the fringe communities of Camden, Richmond and Windsor.

Fringe communities use their rural heritage to ward off the Sydney octopus’s tentacles that are about to strangle them. In one example, the Camden community has created an imaginary country town idyll. A cultural myth where rural traditions are supported by the church on the hill, the village green and the Englishness of the gentry’s colonial estates.

Hope and the creation of an illusion

Outsiders and ex-urbanites come to the new fringe suburbs looking for a new life in a semi-rural environment. As they escape the evils of their own suburbia, they seek to immerse themselves in the rurality of the fringe. They want to retreat to an authentic past when times were simpler. It is a perception that land developers are eager to exploit.

Ex-urbanites are drawn to the urban frontier by developer promises of their own piece of utopia and the hope of a better lifestyle. They seek a place where “the country still looks like the country”. These seek what the local fringe communities already possess – open spaces and rural countryside.

The imagination of new arrivals is set running by developer promises of suburban dreams in master-planned estates. They are drawn in by glossy brochures, pollie speak, media hype and recent subsidies on landscaping and other material benefits.

Manicured parks, picturesque vistas and restful water features add to the illusion of a paradise on the urban frontier. Developers commodify a dream in an idyllic semi-rural setting that new arrivals hope will protect their life savings in a house and land package.

Destruction of the dream

CHS2436
Oran Park Development 2010 (Camden Image/P Mylrea)

Dreams are also destroyed on Sydney’s urban frontier for many newcomers. Once developers of master-planned estates have made their profit, they withdraw. They no longer support the idyllic features that created the illusion of a suburban utopia.

The dreams of a generation of ex-urbanites have come crashing down in the suburbs like Harrington Park and Mount Annan. The absence of developer rent-seeking has meant that their dreams have evaporated and gone to dust. Manicured parks have become overgrown. Restful water features have turned into dried-up cesspools inhabited by vermin.

Paradoxically, the ex-urbanite invasion has displaced and dispossessed an earlier generation of diehard motor racing fans of their dreams. The destruction of the Oran Park Raceway created its own landscape of lost memories. Ironically new arrivals at Oran Park bask in the reflected glory of streets named after Australian motor racing legends and sculptures that pay tribute to the long-gone raceway.

The latest threat to the dreams of all fringe dwellers is the invasion of Sydney’s southwest urban frontier by the exploratory drilling of coal seam gas wells. Locals and new arrivals alike see their idyllic surroundings disappearing before their eyes. They are fearful of their semi-rural lifestyle.

So what of the dreams?

Sydney’s rural-urban fringe will continue to be a frontier where conflict is an ever-present theme in the story of the place. Invasion, dispossession, opportunity and hope are all part of the ongoing story of this zone of constant change.

Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)

Learn more

Ian Willis 2012, Townies, ex-urbanites and aesthetics: issues of identity on Sydney’s rural-urban fringe.

Ian Willis 2013, Imaginings on Sydney’s Edge: Myth, Mourning and Memory in a Fringe Community (Sydney Journal)

Updated 10 May 2023. Originally posted 24 September 2015

1968 Sydney Region Outline Plan · 1973 New Cities Campbelltown Camden Appin Structure Plan · 20th century · Attachment to place · Camden · Campbelltown · Collective Memory · Country town · Cultural Heritage · Local History · Local Studies · Macarthur · Macarthur region · Memory · Peri-urban region · Place making · Placemaking · Regionalism · rural-urban fringe · Ruralism · Sense of place · Stereotypes · Storytelling · Sydney's rural-urban fringe · Urban development · Urban growth · Urban history · Urban Planning · Urbanism

Sydney’s urban sprawl invades the Macarthur region

Urban development on Sydney’s rural-urban fringe

Sydney’s urban growth is about to invade the Macarthur region yet again. This is a re-run of the planning disasters in Campbelltown of the late 1970s. These planning decisions were originally part of the 1968 Sydney Region Outline Plan and the 1973 New Cities of Campbelltown, Camden, Appin Structure Plan.

These urban plans were grossly over-optimistic then and only appeared in the Camden LGA in the 1980s at Mount Annan and Currans Hill. Tracts of land were sold off for housing in 1973, including part of Camden Park Estate, while historic buildings in Camden were demolished – Royal Hotel.

The areas in the current proposal are: Appin & West Appin, Wilton Junction, South Campbelltown, Menangle Park, Mount Gilead and Menangle areas.

Read more @ Massive boost to housing supply for Greater Sydney with biggest release of land in 10 years (ABC News)

and more on the Department Planning website for Sydney’s south west region.

Read about the land release at Menangle Park here  (Urban Growth NSW)

Mount Annan around 2002 CHS2005
Mount Annan, NSW, a new suburb on Sydney’s urban fringe, 2002 (CHS2005/P.Mylrea)

Sydney’s metropolitan fringe is a theatre for the creation and loss of collective memories, cultural myths and community grieving around cultural icons, traditions and rituals. European settlement took the Aboriginal dreaming and then had its own dream removed by an east invasion in the form of Sydney’s urban growth.

The re-making of place in and around the fringe community of Camden and Campbelltown illustrates the destruction and reconstruction of cultural landscapes. Locals dream of retaining the aesthetics of inter-war country towns and have created an illusion of a historical myth of a ‘country town idyll’.

In the new suburbs of Oran Park, Mt Annan and Harrington Park, urbanites have invaded the area drawn by developer spin, which promised to fulfil hopes and dreams and never really lived up to the hype. Unfulfilled expectations mean that Sydney’s rural-urban fringe is a transition zone where waves of invasion and succession have created perceptions of reality, and all that is left is imagination.

Learn more about urban development in the Macarthur region.

Read more at the Sydney Journal

Read more about the suburbs on Sydney’s rural-urban fringe at the Dictionary of Sydney

Read more about the country town idyll at Camden NSW

Updated 16 May 2023. Originally posted on 21 September 2015 as ‘Development of Sydney’s urban fringe’

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Angels of Mercy, Red Cross volunteers

Ministering angels

In late August 1914, the Sydney newspaper the Sunday Times (30 August) described Red Cross volunteers as the ‘Angels of Mercy’ and stated that Red Cross volunteers would ‘Stretch forth your hands to Save!’

Red Cross nurses, according to the press report, had the touch of Christ and were willing to stand ready to ‘succour and tend the men laid low in the country’s service’.

In July 1914, Lady Helen Munro Ferguson, the wife of the Governor General and founder of the British Red Cross in Australia, at a Double Bay Ambulance Class held in a St Mark’s school room at Darling Point in July 1914, referred to Red Cross volunteers as ‘ministering angels’.

Lady Helen Munro Ferguson (SLV)

Munro Ferguson was drawing an allusion to a Biblical passage, Hebrews 1:14

New International Version Bible

In this context, Red Cross workers are sent forward to provide aid to others in need and provide strong moral support in a time of crisis.

Red Cross ‘Help’ poster

The Red Cross ‘Help’ poster was drawn by artist Scottish-born David Henry Souter, who settled in New South Wales in 1887, where he worked as a journalist and illustrator for books and magazines, including the Bulletin, and was one of the first artists to start designing Australian posters.

The aim of the poster was to inspire Australian women to support the war effort. [1]

The poster features a nurse in a stylised Red Cross uniform standing with her arms outstretched, as if appealing for help, in front of a red cross. In the background is a ship, an ambulance and a field hospital displaying the Red Cross emblem.

DH Souter’s Help Red Cross poster used for fundraising purposes in 1918 (ARCS)

The Red Cross as a metaphorical mother is present in Red Cross literature from as early as December 1914.[2]

‘The Greatest Mother in the World’

This issue has been examined by Canadian historian Sarah Glassford in her work on mothering and the Red Cross. She has looked at the use by AE Foringer and the 1918 poster used by the American Red Cross entitled ‘The Greatest Mother in the World’.

Glassford analyses how the poster uses ‘two potent images of Christian iconography: The Virgin and the Child’. She argues that the use of the mothering metaphor and ‘care work sick and wounded citizen-soldiers in terms of mothering…bestowed that work with symbolic and moral power’.[3]

Poster ‘The Greatest Mother in the World’, 1917 A. E. Foringer (Library of Congress)

Patriotism, Christianity and motherhood

Red Cross volunteers and other Edwardian women saw social action as an alignment of patriotism, duty, class, gender, Christianity and motherhood.

After 1914, the Red Cross leadership at all levels of the organisation wrapped these characteristics together and promoted the society to volunteers and the community as the soldier’s metaphorical ‘mother’ and guardian angel on the battlefield.

The Red Cross was identified in posters and other publicity as the ‘Red Cross, Mother of all Nations’, and as the ‘Greatest Mother in the World’. [4]

Kate Egan, the organiser of the packing department of the New South Wales Red Cross, maintained that the Red Cross was ‘stretching forth her hand to all in need…[s]he’s warming thousands, feeding thousands, healing thousands from her store, the greatest mother in the world’.

‘The Mother of Soldiers’

In 1919, the Brisbane Courier ran an article in Red Cross Week under the heading ‘The Mother of Soldiers’ and stated that the Red Cross was ‘the great mother who stretches forth her hands to all in need, warming thousands, feeding thousands, healing thousands from her store’.

A ‘Soldier’s Mother’ wrote in 1918 that the ‘Red Cross is the greatest mother in the world, stretching forth her hands to all in need’.

A Sydney Morning Herald correspondent referred to the Red Cross as ‘the great soldier’s mother’. On Red Cross Button Day in 1918, the three designs for sale for 1/- were ‘The Greatest Mother in the World’ , ‘The Soldiers’ Friend’ and an image of ‘a Red Cross nurse with an outstretched hand’.[5]

Mary McAnene, who was a nurse at No 3 Australian General Hospital at Lemnos and matron of Camden District Hospital before joining up, maintained that

Camden News, 27 June 1918

Ideology of motherhood

The Red Cross as mother and guardian angel was an extension of the notion around the ideology of motherhood, which was an integral part of women’s service role in the British Empire, according to historian Anna Davin.

The ideology of motherhood stated that women had the duty and destiny to be the ‘mothers of the race’. Child-rearing was a national duty, and good motherhood was an essential component in the (eugenists) ideology of racial health and purity.

The family was the basic institution of society, and women’s domestic roles remained supreme. By the inter-war period, pre-occupation with the family and motherhood had turned these traits into a national priority for the British race. Imperial motherhood was promoted as a scientific necessity and a patriotic duty.[7]

There were concerns over the decay of the home and family life expressed by a number of British women’s groups, especially those associated with evangelical Christianity, including the Mothers’ Union (MU), the National Council of Women, and later the Women’s Institutes, the Country Women’s Association (CWA) and Red Cross.

These voluntary organisations provided a training ground for middle-class women and allowed them to gain a ‘public persona’ while upholding the ‘values of both middle-class femininity and bourgeois respectability’.[8]

Soldier’s guardian angel, romance and sentimentality

While the imagery of motherhood was romantic and sentimental, the Red Cross organisation during the First World War was able to effectively use this iconography to encourage strong community support for their activities.

By the end of the war, the Red Cross owned the homefront war effort across the state.

For many women and the community in general, helping the war effort meant helping the Red Cross, and for them, the Red Cross worker was the soldier’s guardian angel.

Notes

[1] See more at: http://blog.perthmint.com.au/2015/01/09/iconic-red-cross-poster-portrayed-on-world-war-i-commemorative-coin/#sthash.74VwqSoT.dpuf

[2] The NSW Red Cross Record, December 1914, p.19

[3] Sarah Glassford, “The Greatest Mother in the World”, Carework and the Discourse of Mothering in the Canadian Red Cross Society during the First World War’. Journal of the Association for Research of Mothering, Volume 10, Number 1, p.220

[4] National Library of Australia, War Posters, Lithographs, 1918.

[5] The Camden News, 19 September 1918; The Brisbane Courier, 26 July 1918; The Blue Mountain Echo, 19 July 1918; The Sydney Morning Herald, 5 February 1919; The Mail (Adelaide), 7 September 1918.

[6] The Camden News, 27 June 1918.

[7]. Anna Davin, ‘Imperialism and Motherhood’. History Workshop, 1978, Volume 5, Issue 1, p. 13.

[8]. Clare Wright, ‘Of Public Houses and Private Lives, Female Hotelkeepers as Domestic Entrepreneurs’. Australian Historical Studies, Volume 32, Issue 116, April 2001, p. 69.

Learn more

Willis, I. (2014). Ministering Angels, The Camden District Red Cross, 1914-1945. (1 ed.). Camden: Camden Historical Society Inc. 2014 (full text)

The story of the Camden District Red Cross 1914-1945 is published by the Camden Historical Society. It tells the story of Red Cross branches at Camden, Menangle, The Oaks, Bringelly, Mount Hunter, Oakdale and the Burragorang Valley.

Updated on 16 September 2023. Originally posted on 16 September 2015 as ‘Angels and the Red Cross’