One of the Camden area’s little known endangered plant species in Pimelea Spicata or in plain English Spiked Rice-flower. The little pretty flower is threatened by a proposed development of Studley Park house and its surroundings.
Proposed development of Studley Park house
Spiked Rice-flower is a low growing shrub that flowers occasionally. The small flowers are white tinged with pink. The plant usually does not grow to more than 30 cms in height.
The NSW National Parks and Wildlife Service information sheet states that the plant is difficult to detect unless it is in flower. It flowers sporadically between May and January depending on rain.
Locality and distribution
The plant occurs in fragmented areas in urban fringe areas, including patches of remnant Cumberland Woodland in the Narellan area..
More specifically it is distributed in Cumberland Woodland in Western Sydney from Mt Annan and Narellan Vale, to Freeman’s Reach and Penrith, as well as Western Sydney Regional Park, Prospect Reservoir Catchment, Australian Botanic Garden at Mount Annan and the St Marys ADI site. It extends to the Illawarra where it is found in areas from Mt Warrigal to Gerroa and Minnamurra, mainly on coastal headlands and hilltops.
Threats to the plant include habitat modification and loss, weed invasion, dumping of rubbish, arson, fire hazard reduction, trampling and compaction from bikes, walkers and vehicles and exposure to herbicides.
Personal and family stories that family historians and genealogists seek out provide a broader perspective on local histories and local studies of an area. They allow a person to take a look at themselves in the mirror from the past. Insights into our ancestors provide a greater understanding of ourselves in the present. The past informs the present through family and personal histories and places the present us into context.
Family and personal histories allow us to see and understand that we are greater than just ourselves. We are all part of a continuum from the past. The present is only a transitory phase until tomorrow arrives.
Looking at the past through personal and family histories gives a context to our present location on the timeline within our own family. Our own family story is located within the larger story of our community. Personal and family stories remind us daily of our roots and our ancestors.
We all have a past and it is good to be reminded of it occasionally. This is a job that is well done by thousands of enthusiastic family historians and genealogists and their creation of family trees and our connections to our ancestors.
We all need an appreciation of the stories from the past to understand how they affect and create the present. The past has shaped the present and the present will re-shape the future. Our ancestors created us and who we are, and we need to show them due respect. We, in turn, will create the future for our children and their offspring.
One local family were the Pattersons of Elderslie and one of their descendants, Maree Patterson, to seeking to fill out their story. She wants your assistance. Can you help?
The Patterson family of Elderslie
Maree Patterson has written:
I moved from Elderslie in 1999 to Brisbane and I have tried unsuccessfully to find some history on the family.
I am writing this story as I have been trying to research some of my family histories on my father’s side of the family and I feel sad that I never got to know a lot about his family.
My father, Laurence James Henry Patterson, was a well-known cricketer in the Camden district. He was an only child and he didn’t really talk much about his aunts, uncles, and cousins.
My grandfather passed away when I was young. Back then I was not into family history and I’ve hit a stumbling block. I’m now in need of some assistance.
I would really like to find out some history on the Patterson family as I have no idea who I am related to on that side of my family and I would like to pass any family history down.
At the moment I am seeking any help as the following is the only information that I have on the Patterson family.
H Patterson arrives in Elderslie
My great grandfather was Henry Patterson (b. 16 July 1862, Kyneton, Victoria – d. 11th July 1919, Camden, NSW). Henry arrived in Elderslie from Victoria in the 1880s with his wife Catherine (nee Darby) and they became pioneers in the Camden district.
Henry Patterson was a carpenter by trade and worked around the Camden area for various businesses. He and his wife, Catherine had 7 children, all of whom were born in Camden.
They were Ethel Adeline (b. 9 June 1886), Clarice Mabel (b. 14 May 1888), Isabella (b. 2nd June 1890), William Henry (b. 8 May 1892), Stanley Dudley (b. 5 October 1894), Ruby Lillian (b. 24 March 1899 and who passed away at 5 months of age) and Percy Colin (b. 13 January 1903). [Camden Pioneer Register 1800-1920, Camden Area Family History Society, 2001]
Henry’s wife dies
Henry sadly lost his wife Catherine in 1910 at only 47 years of age, which left him to raise 6 children.
Henry remarried in 1912 to Martha Osmond (nee Boxall) from Victoria.
Henry died on 11 July 1929 in Camden District Hospital after pneumonia set in following an operation. Martha, who was well known and respected throughout the district passed away on 18 May 1950 at the age of 86 years of age. She broke her leg and had become bedridden for some months.
Henry’s son goes to war
Henry and Catherine’s 5th child, Stanley Dudley Patterson, was a farmer in Elderslie. He enlisted in the 1/AIF on 18 July 1915 and was sent off to war on 2 November 1915. He was wounded and as his health continued to decline he was sent back to Australia in February 1917.
Voluntary Workers Association helps local digger
Upon Stanley Patterson’s return to Elderslie, a meeting was held by the Camden Branch of the Voluntary Workers’ Association.
They approved the building of a three-roomed weatherboard cottage with a wide verandah front and back to be built at 7 Purcell Street, Elderslie. He was married to Maud Alice Hazell.
Construction of VWA cottage
The land on which the cottage was to be built was donated by Dr. F.W. and Mrs. West. Once the cottage was completed Stanley secured a mortgage to repay the costs of building the cottage. I believe that the construction of this cottage started in either late February or late March 1918.
Carpentering work had been carried out by Messrs. H.S. Woodhouse, A. McGregor, E. Corvan, and H. Patterson. The painters were Messrs. F.K. Brent, J. Grono, A.S. Huthnance. E. Smith, Rex May and A. May under the supervision of Mr. P.W. May. The fencing in front of the allotment was erected by Mr. Watson assisted by Messrs. J. E. Veness, C. Cross, and J. Clissold. [Camden News]
Official handing over of VWA cottage
Stanley Patterson’s cottage in Elderslie, which was the first cottage built by the Voluntary Workers’ Association was officially opened by Mr. J.C. Hunt, M.L.A. on Saturday 15 June 1918.
The Camden News reported:
A procession consisting of the Camden Band, voluntary workers, and the general public, marched from the bank corner to the cottage, where a large number of people had gathered.
Mr. Hunt, who was well received, said he considered it a privilege and an honour to be invited to a ceremony of this kind, for when those who had fought for us needed help it was our duty to give that help, for they had fought for us needed help it was our duty to give that help, for they had sacrificed so much for us. Although Private Patterson had returned from active service, he had offered his life for us. Mr. Hunt congratulated Pte. Patterson on responding to the call of duty; soldiers did not look for praise, the knowledge of having done their duty to their country was all they required. He hoped that Pte. and Mrs. Patterson would live long to enjoy the comforts of the home provided for them by the people of Camden.
[Camden News, Thursday 20 June 1918, page 1]
Appeal for photographs of VWA cottage by CE Coleman
CE Coleman took a few photos of the VWA cottage handed over to Pte. Patterson. These included: one in the course of construction; the official opening; the gathering that had assembled on the day; and a photo of Pte. Patterson. To date, I have searched high and low for these photos but to no avail. The only photo of a cottage built by the Voluntary Workers’ Association is a cottage at 49 Broughton Street, Camden for returned soldier Pt. B. Chesham. [Camden Images Past and Present] [Camden News, Thursday, 20 June 1918, page 4]
VWA cottage is a model farm for other returning soldiers
The Camden News reported:
MODEL POULTRY FARM
Stanley Patterson settled down in his new cottage on 1¼ acres and was determined to make good and earn a livelihood and cultivated the land and planting a small apple and citrus orchard and a vineyard. It wasn’t long before he purchased an adjoining piece of land of another 1¼ acres and within a few more years added another block, giving him 3 ¾ acres.
By 1935, Stanley Patterson owned 14 acres in the vicinity of Elderslie. With his apple and citrus orchard and vineyard, Stanley went into poultry farming as well with particular attention given to the production of good and profitable fowls and he had over 1,000 birds, mainly White Leghorns and Australorps with an extra run of the finest standard Minorca.
In 1935, the progeny test of Stanley Patterson’s birds held a record of 250 eggs and over and the distinctive productivity of these is in the fact that he collects eggs in an off period equal to numbers in flush periods. The marketing value is therefore enhanced. The pens are well divided into different sections, the buildings being on the semi-intensive system each with its own separate run. The brooder house is fitted with the Buckeye principle brooders, also has run for young chicks. The incubator house is a separate identity fitted with a Buckeye incubator of 2,000 eggs capacity, hot air is distributed by means of an electric fan. Feed storage and preparation shed and packing room are conveniently attached and the model poultry farm is one that stands out only to the credit to the industrious owner, but to the district in which it is worked.
In 1935 day old chicks were sold for 3 Pounds per 100 or 50 for 32/-. Day old Pullets were sold for 7 Pounds per 100, eggs for hatching sold for 25/- per 100 and Custom hatching 8/- per tray of 96 eggs. [Camden News, Thursday 20th June 1935, page 6]
My grandfather WH Patterson
My grandfather was William Henry Patterson, the 4th child born to Henry and Catherine Patterson. He was a carpenter like his father and following his marriage to Ruby Muriel Kennedy in 1918, he purchased some acreage in River Road, Elderslie. He had a vineyard, flower beds, fruit trees and other crops on a small farm.
William built his own home at 34 River Road, Elderslie in the early 1920s with some assistance from another builder. The home was a double brick home with a tin roof and consisted of two bedrooms, a bathroom, lounge room, kitchen, laundry and a verandah around 3 sides.
Inside the home, there were a lot of decorative timber and William had also made some furniture for his new home. This home has since gone under some extensive renovations but the front of the home still remains the same today and recently sold for $1.9 million.
As a carpenter William worked locally in the Camden district and on several occasions worked at Camelot. Unfortunately, I have no other information on William.
Contemporary developments at 34 River Road, Elderslie.
Jane reports she is the current owner of 34 River Road Elderslie and has loved finding out about the history of the house. She purchased the house two years ago (2018) and is currently renovating the house interior.
I have been working with Nathan Caines from Fernleigh Drafting & Melanie Redman Designs for the interior, coming up with some beautiful concepts. The original exterior of the house will not be changed, but there will be some amazing changes out the back.
Percy Colin Patterson, the 7th child born to Henry and Catherine Patterson married Christina N Larkin in 1932. In the early 1920s, Percy was a porter at Menangle Railway Station for about 5 months before he was transferred to Sydney Station.
Maree’s search continues
Maree Patterson concludes her story by asking:
I am particularly interested in information on the Camden Branch of the Voluntary Workers’ Association which was formed in 1918.
The WVA built the first cottage at 7 Purcell Street, Elderslie for returned World War 1 soldier Pte. Stanley Dudley Patterson, who was my great uncle.
The house still stands today but has had some modifications and I lived in this cottage for a few years after I was born with my parents.
I am particularly interested in trying to obtain copies of these photos if they exist somewhere. Any assistance you can offer would be greatly appreciated or perhaps point me in the right direction to find these photos.
Caylie writes that she had no idea of what she and her husband David Jeffrey would find when they decided to renovate the worst house on the busiest terrace in Milton, a Brisbane suburb. She says that they had no idea of the treasures they would find ‘secreted inside the house’.
A curious online community of amateur sleuths began a relentless quest for answers. As more clues were revealed, the ghosts of Old Brisbane started to rise from the depths of people’s memories.
The show is an immersive experience for participants and observers alike in the real smells, sounds and sights of a sample of the farm in rural Australia.
The show represents the authentic real life of country people. It is a performance bringing history to life by storytelling through a host of demonstrations, events and displays.
The show is historical representation of the past in the present illustrating a host of aspects of rural heritage through experiential learning.
Living history reveals layers from the past
The show reveals itself in a multi-layered story of continuity and change on the edge of the Camden township. What was once a small isolated rural village at the Nepean River crossing and is now a thriving Sydney suburb on the city’s metropolitan fringe.
Competitive sections of the show have come and gone with changes in the farming economy. Livestock, produce, craft and cooking sections each tell a story of different aspect of rural life. What was once an integral part of the rural economy is now a craft activity and completely new sections have appeared over the decades.
Where once rural artisans were part of the local economy their activities are now demonstrations of heritage and lost trades. Show patrons once used to arrive in a horse and cart today’s show-goers watch competitive driving of horse and sulkies in the show ring.
Sideshows and carnies continue show traditions that have their origins in English village fairs and carnivals of the past and even a hint of the Roman Empire and their circuses.
The success of the show illustrates a yearning by those attending to experience and understand elements of the traditions of a rural festival in the face of urban growth and development.
The Camden Show is a rural festival that is part of the modern show movement that emerged from the Industrial Revolution. The first series of agricultural shows in the early 19th century demonstrated modern British farming methods and technology.
The first agricultural shows in New South Wales were in the early 19th century and the first Camden Show in 1886. The 19th century agricultural show movement set out to demonstrate the latest in British Empire know-how and innovation in farming.
The site of the show on the Nepean River floodplain is one of the first points of contact between European and Indigenous people and the cows that escaped from the Sydney settlement in 1788 former the Cowpasture Reserve in 1795. For living history it is material culture which grounds the audience in time and place.
Elizabeth Farm was the home of John and Elizabeth Macarthur and the centre of their mercantile and farming empire for over 35 years. The homestead is regarded as both the oldest and most historic building in Australia and is an important site in the development of the wool industry.
Elizabeth Farm was the site of political intrigue around Australia’s only coup d’etat and the personal struggles of John’s incredible mood swings suffering depression. The house is an important centre in the Camden story and many decisions made here that effected the family’s holdings at Camden Park in the Cowpastures district.
The house was lucky not to be demolished and lay derelict for a period. Once when architect William Swann’s family rescued it in 1904 and again the mid-20th century. Elizabeth Farm is currently a house museum opened in 1984 and owned by Sydney Living Museums, formerly the Historic Houses Trust of New South Wales.
Elizabeth Veale, who became the first lady of the colony of New South Wales, married the fractious John Macarthur, an ambitious officer on half-pay, in England in 1788 in the village of Bridgeule in Devonshire. Macarthur joined the 68th Regiment just before his marriage as an ensign and after the birth of his son transferred as a lieutenant in the New South Wales Corps.
The couple travelled to New South Wales in the Second Fleet on the Neptune, before transferring to the Scarborough arriving in 1790. John’s reputation and ill-temper was a constant source of frustration, which Elizabeth bore with patience and forbearance.
In 1793 John Macarthur was granted 100 acres at Rosehill of some of the best land on the Parramatta River which he named after his wife. The family with three children moved to Elizabeth Farm in 1793. By 1794 the farm had expanded to 250 acres with 100 under crops, 20 acres of wheat, 80 acres of corn and potatoes. His livestock included horses, cows, goats, and pigs and with additional grants and purchases, the farm expanded to over 500 acres.
Building Elizabeth Farm
The house was constructed in 1793 as a single level building of four rooms with adjoining kitchen and servants quarters built on a low ridge overlooking the Parramatta River. James Broadbent describes the house as a simple late 18th century English vernacular cottage, with a shingle hardwood roof. From this design evolved a characteristic form of the colonial cottage.
JM Freeland describes the house as a simple rectangle. built of hand-made English-size bricks set in clay and shell-lime mortar. The steeply pitched roof was formed of massive balks of pit-sawn timber held together with wooden pegs, sheathed with cedar planks and covered with split swamp-oak shingles.
Sydney Living Museums states:
The cottage… resembled countless farmhouses seen in southern England. The balanced, symmetrical design of paired windows placed to either side of a central doorway was typical of the Georgian style then popular in England.
An extra bedroom was added along with a verandah. James Broadbent maintains that the addition of the verandah was influenced by Colonel Grose’s addition of a verandah on Government House, which Grose had seen while serving during the American War of Independence.
John was exiled from the colony in 1809 for his part in the Rum Rebellion with Governor Bligh. During his absence Elizabeth ran the household and the family’s pastoral interests at Camden and Seven Hill, from Elizabeth Farm. The house was possibly shaded from the north and east by verandahs. Elizabeth had little interest in redesigning the homestead.
Macarthur returned to New South Wales in 1817. The Macarthurs were successful selling wool in London and pressed for another grant at Camden. With good fortunes, John Macarthur sought to build a house appropriate to his wealth. He began home building and planning. Elizabeth Farm was remodeled. He added new stables, and a new cottage, called Hambledon, and building at Camden under the influence of Sydney architect Henry Kitchen.
From 1821 the house was remodeled under the supervision of stonemason and bricklayer John Norris from a Georgian house to a Regency style that better suited colonial taste. Elizabeth was turned out of the house in 1826 due to renovations when the dining room, drawing rooms, and library bedroom were extended into the verandah area completed by 1827.
Macarthur’s depressed state of mind meant that his building frenzy subsided. He recovered by 1828 and put his time into the Australian Agricultural Company. In 1831 he was again planning building additions, mainly at Camden. In 1832 he was declared insane and confined to Elizabeth Farm. Macarthur’s insanity worsened and he was moved to Camden in 1833, where he died in 1834.
Elizabeth returned to Elizabeth Farm in 1833 and with the assistance of architect John Verge had it habitable with needed repairs. She did not make any further changes to the house.
Life at Elizabeth Farm
Elizabeth Farm was a mixture of town and country life. The house was about half-a-days travel by boat from Sydney and a short walk from Parramatta.
In 1794 the house was surrounded by a vineyard and garden of three acres, including fruit trees and vegetables. The fruit trees included almonds, apricots, pear and apple trees. There were between 30 and 40 staff at the farm – 13 as stockmen, gardeners or stable hands and female servants in the house.
Elizabeth had nine children, with seven surviving. Elizabeth learned to play the piano in her first days in the colony. The Macarthurs were well-read with books, magazines, and albums from England. Elizabeth was part of the Sydney social set and was on cordial terms with the governor’s wives.
James Broadbent reports that the house was elegantly fitted out with fine china and silver from England. Furnishings were never opulent and the house was never a centre of the colony’s social life.
After Macarthur’s death, the farm was managed by her sons, while Elizabeth and her daughters lived in a comfortable style. In Elizabeth’s last years she visited her daughter Emmeline and husband Henry at Watson’s Bay.
After Elizabeth died in 1850, aged 83 years, Emmeline and Henry lived at Elizabeth Farm until 1854. Edward Macarthur inherited the house and leased it out. On his death in 1872 the house was inherited by his niece Elizabeth Macarthur, James’ daughter. The house standing on 1000 acres was sold in 1881 for £50,000.
The table at Elizabeth Farm
John Macarthur was an early riser, usually, 4am and breakfast, served around 10.00am, might have consisted of ham, boiled eggs, bread and butter, and perhaps mutton. The table would have been set symmetrically which was typical of Georgian order and decorum.
The family would probably have been waited on by the butler, a convict named James Butler, who arrived in 1818 with convictions for forgery and started work at Elizabeth Farm in 1825. In the 1828 Census, the household staff consisted of 13 staff: a gardener, a coachman, a butler, two grooms, a cook, four labourers, two maidservants, and a footman – all convicts.
The cook was Thomas Blake, two maidservants, Jane Mead and Margaret Shepherd, a footman, John Bono, an Indian. The staff were reported to have been well treated and returned this with loyalty during times of difficulty with John’s incredible mood swings.
Garden at Elizabeth Farm
Scott Hill makes the observation that little remains of the original garden, while paintings and sketches of the period only give an idealised view of things. Conrad Martin’s works were completed after Elizabeth’s death and only give a glimpse of what was present in the garden.
There was an ‘extensive’ kitchen garden that was to the east of the house although some hoop pines survive. From Hill’s research, an 1816 letter from Elizabeth states that the kitchen garden had 23 fruit trees, oranges, peaches, pomegranates, loquats, shaddock, and guava.
Hill notes that the famous ‘waratah’ camelia at Camden Park was first planted at Elizabeth Farm in 1831 and later transplanted to their country property, where it still prospers.
The garden also had roses, foxgloves, aloes, agaves, and bulbs. It is thought the garden had the first olive tree in the country which is described by Thomas Mitchell.
Elizabeth fostered a botanical interest in the next generation, particularly William, who managed a successful nursery at Camden Park for many years. She valued the local vegetation of the Parramatta River area and 1795 she wrote home to her friend Miss R Kingdon from Elizabeth Farm at Parramatta:
The greater part of the country is like an English park, and the trees give it the appearance of a wilderness or shrubbery, commonly attached to the habitations of people of fortune, filled with a variety of native plants, placed in a wild irregular manner.
On Elizabeth’s carriage trips out and about she noted that in spring:
The native shrubs are also in flower and the whole country gives a grateful perfume.
The Historic Houses Trust acquired the property in 1983 and opened it as a house museum in 1984. Before this the house had fallen into disrepair.
The house was purchased in 1968 by the Elizabeth Farm Management Trust from the Swann family, who had previously lived in it The house was placed on a list of historic buildings by 1949 Cumberland County Council.
Management of the house passed to the State Planning Authority, then the Heritage Council of New South Wales continued restoration.
The HHT was established in 1980, and rebranded as Sydney Living Museums in 2013, and is part of the NSW Office of Heritage and Environment within the state government.
The NSW State Heritage Inventory states that:
The Elizabeth Farm house is part of the oldest surviving construction in Australia and a rare survival of the earliest period of colonial architecture. The house is one of the most evocative houses relating to the earliest period of Australian European history and is one of the most aesthetically pleasing of colonial bungalows.
The garden contains remnants of some of the earliest European plantings in Australia, including the European Olive. Older indigenous species include kurrajong and bunya bunya and hoop pines. 
What if Elizabeth Macarthur—wife of the notorious John Macarthur, wool baron in the earliest days of Sydney—had written a shockingly frank secret memoir? And what if novelist Kate Grenville had miraculously found and published it? That’s the starting point for A Room Made of Leaves, a playful dance of possibilities between the real and the invented.
 James Broadbent, Elizabeth Farm Parramatta, A History and a Guide. Historic Houses Trust, Sydney, 1984, pp. 5-11.
 Letter from Elizabeth to Miss Kingdon, September 1795, Elizabeth Farm, Parramatta in Sibella Macarthur Onslow, Some Early Records of the Macarthurs of Camden. Angus & Robertson, Sydney, 1914. Online @ http://gutenberg.net.au/ebooks13/1302011h.html Accessed 10 Feb 2017