Embroidery artist Elaine Balla created a decorative artwork about the Camden Show in 2011 for its 125th anniversary called ‘The Camden Show. ‘
Elaine entered her embroidery work in the competitive arts and crafts section of the show and won the Champion Exhibit Ribbon.
The art of embroidery has long been popular with local women and has a history that goes back to ancient times.
What is embroidery?
Embroidery is a decorative art or craft in which the artist uses fabric and other materials to apply thread or yarn using a variety of styles and stitches.
The art of embroidery is practised worldwide and can be traced to ancient China. In medieval England, high art was controlled by guilds and used in textiles in church rituals.
Embroidery was used to tell stories and as a form of biography at a time when women had few legal rights and were mostly illiterate. It was an expression of women’s agency.
Embroidery was passed down through generations of women who were the gatekeepers of community storytelling and secrets.
Embroidery artwork ‘The Camden Show’
Elaine spoke to Camden Historical Society president Ian Willis about her artwork, ‘The Camden Show’ and her other embroidery work.
Elaine said, ‘The Camden Show work took a couple of months to complete. ‘
She said, ‘I was under pressure to do the work due to the date of the 2011 Camden Show as the deadline’.
Elaine Balla’s embroidery artwork The Camden Show, which she has donated to the Camden Historical Society (I Willis 2024)
The Camden Show work is an example of crewel embroidery using thicker thread than silk-cotton embroidery threads, with some highlights in silk and gold, e.g., the balloons.
Elaine first drew the artwork on paper and then transferred the design to the linen cloth on which the embroidery was worked.
The artwork tells the story of the Camden Show. The centrepiece is a representation of the show ring with fireworks going off behind the show rotunda.
Cattle are found in the top right-hand corner of the work, proceeding around the ring. The story then moves through the poultry pavilion to the show hall displays, including flowers, jams, cakes, and photographs.
At the bottom of the work are the entry gates. The design then moves onto the ferris wheel and other sideshow stalls, including the Dodgem cars and clowns with moving heads.
The rural exhibitors, including the tractors, other farm equipment, and the show jumping, are in the top left corner of the embroidery work.
Beneath the title are fruit and vegetable displays along with the flowers.
The embroidery is a wonderful representation of a very popular community event.
Embroidery artwork, ‘Family Story’
Another work Elaine entered at the Camden Show in 2010 was ‘Family Story’.
The work tells the story of her family, the farm, the villages of Menangle, and the town of Camden, centred on St John’s Anglican Church and St James Anglican Church.
The centre of the work shows the family farm, the house with the family’s dogs, Tiger, Suzie and Rusty.
Elaine said, ‘The work is a panorama of her life story in Menangle.’
Embroidery artist Elaine Balla with her prize-winning artwork The Family (I Willis 2024)
She finished the work over several months.
‘I completed a couple of hours every night’, she said.
In 2010, Elaine was featured in an article in the Camden press after winning the Most Outstanding Exhibit at the 2010 Camden Show with the embroidery.
The work is 140 centimetres by 55 centimetres and ‘featured over 40 years of memories’. (Camden Advertiser, 2010, ud)
‘I just wanted to have memories of where we have been. Places change. It’s really just a memory of our times,’ she said. (Macarthur Chronicle 2010)
She was ‘delighted, pleased and happy to win the prize.’ (Macarthur Chronicle, 2010)
‘I don’t really go in shows to win’. (Macarthur Chronicle, 2010)
She said, ‘If people do not enter their craftwork into the show, there won’t be a show’. (Camden Advertiser, 2010, ud)
Elaine said that she started embroidery when she was 12 years old and asked her mother if she could do an embroidery. The first work she attempted was an apple, and then she moved on to bigger projects.
Husband Steve proudly admits that Elaine put ‘a lot of effort into her work’.
Elaine and her husband Steve recently moved into Menangle’s Durham Green, downsizing from the family farm. The framed embroidery has brought many happy memories from the farm with her.
Exhibition at the Campbelltown Arts Centre
Elaine Balla is a member of the Embroiderer’s Guild of NSW, Campbelltown Group, and she was featured in a retrospective was part of the “Ruby” Exhibition of The Embroiderers Guild NSW, Campbelltown Group, at the Campbelltown Arts Centre held between 10-12 February 2023.
The image gallery below is a selection of Elaine Balla’s embroidery work at the ‘Ruby’ Exhibition at the Campbelltown Arts Centre in 2023, with images provided by Joan Kolar.
Elaine exhibited around 50 works in a variety of embroidery styles, representing 60 years of embroidery artwork.
The embroidery artworks included varying styles and pieces, including tablecloths, pictures, cushion covers and more.
The embroidery was done on linen, silk, and Madeira linen in styles including crewel, drawn-thread, pulled-thread, cross-stitch, Goldsworthy, cut-work, and more.
Elaine has exhibited her embroidery elsewhere in Australia and overseas.
The Campbelltown Group of the Embroiler’s Guild in NSW features a triennial exhibition at the Campbelltown Arts Centre.
Macarthur Chronicle 2010 ud
Reference
Elaine Balla, Interview, 4 February 2024.
Joan Kolar, Group Convenor, Embroiderers’ Guild NSW Inc., Campbelltown Group, Email, 5 February 2023.
Joan Kolar, Images from ‘Ruby’ Exhibition at Campbelltown Arts Centre, 2023.
Updated 13 February 2024. Originally posted on 11 February 2024.
In 2022 the Wollondilly Shire Local Planning Panel approved the demolition and reconstruction of the Menangle Community Hall.
The Menangle Community Association originally lodged the Development Application with Wollondilly Shire Council in July 2021.
The Menangle Community Association originally is managing the Menangle School of Arts project.
In 2023 there is a vacant lot in central Menangle with a security fence. The reconstructed hall is proposed to open in 2024.
The vacant lot at 4 Station Street Menangle. The former Menangle School of Arts site was demolished after the Menangle Community Association received permission to demolish the building in 2022. (I Willis, 2023)
On the security fence is an information sign with the hall’s history, what is happening, funding and building timeline.
The information signage about the redevelopment of the former Menangle School of Arts building at 4 Station Street Menangle (I Willis, 2023)
What is happening
The information signage on the site security fence states:
The existing hall is unusable due to significant structural damage and will be deconstructed and materials reused where possible within the new building.
The hall will comfortably accommodate 132-150 guests, incorporating 242m2 of fully enclosed area including a stage and storage area, spacious hall, kitchenette, box office and entry foyer.
As well as 63m2 of unenclosed covered areas: verandas, covered entry way, courtyard and ramp.
The hall will be fully accessible with suitable access ramps and accessible toilets.
The hall will also be fit out to ensure it is acoustically sound inside and out.
The hall will respect to the existing hall while ensuring it will be fit for purpose into the future.
The Menangle Community Hall project will construct a new state-of-the-art modern building.
Source: Signage, 4 Station Street, Menangle. 2023
The Australian, New South Wales government, South32, and South32 Community Partnership Program fund the hall.
The key milestones in the construction are listed as
January 2023 -Deconstruction and preservation of materials and elements
Feb 2023 – Foundations and construction
Mid 2024 – Opening
The history of the hall
The information signage on the site security fence states:
The Menangle School of Arts hall was constructed c1890 by the Macarthur Onslow family for the use by the local village.
The building was used for funding raising for the Menangle Roman Catholic Church and the Australian Land Army used the hall during World War 11.
The hall was also used for functions, dances, plays and musicals.
It had many modifications over the years including in 1908, 1960 and a major refurbishment in 1984 that saw the flooring, roof, kitchens and bathrooms replaced.
In 1984 the hall was transferred to Wollondilly Council control who commissioned a number of reports in the late 2000s into its structural integrity.
The hall was later closed due to safety concerns.
In 2010, after petitioning the Council, the hall was transferred to the Menangle Community Association to rebuild the hall.
More history on the Menangle School of Arts can be found at Menangle.com.au
Source: Signage, 4 Station Street, Menangle. 2023
Wartime Red Cross fundraisers
Red Cross wartime fundraisers were held in the School of Arts hall during the First World War.
One notable 1917 Red Cross fundraiser was the ‘The Gilbulla Gad-Abouts’ concert. Described in the Camden press as ‘highly successful’ to ‘large audience’ present, which used ‘every inch of seating space’. (Camden News, 7 June 1917)
In 1917 18-year-old Helen Macarthur Onslow, daughter of Enid Macarthur Onslow, held a Red Cross fundraising concert to smooth over local controversies following the 1916 conscription campaign.
According to historian Ian Willis:
The show attracted a huge crowd of over 400 who ‘travelled long distances’ from all over the district. While the night raised a modest £30, it was a much-needed boost for Red Cross morale. The show included several distinguished performers, including Lady Doris Blackwood, aged 22 years and the niece of Lady Helen Munro Ferguson, the founder of the Australian Red Cross. Doris Blackwood was Lady Helen’s companion when she came out to Australia in 1914 with her husband, Sir Ronald Munro Ferguson, who took up the post of Governor-General. Helen Macarthur Onslow and Doris Blackwood had formed a friendship on one of Helen’s regular trips to the Camden area. Other members of the concert party included Enid’s other daughter Elizabeth, aged 14 years, and Ethelwyn Downes, aged 25 years, the only daughter of FWA Downes MLA, politician and Camden conservative, from Brownlow Hill at Cobbitty, who had campaigned for the ‘Yes’ vote in the 1916 conscription referendum. The concert was topped off when a necklace, donated by Helen Macarthur Onslow, was won by Mrs McDonald, the wife of Sergeant McDonald, from the Menangle Light Horse Camp.
Source: Ian Willis, Ministering Angels, The Camden District Red Cross 1914-1945 CHS, Camden, 2014, pp.45-46.
One of the members of the 1917 concert party was Lady Doris Blackwood [2nd from left], who is shown in this group photograph with her patron, the wife of the Australian Governor-General, Sir Ronald Munro Ferguson [3rd from left], Lady Helen Munro Ferguson [4th from left]. Lady Helen was president and founder of the Australian branch of the British Red Cross in 1914. (Personal Papers of Prime Minister Cook, NAA M3614, 3)
Another concert was held in August 1917 for the Red Triangle and Frances Day patriotic appeals, which raised £50. Press reports stated it was standing room only at the ‘highly successful’ show. There were instrumental and vocal solos, recitations, a children’s choir, and tableaux. During intermission, donated vegetables, cakes and ‘fancy work’ were auctioned off by Campbelltown Mayor Moore. At the end of the proceedings, a number of raffles and guessing competitions were drawn. (Camden News, 16 August 1917)
Renovations in 2013
The front view of the Menangle School of Arts at 4 Station Street Menangle in 2012. (I Willis)
The interior of the Menangle School of Arts, 4 Station Street, Menangle, during renovations in 2013 (I Willis)
A commemorative plaque to Menangle identity FV Veness was located on the decorative gates at the entry to the Menangle School of Arts, 4 Station Street, Menangle (I Willis, 2013)
A front view of the Menangle School of Arts, 4 Station Street, Menangle (I Willis, 2013)
It is hard to imagine now, but in days gone by, the township of Camden was the centre of a large district. The Camden district became the centre of people’s daily lives for over a century and the basis of their sense of place and community identity.
Map of the Camden district in 1939 showing the extent of the area with Camden in the east. The silver mining centre of Yerranderie is in the west. (I Willis, 1996)
The Camden district ran from the Main Southern Railway around the estate village of Menangle into the gorges of the Burragorang Valley in the west. The southern boundary was the Razorback Ridge, and in the north, it faded out at Bringelly and Leppington.
The district grew to about 1200 square kilometres with a population of more than 5000 by the 1930s through farming and mining. Farming started with cereal cropping and sheep, which turned to dairying and mixed farming by the end of the 19th century. Silver mining started in the late 1890s in the Burragorang Valley, and coal mining from the 1930s.
Burragorang Valley (Sydneywater)
The district was centred on Camden, and there were several villages, including Cobbitty, Narellan, The Oaks, Oakdale, Yerranderie, Mt Hunter, Orangeville and Bringelly. The region comprised four local government areas – Camden Municipal Council, Wollondilly Shire Council, the southern end of Nepean Shire and the south-western edge of Campbelltown Municipality.
Cows and more
Before the Camden district was even an idea, the area was the home of ancient Aboriginal culture based on Dreamtime stories. The land of the Dharawal, Gundangara and the Dharug.
The Europeans turned up in their sailing ships. They brought new technologies, new ideas and new ways of doing things. The First Fleet cows did not think much of their new home in Sydney. They escaped and found heaven on the Indigenous-managed pastures of the Nepean River floodplain.
Map of Cowpastures SMH 13 August 1932
On discovering the cows, an inquisitive Governor Hunter visited the area and called it the Cow Pasture Plains. The Europeans seized the territory, allocated land grants, and displaced the Indigenous occupants. They created new land in their own vision of the world. A countryside comprised of large pseudo-English-style estates, an English-style common called The Cowpasture Reserve and English government men to work it called convicts. The foundations of the Camden district were set.
A river
The Nepean River was at the centre of the Cowpastures and the gatekeeper for the wild cattle. The Nepean River, which has an Aboriginal name of Yandha, was named by Governor Arthur Phillip in 1789 in honour of Evan Nepean, a British politician.
The Nepean River rises in the ancient sandstone country west of the Illawarra Escarpment and Mittagong Range around Robertson. The shallow V-shaped valleys were ideal locations for the Upper Nepean Scheme dams built on the tributaries to the Nepean, the Cordeaux, Avon, and Cataract.
View upon the Nepean River, at the Cow Pastures New South Wales Drawn and engraved by Joseph Lycett from his Views of Australia 1824-1825 (SLV)
The river’s catchment drains northerly and cuts through deep gorges in the Douglas Park area. It then emerges out of the sandstone country and onto the floodplain around the village of Menangle. The river continues in a northerly direction downstream to Camden, then Cobbitty, before re-entering the sandstone gorge country around Bents Basin, west of Bringelly.
The river floodplain and the surrounding hills provided ideal conditions for the woodland of ironbarks, grey box, wattles and a ground cover of native grasses and herbs. The woodland ecology loved the clays of Wianamatta shales that are generally away from the floodplain.
The ever-changing mood of the river has shaped the local landscape. People forget that the river could be an angry, raging, flooded torrent on a destructive course. Flooding shaped the settlement pattern in the eastern part of the district.
The RAAF Base Camden was located on the Nepean River floodplain. One of the hazards was flooding, as shown here in 1943. The town of Camden is shown on the far side of the flooded river. (Camden Museum)
A village is born
The river ford at the Nepean River crossing provided the location of the new village of Camden established by the Macarthur brothers, James and William. They planned the settlement on their estate of Camden Park in the 1830s and sold the first township lots in 1840. The village became the transport node for the district and developed into the area’s leading commercial and financial centre.
Vista of St. Johns Church from the Nepean River Floodplain 1910 Postcard (Camden Images)
Rural activity was concentrated in the new village of Camden. There were weekly livestock auctions, the annual agricultural show and the provision of a wide range of services. The town was the centre of law enforcement, health, education, communications and other services.
The voluntary community sector started under the direction of mentor James Macarthur. His family also determined the moral tone of the village by sponsoring local churches and endowing the villagers with parkland.
Camden’s Macarthur Park was endowed to the residents of Camden by Sibella Macarthur Onslow in the early 20th century (I Willis, 2016)
Manufacturing had a presence with a milk factory, a timber mill and a tweed mill on Edward Street that burnt down. Bakers and general merchants had customers as far away as the Burragorang Valley, Picton and Leppington, and the town was the publishing centre for weekly newspapers.
Macarthur Bridge View from Nepean River Floodplain 2015 IWillis
The Hume Highway, formerly the Great South Road, ran through the town from the 1920s and brought the outside forces of modernism, consumerism, motoring, movies and the new-fangled-flying machines to the airfield. This reinforced the market town’s centrality as the district’s commercial capital.
Burragorang Valley
In the district’s western extremities, the rugged mountains made up the picturesque Burragorang Valley. Its deep gorges carried the Coxes, Wollondilly and Warragamba Rivers.
The majestic cliffs and Gothic beauty of the Burragorang Valley on the edges of the Wollondilly River in 1910 (WHP)
Access was always difficult from the time that the Europeans discovered its majestic beauty. The Jump Up at Nattai was infamous when Macquarie visited in 1815. The valley became an economic driver of the district, supplying silver and coal hidden in the dark recesses of the gorges. The Gothic landscape attracted tourists who stayed in one of the many guesthouses to sup the valley’s hypnotic beauty.
Guesthouses were very popular with tourists to the Burragorang Valley before the valley was flooded after the construction of Warragamba Dam. Here showing Burragorang Valley House in the 1920s (The Oaks Historical Society)
The outside world was linked to the valley through the Camden railhead and the daily Camden mail coach from the 1890s. Later replaced by a mail car and bus.
Romancing the landscape
The district landscape was romanticised by writers, artists, poets and others over the decades. The area’s Englishness was first recognised in the 1820s. The district was branded as a ‘Little England’ most famously during the 1927 visit of the Duchess of York when she compared the area to her home.
The valley was popular with writers. In the 1950s, one old timer, an original Burragoranger, Claude N Lee, wrote about the valley in ‘An Old-Timer at Burragorang Look-out’. He wrote:
Yes. this is a good lookout. mate,
What memories it recalls …
For all those miles of water.
Sure he doesn’t care a damn;
He sees the same old valley still,
Through eyes now moist and dim
The lovely fertile valley
That, for years, was home to him.
St Johns Church at the top of John Street overlooking the village of Camden around 1895 C Kerry (Camden Images)
By the 1980s, the Sydney urban octopus had started to strangle the country town and some yearned for the old days. They created a country town idyll. In 2007 local singer song-writer Jessie Fairweather penned ‘Still My Country Home’. She wrote:
When I wake up,
I find myself at ease,
As I walk outside I hear the birds,
They’re singing in the trees.
Any then maybe
Just another day
But to me I can’t have it any other way,
Cause no matter when I roam
I know that Camden’s still my country home.
The end of a district and the birth of a region
The seeds of the destruction of the Camden district were laid as early as the 1940s with the decision to flood the valley with the construction of the Warragamba Dam. The Camden railhead was closed in the early 1960s, and the Hume Highway moved out of the town centre in the early 1970s.
Macarthur Regional Tourist Promotion by Camden and Campbelltown Councils
A new regionalism was born in the late 1940s with the creation of the federal electorate of Macarthur, then strengthened by a new regional weekly newspaper, The Macarthur Advertiser, in the 1950s. The government-sponsored and ill-fated Macarthur Growth Centre of the early 1970s aided regional growth and heralded the arrival of Sydney’s rural-urban fringe.
Today Macarthur regionalism is entrenched with government and business branding in an area defined by the Camden, Campbelltown and Wollondilly Local Government Areas. The Camden district has become a distant memory, with remnants dotting the landscape and reminding us of the past.
These Englishmen were also known as the Cowpastures gentry, a pseudo-self-styled-English gentry.
All men, they lived on their estates when they were not involved with their business and political interests in Sydney and elsewhere in the British Empire.
By the late 1820s, this English-style gentry had created a landscape that reminded some of the English countryside. This was particularly noted by another Englishman, John Hawdon.
There were other types of English folk in the Cowpastures, and they included convicts, women, and some freemen.
Estate
Extent (acres)
Gentry (principal)
Abbotsford (at Stonequarry, later Picton)
400 (by 1840 7,000)
George Harper (1821 by grant)
Birling
Robert Lowe
Brownlow Hill (Glendaruel)
2000 (by 1827 3500)
400 (by 1840, 7,000)
Camden Park
2000 (by 1820s, 28,000)
John Macarthur (1805 by grant, additions by grant and purchase)
Cubbady
500
Gregory Blaxland (1816 by grant)
Denbigh
1100
Charles Hook (1812 by grant), then Rev Thomas Hassall (1828 by purchase)
Elderslie (Ellerslie)
850
John Oxley (1816 by grant), then Francis Irvine (1827 by purchase), then John Hawdon (1828 by lease)
Gledswood (Buckingham)
400
John Oxley (1816 by grant), then Francis Irvine (1827 by purchase), then John Hawdon (1828 by lease)
Glenlee (Eskdale)
3000
William Howe (1818 by grant)
Harrington Park
2000
Gabriel Louis Marie Huon de Kerilliam (1810 by grant), then James Chisholm (1816 by purchase)
Jarvisfield (at Stonequarry, later Picton)
2000
Henry Antill (by grant 1821)
Kenmore
600
John Purcell (1812 by grant)
Kirkham
1000
William Campbell (1816 by grant), then Murdock Campbell, nephew (1827 by inheritance)
Macquarie Grove
400
Rowland Hassall (1812 by grant)
Matavai Farm
200
Jonathon Hassall (1815 by grant)
Maryland
Thomas Barker
Narallaring Grange
700
John Oxley (1815 by grant), then Elizabeth Dumaresq (1858 by purchase)
Nonorrah
John Dickson
Orielton
1500
William Hovell (1816 by grant), then Frances Mowatt (1830 by purchase)
Parkhall (at St Marys Towers)
3810
Thomas Mitchell (1834 by purchase)
Pomari Grove (Pomare)
150
Thomas Hassall (1815 by grant)
Raby
3000
Alexander Riley (1816 by grant)
Smeeton (Smeaton)
550
Charles Throsby (1811 by grant)
Stoke Farm
500
Rowland Hassall (1816 by grant)
Vanderville (at The Oaks)
2000
John Wild (1823 by grant)
Wivenhoe (Macquarie Gift)
600
Edward Lord (1815 by grant), then John Dickson (1822 by purchase)
This Charles Kerry Image of St Paul’s Anglican Church at Cobbitty is labelled ‘English Church Cobbitty’. The image is likely to be around the 1890s and re-enforces the notion of Cobbity as an English-style pre-industrial village in the Cowpastures (PHM)
Private villages in the Cowpastures
Village
Founder (estate)
Foundation (Source)
Cobbitty
Thomas Hassall (Pomari)
1828 – Heber Chapel (Mylrea: 28)
Camden
James and William Macarthur (Camden Park)
1840 (Atkinson: Camden)
Elderslie
Charles Campbell (Elderslie)
1840 – failed (Mylrea:35)
Picton (Stonequarry in 1841 renamed Picton in 1845)
Camden war cemetery is located on the corner of Burragorang and Cawdor Roads, three kilometres south of Camden Post Office. The cemetery is on a slight rise above the Nepean River floodplain, with a northerly aspect at an elevation of 75 metres.
The vista to the north provides a picturesque view across the floodplain and is dominated by the town with the spire of St John’s Church in the background. It is not hard to imagine the scene that met these servicemen when they arrived in Camden during wartime over 60 years ago.
Graves of servicemen at Camden War Cemetery Cawdor Road Camden with a view of Camden township in the distance (I Willis, 2014)
When the visitor approaches the cemetery, they do so from the east. They advance along a paved walkway lined with low hedgerows. The walkway is dominated by a flag pole in the centre of the path. The visitor then walks through a gate into the cemetery proper, and they are immediately struck by the serenity of the site.
The Camden War Cemetery contains the graves of seventeen Royal Australian Air Force servicemen, four army personnel and two Royal Air Force servicemen. The headstones are lined up in an North-South configuration, with the graves facing East-West. The graves are surrounded by a border of oleanders and a bottlebrush and dominated by a single majestic tea tree. The cemetery is well kept and has a pleasant outlook.
The cemetery contains the bodies of twenty-three servicemen who were stationed in the Camden area during the Second World War. These men fit within the long military tradition of the Camden area when local men went off to the Boer War and later the First World War.
There were thousands of servicemen who passed through the Camden area between 1939 and 1946 at the various defence facilities. The major major military establishments were the Narellan Military Camp on the Northern Road at Narellan, and the Eastern Command Training School at Studley Park, Narellan.
Many army units also undertook manoeuvres throughout the area and there were temporary encampments in several other locations including Camden Showground, Smeaton Grange and Menangle Paceway.
The principal RAAF establishment was located at Camden Airfield, with secondary airfields at The Oaks and Menangle Paceway. As well, there were a number of emergency runways constructed throughout the local area. The Royal Air Force also had several transport squadrons based at Camden Airfield between 1944 and 1946.
The names of the World War One servicemen and women re listed on the memorial gates to Macarthur Park, Menangle Rd, Camden. For more information on the service of Camden servicemen and women see Camden Remembers. These servicemen add to the Anzac mythology that is on display every Anzac Day.
Members of the Camden Airforce Cadets 303 Squadron from Camden Airfield at Camden War Cemetery (B Dingo, 2021)
Royal Australian Air Force
Five airmen were killed in Hudson A16-152, which was part of No 32 Squadron RAAF. The aircraft crashed south-west of Camden on 26 January 1943 while on a cross-country training flight. The aircraft was based at Camden airfield. The pilot and the four-man crew were killed. Pilot: F/Sgt SK Scott (402996), aged 25 years. Crew: Navigator F/Sgt HBL Johns (407122), aged 27 years. W/T Operator Sgt BCJ Pearson (402978), aged 25 years. Sgt GD Voyzey (402930), aged 24 years. Sgt GT Lawson (412545), 30 years.
Sgt SW Smethurst (418014), aged 20 years, crashed his Kittyhawk A29-455 at The Oaks Airfield on 30 September 1943 while on a training exercise strafing the airfield. This exercise was in conjunction with the 54th Australian Anti-Aircraft Regiment which erected gun positions adjacent to the airfield. The aircraft splurged at the bottom of a shallow dive and struck the ground.
Five airmen were killed on 18 November 1943 in Beaufort A9-350, which was part of No 32 Squadron RAAF. The aircraft crashed on a night cross country exercise training exercise, while based at Camden airfield. The pilot and crew were killed. Pilot: F/Sgt RC Christie (410630), aged 23 years. Crew: Navigator Sgt DR James (418721), aged 20 years. WOAG Sgt FN Fanning (419465), aged 20 years. Sgt RA Sharples (419226), aged 23 years. F/S HSJ Terrill (419426), a passenger from 73 Squadron, aged 20 years.
Corporal JP Kerrigan (62397) was an electrical mechanic and was killed in a car accident in Sydney on 11 December 1943, aged 29 years.
Five airmen were killed on 29 March 1944 in Beaufort A9-550, which was part of No 15 Squadron RAAF. The aircraft was based at the Menangle Paceway Airfield. The aircraft crashed after take-off when the port engine failed. Pilot: F/Sgt HB Johnston (420024), aged 26 years. Crew: 2nd Pilot F/O RW Durrant (422555), aged 24 years. Navigator F/O HD Wheller (426409), aged 21 years. W/T Operator F/Sgt RAC Hoscher (412535), aged 23 years. AC1 WH Bray (141632), aged 22 years.
Camden War Cemetery Cawdor Road Camden (I Willis 2014)
Royal Air Force
LAC A Mullen (RAF) 1526778 was involved in a fatal accident on the Camden airfield tarmac on 12 October 1945, aged 23 years.
WOFF FS Biggs (RAF) 365157 from the Servicing Wing, RAF Station, Camden, was killed in a car accident in Sydney on 25 November 1945, aged 36 years.
Members of the Camden Airforce Cadets 303 Squadron from Camden Airfield at Camden War Cemetery (B Dingo, 2021)
Australian Army
Private Leonard Charles Walker (V235527) enlisted in the Australian Citizen’s Military Forces at Ballarat, Victorian on 8 October 1941. He was born in Ballarat on 28 June 1923. He served in the: 46th Australian Infantry Battalion, 29/46th Australian Infantry Battalion. He died at Menangle on 18 July 1945 aged 22 years.
Warrant Officer Class Two John Gow Alcorn (NX148530) enlisted in the Australian Citizen’s Military Forces at Sydney on 28 May 1934. He was born in Glasgow, Scotland on 19 January 1900. He transferred to the 2/AIF on 26 February 1943. He served in the: Sydney University Regiment, 110th Australian Light Anti-Aircraft Regiment, 41st Australian Infantry Battalion, 41/2nd Australian Infantry Battalion. He died of illness on 31 March 1944, aged 44 years.
Warrant Officer Class Two Harry George Grinstead (NX126686) enlisted in the Australian Militia Forces at Sydney on 17 February 1930. He was born in London on14 August 1910. He initially transferred to the Australian Citizen Military Forces on 17 February 1940, and then to the 2/AIF on 15 August 1942. He served in the: 9th Australian Field Regiment. He died on 15 August 1944 as the result of injuries sustained in a railway accident, aged 34 years.
Craftsmen Elwyn Sidney Hoole (NX97717) enlisted in the 2/AIF on Paddington on 11 August 1942. He was born at Walcha, New South Wales, on 12 October 1908. He served in the: 1st Australian Ordinance Workshops Company, 308th Australian Light Aide Detachment. He died on 6 June 1944, aged 35 years.
Members of the Camden Airforce Cadets 303 Squadron from Camden Airfield at Camden War Cemetery (B Dingo, 2021)
Sources
RAAF Historical Section, Department of Defence, Air Force Office, Canberra. Correspondence, Accident Reports.
Central Army Records, Melbourne. Correspondence.
Updated 19 August 2021. Originally posted 19 September 2014.
an area that has historic significance… [and]… in which historical origins and relationships between the various elements create a sense of place that is worth keeping.
The map of the Camden Heritage Conservation Area from the Camden Council Development Control Plan 2019 (CC DCP 2019)
Historical significance
Several writers have offered observations on Camden’s historical significance.
Historian Ken Cable argued in the 2004 Draft Heritage Report prepared by Sydney Architects Tropman and Tropman that: Camden town is a significant landmark in the LGA.
Architect Hector Abrahams commented that Camden was the best-preserved country town rural town in the Cumberland Plain. Camden Advertiser 28 June 2006.
Historian Alan Atkinson has argued that Camden is ‘a profoundly important place’, while historian Grace Karskins maintains that ‘Camden is an astonishingly intact survival of early colonial Australia’.
Camden Council documents stress the importance of the town’s rural nature for the community’s sense of place and community identity.
An aerial view of Camden township in 1940 taken by a plane that took off at Camden airfield. St John’s Church is at the centre of the image (Camden Images)
This is quite a diverse range of views.
This blog post will look at the historical elements that have contributed to the town’s sense of place and its historical significance.
While none of these elements is new, this is the first time they have been presented this way.
A private venture of Englishmen James and William Macarthur
The Macarthur brothers had their private-venture village of Camden approved in 1835, the street plan drawn up (1836) and the first sale of land in 1841. All are within the limits of Camden Park Estate.
In Camden village, James and William Macarthur named streets after themselves and their supporters. They include John Street, Macarthur Road, Elizabeth Street, Edward Street, Broughton Street, Exeter Street, Oxley Street, and Mitchell Street. The Macarthur family funded the construction of St John’s church on the hill and donated the surrounding curtilage.
St Johns Church Camden around 1900 (Camden Images)
The village was strategically located at the Nepean River ford, where the first Europeans crossed the river. By the 1820s, the river crossing was the main entry point to the Macarthur brothers’ Camden Park Estate, the largest gentry property in the area.
The village’s situation on the Great South Road reinforced the Macarthur brother’s economic and social authority over the countryside.
The river crossing was one of the two northern entry points to their Camden Park Estate realm, the other at the Menangle. Menangle later became another private estate village.
The Macarthur village of Camden would secure the northern entry to the family’s Camden Park estate, where the Great South Road entered their property. By 1826 the river ford was the site of the first toll bridge in the area.
Camden Cowpastures Bridge 1842 Thomas Woore R.N. of Harrington Park (CIPP)
None of this was new as the river crossing had been the entry into the Cowpastures reserve declared by Governor King in 1803. The site was marked by the police hut in the government reserve at the end of the Cowpasture track from Prospect.
English place names, an act of dispossession
The Camden village was part of the British imperial practice of placing English names on the landscape. The village’s name is English, as is the gentry estate it was located – Camden Park.
English place names were used in the area from 1796 when Governor Hunter named the Cow Pastures Plain site. The Cowpastures were a common grazing land near a village.
Naming is a political act of possession or dispossession and is an active part of settler colonialism.
The Camden sign on the entry to the town centre at Kirkham Reserve on Camden Valley Way, formerly The Great South Road and Hume Highway. (I Willis)
The Cowpastures became a contested site on the colonial frontier.
Dispossession in the English meadows of the Cowpastures
The foundation of the Macarthur private village venture was part of the British colonial settler project.
The first Europeans were driven by Britain’s imperial ambitions and the settler-colonial project and could see the economic possibilities of the countryside.
Under the aims of the colonial settler project, as outlined by Patrick Wolfe and later LeFevre, the new Europeans sought to replace the original population of the colonised territory with a new group of settlers.
Hunter’s naming of the Cowpastures was the first act of expropriation. Further dispossession occurred with the government reserve, and later Governor Macquarie created the government village of Cawdor in the centre of the Cowpastures.
Governor Macquarie (SLNSW)
The Europeans seized territory by grant and purchase, imposed more English place names in the countryside, and created a landscape that mirrored England’s familiarity.
The colonial settlers brought Enlightenment notions of progress in their search for a utopia.
Cowpasture patriarchs
The Macarthur private venture village was located in a landscape of self-style English gentry, and their estates were interspersed with several small villages.
The gentry estates and their homestead and farm complex were English-style village communities. One of the earliest was Denbigh (1818).
Denbigh Homestead Open Day (2015 IWillis)
The oligarch-in-chief was Camden Park’s John Macarthur.
The Europeans used forced labour to impose English scientific farming methods on the country.
On the left bank of the Nepean River were the gentry estates of Camden Park along with Brownlow Hill. On the right bank were the gentry properties of Macquarie Grove, Elderslie, Kirkham and Denbigh and several smallholders.
The village of Stonequarry was growing at the southern limits of the Cowpastures at the creek crossing on the Great South Road. The village was located on Antil’s Jarvisfield and was later renamed Picton in the 1840s.
The picturesque Cowpastures countryside greeted the newly arrived Englishmen John Hawdon from County Durham. In 1828 Hawdon became the first person to put in writing that the Cowpastures area reminded him of the English countryside when he wrote a letter home.
The progress and development of the country town
The Enlightenment view of progress influenced James and William Macarthur’s vision for Camden village. They sought to create an ideal village community of yeoman farmers and sponsored self-improvement community organisations, including the School of Arts.
Camden School of Arts PReeves c1800s (Camden Images)
The architectural styles of the town centre shine a light on the progress and development of the Macarthur village. The architectural forms include Georgian, Victorian, Edwardian, Interwar modern, Mid-20th century modern, and Post-modern.
The town centre serves a host of functions for the community that are indicated by the types of land use in a country town. These include commercial, government, open space, industrial, transport, residential, religious, and agricultural.
The country town idyll and the appearance of heritage
Urban growth and the loss of rural countryside have encouraged a nostalgic desire for the past. This process led to the evolution of Camden, the country town idyll.
The heritage of the town centre is what the community values from the past that exists in the present. It comprises tangible and intangible heritage, as well as multi-layered and multi-dimensional. The town centre story is a timeline with many side shoots or a tree with the main stem and branches.
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)
The Camden community has a strong sense of itself and community identity based on the continuity of the Camden story and the changes that have occurred within it.
The Camden Heritage Conservation Area has a high value of historical significance. The factors that contribute to this significance clearly show how its historical origins, and the relationships between the elements, have created a sense of place that is worth keeping.
Updated 19 June 2023. Originally posted on 6 May 2020 as ‘Hope, heritage and a sense of place – an English village in the Cowpastures’
The Camden story is a collection of tales, memories, recollections, myths, legends, songs, poems and folklore about our local area. It is a history of Camden and its surrounding area. I have created one version of this in the form of a 1939 district map.
Camden’s storytelling is as old as humanity, starting in the Dreamtime.
The Camden story comprises dreamtime stories, family stories, community stories, settler stories, local stories, business stories, and personal stories.
These stories are created by the people and events that they were involved with over centuries up to the present.
Since its 1997 inception, History Week has been an opportunity to tell the Camden story.
Front Cover of Ian Willis’s Pictorial History of Camden and District. This book covers an overview of the Camden story from the First Australians, the Cowpastures, gentry estates, the Camden township, Camden as a little England, the Interwar period, First and Second World Wars, voluntarism, mid-20th century modernism and the approach of Sydney’s rural-urban fringe. (Kingsclear, 2015)
What is the relevance of the Camden story?
The relevance of the Camden story explains who is the local community, what they stand for, their values, attitudes, political allegiances, emotional preferences, desires, behaviour, and much more.
The Camden story explains who we are, where we came from, what we are doing here, our values and attitudes, hopes and aspirations, dreams, losses and devastation, destruction, violence, mystery, emotions, feelings, and more. The Camden story allows us to understand ourselves and provide meaning to our existence.
Local businesses use the Camden story as one of their marketing tools to sell local residents lots of stuff. There is the use of images, logos, branding, slogans, objects, window displays, songs, pamphlets, newspapers, magazines, and other marketing tools.
Camelot House, known initially as Kirkham, was designed by Canadian-born architect John Horbury Hunt for James White. The house was built in 1888 on the site of colonial identity John Oxley’s Kirkham Mill. Folklore says that James White financed the house from the winnings of the 1877 Melbourne Cup by his horse Chester. Under White’s ownership, the property became a horse-racing stud and produced several notable horses. (Camden Images)
What is the use of the Camden story?
The Camden story allows us to see the past in some ways that can impact our daily lives. They include:
the past is just a series of events and people that do not impact daily lives;
the past is the source of the values, attitudes, and traditions by which we live our daily lives;
the past is a way of seeing the present and being critical of contemporary society that it is better or worse than the past;
the present is part of the patterns that have developed from the past over time – some things stay the same (continuity), and some things change.
Storyteller Laura Jane is ad-libbing for a short tourist promo for Tiffin Cottage. Camera operator Debbie issues instructions and generally supervises the production crew. (I Willis)
History offers a different approach to a question.
Historical subjects often differ from our expectations, assumptions, and hopes.
The Camden storyteller will decide which stories are considered important enough to tell. Which stories are marginalised, forgotten, or ignored – silent stories from the past.
Australia Day 2018. The Camden Museum was open, and here are two enthusiastic supporters and volunteers for the museum. They are Frances and Harry Warner. These two larger-than-life Camden identities have devoted their lives to the Camden community. They have lived and worked on Camden Park Estate for decades. (I Willis)
The tools the historian uses to unravel the Camden story might include historical significance; continuity and change; progress and decline; evidence; historical empathy; and hope and loss.
I feel that the themes of History Week 2020 provide a convenient way to wrap up all of this.
The History Council of NSW has recast this in its Value of History Statement and its components: identity; engaged citizens; strong communities; economic development; critical skills, leadership, and legacy.
Just taking one of these component parts is an interesting exercise to ask a question.
Country Road fashion shoot at Camden Park House. Peek at Camden Park House on the Country Road page and visit us on our annual Open Weekend in September. (Camden Park House)
Does the Camden story contribute to making a strong community?
The Camden story assists in building a solid and resilient community by providing stories about our community from past crises and disasters. These are examples that the community can draw on for examples and models of self-help.
A strong, resilient community can bounce back and recover after a setback or disaster. It could be a natural disaster, market failure or social crisis.
The Camden story can tell citizens about past examples of active citizenship and volunteerism within Camden’s democratic processes from the past. There are stories about our local leaders from the past who helped shape today’s community in many ways.
The Camden story tells stories about family and social networks that crisscross the district and are the glue that holds the Camden community together in a crisis – social capital.
Active citizenship contributes to community identity, a sense of belonging and stories about others who have contributed to their area contribute to placemaking and strengthening community resilience.
Menangle Milk Shake Up Community Festival, organised by the Menangle Community Association in 2017 (MCA)
Updated on 2 May 2023. Originally posted on 27 February 2020.
A popular TV drama ‘A Place to Call Home’ on Channel 7 has been set in and around the Camden district. Amongst the characters is the fictional 1950s matriarch of the Bligh family, Elizabeth (Noni Hazlehurst). This figure has a number of striking parallels with Camden’s own 20th century female patrician figures.
Camden’s matriarchs, just like Elizabeth, were formidable figures in their own right and left their mark on the community. The fictional Elizabeth Bligh lives on the family estate Ash Park (Camelot, formerly Kirkham) in the country town of Inverness during the 1950s.
A Place to Call Home was a hit TV series produced in Australia that premiered in 2013. The series used the John Horbury Hunt designed Victorian mansion Camelot located at Kirkham on the edge of Camden as the location setting for the TV show. (Amazon)
Frances Faithful Anderson
Kirkham’s own Elizabeth Bligh was Frances Faithful Anderson, who moved to the Camden area with her husband, William, in the 1890s. She renamed James White’s fairytale castle Kirkham, Camelot, in 1900 after being reminded of the opening verse of Tennyson’s The Lady of Shalott. Frances (d. 1948) lived in the house, with her daughter Clarice, until her death. Both women were shy and retiring and stayed out public gaze in Camden, unlike the domineering fictional character of Elizabeth Bligh. The Anderson women were supporters of the Camden Red Cross, Women’s Voluntary Services, the Country Women’s Association, Camden District Hospital and the Camden Recreation Room during the Second World War (DR, 29/3/13). Clarice willed Camelot to the NSW National Trust, according to Jonathan Chancellor. The NSW Supreme Court rule in 1981 that her mother’s 1938 will took precedence. Frances wanted the house to become a convalescent home, but this clashed with zoning restrictions.
Camelot house, originally known as Kirkham, was designed by Canadian-born architect John Horbury Hunt for James White. The house was built in 1888 on the site of colonial identity John Oxley’s Kirkham Mill. Folklore says that James White financed the house from the winnings of the 1877 Melbourne Cup by his horse Chester. Under White’s ownership the property became a horse-racing stud and produced a number of notable horses. (Camden Images)
Camden’s Edwardian period was dominated by the figure of Elizabeth Macarthur Onslow of Camden Park. She took control of Camden Park in 1882 when her husband Arthur died. Under her skilful management the family estate was clear of debt by 1890 and she subsequently re-organised the estate. She established the pastoral company Camden Park Estate Pty Ltd, with her children as shareholders. Heritage consultant Chris Betteridge states that she organised the estates co-operative diary farms, built creameries at Camden and Menangle, orchards and a piggery. Elizabeth was a Victorian philanthropist, a Lady Bountiful figure, and according to Susanna De Vries was a strong supporter of a number of local community organisations including the fore-runner of the Camden Show Society, the Camden AH&I Society. She died on one of her many trips to England and has dropped out of Australian history.
This image of Elizabeth Macarthur Onslow is from a portrait painting at Camden Park House. Elizabth was the daughter of James Macarthur. She married Captain Arthur Onslow in 1867 and had 8 children. (Camden Park)
Sibella Macarthur Onslow
Elizabeth’s daughter, Sibella, was a larger than life figure during Camden’s Inter-war period and was quite a formidable figure in her own right. She grew up at Camden Park and moved to Gilbulla in 1931, which had been the home of her sister-in-law, Enid Macarthur Onslow. Sibella never married and fulfilled the role of a powerful Camden patrician figure. She was a true female matriarch amongst her brothers who took public positions of power in the New South Wales business community. She was one of the most powerful female figures in New South Wales and her personal contact network included royalty, politicians and the wealthy elite of Sydney and London. Macarthur Onslow possessed strong conservative Christian values and was an active figure in the Sydney Anglican Archdiocese. She was a Victorian-style philanthropist and was president of the Camden Red Cross from 1927 until her death in 1943.
The power vacuum in Camden’s women’s affairs left by the death of Sibella Macarthur Onslow was filled by Rita Tucker of The Woodlands, at Theresa Park. She had a high community profile in 1950s Camden and was well remembered by those who dealt with her. She became president of the Camden Country Women’s Association in 1939 and held the position until her death in 1961. She was a journalist and part-time editor of the North West Courier at Narrabri before she moved to Camden with her husband Rupert in 1929. She was an active member of the Camden Liberal Party in the 1950s, holding a number of positions, and was New South Wales vice-president of the CWA between 1947 and 1951. She was an accomplished musician and played the organ at the Camden Presbyterian Church in the early 1940s.
Rita Tucker, Camden NSW (J Tucker)
Zoe Crookston
A contemporary of Tucker was Zoe Crookston, the wife of Camden surgeon, Robert Crookston. A shy retiring type, she lived in grand Victorian mansion at the top of John Street and was the wartime president of the Women’s Voluntary Services. She was a Presbyterian, a liberal-conservative and an active committee member of the United Australia Party in the 1930s. According to her daughter Jacqueline, ‘her mother was a no-nonsense person who always liked to get on with the job at hand’. She was a foundation member of the Camden Red Cross and was actively involved until 1949. Other community organisations occupied her time including being on the committee of the Camden District Hospital Women’s Auxiliary from 1933 to 1945.
One of the largest tourist attractions in the local area in the mid-20th century was a local milking marvel known as the Rotolactor.
Truly a scientific wonder, the Rotolactor captured people’s imagination at a time when scientific marvels instilled excitement in the general public.
In these days of post-modernism and fake news, this excitement seems hard to understand.
Menangle Rotolactor in the 1950s Postcard (Camden Images)
What was the Rotolactor?
The Rotolactor was an automated circular milking machine with a rotating platform introduced into the Camden Park operation in 1952 by Edward Macarthur Onslow from the USA.
Part of agricultural modernism, the Rotolactor was installed by the Macarthur family on their colonial property of Camden Park Estate to improve their dairying operations in the mid-20th century.
The idea of a rotating milking platform was American and first introduced in New Jersey in the mid-1920s.
Camden Belgenny Farm Rotolactor Model 2 model in 2018 (I Willis)
The 1940s manager of Camden Park, Lieutenant-Colonel Edward Macarthur Onslow, inspected an American Rotolactor while overseas on a business trip and returned to Australia full of enthusiasm to build one at Camden Park.
The Menangle Rotolactor was the first in Australia and only the third of its kind in the world.
Camden Belgenny Farm Rotolactor Model 3 display in 2018 (I Willis)
The rotating dairy could milk 1,000 cows twice a day. It held 50 cows at a time and was fed at as they were milked. The platform rotated about every 12 minutes.
The Rotolactor was a huge tourist attraction for Menangle village and provided many local jobs.
In 1953 it was attracting 600 visitors on a weekend, with up to 2000 visitors a week at its peak. (The Land, 27 March 1953)
The structure plan did recognise the importance of the Rotolactor and the cultural heritage of the Menangle village. (The State Planning Authority of New South Wales, 1973, p. 84)
These events, combined with declining farming profits, encouraged the Macarthur family to sell out of Camden Park including the Rotolactor and the private village of Menangle.
The Rotolactor continued operations until 1977 and then remained unused for several years. It was then purchased by Halfpenny dairy interests from Menangle, who operated the facility until it finally closed in 1983. (Walsh 2016, pp.91-94)
Community festival celebrates the Rotolactor
In 2017 the Menangle Community Association organised a festival to celebrate the history of the Rotolactor. It was called the Menangle Milk-Shake Up and was a huge success.
Menangle Milk Shake Up Community Festival, organised by the Menangle Community Association in 2017 (MCA)
The Festival exceeded all the expectations of the organisers from the Menangle Community Association when it attracted over 5000 people to the village from all over Australia. (Wollondilly Advertiser, 18 September 2017)
A true country event like in the old days. So many visitors came dressed up in their original 50s clothes, and all those wonderful well selected stall holders. It was pure joy.
Despite these sentiments, the event just covered costs (Wollondilly Advertiser, 5 April 2018)
The festival’s success demonstrated to local development interests that Rotolactor nostalgia could be marketized and had considerable commercial potential.
The Menangle Community Association attempted to lift the memory of the Rotolator and use it as a weapon to protect the village from the forces of urban development and neo-liberalism
Menangle land developers also used the festival’s success to further their interests.
Developer Halfpenny made numerous public statements supporting the restoration of the Rotolactor as a function centre and celebrating its past. (The Sydney Morning Herald, 22 December 2017).
Menangle Rotolactor in a derelict condition in 2016 (Image by Karen)
The newspaper article announced that the site’s owner, local developer Ernest Dupre of Souwest Developments, has pledged to build a micro-brewery, distillery, two restaurants, a farmers market, a children’s farm, a vegetable garden, and a hotel with 30 rooms.
In 2017 the state government planning panel approved the re-zoning of the site for 350 houses and a tourist precinct. Housing construction will be completed by Mirvac.
Mr Dupre stated that he wanted to turn the derelict Rotolactor into a function with the adjoining Creamery building as a brewery next to the Menangle Railway Station.
He expected the development to cost $15 million and take two years. The plan includes an outdoor concert theatre for 8000 people and a lemon grove.
Facebook Comments 6 August 2021
Reply as Camden History Notes
Bev WatersonRemember it well. My parents would take us there quite regularly.
Elizabeth SearleJD Gorey, The pilot was asking about this during our trip to the farm. He may be interested in the article Originally posted 19 July 2019. Updated 6 April 2021.
Craige Cole I remember travelling from our family dairy farm on the far south coast to visit the Rotalactor in the late 60s and recall the total awe of my parents. I know that visit was the catalyst for us installing a new more efficient dairy setup.
Caroline TavendaleCraige Cole our friends own a dairy farm in Rochester, Victoria. They have rotolactor dairy, installed it about 3 years ago.
While I was visiting a historical contact at Menangle I was shown a framed photograph of a winning display in the district exhibition at the 1937 Camden Show. The photograph was bordered by the prize winning ribbon from the Camden AH&I Society awarded to the Menangle Agriculture Bureau. The photograph peaked my interest as I was not familiar with the local agricultural bureaux. A search in the archive files at the Camden Historical Society including those the Camden Show Society yielded light on the matter either.
A framed photograph of the winning district display organised by the Menangle Agricultural Bureau at the 1937 Camden Show. The photograph is surrounded by the winning sash from the Camden AH&I Committee and has been framed for preservation. The organiser of the display was JT Carroll and the bureau president was HE Hunt and secretary F Veness. The framed photograph came to light in 2017 and was handed to Menangle resident Brian Peacock. This is rare photograph of an important day for the village of Menangle which was an example of an English-style estate village controlled by the Macarthur family’s Camden Park Estate.
So what happened at the 1937 Camden Show.
The Menangle Agricultural Bureau took out a first prize at the 1937 Camden Show in the district exhibit. The bureau had entered its agricultural display of fruit, vegetables and other produce. The Camden News reported the display was constructed with over 3000 apples. The Menangle Agricultural Bureau won against stiff competition from the Mount Hunter Agricultural Bureau. The only other competitor in that category.
So what is an agricultural bureau? When did they appear in the Camden district?
Agricultural bureaus were established in New South Wales in 1910 as an initiative of the New South Wales Department of Agriculture, according to the State Archives and Records of NSW.
The aims of the agricultural bureaux were to ‘connect with young rural people’. They were ‘to deliver lectures and demonstrations and special instructions to farmers, and to promote fellowship and social networks within rural communities’.
The bureaux appear to be one of a number of organisations that were part of an organised youth movement within the British Empire set up during the Edwardian period.
The State Archives maintains that the stated aims of the agricultural bureau movement fitted the general imperial youth movement of the time. In NSW ‘the main functions of the Bureau were to promote rural and adult education, to organise co-operative group effort to improve facilities, to train people in citizenship, leadership, and community responsibility’.
There was an anxiety amongst the ruling elites of the British Empire about the state of youth and there was a concerted campaign to inculcate the values of thrift, diligence and obedience. During the Edwardian period the youth movement spawned a number of youth organisations including Boy Scouts, Boys Brigade, Girl Guides, and a host of others. These organisations have been seen by some historians like Michael Childs Labour’s Apprentices as agents of patriotism, obedience and social passivity.
The agricultural bureaux were a farmer-controlled self-governing body which could received extension services from the NSW Department of Agriculture. They were apolitical and non-sectarian.
The state government kept firm control of the new organisation through the NSW Department of Agriculture initially provided lectures through the Department’s District Inspectors of Dairying and Agriculture. The state government went further and provided a subsidy to the bureaux members at the rate of 10/- per pound. In addition council members were reimbursed their expenses for attending meetings.
The activities of the early agricultural bureaus on the Camden district seem to indicate that the bureaus were less of a youth organisation and more of an adult farming group and included activities for the entire family.
One of the earliest agricultural bureaus to be established in the Camden area was at Orangeville around 1913.
The Camden News reported in April that members of the bureau were keen to gain all the scientific knowledge to develop their orchards. They had tried explosives in their orchards as a means of improving ‘sub-soiling’, initially under the trees and then next to the trees. The results of the experiment would not be known, it was reported, until the trees started to bare fruit.
In October 1913 the Orangeville Agriculture Bureau organised a picnic. Mr J Halliday organised the festivities for the ‘ladies and children’. There were 70 children present and prizes were organised for a number races and a competition amongst the ladies organised by Mr RH Taylor. The proceedings were livened up by Mr Joseph Dunbar on the gramophone. A tug-of-war was organised between the single and married men. Councillor CG Moore captained the married men and Mr AL Bennett ‘led the bachelors’. The married men won. Both men were candidates in the upcoming Nepean Shire elections. A short political address was given by Mr WG Watson, which was followed by games until sunset. Mr Taylor, the vice-chairman, thanked everyone for coming and stressed the advantages of becoming a member of the bureau.
A women’s extension service was organised within the body. The bureaus organised farmer training courses, while the women’s extension service organised domestic training courses. The agricultural bureaus were affiliated with a range of other rural organisations including the Bush Nursing Associations, The Rural Youth Organisation and a number of farming organisations.
The local agricultural bureaux disappeared after the Second World War, while the organisation carried on at a state level into the 1970s.
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