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Camden modern, the mid-century Camden cottage

Mid-century modernism

Across the Camden district, many houses were built between the Second World War and the early 1970s.

The period is usually called mid-century modern, mid-century modernist or just mid-century. 

A mid-century brick ranch-style cottage in River Road Elderslie (I Willis 2024)

In Australia, the postwar period was a period with a housing shortage. The Homes to Love website states

https://www.homestolove.com.au/1950s-houses-australia-21734

Rachel Griffiths writes in the Architectural Digest that

Scholars attribute the design style to American architects like Frank Lloyd Wright and designers like Ludwig Mies van der Rohe and LeCorbusier.

The term was coined in 1983 by Cara Greenberg for the title of her book Mid-Century Modern: Furniture of the 1950s (Random House)

Mid-century housing styles

Until 1952, timber houses were restricted to 111.48 m² (12 squares) and brick houses to 116.13 m². Lending institutions were very conservative, only advancing about 50% of the property value. (Lumby, p32)

Mid-century modernism influenced houses in the post-war suburbs of Australia’s large cities. Architects of the mid-century period include Harry Seidler, Hugh Buhrich (Sydney), David Chancellor and William Patrick, Robin Boyd, Sevitt & Petitt (Melbourne), Roy Grounds (Canberra), Robin Spencer (Brisbane) and others. 

Mid-century brick cottage with low-pitch roof in Luker Street Elderslie (I Willis 2024)

Features of the mid-century modern houses

https://www.homestolove.com.au/1950s-houses-australia-21734

Mid-century modern is a period in the mid-20th century in which design that was characterised by

https://dengarden.com/interior-design/A-Pocket-Guide-to-Mid-Century-Modern-Style
Mid-century brick flats in Purcell Street Elderslie (I Willis 2024)

The mid-century Camden cottage

There are several recognisable residential housing styles in the Camden area across this period. These range from postwar fibro cottages of the 1940s (Edward Street) to the triple-fronted brick veneer cottages (Camden South) of the 1970s, and those in-between like 1950-1960s ranch style houses (Hennings House, Elderslie)

Many houses were a type of simple and low-cost housing to cope with material shortages and demand from buyers,especially in the post-war years. 

What does the mid-century Camden cottage represent?

The mid-century Camden cottage represents a number of changes in the Camden ocal area.

The most important influence in this period was the growth of the town and district from the economic boom generated by the Burragorang coalfields. Mining production increased progressively across this period and created many jobs.

Former Camden mayor Bruce Ferguson made the point at a conference in the Hunter Valley in 1977 that in 1949, a share farming family made around £1/15/- a week, while a miner was making £10 per week, a multiple of six times. (Ferguson)

In 1960, there were 150 mine workers in the Camden and Elderslie area. (Sankey, p29) By 1971, this had increased by 1800 people were employed in the mines, washeries, and the maintenance and administration of coal. (Sankey, p18) In contrast, dairy farmers fell from 109 in 1950 to 90 in 1974. (Sankey, p6A)

Camden’s population grew from 3934 in 1947 to 6377 in 1961, 8661 in 1966, and 11,155 in 1971. (Sankey, p10) A new high school opened in Camden in 1956.

Former Camden High School John Street Camden was established in 1956 (Peter Mylrea/Camden Images 2004)

The mining boom contributed to the end of the Camden the country town based on agricultural services. This challenged community identity and sense of place and contributed to the creation of Camden’s ‘country town idyll’ as Sydney’s urban fringe approached the town and heralded the end of modernism in the local area.

There was a shift from the designation of country town to the metropolitan urban fringe when the 1976-1977 NSW Local Government Grants Commission changed the classification of the Camden LGA from ‘non-metropolitan’ to ‘metropolitan’. (Sankey, p40)

The end of the mid-century period in the Camden area is is book-ended by the release of the 1973 New Cities of Campbelltown, Camden, Appin Structure Plan by the State Planning Authority of New South Wales.  

Examples of the mid-century Camden cottage

The Hennings House, built in 1960 on Macarthur Road, was part of the subdivision of the Bruchhauser vineyards of the Elderslie area. It was an excellent example of a house chosen by a local businessman from a pattern book supplied by a local builder. The house was ranch-style, of which there are a number in the Elderslie area with open-plan rooms to the interior. The house was demolished in 2011.

The Hennings House, built in 1960, was located at 64-66 Macarthur Road Elderslie. It was demolished in 2011. (I Willis, 2011)

  • 110 Lodges Road, Elderslie.

This house is a similar design to the Hennings House and has been approved for demolition.

A mid-century timber ranch-style cottage at 110 Lodges Road Elderslie has been approved for demolition. (CRE 2022)

  • Triple and double-fronted cottage

There are many examples of these styles of homes in the local area, particularly south of the town centre, Elderslie and Narellan.

A mid-century triple-fronted brick cottage in Harrington Street Elderslie (I Willis, 2024)

Jacqui Thompson writes on Domain that triple-fronted houses were

https://www.domain.com.au/advice/post-war-double-and-triple-fronted-homes-in-australia/

  • Low-pitched roof style

There are a number of mid-century cottages in the Elderslie and Camden area with low-pitched roof styles. They are a mixture of brick and timber construction. In Elderslie, they were built for the coal mining company executives and were more expensive than other stripped-back designs. This design was influenced by West Coast USA styles of the mid-century period.

A mid-century cottage with a low-pitched roof on Sunset Ave. There are a number of cottages of this style in the Elderslie area. (I Willis 2024)

  • Cottage with gable

There are cottages that have a gable design.

A mid-century gabled cottage in River Road Elderslie (I Willis 2024)

The fibro cottage was seen as a modern and affordable housing style. There are many examples in the local area south of the Camden town centre, Elderslie and Narellan, that were built in the postwar years.

Mid-century fibro cottages in Purcell Street Elderslie (I Willis 2024)

References

Robyn Sankey, Camden and the Coal Industry. MA(Hons) Thesis, University of Sydney, 1984.

Bruce Ferguson, ‘The Coal Mining Industry in Camden’. Paper presented at Coal and A Country Town Seminar, Singleton, 1977 published in proceedings, JE Collins (ed), Singleton Shire Council.

Roy Lumby, ‘Modern Movement Architecture In NSW’, in The Modern Movement In New South Wales A Thematic Study And Survey Of Places. HeriCon Consulting (eds), NSW and the Office of Environment and Heritage, Sydney, 2013.

Jacqui Thompson, ‘Post-war double and triple fronted homes in Australia’. Domain, 15 June 2025. Online @ https://www.domain.com.au/advice/post-war-double-and-triple-fronted-homes-in-australia/

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Camden Material and Colour Guide, a heritage building guide

Camden Material and Colour Guide

In 2023, Camden Council published the Camden Material and Colour Guide.

The guide was the initiative of the Camden Council Heritage Advisory Committee.

The aim of the guide

The Material and Colour Guide aims to provide a handy guide for owners of heritage buildings with practical tips on working with specific materials and colour schemes traditionally used in the local area. (CC, Press release, 21 August 2023)

Specifically, the guide advises heritage property owners on colours and materials for specific residential housing styles, particularly in the Camden Heritage Conservation Area. (CC, Press release, 21 August 2023)

The guide is welcome

It is pleasing to see the council publish the guide after I first raised this issue in 2017 when I wrote a blog post that Camden needed a residential style guide.

On the launch of the guide, I wrote complementing the council on their initiative, stating:

(Letter to Mayor, 29 June 2023)

Camden Mayor Ashleigh Cagney said,

(CC, Press release, 21 August 2023)

Kerime Danis, Director at City Plan Heritage, ICOMOS Advisory Committee, and Past President of Australia ICOMOS, posted that she was ‘proud to share’ the guide on Linkedin. Her post attracted Likes from various heritage and industry professionals across Australia, including architects, planners, archaeologists, project managers, historians, heritage conservationists and academics.

Camden Council commissioned City Plan Heritage to prepare the guide.

Camden Material and Colour Guide

The guide is a full-colour 42-page A4 landscape easily downloaded pdf file.

The guide is divided into different housing styles, and within each style, there is a style description and colour schemes for building exterior, interior and landscaping.

In addition, there are paint tips, a colour matrix and a material guide for brick, render, floor and paving, metal, roofing, stone and timber, and windows.

There is specific advice for property owners in the Argyle and John Streets heritage precincts.

There is also an illustrated guide to architectural terms.

Each page has clear, concise explanatory text supported by colour plates drawn from the local area.

Camden housing styles

The guide has identified eight Camden housing styles:

  1. Victorian Filigree c.1840-1890
  2. Federation Queen Anne c.1890-1915
  3. Federation Weatherboard c.1890-1915
  4. Federation Arts and Crafts c.1890-1915
  5. Federation Bungalow c.1890-1915
  6. California Bungalow c.1915-1940
  7. Interwar Art Deco c.1915-1940
  8. Interwar Weatherboard c.1915-1940

Any future revision to the guide Camden Council should consider including,

  • Mid-Century Moderne 1940-1960.
  • Late Twentieth Century c. 1960 – c. 2000
  • Twenty–First Century c. 2000 – present.

I have written

https://camdenhistorynotes.com/2017/02/11/camden-needs-a-residential-heritage-style-guide/

Residential housing styles partly determine community identity and a sense of place.

The Camden Cottage

I have written about a generic Camden housing style on this blog a number of times. I have called the style the Camden Cottage.

The housing style incorporates blog posts on the Federation Weatherboard Cottage, the Edwardian Cottage and the Camden Fibro Cottage.

These residential housing styles add to the Camden story and the layers of history within the narrative.

Other heritage guides

Camden Council is not alone in providing this type of advice. Toowoomba Regional Council provides similar advice, as do a number of heritage authorities across the country, including New South Wales and Victoria.

The Guide and the Camden Heritage Conservation Area

The council has done a good job commissioning the Camden Material and Colour Guide.

Local property owners within the Camden Heritage Conservation Area should do themselves a favour and use it to their advantage.

The Camden Heritage Conservation Area is responsible for many tourist day-trippers who visit the Camden Town Centre.

Cultural and heritage tourism, of which architectural styles are part, generates many jobs within the Camden LGA.

The Camden Material and Colour Guide contributes to the conservation and preservation of tangible built heritage and intangible heritage within the Camden town area.

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‘Fibro Majestic’, a new exhibition at the Campbelltown Arts Centre, a review

A simple, cheap housing style

Post-war housing domestic architecture in Camden is typified by a simple, cheap utilitarian building called the Camden fibro cottage.

This style of domestic architecture, the fibro cottage, can be found all over Australia and has provided a basic form of housing for thousands of families.

Modern fibro cottages in Burrawong Crescent Elderslie were built around the 1960s. (I Willis, 2005)

Yet it has been derided, rubbished, and scoffed at for decades after initially being heralded as the height of modernism in the early 20th century.

Fibro Majestic exhibition

The simple fibro house is celebrated in a new exciting exhibition at the Campbelltown Arts Centre called Fibro Majestic by renowned Australian artist and sculptor Catherine O’Donnell.

The exhibition by artist Catharine O’Donnell runs from 8 July to 13 August 2023 with free entry.

Promotional flyer for Fibro Majestic at the Campbelltown Arts Centre, Campbelltown (CAC 2023)

Initially conceived for the artist’s survey exhibition ‘Beyond the Shadow’ at the Orange Regional Gallery in partnership with Grafton Regional Gallery, curated by art historian Lucy Stanger in 2022.

At the centre of the exhibition is the imposing spectacle of a 75%-scale replica of a fibro house.

The exhibition promotion states:

‘Catherine O’Donnell: Fibro Majestic’ presents a body of work by O’Donnell that considers the historical and social context of fibro and social housing in Western Sydney and across Australia. O’Donnell grew up in a fibro home in Green Valley, Western Sydney, which at the time was the largest public housing estate in Sydney. The shape and form of the fibro house has long since informed her practice as she explores architecture, social history and the notions of home and memory.    

Exhibition notes state that O’Donnell has taken the floor plans from the New South Wales Housing Commission around the mid-century. They are a type of modernism that has fallen out of favour with the government, the public and the building industry.

A small-scale model of a fibro cottage.
Catherine O’Donnell, ‘Gold leafed house 1’, 2022. Stereolithographic model and gold leaf 13x26x30cm. Campbelltown Arts Centre, Campbelltown. (I Willis, 2023)

Complementing the main sculptural installation is a range of small housing models and intimate drawings that evoke memories of living in a fibro house.

Catherine O’Donnell, ‘Beyond the curtain beats a loving heart’, 2020. Charcoal on paper diptych, 107×50 framed.
Campbelltown Arts Centre Fibro Majestic Exhibition 2023. (I Willis, 2023)

The fibro houses were more than just buildings. They sheltered people’s lives, provided a safe haven, and were a site of family celebrations, birthdays, marriages, anniversaries, and rituals. The curtains also hid many dark secrets, from domestic violence to poverty and unemployment. While there were many dysfunctional families and disrupted lives, there were many happy families with children who grew up and led successful lives.

One of the happy stories with many fond memories is the story of Fiona, who grew up in the Airds Housing Commission Estate in South Campbelltown. with its many fibro homes.

Fiona recalls:

Living in Airds during the late 70s and early 80s, friendships were built, and people stuck together. It was the freedom of riding bikes with friends until the street lights came on, building makeshift cubbies and performing concerts for the neighbours.

I still remember the excitement of walking to the local shops with my sisters to buy a few groceries for Mum. The constant search for ‘bargains’ in the hope there would be twenty cents left over to buy some mixed lollies.

Ugly Australia

According to O’Donnell, fibro cottages ‘were compact, mass-produced, box-like structures’ built across Sydney’s western suburbs.

The simple fibro cottage has characterised Western Sydney and its lifestyle.  The simplicity of the fibro cottage was its attraction and part of its downfall.

Typical of the urban fringe, the simple fibro cottage has been derided and ridiculed by those who are snobbish about Sydney’s outer suburbs.

The fibro cottage is typical of suburbia on the edge. The edge can be marginalised people, the urban fringe, or the perception that it is a type of housing that is unacceptable to some.

The fibro cottage represents a type of Otherness, an ugly Australia. These images have been reinforced by the Sydney press, which labelled Campbelltown an ‘ugly houso wasteland’ in 1975.

According to historian Ian Willis

The humble fibro cottage in Camden in the 1950s and 1960s has been integral to the town’s 20th-century history. The fibro house represents the baby-boomer era, when drive-ins, Holdens, Chiko rolls, black & white TV, rock & roll, and vinyl LPs were the norm. Fibro is evocative of long summer holidays by the beach, with adolescent love, boogie boards, zinc cream and paddle pops.  

This is the essence of Fibro Majestic, a metaphor for mid-century Australia.

Optimism and hope in a compact box

The fibro cottage came to the rescue in the post-war years, when Sydney experienced a housing shortage due to the ‘baby boom’ and increased immigration.

The postwar years were a period of optimism and hope for a better lifestyle. These cottages were cheap and utilitarian and could be erected quickly.

Fibro, as a building materialz, was invented at the beginning of the 20th century and imported into Australia before the First World War. Wartime restrictions resulted in the product being manufactured in Australia by the war’s end.

This is an image of a Camden fibro cottage built in 1920. Chesham Cottage is at 49 Broughton Street, Camden, built by the Camden Voluntary Workers Association following the First World War. (Camden Images)

Leaked heat like a sieve

The fibro cottages of the 1950s leaked heat like a sieve and failed by today’s energy-efficient efficiency standards for housing. According to Lloyd Nicols from the Illawarra Flame retrofit project, these cottages can be made energy efficient to make them sustainable, affordable, and attractive. The project, a joint venture between the University of Wollongong and Wollongong TAFE College, aims for kits to be able to retrofit existing fibro cottages to increase their thermal performance.

Nostalgia and memory

Nostalgia and memory are a big part of the exhibition. Artist Catherine O’Donnell states that the fibro cottage is the architecture of my childhood and an ‘everywhere-everyman example of mid-century developments across Australia’.

The simple fibro shacks littered along the Australian coastline are part of this nostalgia. Wendy Shaw and Lindsay Menday argue

The old beach shacks that dominated seaside fishing villages or isolated holiday surfing spots provided low-cost accommodation for holidaymakers in often remote and low-populated settings with few services. Some of these holiday houses were owner-occupied but remained vacant outside holiday times. Most were available for short-term holiday rental. All were relatively basic.

These fibro cottages straddled the class divide and were easily accessible by the motor car by mid-century. These were egalitarian holiday experiences for Australians.

The Fibro Majestic sculptural installation attracts an audience at the Campbelltown Arts Centre, Campbelltown (I Willis 2023)

Shaw and Menday maintain that

In northern New South Wales, tropes of nature, community, and heritage [around fibro cottages] have been incorporated into a new beachside ‘town’ identity.

These fantasies of bygone days play out in the Fibro Majestic exhibition, which conjures up memories of beach holidays with long lazy days lounging in the sun in a mystical past. All viewed through rose-coloured glasses misty with nostalgia.

O’Donnell maintains that these memories are ‘synonymous with Australian identity’.

Flawed Plans, a commission

In addition to the main exhibition, The Campbelltown Arts Centre has commissioned a site-specific art installation on the stairs and front wall of the gallery amphitheatre called ‘Flawed Plans’.

The Flawed Plans art installation in the forecourt of Campbelltown Arts Centre.
‘Flawed Plans’, 2023. (Campbelltown Arts Centre Amphitheatre). Vinyl, dimensions variable. Commissioned by the CAC. (I Willis, 2023)

The artwork highlights the many layers to the story of the fibro cottage and how perceptions shift and twist.

Where once the fibro house was seen as a saviour as a cheap and effective form of housing, it has become a to be seen as an urban disaster by many.

The artist maintains that as the viewer climbs around the installation, their perception shifts and skews ‘as the viewer climbs, descends or orbits the work’.

Fibro Majestic, a reflection

Fibro Majestic reminds us all how perceptions and memories change over time. Fibro houses were once the height of modernism, yet in later decades, they were derided and rubbished.

The sculptural installation at the Fibro Majestic exhibition at the Campbelltown Arts Centre, Campbelltown.
‘Fibro Majestic’, 2022. Mixed media, common household construction materials, 587x587x220cm. (I Willis, 2023)

The exhibition evokes the fibro heritage of affordable accommodation for the working man and his family in the postwar years when there was a housing shortage for ordinary people.

Fibro was a practical building material that, despite its dangers, could provide a model for the current housing crisis. The fibro cottage was a simple effective housing solution that could be reborn again.

The exhibition Fibro Majestic has captured the essence of nostalgia around this housing style. Baby boomer memories are full of fibro houses and other mid-century Australian lifestyle icons.

The art installation encapsulates the essential elements of the architectural style and is evocative of the lives of those who lived in this utilitarian style of domestic architecture.

More reading

Shaw, W. S., & Menday, L. (2013). Fibro Dreaming: Greenwashed Beach-house Development on Australia’s Coasts. Urban Studies, 50(14), 2940–2958. https://doi.org/10.1177/0042098013482507

Jenna Reed Burns 2015, ‘Shacking Up’, Green Magazine, Issue 43, May. https://greenmagazine.com.au/article/shacking-up/

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Camden Edwardian Cottages

The Camden Cottage

Camden has quite a number of Edwardian cottages in the town area, on surrounding farms and in local district villages. They are typical of the early twentieth century landscape in the local district. These have been called the Camden Cottage.

The housing style was evidence of the new found confidence of the birth of a new nation that borrowed overseas trends and adopted them to suit local conditions. These style of houses were a statement of the individualism and the national character.

64 John St Camden, early 20th century ( J Riley)

The name Edwardian is loosely attached to cottages and buildings erected during the reign of Edward VII from 1901 to 1910. This period covers the time after the Federation of the Commonwealth of Australia in 1901 when the six self-governing colonies combined under a new constitution. They kept their own legislatures and combined to form a new nation.

Australian architecture

Examples of Edwardian style cottages, including in and around Camden, were an Australian version of English Edwardian houses. Houses were plainer in detail, some with lead lighting in the front windows. Australian architecture was a response to the landscape and climate and the building style tells us about the time and the people who built them, how they lived and other aspects of Camden’s cultural heritage.

The Edwardian style of housing also includes a broad range of styles including Queen Anne, Federation, Arts and Crafts and Early Bungalow. These styles often tend to be asymmetrical with a projecting from gable, can be highly decorated with detailed work to gables, windows and verandahs. Edwardian style cottages often fit between 1900 and 1920, although the style extends beyond this period influencing the Interwar style housing.

Window detailing Camden Edwardian Cottage Elderslie (I Willis)

Edwardian Cottage Detailing

A number of Camden Edwardian style timber cottages have a projecting room at the front of the cottage with a decorated gable, adjacent to a front verandah, with a hipped roof line. This housing style is often characterised by a chimney that was a flue for a kitchen fuel stove and chip copper in an adjacent laundry. In some houses plaster cornices were common, sometimes there were ceiling roses, skirting and architraves. A number of been restored while unfortunately many others have been demolished.

Some Camden Edwardian homes had walls of red brickwork, sometimes with painted render in part. While there are many examples in the local area of timber houses with square-edged or bull-nosed weatherboards. Sunshades over windows supported by timber brackets are also common across the local area.

Doors in Edwardian style houses typically have three or four panels, with entry doors sometimes having an ornamentation. Common windows were double hung while later cottages may have had casement windows especially in the 1920s. Some cottages have return L-shaped verandahs, sometimes roofed with corrugated bull-nosed iron. Verandah post brackets had a variety of designs, with lattice work not uncommon feature. Verandahs featured timber fretwork rather than Victorian style cast ion lacework for ornamentation. Front fences may have had pickets, or just a wire fence in country areas.

Typical Edwardian colour schemes range from apricot walls, gables and barge boards, with white lattice panelling, red roofing and green coloured windows, steps, stumps, ant caps.

Edwardian Cottage Garden

Gardens were often more complex than Victorian examples. Amongst Edwardian gardens growing lawns became popular. Sometimes had a small tree in the front yard which could frame the house and might separate it from adjacent houses. Common trees included magnolia, elm, tulip tree or camellias, while shrubs and vines might have been agapanthus, agave, St John’s Wort, plumbago, standard roses, begonias, day lily, jasmine and sometimes maidenhair ferns.

Camden Edwardian Cottage

In the March 2014 edition of Camden History (Camden History Journal Volume 3 No 7 March 2014) Joy Riley recalls the Edwardian cottages in John Street. Joy Riley vividly remembers growing up as a child and calling one of these cottages her home. ‘I lived at 66 John Street for the first 40 years of my life before moving to Elderslie with my husband Bruce Riley. The two rooms of 66 John Street were built by the first John Peat, Camden builder, to come to Camden. In the 1960s I had some carpet put down in my bedroom, the floor boards were so hard, as they only used tacks in those days to hold carpet, the carpet just kept curling up.’ She says, ‘The back of the house was built by my grandfather, William Dunk. They lived next door at 64 John Street. He also built the Methodist Church at Orangeville or Werombi.

Yamba Cottage, Kirkham

Another Edwardian style house is Yamba cottage at Kirkham. It was built around 1920, fronts Camden Valley Way and has been a contested as a site of significant local heritage.

The building, a Federation style weatherboard cottage, became a touchstone and cause celebre around the preservation and conservation of local domestic architecture. This is a simple adaption of the earlier Victorian era houses for Fred Longley and his family who ran a small orchard on the site. The Yamba story is representative of smallholder farming in the Camden LGA, which has remained largely silent over the last century. Yamba speaks for the many small farmers across the LGA who have not had a voice and were an important part of farming history in the local area.

Ben Linden at Narellan

Ben Linden at Narellan is an outstanding example of the Edwardian cottages across the local area.

Ben Linden at 311 Camden Valley Way, Narellan is an Edwardian gem in the Camden District. Images by J Kooyman 1997 (Camden Images)

Ben Linden was constructed in 1919 by George Blackmore originally from North Sydney. George Blackmore, born in 1851  was married to Mary Ann and had seven children. George and his family lived in Ben Linden from 1921 to 1926. After this time he retired as a builder and eventually died in 1930.

The Camden Cottage

It is with interest that I see that a local Camden real estate agent has used the term ‘Camden cottage’ on a sale poster for 21 Hill Street.

Camden 21 Hill Street. The use of the term Camden cottage on the advertising sign is an important acknowledgement of this style of residential cottage in the local area. (I Willis)

This is the first time I have seen the term ‘Camden cottage’ used in a commercial space before and it is an interesting development. The sign actually state ‘Classic Camden Cottage’.

The Toowoomba House

Edwardian country cottages are not unique to the Camden area and can be found in many country towns across New South Wales and inter-state. Toowoomba has a host of these type of homes and published the local council publishes extensive guides explaining the style of housing and what is required for their sympathetic restoration in the online publication called The Toowoomba House. More elaborate Edwardian houses with extensive ornamentation can be found in Sydney suburbs like Strathfield, Burwood and Ashfield.

The Australian Edwardian house

For those interested in reading more there a number of good books on Australian Edwardian houses at your local library and there are a number of informative websites. Edwardian style houses have had a revival in recent decades and contemporary house can have some of their features. For example some are evident in housing estates at Harrington Park, Mt Annan and Elderslie.

Camden 21 Hill Street. The first time that I have seen the use of the term the Camden Cottage used in a commercial space in the local area. This is a simple Edwardian style cottage that was a typical building style of the early 20th century in local area. (I Willis)

Updated 17 May 2021. Originally posted 7 February 2015 at ‘Edwardian Cottages’.

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The Patterson family of Elderslie, the value of family histories

The importance of family histories

Ian Willis writes:

Personal and family stories that family historians and genealogists seek out provide a broader perspective on local histories and local studies of an area. They allow a person to take a look at themselves in the mirror from the past. Insights into our ancestors provide a greater understanding of ourselves in the present. The past informs the present through family and personal histories and places the present into context.

Family and personal histories allow us to see and understand that we are greater than just ourselves. We are all part of a continuum from the past. The present is only a transitory phase until tomorrow arrives.

Looking at the past through personal and family histories gives a context to our present location on the timeline within our own family. Our own family story is located within the larger story of our community. Personal and family stories remind us daily of our roots and our ancestors.

We all have a past, and it is good to be reminded of it occasionally. This is a job that is well done by thousands of enthusiastic family historians and genealogists and their creation of family trees and our connections to our ancestors.

We all need an appreciation of the stories from the past to understand how they affect and create the present. The past has shaped the present, and the present will reshape the future. Our ancestors created us and who we are, and we need to show them due respect. We, in turn, will create the future for our children and their offspring.

One local family were the Pattersons of Elderslie, and one of their descendants, Maree Patterson, seeking to fill out their story. She wants your assistance. Can you help?

The Patterson family of Elderslie

Maree Patterson writes:

I moved from Elderslie in 1999 to Brisbane, and I have tried unsuccessfully to find some history on the family.

I am writing this story as I have been trying to research some of my family histories on my father’s side of the family, and I feel sad that I never got to know a lot about his family.

My father, Laurence James Henry Patterson, was a well-known cricketer in the Camden district. He was an only child, and he didn’t really talk much about his aunts, uncles, and cousins.

My grandfather passed away when I was young. Back then, I was not into family history, and I’ve hit a stumbling block. I’m now in need of some assistance.

I would really like to find out some history on the Patterson family as I have no idea who I am related to on that side of my family, and I would like to pass any family history down.

Limited  information

At the moment, I am seeking any help as the following is the only information that I have on the Patterson family.

H Patterson arrives in Elderslie

My great-grandfather was Henry Patterson (b. 16 July 1862, Kyneton, Victoria – d. 11th July 1919, Camden, NSW).  Henry arrived in Elderslie from Victoria in the 1880s with his wife Catherine (nee Darby), and they became pioneers in the Camden district.

Henry Patterson was a carpenter by trade and worked around the Camden area for various businesses.  He and his wife, Catherine, had 7 children, all of whom were born in Camden.

They were Ethel Adeline (b. 9 June 1886), Clarice Mabel (b. 14 May 1888), Isabella (b. 2nd June 1890), William Henry (b. 8 May 1892), Stanley Dudley (b. 5 October 1894), Ruby Lillian (b. 24 March 1899 and who passed away at 5 months of age) and Percy Colin (b. 13 January 1903). [Camden Pioneer Register 1800-1920, Camden Area Family History Society, 2001]

Henry Paterson and Pop with family Elderslie 1895 (MPatterson)
I have been told that Henry and his family lived in a cottage in Elderslie, which is now the Tourist Information Centre, but I have not been able to confirm this. This is now known as Oxley Cottage (M Patterson)

Henry’s wife dies

Henry sadly lost his wife Catherine in 1910 at only 47 years of age, which left him to raise six children.

Camden St John Cemetery Catherine Patterson Grave Headstone 2020 JOBrien lowres
Headstone of the grave of Catherine Patterson, who died on 2 April 1910, aged 47 years old, and Henry Patterson who died on 11 July 1929, aged 66 years old. The grave is located in St John’s Church cemetery in Camden and is one of the most important cemeteries in the Macarthur region. (J OBrien, 2020)

Henry remarried in 1912 to Martha Osmond (nee Boxall) from Victoria.

Henry died on 11 July 1929 in Camden District Hospital after pneumonia set in following an operation. Martha, who was well-known and respected throughout the district, passed away on 18 May 1950 at the age of 86 years of age. She broke her leg and had become bedridden for some months.

Camden St John Cemetery Catherine Patterson Grave 2020 JOBrien lowres
The Patterson family gravesite in St John’s Church cemetery Camden. St John’s Church was built in the 1840s and is one of Australia’s oldest Gothic-style churches. The church has been endowed by the Macarthur family on several occasions. The church makes up one of the most important vistas in the district, with sightlines from Camden Park House. the Macarthur family mansion. (J OBrien 2020)

Henry’s son goes to war

Henry and Catherine’s 5th child, Stanley Dudley Patterson, was a farmer in Elderslie. He enlisted in the 1/AIF on 18 July 1915 and was sent off to war on 2 November 1915.  He was wounded, and as his health continued to decline, he was sent back to Australia in February 1917.

Camden Pte Stanley Dudley PATTERSON SydMail1916Sept13
Sydney Mail 13 September 1916

Voluntary Workers Association helps local digger

Upon Stanley Patterson’s return to Elderslie, a meeting was held by the Camden Branch of the Voluntary Workers’ Association.

They approved the building of a three-roomed weatherboard cottage with a wide verandah front and back to be built at 7 Purcell Street, Elderslie. He was married to Maud Alice Hazell.

7 Purcell Street house 2019 REA
7 Purcell Street house was originally built in 1918 for Stanley Patterson by the Workers Voluntary Association. It was the first house built in the Camden area under the scheme. (2019 REA)

Construction of VWA cottage

The land on which the cottage was to be built was donated by Dr. F.W. and Mrs. West. Once the cottage was completed, Stanley secured a mortgage to repay the costs of building the cottage.  I believe that the construction of this cottage started in either late February or late March 1918.

Carpentering work had been carried out by Messrs. H.S. Woodhouse, A. McGregor, E. Corvan, and H. Patterson.  The painters were Messrs. F.K. Brent, J. Grono, A.S. Huthnance. E. Smith, Rex May and A. May under the supervision of Mr. P.W. May.  The fencing in front of the allotment was erected by Mr. Watson, assisted by Messrs. J. E. Veness, C. Cross, and J. Clissold.  [Camden News]

Camden VWA Official Opening Advertisement 7 Purcell St CN1918June13
Camden News 13 June 1918

Official handing over of VWA cottage

Stanley Patterson’s cottage in Elderslie, which was the first cottage built by the Voluntary Workers’ Association, was officially opened by Mr. J.C. Hunt, M.L.A., on Saturday, 15 June 1918.

The Camden News reported:

Appeal for photographs of VWA cottage by CE Coleman

CE Coleman took a few photos of the VWA cottage and handed them over to Pte. Patterson.  These included: one in the course of construction; the official opening; the gathering that had assembled on the day; and a photo of Pte. Patterson.  To date, I have searched high and low for these photos but to no avail.  The only photo of a cottage built by the Voluntary Workers’ Association is a cottage at 49 Broughton Street, Camden, for returned soldier Pt. B. Chesham. [Camden Images Past and Present] [Camden News, Thursday, 20 June 1918, page 4]

VWA cottage is a model farm for other returning soldiers

Elderslie (O) looking towards house in 34 River Road 1925 MPatterson
Elderslie looking towards the house in 34 River Road 1925 (M Patterson)

Camden Stan Patterson Poultry Farm Display Advert CN1935Jun13
Camden News, 13 June 1935

 The Camden News reported:

Elderslie looking to(P) house at 34 River Rd 1925 MPatterson
Looking down River Road in Elderslie to house at 34 River Rd with Nepean River in distance 1925 (M Patterson)

My grandfather, WH Patterson

My grandfather was William Henry Patterson, the 4th child born to Henry and Catherine Patterson.  He was a carpenter like his father, and following his marriage to Ruby Muriel Kennedy in 1918, he purchased some acreage in River Road, Elderslie. He had a vineyard, flower beds, fruit trees and other crops on a small farm.

Elderslie 34 River Road (X) front of house 1970 MPatterson
Family cottage of WH Patterson at 34 River Road Elderslie front of house 1970 (M Patterson)

William built his own home at 34 River Road, Elderslie, in the early 1920s with some assistance from another builder.  The home was a double brick home with a tin roof and consisted of two bedrooms, a bathroom, a lounge room, a kitchen, laundry and a verandah around 3 sides.

Inside the home, there was a lot of decorative timber, and William had also made some furniture for his new home.  This home has since gone under some extensive renovations, but the front of the home still remains the same today and recently sold for $1.9 million.

As a carpenter, William worked locally in the Camden district and, on several occasions, worked at Camelot.  Unfortunately, I have no other information on William.

Elderslie 34 River Road (W) side view of house 1970s MPatterson
Family cottage of WH Patterson at 34 River Road Elderslie side view of house 1970s (M Patterson)

Contemporary developments at 34 River Road, Elderslie

Jane reports she is the current owner of 34 River Road Elderslie and has loved finding out about the history of the house. She purchased the house two years ago (2018) and is currently renovating the house’s interior.

Jane says:

PC Patterson

Percy Colin Patterson, the 7th child born to Henry and Catherine Patterson, married Christina N Larkin in 1932. In the early 1920s, Percy was a porter at Menangle Railway Station for about 5 months before he was transferred to Sydney Station.

Maree’s search continues

Maree Patterson concludes her story by asking:

I am particularly interested in information on the Camden Branch of the Voluntary Workers’ Association, which was formed in 1918.

The WVA built the first cottage at 7 Purcell Street, Elderslie, for returned World War 1 soldier Pte. Stanley Dudley Patterson, who was my great uncle.

7 Purcell Street house 2019 REA
The house at 7 Purcell Street Elderslie 2019 (REA)

The house still stands today but has had some modifications, and I lived in this cottage for a few years after I was born with my parents.

I am particularly interested in trying to obtain copies of these photos if they exist somewhere.   Any assistance you can offer would be greatly appreciated, or perhaps point me in the right direction to find these photos.

Maree Patterson can be contacted by email: reesrebels@yahoo.com

The mysteries of a house history

Revealing the layers of the past

For those who are interested in finding out the history of their house, one author who has recently published her account is Caylie Jeffrey’s in her book Under the Lino The Mystery The History The Community.

Caylie writes that she had no idea of what she and her husband, David Jeffrey, would find when they decided to renovate the worst house on the busiest terrace in Milton, a Brisbane suburb. She says that they had no idea of the treasures they would find ‘secreted inside the house’.

Caylie writes:

Read more about Caylie’s story here

Updated on 12 September 2023. Originally posted on 11 January 2020 as ‘The value of family and personal histories’

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The Camden Fibro Cottage: a not-so-humble abode

The Camden Fibro Cottage

The humble fibro cottage of the 1950s and 1960s in Camden is integral to the town’s 20th-century history. The fibro house is representative of the baby-boomer era, when drive-ins, Holdens, Chiko rolls, black & white TV, rock & roll, and vinyl LPs were the norm.

Fibro is evocative of long summer holidays by the beach, with adolescent love, boogie boards, zinc cream and paddle pops.  

Modern fibro cottages in Burrawong Crescent Elderslie were built around the 1960s. (I Willis, 2005)

Fibro was invented in Austria by Ludwig Hatschek in 1900 and, within three years, was imported to Australia. Fibro was made in Australia by 1916, and was only one of a few countries to use it for housing.

Fibro was made and distributed in Australia primarily by Wunderlich and James Hardie. Fibro was cheap and easy to use, and it was modern.

In the 1950s, as the Burragorang coalfields expanded, the town suffered a housing shortage and fibro cottages provided one solution. Several fibro cottages were built by the New South Wales Housing Commission.

These housing types were recognized for features including hot-water systems, running water to the kitchen and bathroom and power-points throughout the house.

Camden’s simple fibro cottages provided affordable accommodation for the working man and his family. Local farms have a host of fibro houses as they were cheap to build, and fibro was a practical building material that sometimes replaced iron cladding.

Many Camden families have nostalgic memories of summer holidays at a fibro beach shack getaway on the South Coast. They were loved for their low maintenance and were easy to repair.

Charles Pickett’s The Fibro Frontier (1997) describes the 1950s fibro home style as austerity modernism. Pickett states that fibro houses combined economy, ease of construction and buyer engagement.

Fibro was a mass-produced manufactured building material that made housing construction cheaper.  Fibro offered the working family the chance to become a homeowner through a cost-effective form of modern domestic architecture.

Camden’s fibro houses had proud owners who kept well-maintained front gardens and mowed the grass with their Victa mowers around the Hills hoist in the backyard.

This image shows the farm cottage at 49 Exeter Street, Camden, located within the Camden Town Farm precinct. These fibro-clad farm cottages were relatively cheap to build in the early 20th century. This fibro-clad farm cottage was restored in 2017. (CTF)

The Powerhouse Museum and Sydney Living Museum have Wunderlich fibro catalogues that provide a valuable record of this style of architecture. Homeowners and builders were offered lots of advice on the advantages of fibro-cladding in magazines like Australian Homemaker, Australian Home Beautiful and Australian House and Garden.

Barry Humphries, the son of a builder, has stated that fibro houses were a bit ‘declasse’ and sometimes they were not ‘nice’ homes, although some in the 1950s described them ‘as modern as tomorrow’.

One characteristic of Camden fibro cottages is the rounded corners and walls, with their streamlined and modern lines, which were first manufactured in 1937.

Fibro was also used in commercial architecture in Camden and several retail and commercial properties in central Camden. Pickett maintains that the peak of fibro’s acceptance was the 1960s, and from there, its popularity declined, and it was replaced by other building materials, for example, brick-veneer construction.

Unfortunately, fibro has poor insulation qualities, and these cottages were cold in winter and hot in summer, and today there are health risks from asbestos.

Fibro-clad houses represent an essential period in Camden’s historical development, and examples are listed in Camden’s local heritage list. Interestingly filmmakers and artists have adopted the fibro house to signify a form of ‘retro-dagginess’ and a re-evaluation of suburbia, according to Pickett. 

Compressed fibre board has been returning as a successful building material in recent years.

Renovating a fibro cottage needs care with the dangerous asbestos fibres. For more information click here

This is an image of Chesham Cottage at 49 Broughton Street, Camden, in 1920, built by the Camden Voluntary Workers Association following the First World War. Fibro-cladding was a relatively cheap housing material compared to brick or timber. (Camden Images)

Facebook comments 4 May 2023

Paquita Bugden  Was a great place to call home.🥰

Russell OwenGrew up no 6 my parents bout one original still there 36 years

Kim Warren – EvansLooks like Burrawong cres…..Grew up at no 13, great memories ❤️

Andrew LundyWe rented a house in this street between 89 and 91. Our place wasn’t fibro though

Rosie RussellSkye SheilSamantha Ferrero I always think of Carol’s house and garden as the ultimate perfect version of these houses

Skye SheilRosie Russell so true! She always so on top of it!

Liz HaleRosie Russell I grew up in Fibro cottage 🤩

Kenny LittleRosie Russell no matter the houseHome is home

Darren Poss JamesLittle st Camden was the miners fibro houses down the south endGreat place to grow up 👍

Wendy StaceI grew up in Narellan also. Fibro homes were everywhere.

Anne WatkinsPlenty of them in Narellan too, I grew up in a fibro house.

Paquita Bugden Unfortunately all to be knocked down soon. New ‘old age’ units going up.

Jean Woods MacnaughtonAlistair, your first home in Lerida was like these but full on PINK!😉

Updated 4 May 2023. Originally posted 29 June 2014.