In 2002 the Sydney press commemorated the life and times of Camden identity Colin Clark, a successful pharmacist who served his community, church and family. (SMH 20 May 2002) Colin married Dorothy, and together, they shaped ‘a vision for their future’ in Camden.
My interest in the Clarks was partly prompted by a photograph of a bottle of liquid paraffin sent to me by local resident Nicole Comerford. Colin had dispensed the paraffin to Nicole’s grandmother, Sheila Murdoch of Orangeville.
Colin Clark ran a pharmacy in Argyle Street for over 35 years. He trained as a pharmacist at the Melbourne College of Pharmacy, and met Dorothy in Stroud. They married in 1933 at Malvern Hill Methodist Church (Clark, Fix Ears, p.72) before moving to Camden in 1934.
Dorothy was an accomplished musician and an artist. In the mid-1920s, she received a scholarship to the Sydney Art School (Julian Ashton Art School) (Clark, Fix Ears, p.71), which trained several notable Australian artists.
The Clarks planned to stay in Camden for seven years (Mylrea, Interview) and as things turned out, they stayed a lifetime. (Camden News, 6 August 1981) Their Methodist faith shaped their worldview and they how fitted into Camden’s rich social fabric and became part of the ‘backbone of the community’. (Camden News, 6 August 1981). They mixed with other Methodist families who amongst others included the Whitemans, the Sidmans and the Stuckeys.
Colin became a well-respected businessman and Dorothy, a stay-at-home mother. They were respected in all strata of society and mixed with people ‘of so-called high and low estate’. (Clark, Eulogy)
John Kearns argues that John Wesley ‘was an active citizen, concerned with people’s physical, mental and economic welfare as well as their spiritual well-being and he did many good works’. As were the Clarks.
Community service – ‘the backbone of the community’
Colin and Dorothy were community-minded active citizens who constantly devoted their ‘energies to the gentle pursuit of shaping their community’s lifestyle and character’ through several local organisations. (Camden News, 6 August 1981)
Colin was president of the Camden Historical Society from 1966 to 1970 and was made a life member in 1994. He was a foundation member of the Camden Rotary Club and served the club for 33 years. He was a member of the Carrington Hospital Board from 1967 to 1981, made a trustee in 1975 (Camden News 6 August 1981) and to honour his service, the board room was named after him (Clark Eulogy). He was president of the Camden Central School P&C in the early 1950s, a member of the Camden Masonic Lodge and a board member of the Camden Uniting Church. (Clark, Eulogy).
Colin was an active sportsman and participated in tennis, cricket, golf and lawn bowls. He was a foundation member of the Camden Golf Club, an early committee member of the Camden Bowling Club and instrumental in the foundation of the Camden CWA Rooms building.
Dorothy – musician, artist and mother
Dorothy was a musician and an artist with an appreciation of the arts. She was an accomplished pianist, and in 1936 played the piano at a Methodist ladies ‘towel afternoon’ (Camden News, 6 August 1936). In 1942 she was the pianist for a concert for the troops at the Narellan Military Base (Camden News, 5 February 1942), and in 1952 she played the piano at a fashion parade fundraiser for the Camden Hospital Ladies Auxiliary (Camden News, 2 October 1952). Dorothy was the pianist for the first Camden Musical Society performance. (Camden News 6 August 1981)
Dorothy was an active member of the Camden Red Cross, Camden District Hospital Auxiliary, and the Camden Country Women’s Association.
Camden Museum – ‘a vision for the future’
In the mid-1960s, Colin and Dorothy had a vision for a local history museum in Camden where a collection of objects and things could tell the local story. (Mylrea, Interview) The Clark’s view of the world would have seen a museum providing an educational experience based on authentic objects and stories taken from Camden’s cultural traditions and values, and the individuals who created them. (Willis, Stories and Things)
The Clark’s vision and enthusiasm encouraged support after initial scepticism. With the help of Camden Rotary Club Colin eventually secured the old council rooms at the rear of the Camden School of Arts and opened a museum in 1970. (Wrigley, Camden Museum)
Colin recalled, ‘In the 1930s it was quite common to be called upon to dispense a prescription mixture. There were no prepared medicines and it took around 20 minutes to put a script together. There were very few cosmetic preparations.’ (The Crier, 14 November 1979)
Colin’s pharmacy was initially located in the Whiteman building at 90 Argyle Street when he purchased Niddries business. The pharmacy opened at 8.30am, with half-an-hour for lunch to 8.30pm. The local doctors always ran a night surgery and Colin would be dispensing mixtures for the patients. On Saturday he opened at 8.30am to 1.00pm, then back at 6.00pm to 8.30pm and then Sundays and after-hours calls. ‘It was a very hard life.’ (Mylrea, Interview)
Kearns, Adrian J. “Active Citizenship and Urban Governance.” Transactions of the Institute of British Geographers, vol. 17, no. 1, 1992, pp. 20–34. JSTOR, http://www.jstor.org/stable/622634. Accessed 4 Sept. 2021.
Mylrea, Peter 1994. Transcript of an Interview with CC, Camden, 12 November, 19 November, 10 December 1993, 19 January 1994, Camden Museum Archives.
Mylrea, Peter 2001. ‘Camden Historical Society, Its First 25 Years, 1957-1982’. Camden History, Vol 1, No 1, March 2001, p.11.
Mylrea, Peter 2001. ‘Glimpses of Camden, Interview with Colin Clark’. Camden History, Vol 1, no 2, September 2001, pp.24-28.
Urick, B. Y., & Meggs, E. V. (2019). Towards a Greater Professional Standing: Evolution of Pharmacy Practice and Education, 1920-2020. Pharmacy (Basel, Switzerland), 7(3), 98. https://doi.org/10.3390/pharmacy7030098
A notable part of Camden’s modernism that has disappeared is the Drive-In movie theatre. The Narellan Gayline Drive-in Movie Theatre was one of the famous attractions in the local area between the 1960s and 1980s, located on Morshead Road, Narellan (now Narellan Vale).
Along with rock ‘n roll, transistor radios, the bikini, the mini-skirt, it marked the baby boomers’ lifestyle. Always popular with teenagers and young families. The Drive-In movie theatre was a defining moment in the Camden District for a 20th-century culture based around the icons of the period: cars and movies.
Drive-in Movie Theatres
Robert Freestone writes that the Drive-In theatre arrived in New South Wales in 1956, and by the 1970s, there were 14 drive-ins in the Sydney area, including the Gayline. The Drive-In was a ‘signifier of modernity with its twin imperatives of consumption and comfort in the motor car’s private space.
The Drive-In reflected the US’s growing influence in the 1950s, the force of suburbanisation and the democracy of car ownership. The first Drive-In theatre in Australia was the Burwood Drive-In in Melbourne in 1954. The first Sydney Drive-In was the MGM Chullora Twin Drive-In which opened in 1956 by Premier Cahill. In the 1970s, there were more than 300 drive-ins across Australia.
In New South Wales, Drive-Ins came under the control of the Theatres and Public Halls Act 1908-1946 and were heavily regulated compared to Victoria under the Theatres and Films Commission. Freestone argues states New South Wales planning restrictions Drive-Ins could not be closer than 4 miles to each other, they had to be accessed by a side-road, away from airports, and positioned so as not to distract passing traffic.
During its heyday, the Drive-In was very popular. It was very democratic, where an FJ Holden could be parked next to a Mercedes Benz. The Drive-In was a relaxed, laid back way to see the movies. The whole family went to the movies, including the kids. Parents could have a night off and not have to clean up, dress up or hire a baby-sitter. Families took blankets, quilts, and pillows, and when the kids faded out, they slept on the car’s back seat. A young mother could walk around with her new baby without disturbing other patrons.
The Narellan Gayline Drive-In Movie Theatre
Ted Frazer, the owner/operator of the Gayline Drive-In, was a picture showman. The Frazers had cinemas on the South Coast, at Scarborough and Lake Illawarra. At Scarborough, they operated the Gala Movie Theatre. It was established in 1950 and had sessions on Wednesday, Friday, and Saturday nights and Saturday matinee. The family ran movies in the local progress hall at Lake Illawarra.
Terry Frazer said,’ ‘We were the only family-operated Drive-In. Greater Union or Hoyts ran all the others in the Sydney area’.
Terry Frazer considered that the business was successful over the years that it operated at Narellan. He said, ‘It was a family business, and my son did some projection work. The kids worked in the shop, as did our wives.
The high point of the Drive-In’s success was in the early 1970s. Terry’s brother Kevin Frazer and his wife Lorraine Frazer were in the business from the early 1970s. He says:
As a family business, we had separate jobs, and you did not interfere with others.
The Gayline showed a mixture of movies. When patrons rolled in, they put the hook-on-window-speaker and occasionally drove off with it still attached after the movie finished.
Some Drive-Ins closed down in the 1970s, yet the Gayline survived. When daylight saving was introduced moved to later starts. Like other Drive-Ins, during the 1980s, it dished up a diet of soft porn and horror movies to compete with videos and colour TV. In 1975 colour TV had an effect, but a more significant impact was the introduction of video in 1983-84. It contributed to killing off the Drive-Ins. Terry thinks that apart from videos Random Breath Testing, which became law in NSW in 1985, also had an effect.
Terry Frazer said
Things went in cycles. The writing was on the wall in the early 80s. We knew it was pointless to keep going full-time, and we only operated part-time, on Friday and Saturday nights. We had family working in the shop. We eventually closed in 1990. Land developers were making offers to Dad for the site. Dad built a house in 1971. It was a cream brick Cosmopolitan home in Gayline Ave, and it is still there.
Ted Frazer located the Drive-In at Narellan because it was to be within the ‘Three Cities Growth Area’ (1973) of the 1968 Sydney Region Outline Plan (1968), and the land was a reasonable price.
The opening night was in November 1967, and the first movie was Lt Robin Crusoe USN [Walt Disney, 1966, Technicolor, starring Dick Van Dyke, Nancy Kwan]
Terry Frazer recalls
We could fit in 575 cars. The surface was asphalt, and we were always patching it. It was part of the maintenance of the site. We had to have a licence for motion pictures.
The screen, according to Terry Frazer, was made from zinc anneal sheeting. Mr Frazer recalls
Rivetted together on a rear timber frame. All mounted on a steel frame made by a local engineering company. A crane hoisted it up. On either end, there were cables and shackles, with a platform with safety rails that you manually wind up with a handle up the front of the screen. You would use it to clean the screen or repaint it white. I painted the screen with a roller.
The speakers had a volume control and a small speaker. The family brought in Radio Cinema Sound in the mid to late 1970s. The customers had a choice of old-style speaker or radio as not all cars had radios. Terry Frazer would go around all the speakers on Fridays and check for sound quality. There were redback spiders under the concrete blocks that had the speaker post. Terry recalls:
Before the end of the show, he would remind patrons to put the speakers back on the post before leaving. Some would still drive off with them attached. The Drive-In had a PA system through the speaker system.
Mr Frazer stated
Sessions started at 7.30 pm, except in daylight saving when it was 8.30pm. In busy periods we had double sessions – 7.30pm and midnight. Always two features. I always had the lighter movie on first and the feature on the second half. In the 1980s, we still had a double feature.
Terry Frazer recalls:
For the midnight session there could be a queue down Morshead Road out onto Narellan Road waiting to get in. It was a horror movie session from 12.00am to 3.00am. On some popular Saturday nights, we may not be able to get all the cars in. At one stage in the 1970s, we considered having two sessions 7.00pm and 10.00pm. We would advertise sessions in the Sydney papers under the Greater Union adverts every night of the week. We would run adverts in the local papers each week.
Movies and Slides
The feature films could be a long movie, for example, Sound of Music, Great Escape. They had an intermission cut into the movie.
Terry Frazer remembers:
We changed the movie programme on Thursdays. We dealt with MGM, Paramount, 20th Century-Fox and Columbia. They were all around the city. You would go to each one to pick up the [film] print. Some of these amalgamated later on. Paramount and Fox were off Goulburn and Elizabeth Streets, Columbia at Rozelle. My father, Ted Frazer, would go in early to book the programme, and I would drop off the old programme.
You would hope it was a good print, otherwise, I would have to repair the film by doing joins. I used a brush and cement, and later we went to tape. You would make a perfect joint. You would join up the trailers and a short feature. You would hook them into the front of the spool to make less changeovers.
If a movie went well, it would run for 2-3 weeks if the print was not booked out anywhere else. There were usually a lot of prints, so if a movie went well, you could keep a print for another week.
For the big movies, the city cinemas got first release. We could get lessor movies as first release and run with other features.
Terry Frazer observed that
as an independent [screen] we got a reasonable go at it. For the lessor movies, we paid a certain figure. Top movies were worked on a percentage basis, 50:50, 60:40 [of takings]. Some companies would check the number of cars at the Drive-In by sending representatives out. One independent movie producer, Ably Mangles, came out to check the number of cars. He was on a percentage basis.
Independent movies were popular. Glass slides were provided by David Koffel, the advertising agency, as a finished product.
Terry Frazer was the projectionist and recalled:.
The slide projector was a carbon arc slide projector. The movie projector was an English Kalee 35 mm projector. It had a carbon arc feed mirror for its light source. It had a manual feed. You had to thread up each spool which would last 20 minutes. There were two movie projectors and one slide projector. You would load one up, ready for the next one to start.While the movie was running, you would go out to the rewind room and manually rewind the spool for the next night’s screening.
Terry Frazer remembers:
We had glass slides showing advertising during intermission and before the show. We would run 70 glass slides showing adverts for local businesses. Local business would buy advertising. The local representative of the advertising agency would go around local businesses. The advertising agency was David Koffel. There was good money from advertising to local businesses. Later the advertising agency changed to Val Morgan.
The experience of the Drive-In is the strongest memory for regular moviegoers. People rarely talk about the movie they saw but can remember with great detail the whole experience of the Drive-In.
Memories flood back for baby-boomers of the rainy night when they tried to watch the movie with the windscreen wipers going. Or the car windscreen was fogging up. Or the winter’s night when the fog rolled in from Narellan Creek. Or the relaxed ambience of a balmy moonlit summer’s night.
The smell of the food, the sound of the cars, the queues to get in, the walk for hotdogs and drinks. The night out with the girlfriend and the passionate night’s entertainment. Orr the night out as a youngster with the family dressed as you were in pyjamas and slippers.
The Gayline Drive-In was not only attractive to young families; it offered local teenagers freedom from the restrictions of home. Many local teenagers had access to cars and found the Drive-In an ideal place for a date and some canoodling and smooching. It was quite a coupe to get Dad’s car and show off to your mates or the girlfriend. The Drive-In was a place to see and be seen. It was a big deal.
One of the favourite lurks of teenagers was to fill the boot of the car with people so they did not have to pay. Once inside, they were let out. If you drove a station wagon, you reversed the car into the spot and lay in the back of the wagon, wrapped up in a blanket. Others would bring their deck-chairs, put them in the back of the ute, enjoy a drink and a smoke, and watch the movie.
The Drive-In movies offered an experience, whether at the snack bar which sold banana fritters, hot dogs, battered savs, Chiko Rolls, popcorn, chips, choc-tops, ice-creams, Jaffas, Minties and Hoadley’s Violet Crumble. The Narellan Gayline Drive-In had a large screen, a projector booth, a children’s playground, and a large parking area.
Terry Frazer recalls:
Mum controlled the shop and kitchen. In the early 1970s, she had 7-8 working in the shop. Later on, there was only one permanent girl. In the 1970s, the restaurant had 8-10 tables. Mum would cook T-Bone steak with salad and other dishes. Originally Mum made steak and fish dinners for a few years. Then she went to hot dogs, hamburgers, toasted sandwiches, banana fritters and ice-cream, which was very popular fish and chips.
Steak sandwiches were popular, Chiko rolls later on. They were quick and easy. Mum would pre-prepare the hot dogs and hamburgers. She would make what she needed based on how many came in the gate. At the break, everyone (patrons) would rush down to the shop and queue up 6-7 deep and wanted quick service.
We had snacks, chocolates, and popcorn. The only ice-creams were choc-tops because the margins were bigger. Drinks were cordial and water in paper cups. There were good margins. We were the last to change over to canned soft drinks. Most Drive-Ins did the same.
Customers could sit in the outside area and watch the movie from the building. A handful of patrons would walk in. Usually, local kids sit in front of the shop and watch the movie- all undercover.
The shop did fabulous business until the US takeaways arrived. McDonalds and KFC [arrived in the mid to late 1970s in Campbelltown and] changed things. Customers would bring these takeaways or bring their own eats.
Mrs Alma Rootes
One of the regular workers in the shop and kitchen was Alma Rootes. She was a kitchen hand and shop assistant from 1967-1975 until she became pregnant with her fourth child.
Mrs Rootes recalls:
I worked in the kitchen and served at the counter. We did fish and chips, hamburgers, banana fritters and Pluto pups (a battered sav) and other things such as lollies. People would come into the shop before the movie was screened to buy fish and chips. Fish and chips went really well. They would have their dinner. We would pre-prepared food for sale before the interval. It wasn’t easy; there would always be a rush at interval. I would work on hot food.
We made hundreds and hundreds of ice-creams. They had a chocolate coating. You would scoop out the ice-cream out of a drum-type container. You would put a small scoop in the bottom of the cone and a bigger one on the top and dip in the warm chocolate. The chocolate was in a stainless steel bowl. Mrs Frazer always wanted to give value for money [referring to the two scoops]. We would do this before interval. The banana fritters were battered bananas, deep-fried and sprinkled with icing sugar.
On Friday and Saturday nights, Mr Frazer would help on the counter in the shop with the lollies. There would be 2-3 working in the kitchen. On quiet nights Mrs Frazer would run things on her own. There was another lady. Her name was Lyn, I think. Kevin would come out and work in the shop if there was a rush. Sometimes the movie would start, and we would not be finished serving. The customers could see out of the shop to the screen. After the show, we would clean up.
The shop had a glass front facing the screen with two doors for entry to the sales area. There was a counter at one end were lollies and ice-creams, in the middle was hot food. There was a door behind the counter to the kitchen. The kitchen had counters down either wall, with a deep fry at one end.
I have lived at Bringelly for around 50 years. I originally came from Lakemba. I was paid the wages of the day. I enjoyed my time there. It was a good place to work. Driving home was not good. Sometimes there would be huge fogs. Alan (husband) would take the kids, and they would sometimes drive me home.
I thought I had better go when I got pregnant. Alan [Alma’s husband] said that Mrs Frazer was concerned she would slip in the kitchen or have an accident as Alma was so heavy (pregnant). Mrs Frazer was concerned about her insurance position. The Frazers gave me a silver teapot when I left in 1975 [photo].
Terry Frazer remembers:
Some of the patrons would like to have a drink. Terry recalls a group of blokes in the late 1960s who came in a top table truck. They parked the truck and got out their folding chairs, and had an 18-gallon keg. I think they finished the keg. It was hard to tell.
You would get guys on motorbikes. We had all sorts of patrons, stories that you could not print. We had a bucks party one night.
In the early 1970s, there were panel vans that were carpeted and done up. The young fellows would reverse into position and open the doors to watch the movie.
The Drive-In was a good night’s family entertainment. It was a full night’s entertainment for families. There was a kid’s playground. Mum and Dad could watch the movie. The regulars were young families who could not afford baby sitters. They would pile the kids in the car in their pyjamas and come to the Drive-In.
Terry Frazer recalls:
that they would always say, the Drive-In was one business that added to the population growth of the area. There was a lot of making out [and pashing] amongst the young couples who were regulars.
Patrons could get out of their cars and go for a walk. People wandered around.
At Easter, there were church meetings. They constructed a huge stand in front of the screen. It went on for 3-4 years in the early 1970s [a trend copied from the USA]. It was a Drive-In church. The Frazers could not recall which church group.
There were car shows in the 1970s.
An independent movie was made at the Drive-In. They set up the rails and so they could move along to set a scene. Some scenes in the movie were shot at Thirlmere. A local, Lyle Leonard, had his car in it. They shot a number of scenes at the Drive-In. I cannot remember the name of the movie.
In wet weather, we waited until it was really wet and would tell the patrons to come to the shop, and we would give them a pass for the following night.
We could get completely fogged out. The light beam could not penetrate the fog. We would close up and give a pass for the following night. It was worst in April and May.
People would come from a long way for a certain movie in really bad weather you would give them a refund.
Lyn Frazer recalled that if it was drizzling, patrons would rub half an onion onto the windscreen, and you could see.
Narellan township in 1967 [when we set up] only had 6 shops. There was always a takeaway next door to the current cheesecake shop [on Camden Valley Way]. There was only a very small shopping centre.
<All that is left of the Narellan Gayline Drive-In a street sign. (I Willis, 2008)>
The Gayline Drive-In eventually closed down, like many in the Sydney area, when residential development at Narellan Vale started to grow, and the land was more valuable as real estate.
Unfortunately, lifestyles have changed, and people prefer the comfort of suburban movie theatres at Campbelltown and shortly at Narellan. However, the tradition of outdoor movies and all their attractions for young families and teenagers are not dead in our area.
Outdoor movies have made a come back in the local area as they have in other parts of Sydney. There have been movies under the stars at venues like Mt Annan Botanic Gardens and Macarthur Park.
Nell Raine Bruce Such fun times we had there. Before we could drive we would walk and sit on the veranda of the cafeteria and watch the movie. The good old days, wish it was still there. (Facebook, 22 June 2015)
Eric Treuer I remember going there thinking that the drive-in was for gays. I was very young at the time. Lol (Facebook, 22 June 2015)
Gail Coppola Had great times there. Listening to the movies and the cows lol (Facebook, 22 June 2015)
Jan Carbis Went there many times….great memories (Facebook, 22 June 2015)
Adam Rorke My lawyers have advised me to say nothing….. (22 June 2015)
Chris Addison What is it now houses kids used to love going there (22 June 2015)
Justin Cryer I remember going out to here with the whole family hahaha wow (22 June 2015)
Graham Mackie Saw smokie and the bandit there as a kid (22 June 2015)
Jan Carbis Went there many times….great memories (22 June 2015)
Robert Rudd Movie news that’s for sure gots lots of oh doesn’t matter (22 June 2015)
Dianne Bunbury We had one in Horsham when I was growing up in – 1960s era. (22 June 2015)
Robert Waddell Watched Convoy with a few other families, as us kids played on the swings.ET was the last movie I saw there, it was great because families used to enjoy spending time together back then, El Caballo Blanco, Bullens Animal World, Paradise Gardens all family activities all closed now because of these so-called social networks, play stations, Xboxes, etc the family unit has broken down and it’s a very big shame.Have a BBQ with your neighbours take your kids on picnics enjoy the family time it’s over too quickly people life is too short by far!!. (23 June 2015)
Kay Gale Great nite out was had many years ago wow (23 June 2015)
Graham Mackie Saw smokie and the bandit there as a kid (23 June 2015)
Jacque Eyles The midnight horror nights! Loved it (23 June 2015)
Vicki Henkelman The Hillman Minx and pineapple fritters life were good !! I also had a speaker in the shed for years oops! (23 June 2015)
Meg Taylor Soooo many memories (23 June 2015)
Kim Girard Luved it great times (23 June 2015)
Robert Waddell Watched Convoy with a few other families, as us kids played on the swings.ET was the last movie I saw there, it was great because families used to enjoy spending time together back then, El Caballo Blanco, Bullens Animal World, Paradise Gardens all family activities all closed now because of these so-called social networks, play stations, Xboxes, etc the family unit has broken down and it’s a very big shame.Have a BBQ with your neighbours take your kids on picnics enjoy the family time it’s over too quickly people life is too short by far!!. (23 June 2015)
Kerry Perry Bring back the good times movie, chick, and food (24 June 2015)
Julie Cleary We would back the panel van in and watch in comfort… So fun! (24 June 2015)
Mick Faber Great memories at the Drive-In. 12 of us snuck in one night in the back of a mates milk van. More of a party than a movie night. (24 June 2015)
Kathleen Dickinson Holy geez I think I even remember where that used to be! Lol (23 June 2015
Matthew Gissane We went down through Camden for a Sunday drive last … er … Sunday, and anyhow, we followed the Old Razorback Road up to Mt Hercules. A fabulous vista from up there. Didn’t see the Gayline though. 23 June at 22:39
Greg Black wasn’t aware of the Gayline,… I do like Camden and the surrounding areas, nice countryside (in the ’60s used to go there with m & d to watch the parachutin’…) 23 June at 23:39
Greg Black Some of the patrons would like to have a drink. Terry recalls a group of blokes in the late 1960s who came in a tabletop truck. They parked the truck and got out their folding chairs and had an 18-gallon keg. I think they finished the keg. It was hard to tell. 23 June at 23:46
Anthony Ayrz I remember it well,,,,, thought it was called Skyline….. full of houses now,,,,, can still pick put exactly where it was…. I was about 7 when my parents took us there a few times….. remember going to the Bankstown one with my parent’s friends in the boot…. and we got away with it!!!! 22 June at 21:28
Alison Russell That brings back memories I used to live behind the Drive-In it looks like the photo is taken from our old house which sadly has just been sold and will be knocked down but what fun we had there as kids and all the sneaky ways we had to get into the Drive-In
Colleen Dunk Moroney Often went in in the boot so we didn’t have to pay 😲😇 the guy in the white overalls was Neville, used to tap on your window and say “movie news”, giving away movie newspapers. always scared the crap out of me lol. I loved the Drive-In.
Lauren Novella I remember sneaking in the boot just to save a few bucks!!!!! Lol. Who even watched the movies….. It was more like a mobile party…😆
Sharon Land Memories remember Alison Russell when we had to go to the outdoor loo and if an R rated movie was on we were supervised outside my mum and dad lol
Andrew Carter-Locke We used to get in the boot of my cousins XY falcon. Back in the day you always got a backup film before the feature. I remember “Posse”, being better than “Jaws”.
Wayne McNamara Many mems….watching people drive off ….still connected….and the guy in the white overalls at the entrance…
Prowling crazy colourful koalas are on the loose in the Australian Botanic Gardens in Mount Annan and other notable spots in Campbelltown.
The cute one-metre-high fibreglass sculptures, called Hello Koalas, are loose across the garden landscape. They are a sight to behold after being a hit at the Royal Botanic Gardens in Sydney in 2019.
The artworks are part of the Hello Koalas Sculpture Trail, jointly hosted by The Australian Botanic Garden (ABG), Mount Annan and Campbelltown City Council. Running from April 1 to April 30, the art installation is on loan from the Port Macquarie area.
Engaging public art installation
On a visit to the ABG this week, I watched how the sculptures touched the hearts of everyone who walked past them.
The Hello Koalas seemed to immediately grab the attention of everyone who walked past them, from the very young to the very young at heart. The koala characters appeared to melt the coldest heart with their bright colours and crazy artwork.
There is an element of surprise to the sculptures, and there is an immediately identifiable joy in people’s reactions. Young and old pose for selfies and family pics with the koala characters.
Families sought out the elusive koala characters across the ABG after picking up the free trail map. The kids were making sure that they found all of the 22 koalas in the garden.
According to the trail map, families can be helped in the koala hunt by downloading the ‘Agents of Discovery’ by using the ABG QR code and then seeking out the koala characters.
A public art trail
The outdoor art installation trail is strategically placed across the garden landscape to ensure an exciting and wonderful experience of these ‘living sculptures’.
Each of the Hello Koalas has a name and is themed around culture, heritage and environmental issues. There is Captain Koala, Bushby, Flying Fire, Topiary and a host of others.
The trail map provides a host of information about the Hello Koalas location, their names, and the artist who created them.
The ABG art installation was ‘conceived and created in Port Macquarie by Arts and Health Australia’, which aims ‘to promote and develop the application of creativity and the arts for health and quality of life’.
Project director Margaret Meagher described the Hello Koalas as Wildlife Warriors and said, ‘The project aims to spread the message that we must care for our koalas and all native fauna and flora’.
Director Margaret Meagher was inspired to create the Hello Koalas by an animal trail that was part of the 2010 Hull arts festival in England. The trail celebrated the life and times of local poet Philip Larkin and his poem Toads. Festival organisers created the Larkin with Toads sculpture trail. After initial scepticism, the toads have been a huge hit winning tourist awards, gaining national press coverage and increased local tourism.
Public art is an opportunity to showcase artist talent differently and generate broader community interest. This type of art installation can ferment interest in issues and engage the media, the public and the creative sector. Public art appeals to the imagination of adults and children and can bring the community together.
Successful public art encourages public engagement with art and can create a sense of ownership within the community. There can be increased visitation increase tourism that brings money into the area. It can contribute to placemaking, shaping community identity and a sense of belonging.
Not a balmy idea
The Hello Koalas Sculpture Trail, at first glance, may be considered a balmy idea. In reality, it is a clever idea that on initial observations seems to have engaged people’s interest and imagination and created a unique art experience.
The ABG Hello Koalas brochure states:
Effectively, each Hello Koalas sculpture provides a blank canvas to convey evocative messages that celebrate the existence of native plants and animals and raise public awareness, across generations, of the importance of caring and preserving our natural world.
In Camden the ideology of motherhood expressed itself in the foundation of the St John’s Mother’s Union in 1900 which saw that mothers were an integral part of women’s service role to the British Empire. (Ministering Angels, p19) and later the Red Cross in 1914 and Camden Country Women’s Association in 1930. (Ministering Angels, 21)
In the early 20th century the Red Cross was variously described as the ‘Greatest Mother in the World’, and the ‘Mother of all Nations’ (Ministering Angels, 6) The CWA were concerned with motherhood and infant mortality and of their main activities in the early 20th century was the foundation of baby health centres across the country.
Around the turn of the century a direct link was made between infant welfare, motherhood, patriotism and nationalism. Motherhood and mothering were expressed in terms of patriotism and a national priority. All driven by European exceptionalism, expressed in Australia as the White Australia policy. There was anxiety around falling birth rates, whiteness and the strength of the British Empire.
Motherhood as national building
Sociologist Karen Swift writes that from the around the middle of the 18th century the state became interested in motherhood where ‘the state’s interest in controlling and using female fertility for nation building and economic purposes’. Biological determinism stated that motherhood was a natural state for women and that is should be a national priority.
The ‘master narratives’ governing European motherhood in earlier centuries was that of nation building, especially in the colonies. The creation of new nations required a growing, healthy population, with women’s roles focused on producing and rearing soldiers and laborers. Once nation-building efforts became established, mothers were called upon to contribute to the development of a large and prosperous white middle class needed to perpetuate and grow capitalism. For this purpose, white mothers were needed to learn, teach, and demonstrate the moral authority the middle class required to dominate those below in the social, economic, and racial hierarchies.
The metaphor of the Red Cross as mother and guardian angel was extended in the post-war environment and incorporated a concern for mothers and infants. The terrible losses of the First World War, and declining birth rate made the welfare of mothers and infants a national defence priority. There were calls to repopulate the country (The Maitland Weekly Mercury, 30 November 1918.) and a developing national anxiety around motherhood. Some of Sydney’s conservative elite had expressed concern about the issue of infant welfare, and set up the Kindergarten Union and Free Kindergartens in the 1890s.
Support from the National Council of Women of NSW, of which Sibella Macarthur Onslow of Camden Park was a member, and others who were concerned about the welfare of mothers and infants led to the establishment of day nurseries, supervised playgrounds and other initiatives in inner Sydney in the early 1920s. There were high rates of infant mortality in inner Sydney and social conditions for single mothers with children were less than desirable. There had been the Royal Commission on the Decline of the Birth Rate and the Mortality of Infants in New South Wales in 1904 and the Edwardian period was characterised by a nationalistic concern over the moral decline of the British race. (Ministering Angels, 65-66)
‘Perfect Motherhood is Perfect Patriotism’
‘Perfect Motherhood is Perfect Patriotism’ according to Sydney’s Daily Telegraph in 1926. The article was a part of the publicity associated with a fundraising campaign for the Karitane-Sydney Mothercraft Centre at Coogee operated by the Australian Mothercraft Society. The society had been established in Australia in 1923 modelled on the Royal New Zealand Society for Health of Women and Children, commonly called the Plunket Society, established by New Zealand doctor Sir Truby King in 1907.
You should have a white Australia. But if you find the Eastern nations more moral more noble to make more sacrifices for the continuity of the race, you know the result must be the same as has been the case with the great civilisations of the past. Greece and Rome went down, not through any failure in the valour or courage of their young men, but because of the increase in luxury, the repugnance to rearing families, followed by decadence and sterility and eventually extinction. If the population of Australia do not do their duty to the race there cannot be any resistance to other races coming in and populating this fair land.
In 1920 the women of the Camden Red Cross were concerned about these issues and donated £14 to the Society for Welfare of Mothers and Babies. The society had been formed in 1918 in Sydney, aimed to teach mothercraft and eventually set up the Tresillian training school at Petersham in 1922.
Red Cross Baby Day became an important part of the district Red Cross child welfare agenda in the post-war years. The Red Cross coordinated the first Baby Week in 1920 in the first week of April and encouraged the formation of local committees.
The Baby Week was supported by Lady Helen Munro Ferguson and had its origins in England with the National Baby Week Council in 1900. Its objects were to foster child welfare by decreasing infant mortality, to promoting the health of mothers, and to encouraging motherhood and maternal nursing(The Braidwood Dispatch and Mining Journal, 27 February 1920) (Ministering Angels, 66).
The 1920 Red Cross Baby Day in Camden was held on 30 March and the Camden branch had two street stalls, while the Narellan Red Cross had an afternoon tea stall at the Bank of New South Wales. (Minutes, Camden Red Cross, 9 March 1920 )
The support continued in 1925 when the Camden Red Cross was assisted on the dip stalls by Miss Gardner from Camden Public School and her kindergarten class. The total raised by Camden was £23 and Narellan Red Cross raised £9. Camden News, 1 April 1920)
The funds were donated to the Camden District Cot at the Royal Alexandra Hospital for Children. In 1925 Camden Red Cross members sought the assistance of the girls from Camden Superior Public School, with the girls helping out on one of the dip stalls. This practice continued until 1940. The Camden Red Cross branch made a regular donation and it generally varied between £20 and £50, with a peak in 1922 of £53. The overall average donation between 1921 and 1939 was £34, while during the Furner presidency the average donation was £37 and Macarthur Onslow’s presidency £32. The Camden Red Cross made a number of donations to nursery movement groups during the 1920s and they included: Nursery Association (1924, £10); Sydney Day Nurseries (1925, £10); Infant Home, Ashfield (1925, £7, and 1926, £10); and the Forest Lodge Day Nursery (1927, £6). (Ministering Angels, 66)
These memories are a moving personal account of a childhood growing in Airds in the 1970s and 1980s.
This story from former Airds’ resident Fiona Woods acts a counterpoint to stories of despair and loss from these suburbs. In many ways, Airds was a suburb on the fringe of the world. Many residents were living on the edge and faced many challenges.
At the moment many Australian’s have felt a heightened sense of anxiety and need a little hope. Since the bushfires on Australia’s East Coast from September 2019 there are many grim stories.
The uncertainty and lack of control have continued into the Covid crisis, and many feel despair and at a loss. Fiona’s story provides a ray of sunshine in today’s shadows.
Fiona uses memory as a way of explaining the meaning of past events and peoples involvement in them. She has not created a meaningless collection of unrelated facts.
Fiona says, ‘Everyone has a story. It’s easy to think of our ancestors as names on a page or a black and white photograph of well-dressed, ‘serious people’.
‘But behind those images is a life that has been lived through both adversity and celebration. With love and pain and all that goes with being human. So many stories that have been untold’.
Fiona’s memories are about a suburb where some residents succeeded and others did not.
This is Fiona’s story and how hope can win through in the end.
Growing up in Airds
Growing up in a housing commission estate is not something that traditionally elicits feelings of pride and success. But for me, it does just that. I moved into Airds in 1977, when I was three years old.
My dad had suffered a traumatising work accident, one that would leave him with debilitating, lifelong injuries. My parents already had three small children and were expecting a fourth.
I can only imagine how difficult it would have been for them – Dad was in and out of the hospital, and Mum didn’t drive. Here was where their neighbours stepped in, and my earliest memories of the community began.
Back then, neighbours weren’t just people you waved to from the driveway. They were people you could count on, whether it be for food or childcare or even a simple chat over a cup of tea.
I grew up as part of a village, where a lady in my street took my sisters and me to our first gymnastics lessons. I developed friendships that have stood the test of time. I have even taught alongside my closest childhood friend, an experience that is something I treasure.
I laugh with my siblings that we can never shop with Mum in Campbelltown – she remembers everyone who lived remotely near us. But for her, it was the friendship she struck up with her new neighbour the day they both moved in that is the most special.
A friendship that has lasted for over 43 years. It still involves daily coffee catch-ups and phone calls.
I started Kindergarten at John Warby Public School, where I learned more than just academics. It was during this time that I experienced how the love of a teacher extends beyond the classroom.
I truly believe it was these experiences that led me to join the profession. I had so much to give back. I remember some of these teachers visiting our home to check in on our parents and even drive them to appointments.
They really took the home-school connection to a new level! I will be forever grateful for the investment they made in us and their belief that we would all succeed.
Living in Airds during the late 70s and early 80s was a time where friendships were built, and people stuck together. It was the freedom of riding bikes with friends until the street lights came on, building makeshift cubbies and performing concerts for the neighbours.
I can still remember the excitement of walking to the local shops with my sisters to buy a few groceries for Mum. The constant search for ‘bargains’ in the hope there would be twenty cents leftover to buy some mixed lollies.
To this day, I still can’t resist a markdown and resent paying full price for anything. Lollies aside, the mere act walking to the shops was an adventure. Teetering along with the giant concrete snake and pretending we were on a secret journey.
Our simple life ensured we had opportunities to use our imagination and explore the world around us, creating memories with our neighbours and friends.
But life wasn’t always easy. I remember eating dinner and seeing my parents eat toast because there wasn’t enough to go around.
By this stage, they were raising five children, including my youngest brother, who rarely slept for more than an hour each night. He became a case study for professors looking into hyperactivity disorders.
That was little comfort to my mum, who was also Dad’s primary carer, living on minimal sleep and a frugal budget. Yet she showed up every day, always reminding us about the power of education and instilling a true love of learning in us all.
What we lacked for in material possessions was made up by so much more. We learned to be resilient and grateful, and we learned to be kind. We continue to work hard in our chosen fields, always considering how we can help others.
One of the proudest moments for our parents was seeing all five children graduate from university. That and the ongoing pride they feel for their thirteen grandchildren, who love their Nan and Pop like no one else.
The roots that were planted back in those early days have been tended with such love and care.
Those trees continue to flourish, branching out into wonderful opportunities. I am forever grateful for the foundations my childhood was built upon.
And I proudly tell everyone about where it is I came from.
Daniel DraperFantastic story Eric Kontos, I am also a Proud Airds Boy moving their in 1977. My mother still lives in the same house. I always said growing up in Airds built character. We had a fantastic childhood and explored every part of the George’s River bushland. They where great days!
Frank WardWhat a great story and I have come across so many great similar accounts of growing up in Campbelltown and the estates.
Noting Fiona’s record that she and all her siblings got to go to University makes me particularly proud of the work my late sister Joan M Bielski AO AM who was a teacher but she devoted her life to the promotion of equal opportunity for women in education, politics and society. Her main work was to change the education system so that women got access as when she started at Uni only 25% of women got to Uni and then mainly in teaching now ove 56% of all graduates are women and more women are in political powerful positions This pandemic has been another example of the value of an educated female workforce as they have been on the frontline of this war on the virus so we can only hope that the government will give them equal pay instead of empty words that usually flow from the PM
Sam EganLove this, my family moved to airds in the late 70s, I started at John warby public, we moved when I was 7 or 8 to St Helens park, changed schools. 30+ years later after ending a long relationship i was set up on a date, who just so happened to be the boy who lived across the road from us at airds, who I used to walk to school with every day. His mom still lives in the same street. 15 years later and our own little boy we love going to visit, after all those years you realize how strong that little community is.
Leonie ChapmanWhat a fabulous article and account of the old days.
I grew up there from about 1978 and went to Briar Rd PS and then St Pats.
I have so many fond memories and close bonds that I made back then and still am lucky to have today
I have always been proud of my roots, especially the early beginnings of growing up in housing commission. You don’t need riches to be surrounded by love, hope and a desire to succeed.
I am honoured that my story was shared on the blog of local historian, Dr Ian Willis. I thought I’d share it with you all ❤
Tracey Seal WagstaffThank you for sharing this beautiful story Fiona Woods. I also grew up in Airds in the 70’s & 80’s I can honestly say that your story is just the same as many of us. Your words reflect the same community spirit of my upbringing in Airds where everyone had each others back. My mums house was like a halfway house everyone was welcome and the front door was always open to all. Those where the days. Riding in the streets, building jumps, having dance concerts, this was the way of life. We still have longtime friends from our neighbourhood that we still have contact with today after 40 years…
Wilfred J PinkGreat story and well deserved recognition Fi. Congratulations mate.
Linda HuntOh Fiona. This bought a tear to my eye. Beautiful words that ring so true. Life growing up in this neighbourhood is truly one to remember. Thank you. I’m happy I was able to read this on this day.
Patricia O’BrienAbsolutely gorgeous. What an outstanding view of the many children grew up in Airds. Two of my own children were brought up in Airds and also went to John Warby and they are both school teachers. So proud of how all my children grew up to be people who respect their families and friends.
Deborah LittlewoodOh Fiona, what an amazing story. Brings back so many wonderful memories with your beautiful family. I love so much that our friendship is as close as it was all those years ago. Us ‘Airds chicks’ certainly did ok for ourselves.
Deborah LittlewoodFiona Woods my favourite part of your story ❤️.
I always remember your mum did so much for everyone else and now you and your daughters are exactly the same. Always putting everyone else before yourselves.
Raylene NevilleNaw, that was beautiful x
I was a housing commission kid too! I remember that we had a blue fridge!
Jeff WilliamsPretty good writing for a teacher! 🙂 I love waiting for people bagging out housing commission and then letting it be known I grew up there!
Valeska SpratfordJeff Williams the classic old John Warby PS uniform. Little do people know that this low-socioeconomic school gave us free dental and some of the best memories of our lives. C’town represents. . . . .Airds 4Eva 😉
Cass BienBeautiful! I also grew up in Housing Commission, we had great neighbours too and I met my best friend at 8 yrs old, still besties today. So grateful for these times. xx Your story is lovely. 😊
Caf AirsGreat story showing what family, community and education can achieve.
Melissa SalterBeautiful words Fiona, it is a true depiction of many of us “Airds” kids of that era, great community and John Warby was definitely a major part of all of our success
Fiona WoodsJeffrey R Williams thanks Dad. And thanks for always believing in us and for never giving up on us, even when we made mistakes and stupid decisions in our lives.
We knew we could always count on you and Mum.
I can even laugh now about how you joked about karma when I cried to you about the horror of having 3 teenage girls 😂
Noleen SpencerGreat job , we also came from humble beginnings, not much money but plenty of love to go around , we appreciated every little blessing and was always taught it cost nothing to smile and to lend a helping hand. I’ve always said to my children , you don’t have to be the best , you just have to try your best .
Louise CounsellThat was moving. Your family was so rich in the things that mattered
Cathy HarleFiona, you had the very great privilege of growing up in a home full of love and values with your sisters and brothers, and each one of you have instilled those values in your own children – you can all be very proud of yourselves 💕
Harder Karen IanBeautiful and well written Fiona and as auntie Noleen said, we also come from a large family, one income earner, little money and a lot of bad health issues but there was also plenty of love and we always appreciated what little we had. I am so grateful for everything and for how all of our beautiful children turned out, I am I only very sad our dear mum and dad didn’t live long enough to see how all their beautiful grandchildren turned out. Your mum and dad did such a good job raising such a beautiful family and I can clearly see you are all doing the same with your own families. Much love 😘😘❤❤
Salome Mariner BorgI love this so much! 💙
So well articulated that I could just feel the love and could picture everything as if it were a movie..actually, why not turn it into a movie ☺️👌
Thanks for sharing xx
JoJo AxeWill always be thankful for our humble beginnings and everything our families have done for each other. That beautiful special friendship like no other that our Mum’s have, the joy and support they give to one another is amazing. Something to be very grateful for 😘
Amy LouThank you for sharing this. An inspiring story with some aspects that remind me of my own childhood. ❤️
Michelle HalloranLove your story Fiona. Thank you so much for sharing! Eplains why you are such an amazing teacher and person 🤗 We moved into a housing commission place at Ambarvale in 1981 when I was 6, the neighbours were awesome their too! So many great memories growing up there. Freedom to roam the neighbourhood on our bikes, visiting 5 or 6 friends on a Saturday, Mum and Dad having no idea where I was until I arrived home before dark! Sadly it’s a different world now.
Stephanie ComptonThat story is beautifully written. I can really feel your heat’s journey and the feel of family and community… which has helped make you the amazing woman and mother you are today! xoxo
I recently attended a seminar day at Picton showcasing the latest Thirlmere Lakes Research presented at The Thirlmere Lakes Third Annual Science Day held at the Picton Bowling Club.
There was a positive tone to the day where stakeholders were supportive of the goals of the research project. The Thirlmere Lakes Research Program aims to shed light on changes in water levels in the lakes by better understanding the land and groundwater of the system.
This was the third day in a series of seminars and was attended by a range of stakeholders including the community, researchers, and state and local government.
A team of scientists from a variety of research institutions presented a variety of papers ranging across lake geology, geophysics, sedimentation, groundwater, surface flow, chemistry, water balance, and vegetation.
The day was an opportunity for academic researchers to collaborate with each other and stimulate further research. Researchers were drawn from University of New South Wales (UNSW), GeoQuEST Research Centre, the University of Wollongong (UOW), the Australian Government and the Australian Nuclear Science and Technology Organisation (ANSTO), Deakin University and the NSW Department Primary Industry and Environment and NSW National Parks and Wildlife Services.
The research project was initiated by community activism started with the Rivers SOS group in 2010 and local concern about mining in the lakes area. Rivers SOS is an alliance of over 40 environmental and community groups concerned with the wrecking of rivers in New South Wales by mining operations.
The science day was very instructive from several perspectives including networking opportunities. Researchers tend to work in silos and conduct their work in isolation from other disciplines. The science day was an opportunity for researchers to interact with each other and generate new ideas from their work.
There was a positive tone around the day where stakeholders were supportive of the goals of the research project. In the past, there are often tensions between stakeholders based on cynicism and lack of trust. There has been a mixed history of community consultations and engagement over policy decisions. In the past city-based decision-makers have shown little regard for the views of small communities. Their concerns have often been ignored.
The science days appear to have generated a significant level of trust between the community and the research team. There has been an open and transparent approach to the research project. Generally, science researchers do not like to present preliminary findings as they may differ significantly from the final results. This can prove problematic. The general community may not be fully aware of this process and can become suspicious and trust falls away.
The science day encouraged community engagement with positive comments from delegates, researchers and seminar day organisers. Before the commencement of the project, there was a high level of community cynicism about government responses to community concerns about the disappearance of the water in the lakes. The research project seems to have ameliorated many community concerns and lessened community cynicism towards decision-makers and the research process.
The second science day was held in June 2018 with five presentations showcasing preliminary findings from research partners. Feedback indicated that there was a strong interest in the early findings and the need for further community engagement – hence the 2020 day.
Announcement of Thirlmere Lakes Research project by the state government
In 2017 the Macarthur press announced the launch of the current Thirlmere Lakes Research project. The South West Voice reported
The research partners, University of New South Wales (UNSW), University of Wollongong (UOW) and Australian Nuclear Science and Technology Organisation (ANSTO), will investigate the sensitivity of these wetland systems to external influences, such as the effects of mining activity and groundwater extraction, over the next four years. (South West Voice 20 October 2017)
The press reports detailed that the 2017 project was built on a 2014 monitoring program that has been continuously recording water levels in the 5 lakes.
The Voice stated that the areas of investigation for the 2017 project included
Geological mapping and geophysical surveys of the Thirlmere Lakes area (UNSW – Dr Wendy Timms);
Environmental isotopes investigations into periodic and recent water losses from Thirlmere Lakes (ANSTO – Dr Dioni Cendón);
Thirlmere Lakes: the geomorphology, sub-surface characteristics and long term perspectives on lake-filling and drying (UOW – Dr Tim Cohen);
Surface Water – Groundwater Interaction (UNSW – Dr Martin Andersen);
Developing an integrated water balance budget for Thirlmere Lakes to provide a detailed understanding of hydrological dynamics (UNSW – Associate Professor Will Glamore). (South West Voice 20 October 2017)
The Thirlmere Lakes National Park is 629 acres located in the Macarthur region and was proclaimed a national park in 1972. In 2000 the national park was inscribed as part of the UNESCOWorld Heritage-listedGreater Blue Mountains Area. The lakes have been a popular recreation spot with local families for many decades.
The CHN blogger attended an informative and interesting talk at Belgenny Farm in the Home Farm meeting hall. The presentation was delivered by Peter Watson from the Howell Living History Farm in Lambertville, New Jersey, USA.
Mr Watson, an advocate of the living history movement, was the guest of the chairman of the Belgenny Farm Trust Dr Cameron Archer. Mr Watson was on a speaking tour and had attended a living history conference while in Australia.
Mr Watson said, ‘The 130 acre farm was gifted to the community in 1974 by a state politician with the aim of showing how farming used to be done in New Jersey.
Howell Living History Farm is located within a one hour of around 15 million and the far has 65,000 visitors per year and 10,000 school children.
Mr Watson said,
‘We took about 10 years to get going and deal with the planning process, which was tenuous for the government authorities who own the farm.
Mr Watson said,
‘The main aim at the farm is the visitor experience. The farm represents New Jersey farming between 1890 and 1910 – a moment in time.’
Mr Watson says,
‘We do not want to allow history to get in the way of an education experience for the visitor. The farm visitors are attracted by nostalgia which is an important value for them.
Most historic farms are museums, according to Mr Watson and he said, ‘At Howell Living History Farm visitors become involved in activities.’
The farm uses original equipment using traditional methods and interpretation with living history.
The Living History Movement
Historian Patrick McCarthy considers that living history is concerned with (1) ‘first person’ interpretation or role play (2) adopting authentic appearance (3) re-creating the original historic site of the event.
Living historian Scott Magelssen maintains that living history museums ‘engage strategies in their performance of the past’, claiming to be ‘real history by virtue of their attention to detail’. Living history museums ‘do not merely represent the past; they make historical ‘truth’ for the visitor’. (pp. xii-xv)
According to Magelssen living history museums ‘produce history’ like textbooks, films or a lecture. Under the influence of post-modernism history ‘is on longer to be seen as the reconstruction of the past through scientific analysis’. Living history is a research tool. (pp. xii-xv) There are various interpretations on the way this is constructed, configured and delivered amongst the theorists.
Origins of living history museum movement
One of the early influencers of the living history movement in North America was Henry Ford who established his indoor and outdoor living museum experience in the Detroit suburb of Dearbourn in Michigan USA. It is the largest indoor-outdoor museum complex in the USA and attracts 1.6 million visitors. Ford opened the Greenfield Village to the public in 1933 as the first outdoor living museum in the USA and has over 100 buildings moved to the site dating from the 1700s. Henry Ford said of his museum
I am collecting the history of our people as written into things their hands made and used…. When we are through, we shall have reproduced American life as lived, and that, I think, is the best way of preserving at least a part of our history and tradition…
Living history @ Belgenny
Belgenny Farm is an authentic collection of colonial farm buildings that were once part of the Macarthur family’s Camden Park Estate.
The Belgenny Farm website states that its education program adopts the principles of the living history movement. It states:
Schools enjoy a diverse range of hands-on curriculum based programs including the new Creamery Interpretative Centre. The Creamery showcases the dairy industry over the last 200 years and is supported by a virtual tour and online resources.
And more to the point:
Belgenny Farmwas established by John and Elizabeth Macarthur in 1805 and contains the earliest collection of colonial farm buildings in Australia. The property is a major educational centre with direct links to Australia’s agricultural history.
Sydney Living Museums
Sydney Living Museums is part of the living history museum movement and manages 12 historic properties across NSW. The stated role of SLM is to:
enrich and revitalise people’s lives with Sydney’s living history, and to hand the precious places in our care and their collections on to future generations to enjoy.
to refresh and unify our diverse range of properties and highlight our role and relevance for current and future generations.
Living history is storytelling
Living history is walking the ground of an historical event or place or building. Walking the ground shows the layers of meaning in history in a place or building.
Walking the ground is an authentic real experience.
Participants absorb the past that is located in the present of a place or a site. The past is the present and the past determines the present. It shapes, meaning and interpretation. It is the lived experience of a place.
Living history allows participants to be able to read: the layers of history of an area; the layers of meaning in a landscape; or the layers of history in a building.
It is like peeling off layers of paint from a wall when viewers peel back the layers of history of a site, building or place. Each layer has a special meaning – a special presence.
Lived experience leads to storytelling which is real and authentic.
Storytelling creates the meaning of the past and creates the characters of the past in the present. It allows the past to speak to the present.
One of the larger items in the collection of the Camden museum is an item that few of the current members are aware of or would know the history. It is the Percival wagon that was located next to Macaria for a number of decades, the former headquarters of Camden Council.
In 2012 a group of schoolboys got the opportunity to pull it to bits and put it back together again. They did a lot of work but were unable to finish the project. The wagon has been fully restored and conserved and is now located at the Wollondilly Heritage Centre in a new blacksmith’s display.
Bennetts Wagon Works at St Marys
The Percival wagon is likely to have been built at the Bennetts Wagon Works at St Marys which started in 1858 and eventually closed down in 1958. The Western Plains Cultural Centre at Dubbo states:
Bennett coach and Wagon works were operated by brothers James and George T. Bennett. Their tabletop wagons became famous throughout Australia; they were capable of carrying from 10 to 20 tonnes, and were regarded as the best heavy transport wagons to be bought. They were used in both rural and urban areas.
The Bennett wagon works at St Marys employed around 25 men at the end of the 19th century, with its wagons selling for between £150 to £250. The wagons were usually painted green and red, or red and blue and some had nick names, like ‘The Maxina’ (in South Creek Park now), ‘King of the Road’, and ‘The Pioneer’.
The Penrith City Regional Library states the Bennett wagons were used by teamsters to haul silver from the Burragorang Valley. In 1904 there were 15 teams of horses and bullocks plying the road between Yerranderie and Camden railhead from the silver field which lasted from around 1900 to 1925.
The silver ore was originally forwarded to Germany for smelting, and after the First World War it went to Port Pirie in South Australia and then Newcastle. The story of the teamsters who worked out the Burragorang is celebrated in a monument outside Macaria in John Street, which was installed in 1977 by the Camden Historical Society.
Wagon finds a home at Camden
The historical society’s wagon was one of the last in the Macarthur area. It was around 70 years old when the society purchased it from Sydney Percival of Appin in 1977 using a public fundraising appeal organised by society president Owen Blattman and Dick Nixon for $200. Once the society secured the funds and purchased the wagon it was then restored by retired Camden carpenter Ern Howlett and painted red and blue.
Deidre Percival D’Arcy says:
My father, Norman Dyson Percival, owned the wagon and the property Northampton Dale. He first offered the wagon to Campbellltown & Airds Historical Society where Norman”s brother, Sydney Rawson Percival, was a member. He assisted in the move to Camden Historical Society.
The original owner of the society’s wagon was Sydney’s father Norm Percival who died in 1942 with the wagon passing to his son. Norm lived on the property called Northampton Dale which was part of William Broughton 1000 acre grant of Lachlan Vale.
John Percival purchased Northampton Dale when Broughton’s grant was subdivided 1856 and named it after his home in England. The Percival property was used for horse breeding, then beef cattle and later as a dairy farm. During the First World War the farm was a popular venue with local people for playing tennis. (Anne-Maree Whitaker, Appin, the story of a Macquarie Town)
Typical of Bennett wagons the society’s Percival wagon was used to cart wheat at Junee in 1913 while around 1900 it had previously been used to cart chaff from Campbelltown Railway Station to the Cataract Dam construction site.
Wagon at Appin
The wagon was also used to cart coal in Wollongong and then around the Percival Appin farm of ‘Northampton Dale’ and the Appin district. The Percival wagon had been restored by the Percivals in 1905 and was fitted with new front wheels, and plied for business around with Appin area. The signage along the side of wagon was ‘EN Percival, Appin’.
The Percival wagon was placed adjacent to Macaria in John Street in 1977 and by 1992 was a little the worse for wear. A team of society members took to the task with gusto and contributed over 200 hours to the restoration, with Camden Council contributing $600 to the total cost of $1200.
Another decade passed and the weather and the elements again took their toll on the wagon. Repainting was needed in 2001.
Restoration by Macarthur Anglican School students
In 2012 the Dean of Students at Macarthur Anglican School Tim Cartwright suggested that the wagon become a restoration project for the school boys. Cartwright, who had retrained as a teacher, had been a master carpenter in Europe before coming to Australia. The wagon was taken out to the school later in that year and the students completed some work on it.
Tim Cartwright stated in 2018
When the School took possession of the Wagon, the entire sub structure was affected by white-ant and dry rot. This became evident when the front wheels folded under themselves unable to steer or take their own weight.
A small team of enthusiastic Year 7 and Year 9 boys with no practical carpentry experience gathered every Friday afternoon and sometimes through School holidays, with the intention of renovating and replacing all parts of the Wagon to bring it to a point where it could be used rather than just as a display.
Over the four year period the boys learnt essential Carpentry skills often producing work that demanded great attention to detail and a skill level that would be demanding even for modern practice.
The boys included Adam Ebeling, Jack Jansen, Richard Cartwright, Henry Cartwright
Tom Oliver, Daniel Pearce.
The boys took great pride in their work and were always concerned to replicate original parts instead of compromising on easier or more convenient solutions. This project has been rich in learning in many aspects and I am thrilled to have led the boys on this pathway of preserving our local heritage and introducing them to skills they will be able to revisit in years to come.
Restoration and conservation by The Oaks Historical Society
The latest restoration of the wagon has been completed by volunteers at The Oaks Historical Society.
The Richlands estate, north of Goulburn in the NSW Southern Tablelands, was an important part of the Macarthur family pastoral empire for nearly 100 years. The Richlands estate acted as an outstation about one days ride west of Camden Park estate. The property reached its hiatus in the 1840s when its extent reached around 38,000 acres including the private village of Taralga.
James and William Macarthur initially took up adjacent land grants of around 2000 acres between Taralga Creek and Burra Lake in 1822. The area had been traversed by a party led by Charles Throsby in 1819 looking for an alternative route to Bathurst other than the arduous route across the Blue Mountains. Throsby and company journeyed from the Moss Vale area, crossing the Wollondilly River then the Cookbundoon Ranges near Tarlo, turning north are eventually arriving at Bathurst.
Opening up the Southern Tablelands
Reports of these areas encouraged pastoralists to take up land, one of the first was Hannibal Macarthur, John Macartur’s nephew, at Arthursleigh on the Wollondilly. In a speculative venture in 1822 James Macarthur and partners Lachlan MacAlister and John Hillas, overseer with William Macarthur, moved a mob of cattle over the Cookbundoons and left them in charge an assigned convict Thomas Taylor at Tarlo. Hillas and MacAlister also took up a grants adjacent to the Macarthur holdings.
On the death of John Macarthur in 1834 the Richlands estate passed to Edward Macarthur, a career British soldier, while managed by James and William Macarthur on his behalf.
Governed by absentee landlords
While the Richlands estate was governed by absentee landlords the real story is of those who formed the microcosm of society on the estate. They included convicts, managers, tenant farmers, servants and the Burra Burra people, who were dispossessed and displaced from their country.
Fledgling settlement of Taralga
For the twenty years of the Richlands estate it was managed from the fledgling settlement of Taralga on the southern edge of the property. There was a central store and a number of skilled tradesmen, convicts and their overseers were based in the village from the 1820s.
Rural empire of 38,000 acres
James and William Macarthur acquired land by grant and purchase north and south of the hamlet of Taralga including 600 acres from Thomas Howe of Glenlee in the Cowpastures in 1837. The diary of Emily Macarthur’s, James’ wife, showed that William made six-monthly visits to Richlands from 1840. Lieutenant Colonel Edward Macarthur visited Richlands in 1851 after being posted to Sydney as deputy adjutant general.
Work began to move the management of the estate from the village to the hilltop overlooking Burra Lake and Guineacor to the east. Hilltop locations for homesteads were common throughout the Cowpastures and as they were of other Macarthur properties. This practice followed Laudon principles and provided a defendable strategic location on the estate.
William Campbell was appointed superintendent in 1839 and work began on stone offices on the farm hilltop site, along with underground grain silos, convict accommodation and outbuildings. Work was completed by 1844 when Thomas and Martha Denning occupied the house forming a small quadrangle. Denning was appointed overseer (farm manager).
Work on a new on a Georgian-style residence began in 1845 for new English estate manager George Martyr, who took up the position after his arrival in the colony in 1848 after marrying Alicia in Sydney.
Martyr took an active interest in community affairs serving on Goulburn Council and supervising construction of the Catholic Church in the village. A qualified surveyor from Greenwich, Martyr surveyed the village of Taralga and the Macarthurs offered village lots for sale from 1847. George and Alicia raised six children on Richlands.
The property was eventually resumed by the New South Wales Government in 1908, broken up for closer settlement and sold in 30 smaller lots in 1910.
Elizabeth Farm was the home of John and Elizabeth Macarthur and the centre of their mercantile and farming empire for over 35 years. The homestead is regarded as both the oldest and most historic building in Australia and is an important site in the development of the wool industry.
Elizabeth Farm was the site of political intrigue around Australia’s only coup d’etat and the personal struggles of John’s incredible mood swings suffering depression. The house is an important centre in the Camden story and many decisions made here that effected the family’s holdings at Camden Park in the Cowpastures district.
The house was lucky not to be demolished and lay derelict for a period. Once when architect William Swann’s family rescued it in 1904 and again the mid-20th century. Elizabeth Farm is currently a house museum opened in 1984 and owned by Sydney Living Museums, formerly the Historic Houses Trust of New South Wales.
Elizabeth Veale, who became the first lady of the colony of New South Wales, married the fractious John Macarthur, an ambitious officer on half-pay, in England in 1788 in the village of Bridgeule in Devonshire. Macarthur joined the 68th Regiment just before his marriage as an ensign and after the birth of his son transferred as a lieutenant in the New South Wales Corps.
The couple travelled to New South Wales in the Second Fleet on the Neptune, before transferring to the Scarborough arriving in 1790. John’s reputation and ill-temper was a constant source of frustration, which Elizabeth bore with patience and forbearance.
In 1793 John Macarthur was granted 100 acres at Rosehill of some of the best land on the Parramatta River which he named after his wife. The family with three children moved to Elizabeth Farm in 1793. By 1794 the farm had expanded to 250 acres with 100 under crops, 20 acres of wheat, 80 acres of corn and potatoes. His livestock included horses, cows, goats, and pigs and with additional grants and purchases, the farm expanded to over 500 acres.
Building Elizabeth Farm
The house was constructed in 1793 as a single level building of four rooms with adjoining kitchen and servants quarters built on a low ridge overlooking the Parramatta River. James Broadbent describes the house as a simple late 18th century English vernacular cottage, with a shingle hardwood roof. From this design evolved a characteristic form of the colonial cottage.
JM Freeland describes the house as a simple rectangle. built of hand-made English-size bricks set in clay and shell-lime mortar. The steeply pitched roof was formed of massive balks of pit-sawn timber held together with wooden pegs, sheathed with cedar planks and covered with split swamp-oak shingles.
Sydney Living Museums states:
The cottage… resembled countless farmhouses seen in southern England. The balanced, symmetrical design of paired windows placed to either side of a central doorway was typical of the Georgian style then popular in England.
An extra bedroom was added along with a verandah. James Broadbent maintains that the addition of the verandah was influenced by Colonel Grose’s addition of a verandah on Government House, which Grose had seen while serving during the American War of Independence.
John was exiled from the colony in 1809 for his part in the Rum Rebellion with Governor Bligh. During his absence Elizabeth ran the household and the family’s pastoral interests at Camden and Seven Hill, from Elizabeth Farm. The house was possibly shaded from the north and east by verandahs. Elizabeth had little interest in redesigning the homestead.
Macarthur returned to New South Wales in 1817. The Macarthurs were successful selling wool in London and pressed for another grant at Camden. With good fortunes, John Macarthur sought to build a house appropriate to his wealth. He began home building and planning. Elizabeth Farm was remodeled. He added new stables, and a new cottage, called Hambledon, and building at Camden under the influence of Sydney architect Henry Kitchen.
From 1821 the house was remodeled under the supervision of stonemason and bricklayer John Norris from a Georgian house to a Regency style that better suited colonial taste. Elizabeth was turned out of the house in 1826 due to renovations when the dining room, drawing rooms, and library bedroom were extended into the verandah area completed by 1827.
Macarthur’s depressed state of mind meant that his building frenzy subsided. He recovered by 1828 and put his time into the Australian Agricultural Company. In 1831 he was again planning building additions, mainly at Camden. In 1832 he was declared insane and confined to Elizabeth Farm. Macarthur’s insanity worsened and he was moved to Camden in 1833, where he died in 1834.
Elizabeth returned to Elizabeth Farm in 1833 and with the assistance of architect John Verge had it habitable with needed repairs. She did not make any further changes to the house.
Life at Elizabeth Farm
Elizabeth Farm was a mixture of town and country life. The house was about half-a-days travel by boat from Sydney and a short walk from Parramatta.
In 1794 the house was surrounded by a vineyard and garden of three acres, including fruit trees and vegetables. The fruit trees included almonds, apricots, pear and apple trees. There were between 30 and 40 staff at the farm – 13 as stockmen, gardeners or stable hands and female servants in the house.
Elizabeth had nine children, with seven surviving. Elizabeth learned to play the piano in her first days in the colony. The Macarthurs were well-read with books, magazines, and albums from England. Elizabeth was part of the Sydney social set and was on cordial terms with the governor’s wives.
James Broadbent reports that the house was elegantly fitted out with fine china and silver from England. Furnishings were never opulent and the house was never a centre of the colony’s social life.
After Macarthur’s death, the farm was managed by her sons, while Elizabeth and her daughters lived in a comfortable style. In Elizabeth’s last years she visited her daughter Emmeline and husband Henry at Watson’s Bay.
After Elizabeth died in 1850, aged 83 years, Emmeline and Henry lived at Elizabeth Farm until 1854. Edward Macarthur inherited the house and leased it out. On his death in 1872 the house was inherited by his niece Elizabeth Macarthur, James’ daughter. The house standing on 1000 acres was sold in 1881 for £50,000.
The table at Elizabeth Farm
John Macarthur was an early riser, usually, 4am and breakfast, served around 10.00am, might have consisted of ham, boiled eggs, bread and butter, and perhaps mutton. The table would have been set symmetrically which was typical of Georgian order and decorum.
The family would probably have been waited on by the butler, a convict named James Butler, who arrived in 1818 with convictions for forgery and started work at Elizabeth Farm in 1825. In the 1828 Census, the household staff consisted of 13 staff: a gardener, a coachman, a butler, two grooms, a cook, four labourers, two maidservants, and a footman – all convicts.
The cook was Thomas Blake, two maidservants, Jane Mead and Margaret Shepherd, a footman, John Bono, an Indian. The staff were reported to have been well treated and returned this with loyalty during times of difficulty with John’s incredible mood swings.
Garden at Elizabeth Farm
Scott Hill makes the observation that little remains of the original garden, while paintings and sketches of the period only give an idealised view of things. Conrad Martin’s works were completed after Elizabeth’s death and only give a glimpse of what was present in the garden.
There was an ‘extensive’ kitchen garden that was to the east of the house although some hoop pines survive. From Hill’s research, an 1816 letter from Elizabeth states that the kitchen garden had 23 fruit trees, oranges, peaches, pomegranates, loquats, shaddock, and guava.
Hill notes that the famous ‘waratah’ camelia at Camden Park was first planted at Elizabeth Farm in 1831 and later transplanted to their country property, where it still prospers.
The garden also had roses, foxgloves, aloes, agaves, and bulbs. It is thought the garden had the first olive tree in the country which is described by Thomas Mitchell.
Elizabeth fostered a botanical interest in the next generation, particularly William, who managed a successful nursery at Camden Park for many years. She valued the local vegetation of the Parramatta River area and 1795 she wrote home to her friend Miss R Kingdon from Elizabeth Farm at Parramatta:
The greater part of the country is like an English park, and the trees give it the appearance of a wilderness or shrubbery, commonly attached to the habitations of people of fortune, filled with a variety of native plants, placed in a wild irregular manner.
On Elizabeth’s carriage trips out and about she noted that in spring:
The native shrubs are also in flower and the whole country gives a grateful perfume.
The Historic Houses Trust acquired the property in 1983 and opened it as a house museum in 1984. Before this the house had fallen into disrepair.
The house was purchased in 1968 by the Elizabeth Farm Management Trust from the Swann family, who had previously lived in it The house was placed on a list of historic buildings by 1949 Cumberland County Council.
Management of the house passed to the State Planning Authority, then the Heritage Council of New South Wales continued restoration.
The HHT was established in 1980, and rebranded as Sydney Living Museums in 2013, and is part of the NSW Office of Heritage and Environment within the state government.
The NSW State Heritage Inventory states that:
The Elizabeth Farm house is part of the oldest surviving construction in Australia and a rare survival of the earliest period of colonial architecture. The house is one of the most evocative houses relating to the earliest period of Australian European history and is one of the most aesthetically pleasing of colonial bungalows.
The garden contains remnants of some of the earliest European plantings in Australia, including the European Olive. Older indigenous species include kurrajong and bunya bunya and hoop pines. 
What if Elizabeth Macarthur—wife of the notorious John Macarthur, wool baron in the earliest days of Sydney—had written a shockingly frank secret memoir? And what if novelist Kate Grenville had miraculously found and published it? That’s the starting point for A Room Made of Leaves, a playful dance of possibilities between the real and the invented.
 James Broadbent, Elizabeth Farm Parramatta, A History and a Guide. Historic Houses Trust, Sydney, 1984, pp. 5-11.
 Letter from Elizabeth to Miss Kingdon, September 1795, Elizabeth Farm, Parramatta in Sibella Macarthur Onslow, Some Early Records of the Macarthurs of Camden. Angus & Robertson, Sydney, 1914. Online @ http://gutenberg.net.au/ebooks13/1302011h.html Accessed 10 Feb 2017