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Camden, a Macarthur family venture

The private English-style estate village of James and William Macarthur

The establishment of Camden, New South Wales, the town in 1840, was a private venture of James and William Macarthur, sons of colonial patriarch John Macarthur, at the Nepean River crossing on the northern edge of the family’s pastoral property of Camden Park. The town’s site was enclosed on three sides by a sweeping bend in the Nepean River and has regularly flooded the surrounding farmland and lower parts of the town.

John Macarthur on the cover of Australia’s Heritage 1970. The original oil painting of John Macarthur is held in SLNSW (I Willis, 2022)

The site of Camden was within the 5000 acres granted to John Macarthur by the 2nd Earl Camden [3.2], the Secretary of State for War and the Colonies, in 1805, while Macarthur was in England on charges for duelling. Macarthur was a fractious quarrelsome self-promoter who arrived in NSW with his wife Elizabeth and family in 1790 as paymaster of the New South Wales Corps. The Corps (sometimes called The Rum Corps) was formed in England in 1789 as a permanent regiment of the British Army to relieve the New South Wales Marine Corps, which had accompanied the First Fleet to Australia in 1788 to fortify the colony of NSW.

The town’s site, as part of the Macarthur grants, was located on some of the finest farming country in the colony in the government Cowpastures reserve on the colonial frontier. The grants were part of the dispossession of traditional lands of the Dharawal people by the British settler colonial project and inevitably led to conflict and violence. Macarthur claimed that the town’s establishment threatened the security of his landholdings at Camden Park and opposed it during his lifetime. On his death in 1834, his sons had a different worldview and moved to establish an English-style estate village dominated by a church.

A fine Gothic-style church

The ridge-top location of St John’s Church (1840) on the southern end of the town meant that it towered over the town centre and had a clear line of sight to the Macarthur family’s Georgian mansion at Camden Park 2.6 miles to the southwest. The fine English Gothic-style church was funded mainly by the Macarthur family and has been the basis of the town’s iconic imagery. There were a number of large gentry estates built on convict labour in the surrounding farmland, the largest being the Macarthur family’s Camden Park of over 28,000 acres.

St John’s Anglican Church in its hilltop location at the top of John Street Camden. This image is by Charles Kerry in the 1890s (Camden Images)

Many immigrant families came to the area under Governor Bourke’s 1835 plan and settled on the gentry estates as tenant farmers, some establishing businesses in Camden. The first land sales in the village occurred in 1841, which stifled the growth of the existing European settlements in the area. The population of Camden grew from 242 in 1846 to 458 in 1856, although the gentry’s estates still dominated the village. Camden Park, for example, had a population of 900 in 1850.

English-style gentry

The English-style gentry practised philanthropy in Camden to maintain its moral tone. Elizabeth Macarthur Onslow, John Macarthur’s granddaughter, encouraged the maintenance of the proprieties of life, moral order and good works, as well as memorialising her family by donating a clock and bells to St John’s Church in 1897. She also marked the memory of her late husband, Captain Onslow, by providing a public park in 1882 named after her husband (Onslow Park), which is now the Camden showground.

Transport hub

Camden became the district’s transport hub at the centre of the road network, primarily set by the pattern of land grants from the 1820s. The earliest villages in the district predated Camden and then looked to Camden for cultural and economic leadership as the district’s major centre. The arrival of the Camden tramway in 1882 meant that silver ore west of the district (1871) was shipped through the Camden railhead to the Main Southern Railway from Sydney.  

The Camden Branch Line Locomotive Crossing the Nepean River Bridge 1900 Postcard (Camden Images)

Progress assured

Combined with rail access to markets, the town’s prosperity was assured by a series of technical and institutional innovations that transformed the dairy industry in the 1890s. In the 1920s, the Macarthur family set up the Camden Vale Milk Company and built a milk processing plant at the eastern end of the main street adjacent to the rail line. Whole milk was railed to Sydney and bottled under its label until the mid-1920s. Milk was delivered daily to the factory by horse and cart until the 1940s from local dairy farms.

Camden Milk Depot, trading as Camden Vale Milk Coop Ltd located at the northern end of Argyle Street adjacent to Camden Railway Station. (Camden Images)

Camden’s progress saw the construction of a new bank (1878), the commencement of weekly stock sales (1883), the formation of the Camden Agricultural, Horticultural and Industrial Society and the first Camden Show (1886), a new post and telegraph office (1898), the foundation of two weekly newspapers (Camden Times, 1879, Camden News, 1880), a new cottage hospital (1898), the formation of a fire brigade (1900), the opening of a telephone exchange (1910), the installation of reticulated gas (1912), electricity (1929), town water (1899) and the replacement of gas street lighting with electric lights (1932), and a sewerage scheme (1939). By 1933 the population of the town had grown to 2394.

First local council

The first attempt at local government in 1843 was unsuccessful. A meeting of local notables formed the municipality of Camden at a public meeting in 1883. Still, it was not until 1889 that the municipality was proclaimed, covering 7,000 acres and including Camden and the neighbouring village of Elderslie. Nine townsmen were elected aldermen at the first election that year, and the first meeting was held at the School of Arts. In 1993 the Camden Municipal Council eventually became the Council of Camden.

In 2014 this is the head office of Camden Council in the former Victorian gentleman’s townhouse built by Henry Thompson. (Camden Images)

Street names

Camden’s 1840 street grid is still intact today, with streets named after members of the Macarthur family – John Street, Elizabeth, Edward Street – and NSW colonial notables – Oxley Street, Broughton Street, Mitchell Street. The main highway between Sydney and Melbourne (the Hume Highway) passed along the main street (Argyle Street), until it was re-routed in 1976. The town’s business centre still has several Victorian and Art Deco shopfronts.   

Some charming Federation and Californian bungalows in the church ridge-top precinct were the homes of the Camden elite in the early 20th century. The precinct is the site of Macarthur Park (1905), which was dedicated to the townsfolk by Elizabeth Macarthur Onslow and contained the town’s World War One cenotaph (donated by the Macarthur family).  

John Street heritage precinct

John Street runs north-south downhill to the floodplain from the commanding position of St John’s church. Lower John Street is the location of the Italianate house Macaria (c1842), St Paul’s Catholic church and the government buildings associated with the Camden police barracks (1878) and courthouse (1857), and Camden Public School (1851). This area also contains the oldest surviving Georgian cottage in the town area, Bransby’s Cottage (1842). Lower John Street has the Camden Temperance Hall (1867), which later served as Camden Fire Station (1916–1993), and the School of Arts (1866), which served as the Camden Town Hall, while the rear of the building was occupied for a time by Camden Municipal Council.

Camden School of Arts located in John Street PReeves c1800s (CIPP)

Volunteerism

Community voluntary organisations have been part of Camden’s life from the town’s foundation. In the late 1800s, they were male-dominated, usually led by the landed gentry, and held informal political power through patronage. James Macarthur sponsored the Camden School of Arts (1865) and Agricultural, Horticultural & Industrial Society (1886), later called the Camden Show Society, while the non-conformists sponsored various lodges and the temperance movement. A small clique of well-off local women established several conservative women’s organisations after Federation. Their social position supported their husbands’ political activities, and the influence of the Macarthur family was felt in these organisations, for example, the Camden Red Cross and Country Women’s Association.

The women of the Camden Red Cross at their weekly street stall in Argyle Street Camden in the 1920s. The women ran the stall for decades and raised thousands of pounds for local and national charities. (Camden Images)

Many men and women from Camden and the district saw military service in the Boer War and later World War One and Two when residents set up local branches of national patriotic funds and civil defence organisations. On the outskirts of the town, there were active defence establishments during World War II, including an airbase, army infantry, and training camps.

Coal mining

Economic prosperity from coal mining in the district’s western part challenged old hierarchies in the postwar years, replacing the old colonially-based rural hegemony. New community organisations like Rotary and later the Chamber of Commerce fostered business networks in the town. The Camden Historical Society (1957) promoted the town’s past and later opened a local museum (1970).

Camden Museum Library building in John Street Camden, where the Blue Plaque with being located, recognising the efforts of the Camden Red Cross sewing circles in both World War One and World War Two. (I Willis, 2008)

Urbanisation

The New South Wales state government decreed that the town would become part of a growth area in the form of ‘new cities’ under the Macarthur Growth Centre Plan (1973), modelled on the British Garden City concept. Increasing urbanisation threatened the town’s identity and the number of community members formed by the Camden Residents’ Action Group (1973).

Mount Annan suburban development, which is part of Sydney’s urban sprawl c2005 (Camden Images)

In 2007 Camden was the administrative centre of the Camden Local Government Area, which had a population of over 51,000 (2006) and an area of 201 square kilometres.  The Camden LGA became part of the state government’s Sydney South West Growth Centre, planned to house 500,000 new residents, and is one of Australia’s fastest-growing urban areas.  

Wave of nostalgia

Increasing levels of Sydney’s urbanisation have continued, threatened the loss of rural landscapes around the town, and awakened a wave of nostalgia. The NSW state government created the Camden Town Conservation Area (2008) based on the mid-20th century country town that aimed at preserving the town’s integrity and material fabric.

Macarthur Regional Tourist Promotion by Camden and Campbelltown Councils

Posted 19 September 2022

Aesthetics · Architecture · Art · Artists · Attachment to place · Belonging · Community identity · Cultural icon · Design · Heritage · Living History · Local History · Memorial · Memorialisation · Memorials · Memory · Monuments · Oran Park · Oran Park Library · Oran Park Raceway · Place making · Placemaking · Sense of place · Storytelling · Urban Planning · Urbanism

Public art celebrates the ghost of motor racing at Oran Park

Oran Park Library

The Oran Park library has a number of public artworks that commemorate the former Oran Park motorway that was on the site. These wonderful public art installations celebrate the memories of the  Oran Park Raceway which closed in 2010.

Oran Park Library 2019 at night (I Willis)

The commissioning of the artworks was a collaboration between Guppy Art Management & Camden Council.

The Artworks

Moto Caelifera Eclectica by James Corbett

James Corbett describes himself as a car part sculptor and is based in Brisbane, Queensland.

James Corbett created these works in 2018 and he describes this installation as a ‘challenging commission’ on his blog. He writes

to create two large racing grasshoppers in double quick time for the new Oran Park library near Camden in western Sydney.  This used to be a rural area, but was known to me since I was a child for just one reason.  It had a car racing track.  All the big names raced there, and I used to rabidly read all about their exploits in my eagerly awaited, latest copy of ‘Racing Car News.’ I couldn’t get enough of that stuff when I was twelve years old.

The track is gone and the pastures are disappearing under houses, but there are still just enough paddocks of dry yellow grass about to give a feel for the history of the district. I wanted to pay tribute to both, that soon to be gone rural feel, and the rich racing history.  Those dry grassy areas make me think of grasshoppers, flies, locusts and Hereford cattle.  And Insects seem sort of mechanical, and built for a purpose. Form following function, like racing cars.  Well the ones I like anyway.

Corbett created two works as part of the installation. He calls one ‘The Green Kawasaki Grasshopper’ and it is attached to the wall. In constructing the works he writes

The Formula cars of the era had riveted aluminium sheet chassis, and I wanted to reflect that. Hence the riveted abdomens.  I wanted them to look like they could work like machines. I cut up a yellow Hyundai and found a green I liked on a Daihatsu. When I found a Kawasaki engine for the green one, it had to be given the late Greg Handsford’s race number 2.

‘The Green Kawasaki Grasshopper’ by James Corbett 2018 (I Willis, 2022)

The second hanging artwork Corbett calls ‘Beechy Grasshopper’ and it has a 4.8-metre wingspan with wings made of ‘glass car windows’. More information about the installation can be found on Corbett’s website.

‘Beechy Grasshopper’ by James Corbett 2018 (I Willis, 2022)

Tracks by Danielle Mate Sullivan

Sullivan is a Sydney-based Indigenous artist working in large-scale mural design and public art

Tracks by Danielle Mate Sullivan 2018 (I Willis, 2022)

Mr Rev Head The Local by Freya Jobbins

Freya Jobbins is a Sydney-based contemporary Australian multidisciplinary artist based whose art practice includes assemblage, installation, video, collage and printmaking. 

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‘Mr Rev Head the local’ by Freya Jobbins 2018 (I Willis 2022)

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Information Label for ‘Mr Rev Head the local’. (I Willis, 2018)

Speedster by Justin Sayarath

Sydney-based artist Justin Sayarath has a number of installations around the metropolitan area where he ‘combines both his technical skill of visual arts and graphic design to create and collaborate in the public and commercial domains’.

‘Speedster’ by Justin Sayarath 2018 (I Willis 2018)

The official opening in 2018

The mingling crowd at the opening of the Oran Park Library on 30 June 2018 with the grasshopper on the wall above the visitors. (I Willis, 2018)
Aesthetics · Art · Attachment to place · Belonging · Camden · Colonial Camden · Colonial frontier · Colonialism · Commemoration · Cowpastures Bicentennial · Cultural icon · Dharawal · Family history · Festivals · Frontier violence · Governor Macquarie · Heritage · Historical consciousness · History · Living History · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Public art · Settler colonialism · Settler Society · Tourism · War

The memory of the Cowpastures in monuments, memorials and murals.

A landscape of memorials and memories of the Cowpastures.

Many memorials, monuments, historic sites, and other public facilities commemorate, celebrate and just generally remind us about the landscape of the Cowpastures.

In recent decades there has been a nostalgia turn around recovering the memory of the Cowpastures landscape. This is cast in terms of the pioneers and the legacy of the European settlement.

An applique panel on the Cowpastures Heritage Quilt shows Belgenny Farm, which was part of Camden Park Estate. The quilt is hanging on display at the Camden Library (I Willis, 2022)

Memorials and monuments can be controversial in some quarters, especially in the eyes of those interested in Australia’s dark history.

Apart from monuments and memorials to the Cowpastures landscape, the most ubiquitous form of memorialisation across the Macarthur region are war memorials. Most Macarthur regional communities possess a monument of some kind, dating to the early 20th century commemorating the memory of those killed in action in the First and Second World Wars and the Vietnam War.   

The heyday of building monuments in Australia was in the late 19th century and early 20th century, when the new and emerging nation searched for national heroes. These heroes were overwhelmingly blokes – pale males.

Some of the most significant memorials to the Cowpastures landscape are historical sites, the built environment, and cultural heritage. Many of these are scattered across the Cowpastures region dating from the time of European settlement.

Most of the monuments and memorials to the Cowpastures in the local area date from the mid-20th century. Several have been commissioned by developers trying to cast their housing developments in nostalgia for the colonial past. Only one of these memorials was commissioned by women.

The monuments and memorials can be considered part of the public art of the local area and have contributed to the construction of place and community identity.

The memories evoked by the monuments, memorials, murals, historical sites, celebrations, and other items mean different things to different people.

The Cowpastures Landscape

So what exactly has been referred to by the Cowpastures landscape? In this discussion, there are these interpretations:

  1. The Cowpastures colonial frontier 1795-1820
  2. The Cowpastures government reserve 1803-1820s
  3. The Cowpastures region 1795 – 1840
  4. The landscape of the Cowpastures gentry 1805 -1840
  5. The English-style landscape of the Cowpastures 1795-1840
  6. Viewing the landscape of the Cowpastures 1795-1840

A set of principles for viewing The Cowpastures landscape

The Cowpastures landscape and seven principles of interpretation:

  • Utilitarian – the economic benefit – the protection of the cows and the herd
  • Picturesque – the presentation of the Cowpastures as a result of the burning of the environment by the Aborigines –fire stick farming – the reports of the area being a little England from the 1820s – Hawdon.
  • Regulatory – banning of movement into the Cowpastures to protect the cows
  • The political and philosophical – evils of the governors and transportation were the true corruptors of the countryside.
  • Natural history – collecting specimens and describing fauna and flora – Darwin’s visit to Sydney – the curiosity of the early officers.
  • ‘New natures’ – the environmental impact of flooding along the Nepean River and clear felling of trees across the countryside.
  • Emotional response – how the European viscerally experienced the countryside – sights, smells, hearing – and its expression in words and pictures. (after Karskins 2009, The Colony)

Examples of memory evocation for The Cowpastures

Monuments and memorials

  1. The Cowpastures Heritage Quilt was commissioned by the Camden Quilters Guild commemorating the Cowpastures Bicentenary in 1995.

2. A public artwork called Cowpastures Story in the forecourt of Narellan Library was commissioned by Narellan Rotary Club.

3. A statue of Governor Hunter was commissioned by a land developer at Mount Annan.

Statue of Governor Hunter in the Governors Green Reserve at Mount Annan (I Willis)

4. A collection of bronze cows in the Cowpastures Wild Cattle of the 1790s was commissioned by a land developer at Oran Park.

5. At Harrington Park Lakeside, public artworks memorialise the Cowpastures commissioned by a land developer.

6. At Picton, the Cowpastures mural is completed by a local sculptor and local school children.

The Cowpastures Memorial Bronze mural at Picton (I Willis, 2021)

7. Camden Rotary Pioneer Mural was commissioned by Camden Rotary Club in the mid-20th century and is located adjacent to Camden District Hospital.

Camden Pioneer Mural was commissioned by Camden Rotary Club in the mid-20th century adjacent to Camden Hospital on the Old Hume Highway (I Willis)

8. A different type of memorial is the Cowpasture Bridge at the entry to Camden, spanning the Nepean River.

Information plaque for the 1976 opening of the Cowpasture Bridge located adjacent to bridge in Argyle Street, Camden (I Willis, 2022)

9. Memorial to the Appin Massacre at Cataract Dam.

10. The Hume and Hovell Monument on the Appin Road celebrates the departure of the Hume and Hovell expedition to Port Phillip Bay in 1824.

11. Parks and reserves, e.g., Rotary Cowpasture Reserve, opened in 1995 By Rear Admiral Peter Sinclair
Governor of NSW, celebrating 100 years of Rotary.

The Camden Rotary Cowpasture Reserve was opened on 19 February 1995 by Rear Admiral Peter Sinclair, Governor of New South Wales. The reserve is located at Lat: -34.053751 and Long: 150.701171. and the address is 10 Argyle Street Camden. The reserve is on an original land grant within the boundaries of Camden Park Estate from the early 19th century, which was part of the Macarthur family colonial pastoral empire. Camden Park Estate was a central part of the Cowpastures district. (I Willis)

Cultural Heritage

1. Cowpastures Bicentennial celebrations occurred in 1995 and were a loose arrangement of community events.

Postcard of the Cowpastures Heritage Quilt commissioned and sewed by Camden Quilter’s Guild members in 1955. The quilt is currently on display at Camden Library. (Camden Museum)

2. An art exhibition at the Campbelltown Art Centre in 2016 called With Secrecy and Dispatch commemorates the Appin Massacre’s bicentenary.

3. The Appin Massacre Cultural Landscape, which is the site of the 1816 Appin Massacre, is being considered for listing on the State Heritage Register.

4. Australasian Federation of Family History Organisations Annual Fair and Conference in 2016 called Cowpastures and Beyond was held in Camden with exciting speakers and attended by various delegates.

Cowpastures and Beyond Conference held in Camden in 2016 (CAFHS)

5. An art exhibition at the Campbelltown Arts Centre called ‘They Came by Boat‘ in 2017 highlighted many aspects of the landscape of the Cowpastures and its story.

6. Paintings by various artists, e.g., ‘View in the Cowpasture district 1840-46’  by Robert Marsh Westmacott.

7. Campbelltown-born architect William Hardy Wilson wrote The Cow Pasture Road in 1920, a whimsical fictional account of the sights and sounds along the road from Prospect to the Cow Pastures.

A fictional account of The Cow Pasture Road written by William Hardy Wilson in 1920 with pencil drawings and watercolours. (I Willis, 2022)

Historic sites

1. The Cowpasture Road was the original access route to the colonial Cowpastures Reserve in the early 19th century, starting at Prospect and ending at the Nepean River crossing.

2. The historic site at Belgenny Farm is one of Australia’s earliest European farming complexes in the Cowpastures. The farm was part of the Macarthur family’s Camden Park Estate and is an example of living history.

3. Camden Park House and Garden is the site of John Macarthur’s historic Regency mansion and was part of the Macarthur family’s Camden Park Estate.

A Conrad Martins 1843 watercolour ‘Camden Park House, Home of John Macarthur (1767-1834)’ (SLNSW)

4. Other colonial properties across the Cowpastures region (in private hands)

Updated 13 September 2022. Originally posted 22 August 2022.

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A Cowpastures memorial quilt

Camden Country Quilters Guild Cowpastures Heritage Quilt

Hanging on the wall in the Camden Library is a quilt, but no ordinary quilt. It is a hand-made quilt that had previously hung in the foyer of the Camden Civic Centre for many years. The quilt celebrated the Cowpastures Bicentenary (1995) and was made by members of the Camden Country Quilters Guild.

A panel in the Camden Cowpastures Bicentennial Quilt showing a map of the Cowpastures using an applique hanging in the Camden Library (I Willis, 2022)

The Cowpastures Quilt is a fascinating historical document and artefact and tells an interesting story of the district.

The Cowpastures Review stated:

The Cowpastures Heritage Quilt, which is featured on the front page, is unique. It is a product of the Camden Country Quilters Guild. It was unveiled by His Excellency, The Governor of New South Wales, Rear Admiral Peter Sinclair on the 19th of February 1995, as part of the opening of the Cowpastures Bicentennial. It was given by the Guild to the Camden Council, which has it displayed in the Camden Civic Centre.

Cover of Cowpastures Review displaying the Camden Cowpastures Bicentennial Quilt Issue Vol 1 1995. (I Willis)

The Cowpastures Bicentennial Committee created postcards and notepaper featuring the quilt that was sold at Gledswood Homestead and the Camden Library.

Postcard of Cowpastures Heritage Quilt 1995 (Camden Museum)

Quilts were practical items with social value

Quilts have sentimental or commemorative value and are examples of needlework skills and techniques, and the use of specific fabrics used in their designs.

The Victoria and Albert Museum in London states on its website:

As a technique, quilting has been used for a diverse range of objects, from clothing to intricate objects such as pincushions. Along with patchwork, quilting is most often associated with its use for bedding.

Quilting first appeared in England in the 13th century, reached a peak in the 17th century and can be traced back to 3000BCE. The word quilt means a ‘bolster or cushion’.

According to the V&A museum, a quilt is usually a bedcover of two layers of fabric with padding or wadding in between held together by lines of stitching based on a pattern or design. Very fine decorative quilts often become family heirlooms and are passed down through generations. In a domestic situation, women made quilts to celebrate ‘life occasions’ like births and weddings.

The V&A states that quilts are often quite large and associated with social events where people share the sewing. In North America quilting was a popular craft amongst Dutch and English settlers and quilts were made as part of marriage dowry for a young woman.

Quilting is often associated with patchwork where the quilt was made of scraps of fabric or ‘extending the life of working clothing’.

Convict women and quilting – The Rajah Quilt

In the National Gallery of Australia is a quilt made in 1841 by convict women transported on the Rajah from Woolwich to Hobart. According to blogger Bernadette, a descendant of one of the women who made the quilt, it is one of the most important textiles in Australia and world history.

The Rajah Quilt (NGA)

The textile is called the Rajah Quilt and was organised as part of the scheme organised by prison reformer Elizabeth Fry’s British Ladies Society for promoting the reformation of female prisoners. The quilt is made up of over 2000 pieces of fabric and it has been described as

 a patchwork and appliquéd bed cover or coverlet. It is in pieced medallion or framed style: a popular design style for quilts in the British Isles in the mid 1800’s. There is a central field of white cotton decorated with appliquéd (in broderie perse) chintz birds and floral motifs. This central field is framed by 12 bands or strips of patchwork printed cotton. The quilt is finished at the outer edge by white cotton decorated with appliquéd daisies on three sides and inscription in cross stitch surrounded by floral chintz attached with broderie perse on the fourth…

On the Rajah’s arrival in Hobart, the quilt was presented to the governor’s wife Lady Jane Franklin by the 29 women who sewed it on the voyage to Van Dieman’s Land. Lady Franklin sent the quilt back to England to Elizabeth Fry and then it was lost. It was rediscovered in a Scottish attic and returned to Australia in 1989 and placed in the collection of the National Gallery of Australia.

The quilt’s story is one of hope at a time of despair and disempowerment from a group of women hidden in the shadows of history. A type of radical history.

Cowpastures Quilt tells a story

Quilts often told a story and in the V&A collection, there are a  number of significant quilts telling Biblical stories, scenes from world events and the 1851 Great Exhibition.

The Cowpasture Quilt tells the story of the Cowpastures on its Bicentenary. The story was represented in the different panels in the quilt created by the Guild members who were part of the project. The quilt’s construction was a community effort and each sewer has their name sewn into the quilt.

  

Camden Cowpastures Bicentennial Quilt hanging in Camden Library in John Street Camden (I Willis, 2022)

The significance of the individual panels in the quilt was explained by the Cowpastures Review and it stated:

The central pane – the discovery of the Hottentot cow. The left pane – The Aboriginal influence, mining, the map of the ‘Cow Pastures’, representing flora and fauna and the Stonequarry Bridge at Picton. The right panel – St John’s Church, John and Elizabeth Macarthur, Camden Park Estates, Belgenny Farm, Gledswood Homestead and merino sheep and vineyards. The bottom panel – John Street, Camden, including ‘Macaria’ and representations of horticulture venture in the area. Not visible in the photograph in the names of the ‘quilters’ and some surprise ‘first family’ names.

Title panel in Camden Cowpastures Bicentennial Quilt hanging in Camden Library (I Willis, 2022)

Fashion quilting

According to the V&A quilting fell into decline in the early 20th century under the influence of modernism. It found a revival in the 1960s as part of the hippie culture and the art community and is firmly part of the art space.

Quiltmaking as art

Artist Isis Davis-Marks writes on the Artsy website that

Quilts’ inherent associations with warmth, nostalgia, and community make them particularly appealing now, in the midst of the pandemic and widespread division and inequity. Perhaps this fraught reality can account for, at least in part, why contemporary artists are drawn to quilting as a means to express themselves. The tactility of quilted fabric inevitability conjures domesticity, and every stitch—every precisely placed patchwork—brings us back to that feeling of the comfort and safety of home

Davis-Marks writes that contemporary American artists are engaging with the craft of quilting and building on the ‘enduring and complex history of quiltmaking’. In the US context quilting was practised by slaves, Indigenous Americans and other marginalised peoples as a form of expression and craftwork for the everyday.

An applique panel of the Cowpastures Quilt shows the Regency mansion on Camden Park still estate built in the 1830s. The panel uses figures to tell a narrative about the foundational story of Australia and the Camden district as part of a settler society. The Cowpasture Quilt is on display at Camden Library (I Willis, 2022)

Davis-Marks writes that the ancient craft of quiltmaking has resonance for contemporary artists in the age of social media and illustrates a broader appeal of working with traditional mediums of textiles, ceramics, knitting and other crafts.

In a January 2020 article for Artsy, writer and curator Glenn Adamson reflected “At a time when our collective attention is dangerously adrift,” Adamson wrote, “trapped in the freefall of our social-media feeds and snared in a pit of fake facts, handwork provides a firm anchor. It cannot be spun. It gives us something to believe in.”

Artists are using quilts as a lens to look into the dark history of the past. Sometimes these are called ‘story quilts’ where they tell a story in a narrative and figures. Artist Faith Ringgold‘s work often explores notions of ‘community and ancestry’ and said that she bonded through the experience of jointly sewing quilts with her mother.

The Cowpastures Quilt is a ‘story quilt’ and tells the story of our past as part of a settler society and the dispossession of Indigenous peoples. The quilt uses figures and narrative to examine the past through the lens of the women who constructed the quilt in 1995. More than this the Cowpasture quilt is a public statement and an affirmation of community through the collective efforts of local women who undertook the sewing project. The collaborative efforts of the Camden Quilters created a significant piece of public art and a narrative statement of who we are through the use of history.

A panel of the Cowpasture Quilt shows the Henry Kitchen cottage from 1819 still standing today as part of the Belgenny Farm complex which is one of the most important colonial farming complexes still intact in Australia on the former Camden Park estate of the Macarthur family. The quilt is on display at the Camden Library. (I Willis, 2022)

Updated 26 August 2022; originally posted 16 August 2022

Charles Cowper · Colonialism · Cultural Heritage · Economy · Heritage · History · Lost Sydney · Maryland · Museum of Applied Arts and Sciences Powerhouse Museum · Railway · Sydney Railway Company · Technology · Thomas Barker · Transport · Uncategorized · Wivenhoe

A Camden connection to the first railway line in New South Wales

The Sydney Railway Company

According to Alan Birch writing in the Journal of the Royal Australian Historical Society, the Sydney Railway Company was incorporated in 1849 with capital of £100,000 to build a railway line between Sydney and Parramatta and promised an optimistic return on capital of 8% (Birch 1957).  

Source: Birch, 1957, JRAHS

Camden connections to the railway

One of the directors of the Sydney Railway Company was Thomas Barker who established Maryland at Bringelly in the 1850s. He developed the farm Maryland as a Sydney gentleman’s country retreat and started building his hilltop homestead in 1854. Barker was a skilled engineer and millwright and built a large windmill at Darlinghurst in 1826. He had extensive landholdings in the Yass District, on the Goulburn Plains and along the Murrumbidgee, and our local area in the Cowpastures. A successful Sydney businessman and philanthropist, he was one of the earliest promoters of railways in New South Wales and, along with a number of other colonial gentlemen, paid for the survey between Sydney and Goulburn.

Another company director was Charles Cowper, a New South Wales politician, who owned Wivenhoe. Cowper was manager of the railway but quit when the NSW colonial government appointed the attorney-general as company president. The company ran into financial issues with cost over-runs as the price of land rose during the gold rush. The government extended a loan to the company of £150,000 and appointed three additional directors.  Cowper returned to politics and convinced the government to take over the floundering project, which it did in 1854. The company had the honour of being the first railway company that was nationalised in the British Empire. Cost over-runs meant that the 1849 estimate of £2,348 a mile eventually blew-out to over £40,000 a mile. (Birch 1957)

A forgotten anniversary of Sydney’s Central Railway Station

26 September 1855

On 26 September 1855, the first train left the Sydney terminus, a ‘tin shed’, with great pomp and ceremony and thus began the great railways of New South Wales. The ‘tin shed’ railway terminus was replaced by two further railway station buildings, one opened in 1874, and the current imposing Victorian edifice of brick and sandstone in 1906.

The current 1906 Central Railway Station is the third station on the site and is a grand Victorian structure in the tradition of British railway stations demonstrating to the world the importance of rail travel in New South Wales at the beginning of the 20th century.

A marvellous day goes down in history

The colonial newspaper the Sydney Morning Herald reported on the 1855 railway opening in glowing terms as a marvel. The Herald reporter maintained that it demonstrated how the colony of New South Wales could match the rest of the world with a magnificent achievement, only a decade after convict transportation had been abolished. The newspaper report started this way:

The event yesterday was the triumph, not only of science over natural difficulties, but of the spirit of enlightenment and civilisation over prejudice and worldly mindedness. The great agent of civilization, the best and most effective servant progress, has been retained by the antipodean colonies of Australia within the same quarter century in which he became the liveried civilized vassal Europe. We have established a railway in this colony – we have achieved the great distinction which ranks us with those country who live and progress under impulses which modern science has seemed to indicate will work out the destinies of our race. (SMH, 27 September 1855)

The importance of the event to New South Wales cannot be under-estimated only 32 years after the world’s first public railway. The Stockton and  Darlington Railway was the first public railway to use steam locomotives and take passengers. The line opened in 1823 and eventually closed in 1863. 

The remains of the first Sydney railway station in 1871. The platform on the RHS later became the George Street Platform (No 11) (SARNSW)

Tin Shed

The original site of the 1855 ‘tin shed’ station was in ‘Cleveland Paddock’ located between Cleveland and Devonshire Streets and known as Redfern Station as it was near Redfern. The present Redfern station was officially called Eveleigh, yet the name Redfern Station for the Sydney Terminal stuck for both the first and second ‘Sydney’ stations.  It was indeed a ‘tin shed’ – a corrugated iron shed with a 30m long single wooden platform and was the terminus for the line for passengers from Parramatta. (Upton 2013)

According to Sydney Trains, the 1855 terminus was south of the present Central Railway Station, on the south side of the Devonshire Street tunnel. The oldest surviving structure from this period, and the oldest surviving structure on the New South Wales rail system, is the ‘overbridge’ running under Railway Square to Darling Harbour. Last used as a railway in 1984 it is now known as the Goods Line and is part of Sydney’s urban walkways, and an extension of the existing Devonshire Street pedestrian tunnel.

21-gun salute

At the official opening, the Governor’s Vice-Regal train left the Sydney terminus at 11.20 am to a 21-gun salute and great cheers from the crowd. Over 3,500 passengers travelled on the train service between Sydney and Parramatta Junction at Granville on the first day, with intermediate stations at Newtown, Ashfield, Burwood and Homebush. Trains left the Sydney terminal at 9, 11, 12, 1, 4.45, and 5 and departed from Parramatta Junction at 10 am in the morning and 2, 3, 4 and 5.30 in the afternoon. (Birch 1957)

The journey of 14 miles took around 50 minutes and first-class tickets cost 4/-, Second 3/-, and Third 2/-.

According to State Archives and Records in the first full year of operation, the rail service was used by over 350,000 passengers.

Toing and froing on rail gauge

The rail gauge used on the project determined the future of railways in New South Wales for the next 150 years. Initially, the Sydney Railway Company hired Irish-born engineer FW Shields who favoured 5 ft 6 in, but in 1850 he persuaded the colonial government to change to the Irish national gauge 5 ft 3 ins, which the British Government agreed to in 1851. Shields quit after a dispute in 1850 and Scottish engineer J Wallace was appointed. Wallace preferred the British Standard Gauge for 4 ft 8½ ins and in 1853 orders were forwarded to Great Britain for rolling stock, locomotives and rails on the British Standard Gauge. The rail gauge has remained the same ever since.

Locomotive No 1

New South Wales Government Locomotive No 1 on display at the Powerhouse Museum, Sydney. (Wikimedia/Hpeterswald 2012)

One of the locomotives ordered from Great Britain in 1853 was Locomotive No 1 and is on display at the Powerhouse Museum in Ultimo. According to the Powerhouse Museum, the locomotive was built in

England by Robert Stephenson & Co., Newcastle-on-Tyne, designed by J. E. McConnell of the London and North-Western Railway Company, and is a very rare survivor of a McConnell goods express locomotive of the early 1850s.

The locomotive arrived with four others in January 1855 and worked the line for 22 years. It was withdrawn from service in 1877 having hauled passengers and freight between Sydney, Campbelltown, Penrith and Richmond.

The locomotive is considered to be extremely rare and the only example of its type in the world.

Railway fever

New South Wales did not have the first steam railway in Australia, that honour went to the colony of Victoria. According to the National Museum of Australia, the first steam railway line opened in Melbourne on 12 September 1854. and ran between Flinders Street Station to Sandridge, now known as Port Melbourne. It was 2.5-mile (about four-kilometre) long and operated by the Melbourne and Hobson’s Bay Railway Company. A steam engine was made by Melbourne’s Robertson, Martin and Smith Engineering Works and it was the first to be produced in the Southern Hemisphere. The line is still in use today and is part of Melbourne’s light rail tram services.

The desire for a railway in New South Wales was not new and promoters, including Thomas Barker, had lobbied for a railway line from Sydney to Goulburn was first proposed in 1846. (SMH, 27 September 1855)

Turning the first sod on the Sydney to Parramatta Railway on 3 July1850. In F Hutchinson, New South Wales (1896) British Library.

The first sod

The first sod on the Sydney-Parramatta railway was turned on 3 July 1850 in the Cleveland Paddock by the Hon Mrs Keith Stewart in the ‘presence of his late Excellency Sir Charles Augustus FitzRoy and a large concourse of people’. (SMH, 27 September 1855) The inclement weather with continuous rain was a warning and foreboding of the difficulties the project would encounter over the next five years.

The first section of the railway was constructed between Ashfield and Haslem’s Creek at a cost of £10,000. Works included earthworks, fencing and bridges for a single line and interestingly did not include the cost of the rails from the United Kingdom. Progress was slow and ran into problems straight away with labour shortages after the discovery of gold at Bathurst in 1852. The contractor ‘abandoned the contract’ when labour costs escalated and not even an offer by the colonial government of an increase of 30% in funding was not enough to save the project. (SMH, 27 September 1855)

Ceremony of turning the first turf of the first railway in Australia, by the Hon. Mrs. Keith Stewart … [picture] / from an original sketch by John Rae Esqre. Sydney Mail, October 1877. (NLA)

References

Birch, A. (1957). “The Sydney Railway Company, 1848-1855.” Journal and Proceedings of the Royal Australian Historical Society 3: 49-92.

Upton, S. (2013) “Central Railway Station: Through the Lens.”

Updated 13 August 2022; Originally posted 12 August 2022

Art · Cowpastures · Cultural Heritage · Heritage · History · Local History · Local Studies · Memorial · Memorials · Memory · Monuments · Parks · Place making · Public art · Sculpture · Storytelling · Streetscapes · Uncategorized

Cowpastures Memorial at Narellan

Public art at Narellan Library Plaza

I was walking through the Narellan Library Elyard Street Plaza recently and noticed a Cowpastures Monument.

On investigation, I have found that the artwork was jointly commissioned in 2006 by Camden Council and Narellan Rotary Club.

This image shows the sculpture by Johnson and Topolnicki called Cowpasture Story jointly commissioned by Camden Council and Narellan Rotary Club in 2006 as part of the development of Narellan Library. The project was supervised by Guppy & Associates. (I Willis, 2022)

The artwork is called Cowpasture Story and was created by Blue Mountains artists and sculptors Philippa Johnson and Henryk Topolnicki from Art Is An Option. The artist’s website describes the artwork as ‘Sculptural Mobiles & Screen’.

Artist Philippa Johnson trained at the East Sydney Technical College and the University of Sydney and describes herself as an installation artist, sculptor and painter.  Sculptor and artist Henryk Topolnicki are described as ‘a sculptor, furniture maker and public artist who works principally in metals’. 

The artwork is a series of leaves forming an arch over the path that leads to the front of the Narellan Library. The leaves have a variety of figures representing the settlement of the Cowpastures in early colonial New South Wales. There are depictions of the settler society with cows, settler housing and farms.

The leaves and elements of the Cowpastures Story monument in the Narellan Library Pedestrian Plaza which was commissioned in 2006 by Camden Council and Narellan Rotary Club (2022 I Willis)

The artworks were part of the 2006 Narellan Library development that was designed by Sydney architect GSA, and built by Richard Crookes Construction with art consultants Guppy & Associates.

On the rear of the artwork panels, there are stories about the Cowpastures and the history of the Narellan Rotary Club.

The transcript of the Cowpasture story is located on the back of one of the panels of the artwork. (2022, I Willis)

The story is located on the back of one of the panels.

The elements of the Cowpastures Story monument in the Narellan Library Pedestrian Plaza which was commissioned in 2006 by Camden Council and Narellan Rotary Club (2022, I Willis)

A Brief History of the Cowpastures and its importance to the Narellan/Camden Area

Transcription

The history of the Cowpastures shows the importance to this area of the straying colonial cattle as their discovery led to the early surveying and settlement of the area by the Macarthurs and other colonial landholders. The Cowpastures was ‘discovered’ in 1795, just 7 years after the foundation of the colony.

The Narellan/Camden area was penetrated by white men as far back as 1795. The loss of the early colony’s cattle forms part of the history of New South Wales. These beasts that strayed from Farm Cover led to the discovery and settlement of the Narellan/Camden area. Seven years elapsed after the report of the loss of the cattle before rumours came to Sydney Cove’s settlement of the whereabouts of the missing stock. Governor Hunter dispatched a party under Henry Hacking to confirm or deny the reports of the rumoured cattle.

The results of this party’s investigation so impressed Governor Hunter that he determined to visit the locality to see the cattle and country for himself. With a small party he left Parramatta on the 18th November 1795. After travelling a few days they crossed the Nepean River at a spot where the Camden Cowpasture Bridge now stands and there came across this fine herd.

The name ‘Cowpastures’ by which the locality became known is due to Governor Hunter, for he marked it on a map drawn by himself and dated the 20th August 1796.

In 1802 explorer Barallier journeyed through the area noting the country the cattle had settled in and on the 7th November 1802 passed a swamp called ‘Manhangle’ by the aboriginals. It was this locality that John Macarthur selected land for his future home and for rearing sheep.

In December 1803 Governor King and Mrs King visited the Cowpastures and viewed the straying cattle. The governor instructed that the cattle were to be preserved after attempts were made to cull some of the wild bulls. To bring about the preservation of the cattle a hut was built at Elderslie near the ford of the Nepean River on the southern side. This was the first house in the district and was officially feferred [sic] to as ‘Cowpastures House’. Constables Warby and Jackson were installed there making this not only the first house, but the first police station in the Macarthur District.

Several of the colonial gentry took excursions to see the country so attractive to the cattle and this lead them to acquire property and settle in the area.

The track to the Cowpastures led from Prospect. On the 17th September 1805 James Meehan, under the instruction from the Governor, surveyed the track from Prospect to the Nepean Crossing and a rough road followed. This became the Cowpasture Road, some of which formed part of the old Hume Highway to Camden.

The transcript of the history of Narellan Rotary Club on the back of one of the artwork panels (2022, I Willis)

What is Rotary?

Brief History of the Rotary Club of Narellan Inc.

Transcription

The Rotary Club of Narellan Inc in District 9750, was chartered on the 27th October 1992.

This enabled local business and professional leaders to join a worldwide service organisation to provide social, financial and physical support to the local and international community.

The Rotary Club of Narellan focuses on the Four Avenues of Service in Club, Community, Vocational and International Service and gained recognition within the community as an excellent service club. It has been involved in fundraising for charitable organisations, support of local youth in educational and development program, fostering high ethical standards in business and professions and supporting other charitable organisations.

In fundraising the club raised in excess of $1,000,000 for charities, medical research (in particular Rett Syndrome), international programs and local causes such as Lifeline, Kids of Macarthur Health Foundation and the Salvation Army.

Rotary International has been responsible for the eradication of Polio through a worldwide campaign to which the club has been a major contributor. The Rotary Foundation supports vocational visits between countries and scholars throughout the world, of which the club has regularly hosted.

The elements of the public artwork the Cowpasture Story in the Narellan Library Pedestrian Plaza (2022 I Willis)

Updated 18 July 2022. First Posted 16 July 2022.

Bathtub effect · Floods · Grief · Hawkesbury-Nepean river · Living History · Local History · Local Studies · Macarthur · Memory · Trauma

The rain comes tumbling down, again

Flooding in the Hawkesbury-Nepean River Valley

As heavy rain fell on my roof this morning, I pondered another forecast for heavy rain and possible flooding in the local area.

The Bureau of Meteorology issued a severe weather warning that stated:

HEAVY RAINFALL For people in Metropolitan, Illawarra and parts of South Coast, Central Tablelands and Southern Tablelands Forecast Districts. (BOM, 2/7/22)

This brings back memories of early 2022 and the effect of local flooding. There is damage to property and people’s mental health.

Flood on Nepean River at Camden next to milk factory looking to Elderslie along Argyle Street in the early 20th century (CIPP)

People become worried about the unknown. So let’s help clear some of the fog.

What is unique about floods on the Hawkesbury-Nepean River?

 The ‘bathtub effect‘ of the Hawkesbury-Nepean River Valley

The Hawkesbury-Nepean River valley has unique landform features that make flooding in the local area perilous.

The river in flood does not behave like other valleys with wide-open flood plains that allow flood water to spread out and slow down.

The Hawkesbury-Nepean River valley has several pinch points constricting the flow and creating upstream localised flooding. This has been termed the ‘bathtub effect’ by engineering geologist Tom Hubble from the University of Sydney in 2021.

The 2019 H-N Valley Regional Flood Study describes the river valley this way:

 The Hawkesbury-Nepean Valley consists of a sequence of floodplains interspersed with incised meanders in sandstone gorges. (ERM Mitchell McCotter, 1995).[p.6]  [ERM Mitchell McCotter, (1995). Proposed Warragamba Flood Mitigation Dam Environmental Impact Statement, Sydney Water, July 1995.]

The Geography Teachers Association has produced an excellent teaching resource about the river valley, and it states:

The unique geomorphic features of the Hawkesbury-Nepean Valley make it particularly vulnerable to dangerous, fast-rising floods.

An aerial view of the Camden township in the 1974 flood event. The Nepean River is behind the town centre and flows from R-L. (SMH)

The NSW SES says:

The Hawkesbury-Nepean Valley has a long history of dangerous and damaging floods. Since records began in the 1790s, there have been over 130 moderate to major floods in the valley, including 6 major and 21 other serious floods since Warragamba Dam was completed in 1960.

So local people have a right to be worried when the BOM issues flood warnings,

Flood trauma is real.

Floods cause a considerable amount of anxiety in the local area.

The New South Wales Governments website Emotional and trauma support after flood states:

Natural disasters, cleaning up and recovery can take a toll on your mental and physical health. It’s vital people seek support and look after their own and their loved ones’ wellbeing. 

Flooding at the Cowpastures Bridge Camden in 2022 (I Willis)

The Black Dog Institute states that after flooding:

We anticipate that Australians living in areas affected by the current New South Wales and Queensland floods are likely to experience psychological distress. While some level of distress is a normal and understandable response to these events, we know from previous disasters that for many this may lead to more chronic mental health problems.

Royal Life Saving Australia says that there is grief and trauma after flooding. It maintains:

Looking after yourself during and following a flood event is an important part of the flood recovery process. If you have lost someone during a recent flooding event, or been rescued, it is especially important to check in with your support network and identify steps to help you get the additional support you may need. Everyone processes grief differently, and there is no one ‘right’ way to grieve, but we all need help in difficult times.

For the nerds

There is a lot of nerdy technical stuff around flooding in the river valley.

Technical details

There is an excellent study called the 2015 Nepean River Flood Study for technically minded people.

The study defines the Upper Nepean as the river upstream of the confluence of the Nepean River with the Warragamba River and is around 1800 square kilometres (p1).

For those who want to read a broader study about flooding across the Hawkesbury-Nepean catchment, I suggest looking at a study called the 2019 Hawkesbury-Nepean Valley Regional Flood Study.

A keen beekeeper and stalwart of the community garden, Steve rescues his hives from flooding in April 2022 (S Cooper)

One local sage, community gardener and flood watcher, Steve, commented on Facebook:

There has been some discussion about the possible rain event on its way [1/7/22]. Happy to report that all upstream dams are below capacity as per the Bureau of Meteorology. The [community] gardens are not affected till 8.5 metres, upstream inflows will be monitored and in the event of water reaching 8 metres livestock will be moved to higher ground within the garden where applicable or externally if required under the guidance of any relevant authorities. Note that the lagoon fills slowly from the river via the old creek line. However, if the river reaches 11 metres Macquarie Road floods over. Flooding has typically peaked in Camden 9 hours after Avon Dam Road peaked and 3 hours after Menangle. The last floods #3 peaked @ 20 metres at Avon Dam Road. The previous #2 at close to 17 metres. Note the last flood 12.2 metres in Camden occurred after all dams were also full.

This information comes from the BOM rain and river data site.

Steve was disappointed in his predictions about the size of the weather event affecting the New South Wales East Coast.

The rainfall at Robertson is a good indicator of what might happen in the Upper Nepean River river valley. Up to 9.00am today (3/7/22), Robertson had received 258mm of rainfall; at Menangle Bridge, there had been 185mm of rain. The Upper Nepean River valley is saturated and partly explains the behaviour of the Nepean River at Camden.

This view shows the Nepean River at Camden from the Elderslie side of the river on the right bank. This image was taken at 10.00am today (3/7/22), and the river was rising. By 3.00pm, the water had risen to the height of the telegraph pole. (2022, I Willis, 3/7/22)

Historic river heights at the Cowpasture Bridge, Camden.

The historical records of flood heights at the Cowpasture Bridge provide an interesting comparison of the present flood. The records are contained in the 2016 Camden Local Flood Plan.

Historic river heights at the Cowpastures Bridge (2016 Camden Local Flood Plan)

Updated 4 July 2022. First posted 2 July 2022.

Art · Attachment to place · Belonging · British colonialism · Camden · Camden Mayor · Colonial Camden · Colonial frontier · Colonialism · Cowpastures · Cultural Heritage · Frank Brooking · Frontier violence · Heritage · History · Local History · Local Studies · Memorial · Memorials · Memory · Monuments · Parks · Place making · Public art · Sculpture · Storytelling · Uncategorized · Urban development

Cowpastures memorial at Mount Annan

Governors Green Heritage Park, Mount Annan

Hidden out of the way in the back streets of Mount Annan is a memorial to Governor Hunter.

This memorial is located in the reserve called Governors Green in Baragil Mews, Mount Annan.

The view of the entrance off Baragil Mews to Governors Green Heritage Park at Mount Annan with the statue of Governor Hunter in the distance. The park is set in a bush reserve adjacent to residential housing. (2022 IW)

This is another hidden, and largely forgotten, memorial to the Cowpastures in the local area.

There is a bronze statue of Governor Hunter is at the centre of a circular colonnade with artworks celebrating the Cowpastures.

The land developer AV Jennings commissioned Lithgow sculptor and artist Antony Symons (1942-2018) in 1995 to construct the work.

The view of the statue of Governor Hunter at you approach it from Baragil Mews. The statue is located at the centre of circular colonnade with other parts of the artwork. on the colonnade fencing. (IW 2022)

Governor Hunter and the Cow Pastures

The story of the Cowpastures begins in 1787 with the First Fleet and HMS Sirius which collected 4 cows and 2 bulls at the Cape of Good Hope on the way out to New South Wales. After their arrival in the new colony, the stock escapes within 5 months of being landed and disappears.

In 1795 the story of the cattle is told to a convict hunter by an Aboriginal, who then tells an officer and informs Governor Hunter. Hunter sends Henry Hacking, an old seaman, to check out the story. After confirmation Governor John Hunter and Captain Waterhouse, George Bass and David Collins head off from Parramatta, crossing the Nepean River on 17 November 1795. They find good farming land covered with good pasture and lagoons with birds. After climbing a hill (Mt Taurus) they spotted the cattle and named the Cowpastures.

Governor  John Hunter marked area on maps ‘Cow Pasture Plains’ in the region of Menangle and elsewhere on maps south of Nepean.  The breed was the Cape cattle from the First Fleet and the district was declared out of bounds to all by 1806 the herd had grown to 3,000.

British colonialism and a settler society

Governor Hunter was part of the settler society project and the country’s dispossession of First Nations people. Hunter was a representative of British imperialism and how it implemented its policies on the colonial frontier of New South Wales.

The Cowpastures was a site of frontier violence and the displacement and dispossession of Indigenous land in the early 19th century.

Governor Hunter Statue

The statue of Governor Hunter in Governors Green reserve at Mount Annan. The statue was commissioned by land developer AV Jennings and Lithgow sculptor Antony Symons was engaged to complete the artwork in 1995. (2022, I Willis)

Plaques below the Governor Hunter statue

The plaque on the plinth at the base of Governor Hunter statue celebrating the opening of the reserve in 1995. (2022, I Willis)

Plaque inscription

Governor’s Green Heritage Park was presented to the people of Camden by AV Jennings and was officially opened by the Mayor of Camden Councillor FH Brooking on the 6th April 1995 in celebration of the centenary year of the discovery of the herd in 1795 at Cowpastures Camden.

Camden Mayor Frank Brooking

Frank Brooking served as Camden mayor from 1993 to 1997. Mr Brooking was a motor dealer whose business was located on the corner of Cawdor Road and Murray Streets and sold Morris and Volkswagon brands. Frank was a community-minded person who volunteered for the Rural Fire Service, Camden Rotary Club, Camden Show Society, Camden Area Youth Service and other organisations. He died in 2013 aged 74.

Plaque Governor Hunter statue

A plaque highlighting the history of the decision of Governor Hunter in 1795 to the name the Cowpastures. The naming of the site was an act of dispossession of Dharawal country. Hunter was an agent of the British Colonial Office and its imperial interests in the settler society project of New South Wales. (2022, I Willis)

Plaque inscription

Governor John Hunter (1737-1821), Governor of New South Wales September 1795 – November 1799.

‘On the evening of my arrival…, I was directed to the place where the herd was feeding,… we ascended a hill, from which we observed an herd…feeding in a beautiful pasture in the valley I was now anxious to ascertain of what breed they were, whether natives… or the descendants of those we had so long lost, but in this attempt we were disappointed by being discovered and attached most furiously by a large and very fierce bull, which rendered it necessary for our own safety, to fire at him. Such as his violence and strength, that six balls were fired through, before any person dared approach him. I was now satisfied that they were the Cape of Good Hope breed…. offspring of these we had lost in 1788, at this time we counted sixty-one in number, young and old. They have chosen a beautiful part of the country to graze in…

Historical Records of Australia, Governor Hunter to the Duke of Portland, 21st December 1795.

AV Jennings.

Other elements of the artwork

Artwork by Antony Symons of a horned cow located on the collonaded surroundings of the Governor Hunter statue (2022, I Willis)

Artwork by Antony Symons of the Cowpastures on the colonnade surrounding the statue of Governor Hunter. The artwork is made up of a settlers slab hut, Cumberland Woodland, and a farmer’s cart. The cart carries the artists signature. (2022 I Willis)

Artist Antony Symons signature located at the bottom of the cart on the colonnade fencing. (I Willis, 2022)

A regal-looking Governor Hunter in full naval uniform. Hunter held the rank of Vice-Admiral of the Royal Navy, and succeeded Arthur Phillip as the second Governor of New South Wales, serving from 1795 to 1800. The artwork was commissioned by land developer AV Jennings who engaged Lithgow sculptor Antony Symons. (I Willis, 2022)

1932 · Artefacts · Camden · Camden Museum · Community identity · Cultural Heritage · Cultural icon · Ephemera · Heritage · History · Interwar · Local History · Local Studies · Macarthur · Place making · Political history · Propaganda · Sense of place · Starvation Debenture · Stereotypes · Storytelling · Uncategorized

Political propaganda in 1932

The Starvation Debenture

I recently came across this political propaganda piece in the Camden Museum collection. It is a political flyer for the United Country Party from the 1932 New South Wales state election. The flyer was titled the ‘Starvation Debenture’.

It is reasonable to assume the flyer was circulating in the Camden area at the time for it to end up in the museum collection.

The front of the Lang Starvation Certificate was issued by the United Country Party on Friday 3 June 1932 during the election campaign. The “Starvation Debenture” features the hammer and sickle emblem in a circle at the centre top, and ONE LANG printed in squares in each corner, “Starvation Debenture” is printed across the top to foot blame for the Depression to the three caricatures, Premier Jack Lang, union leader Jock Garden, and an unidentified politician (possibly Theodore the Federal Treasurer who was at odds with Lang), are printed in circles beneath this, accompanied by a printed caption criticising the Lang government. (Camden Museum)

The certificate was issued against the wider background of the Great Depression, the White Australia Policy and the conflict between the rise of communism and fascism in Europe. These forces were played out in the 1932 state election and were just as relevant in Camden as anywhere else in the state.  

Stephen Thompson from the Powerhouse Museum has argued:

New political ideas were coming to Australia from migrants from Europe. These ideas included fascism and socialism. These ideas were embraced by some as solutions to the growing racial and economic problems facing the world after World War One. To conservatives it was a direct threat to Australia’s links to the past of protection and governance by Britain and British class structures.

 The Interwar period also saw the emergence of a number of organisations that influenced state politics:

  • the Old Guard – a secret fascist organisation formed as a counter-revolutionary group and opposed the Lang Government, originally established in 1917;
  • the New Guard – a fascist paramilitary organisation that split with the Old Guard was pro-monarchist, anti-bolshevik, and pro-imperialist;
  • the New State Movementthe Riverina and New England State movements.
The reverse of the Lang Starvation Certificate was issued by the United Country Party on Friday 3 June 1932 during the election campaign. The text on the reverse side consists of further criticisms, particularly regarding Lang’s loan ‘repudiation policy’, and urges support for the United Country Party: “Help United Country Party Candidates to Snip the Latch on Lang on June 11”. The United Country Party was the forerunner of the present National Party’.  (Camden Museum)

Reports of the flyer in the Sydney and country press

The Sydney press published a picture of the United Country Party flyer and there was an immediate demand for the leaflet. In the end, the United Country Party distributed over 200,000 flyers across the state. (SMH,4 June 1932)

The country press carried reports of the circulation of the flyer. The Wellington Times reported that the UCP flyers circulated around the town for the ‘amusement of the townspeople’. (Wellington Times, 9 June 1932)

At a political rally in Albury United Country Party supporters handing out flyers brawled with Langites who ‘did not like the leaflets’. (Sun, 8 June 1932) and the Melbourne press carried more reports (Argus, 6 June 1932).

United Country Party organisers were elated with the response to the flyers:

All over the country there has been a rush to secure the “starvation debentures” as souvenirs, and in many places they are pasted on the walls of hotels. (Daily Telegraph, 9 June 1932)

1932 State Election

Polling for the state election was held on Saturday 11 June 1932 for the single chamber of the New South Wales Legislative Assembly. The opposing camps were Jack Lang’s Labor Party and Bertram Stevens’s United Australia Party and United Country Party coalition.  

The third Lang government had been dismissed by Governor Philip Game on 13 May 1932. The Governor requested the Opposition Leader, BSB Stevens, to form an interim government until the election.

The Stevens coalition won the election with an 11 per cent swing against the Lang government and ended up with a 42-seat majority in the Legislative Assembly.

The Labor vote was diluted because the Federal Executive of the Australian Labor Party ran 43 endorsed candidates against the state division candidates. The ALP had split in 1931 and none of the Federal ALP candidates was elected. Both parties re-united in 1936.

Camden and the 1932 election

Camden and the surrounding villages were in the state electoral district of Wollondilly which also took in the Southern Highlands and Picton districts.

The endorsed candidates in Wollondilly were: United Australia Party was represented by Mark F Morton, MLA, John J Cleary represented the ALP (NSW) and Patrick W Kenna ALP (Federal). Morton was re-elected with a 71% primary vote.

MF Morton (NSW Parliament)

The Camden press reported the remarks of the acting premier BSB Stevens in a front-page editorial. It stated:

Above all, each and every one of them wishes to maintain Australia’s membership of the British Empire the greatest of all democracies — and to keep Australia free from the taint of communism and its tyrannous methods. Freedom-loving Australians, like Britons from whom they are descended, shall never be the slaves of such a demoralising, dishonest, and humiliating system. (Camden News, 2 June 1932)

The Camden branch of the United Australia Party organised a public meeting addressed by MF Morton, the endorsed UAP candidate. The meeting was chaired by Mr EA Davies, and Mr Morton

  gave an interesting resume of the events leading to the dismissal of the Lang Government ; stressing the point that it had been the first Ministry of the Crown to incite disobedience to the law of the land. (Camden News, 2 June 1932)

Mrs W Larkin and Miss Grace Moore moved a motion of thanks.

Enthusiastic rallies and vitriol

 The 1932 election campaign was typified by large gatherings on both sides of the political spectrum, with a number of public meetings in Camden.

 The acting premier, Bertrum Stevens, travelled over 1000 miles across the state in the days before the election. There was a particularly large rally at Peak Hill where over 5000 people gathered to listen to the acting premier and gave him a ‘thunderous reception’.

Jack Lang (NLA)

In the Sydney Domain, Jack Lang held a rally with over 200,000 people assembled to listen to the dismissed premier. (Argus, 6 June 1932)

Another rally in the Domain organised by the Same Democracy League denounced Langism and one speaker that voting for Jack Lang was ‘voting for civil war and bloodshed’. (Argus, 6 June 1932)

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A great yarn of the bush from colonial New South Wales

Preview

Jeff McGill, Rachel. Allen & Unwin 2022, Sydney. ISBN 9781760879983.

Tonight I had the privilege of attending the book launch for local author and raconteur Jeff McGill’s Rachel at Mary Sheil Centre, St Patrick’s College at Campbelltown.

McGill’s Rachel tells the story of Jeff’s great-great-grandmother from the Coonabarabran area of NSW. Rachel Inglis (Kennedy) was known as Rachel of the Warrumbungles.

Cover Jeff McGill’s Rachel (A&U)

McGill’s Rachel had been brewing for about 40 years and it was only in the 2020 lockdown when Jeff’s freelance work dried up that he got mobile on writing the book.

A friend advised him to send a couple of chapters to two publishers. He sent the work to Allen and Unwin and a small publisher in Melbourne. Allen & Unwin got back to him in two days and wanted to know if he had more material, so he sent off chapters 3 & 4. The rest is history.

Jeff often visited Rachel Kennedy’s farm at Box Ridge and listened to local storytellers at Coonamble and Coonabarabran. He is the sort of writer who walks the ground and soaks up the ghosts of the past. He allowed the landscape to talk to him and embedded himself in the spirit of place.

Remarkable woman

Rachel Kennedy was quite a woman and the Mudgee Guardian and North West Reporter wrote an extensive obituary in 1930 on her death. It stated in part:

The late Mrs. Inglis was one who rarely gave a thought to herself, her one object in life being to help others. She was always to be found at the bedside of almost every sick person in the Warrumbungle district, and has been known to have ridden as far as 20 miles in the middle of the night to reach some sufferer, even when far from well herself. Considering that all her grand efforts were done in an age when motor cars were unknown, it stamps this fine old pioneer as one of the world’s best — a race that is fast vanishing from our midst. The deceased lady had reached the great age of 85 years. (MG&NWR, 11 April 1930)

Rachel’s obituary was also published in the Gilgandra Weekly and Castlereagh (10 April 1930).

At the time of Rachel’s death, it was usual for the country press to publish any sort of obituary of a woman unless she was white and from an influential rural family. The country press was a very white-male institution.

The obituary published in the Mudgee press was an acknowledgement that Rachel was a true local identity and bush character well known in the area. A rare feat indeed. The bush was a male-dominated landscape where women remained in the shadows.

Rachel did not fit the stereotypical 19th-century woman. Yet, she did not seek recognition for her community work and never received it in any public fashion.

The local community understood Rachel’s contribution to their lives and when she was buried in the Presbyterian section of the Gulargambone Cemetery, it was

in the presence of one of the largest gatherings, ever seen at the cemetery. The Rev. G. Innes  Ritter, of Coonamble, performed the last sad rites at the graveside. (MG&NWR, 11 April 1930)

Family History

McGill’s Rachel represents the genealogical genre of family history as it should be written. The book shows how such a story can be approached and can generate an appeal to a wide audience. Others who have achieved this goal include Nick Brodie’s Kin, A Real People’s History of Our Nation, Graeme Davison’s Lost Relations, Fortunes of my Family in Australia’s Golden Age and Peter FitzSimons’s A Simpler Time.

Rachel Inglis’s (Kennedy) family and home at Box Ridge near Coonabarabran in NSW c.1890s (Jeff McGill)

It was very common for women from the rural under-class to disappear into the shadows of history without any acknowledgement of their existence. The lives of some of these women are probably best reflected in stories like Henry Lawson’s The Drover’s Wife (1892), a piece of Australian Gothic fiction. Author Samantha Leersen writes:

‘The Drover’s Wife,’ and the fears felt by its protagonist, presents a fictitious account of the real concerns experienced by settler Australians.

‘The Drovers Wife’ by Russell Drysdale (1945) and the author Henry Lawson 1902 (1867-1922) (UoS)

Rachel’s story has many parallels with Lawson’s The Drover’s Wife.

Female Biography

McGill’s Rachel is another addition to the popular genre of female biography which has seen a number of publications about colonial women in recent times. These include Michelle Scott Tucker’s Elizabeth Macarthur: A Life at the Edge of the World, Elizabeth Rushen and Perry McIntyre’s Fair Game, Australia’s First Immigrant Women, Larissa Behrendt’s Finding Eliza Power and Colonial Storytelling, Kate Forsyth and Belinda Murrell’s Searching for Charlotte, The Fascinating Story of Australia’s First Children’s Author, Anne Philp’s Caroline’s Diary, A Woman’s World in Colonial Australia and others.

The cover notes for McGill’s Rachel state:

Rachel Kennedy stood out on a wild frontier dominated by men… her extraordinary and unputdownable pioneering story is told for the first time

‘Just a girl, but when it came to chasing wild horses nobody questioned Rachel Kennedy’s skill in a saddle. What raised the eyebrows was the type of saddle she used: a man’s.

Rachel Kennedy was a colonial folk hero.

She also built rare friendships with Aboriginal people, including a lifelong relationship with her ‘sister’ Mary Jane Cain.

Meticulously researched and written with compelling energy, this is a vivid and at times heartbreaking story of a pioneering woman who left a legacy that went well beyond her lifetime.

Cover Jeff McGill’s Rachel 2022

Emerging from the shadows of history

The book is a ripping yarn about the colonial frontier and the role of women in early New South Wales. Another woman emerges from the shadows of history and we are allowed to understand their true contribution to the settler story of our nation.

Updated 2 June 2022. Originally posted 1 June 2022.