Walking over the Cowpastures bridge, you have a vista of the tranquil water of the Nepean River impounded behind the Camden weir. The tranquillity belies the raging torrent that can cover the bridge at flood times.
On the western end of the bridge is a small park where a plaque celebrates the 1976 re-construction of the bridge. A flood had turned the timber bridge deck into a twisted mess twelve months earlier.
The plaque states:
Originally opened in 1901 this bridge was extensively damaged by flood in June 1975.
Following repair it was re-opened by The Hon J JC Bruxner MLA, Minister for Transport and Highways, 9th April 1976.
Ald RB Ferguson, Mayor. Camden Municipal Council.
REA Rofe Esq. MLA, Member for State Electorate of Nepean.
AF Schmidt Esq., Commissioner for Main Roads, New South Wales.
Plaque, Argyle Street, Camden.
The low-level Cowpasture bridge is a pinch point for the movement of goods and people across the river. Its closure at flood times has created a choke-point that disrupts daily life. Other low-level bridges in the local area at Menangle, Cobbitty, and Macquarie Grove Road have suffered the same problem.
The access issue was only solved with the opening of the high-level Macarthur Bridge in 1973. The bridge is an important example of Camden’s engineering heritage and was built as part of the local region’s NSW Askin Governments New Cities structure plan.
Economic importance of access
Access to the southern side of the Nepean River has been an issue since European settlement and the discovery of the Wild Cattle in 1795. Governor Hunter named the area the Cowpastures in 1796, and it became a restricted reserve from 1803 to stop cattle poaching.
The issue of access across the river was illustrated in 1810 when a party led by Governor Macquarie visited the area. Macquarie wrote in his journal on 16 November 1810:
There being very little Water in the River at this time, we crossed it at the usual Ford in our Carriage with great ease and safety.
A bridge at last – ‘a paltry affair’
As the colonial frontier moved beyond the Cowpastures, there was increased traffic across the Nepean River, sometimes reported as the Cowpastures River. (SMH, 2 October 1861). The frontier conflicts between Europeans and Indigenous people calmed on the Cowpastures after the 1816 massacre. (Karskens, 2015) The process of settler colonialism and its insatiable appetite for territory increased traffic through the Cowpastures in the 1820s.
The river crossing required a more permanent solution to deal with the increased traffic movement along the Great South Road. The first Cowpasture bridge was built in 1826, then new bridges followed in 1861, 1900 and 1976. Each was trying to solve the same access problem (SMH, 2 October 1861).
A low-level bridge was first raised in 1823 when Surveyor-General John Oxley of Kirkham objected to a bridge at Bird’s Eye Corner river crossing (Menangle). The final decision was to build a crossing halfway between the Belgenny Crossing and Oxley’s Macquarie Grove. (Villy, 62-63)
Work began on the low-level Cowpasture bridge in 1824 and finished in 1826. Construction was supervised by convict Samuel Wainwright and built below the crown of the riverbank. There was no shortage of sceptics, and a band of local ‘gentlemen’ thought the bridge would collapse in the 1826 flood. (Villy, 62-63) They were wrong.
A convict was stationed at the bridge as a caretaker to remove the bridge rails in flood. In 1827 a toll was introduced on the bridge, with the right-to-collect sold for £70. It was forbidden to cross the bridge on a Sunday, offenders were fined and cattle impounded. (Starr, 16-17)
Repairs were carried out on the bridge after floods in 1835 (Starr: 17) and in the 1840s ‘landowners, carriers and mail contractors’ complained. They were concerned that the bridge was submerged by floodwater ‘on every occasion’ and in a recent deluge ‘the Bridge was sixteen feet underwater and the neighbouring flats, a complete sea for miles’. (Starr: 17)
In a number of memoirs, the bridge was described as ‘a very a paltry affair’ (Starr: 23) and a ‘primitive structure’ (Sydney Mail, 5 February 1913).
In 1852 a portion of the bridge washed away, and there were terrible floods in February and April 1860. There was a need to replace the ‘dilapidated’ bridge. (SMH, 2 October 1861)
Tenders were called in early-1860 for a new five-span timber truss bridge (NSW Government Gazette, 6 April 1860), and it was under construction by September. The construction tender was won by Campbelltown building contractors Cobb and Bocking (SMH, 21 September 1860; SMH 2 October 1861), who also built the low-level timber truss bridge at Menangle in 1855. (RMSHC, 2019; Liston, 85)
A grand affair
There was much fanfare at the new bridge opening on Monday, 30 September 1861, at 3 pm. There was conjecture about the crowd size. The Empire claimed a crowd of 50 people while the Sydney Morning Herald boasted there was 200 present. (Empire, 3 October 1861; SMH 2 October 1861).
Whatever the crowd, there were a host of speeches and Mrs Bleecke, the wife of Camden doctor Dr Bleecke, christened the new bridge the ‘Camden bridge’ by breaking a bottle of Camden wine on the timbers. Then, the crowd let out three loud hearty cheers (SMH 2 October 1861).
At the end of the official proceedings, the men, 40 in number, adjourned to the Camden Inn, owned by Mr Galvin, for a ‘first-rate’ sit-down lunch. The meal was accompanied by a host of speeches and much imbibement. There were many toasts starting with ‘The Queen’ and ‘Prince Albert’. The ladies were left ‘to amuse themselves as best they could until the evening’ (SMH 2 October 1861).
The festivities at lunch were followed in the evening by a ‘grand’ ball held at Mr Thompson’s woollen mill. The floor had been cleared on orders of Mr Thompson, and the space decorated with ‘evergreens’ and ‘flowers’ and brilliantly lit by kerosene lamps. (SMH 2 October 1861)
According to the Sydney press, the Camden populace had ‘seldom’ seen an event like it. One hundred thirty-four people attended the ball. Festivities on into the night with a ‘great profusion’ of food and dancing winding up at 4 am the following day. Locals declared they ‘had never spent a happier or pleasanter day’ (SMH 2 October 1861).
The railway to Camden
In 1882 when the railway line was built between Campbelltown and Camden, the track was laid across the timber bridge deck. This reduced the width of the roadway to 15 feet, and traffic had to stop when a train needed to cross the bridge.(Camden News, 27 June 1901)
According to the Camden press, passengers were regularly notified at Redfern Station (now known as Central Station) with a sign saying ‘traffic to Camden stopped at Camden bridge’ due to frequent flooding. The bridge’s timber deck was ‘well below the banks of the river’. (Camden News, 27 June 1901)
The existing 1860 timber truss bridge was constructed for light road traffic and continually posed problems for the railway. Only the lightest railway locomotives could use the bridge, and the heavy grades of the branch line at Kenny Hill meant that the train was restricted to a small number of cars. (Camden News, 27 June 1901).
In 1900 a new steel girder bridge was constructed to take the weight of two locomotives. The specifications for the bridge are:
five steel girder spans each of 45 feet on concrete piers;
178 feet of timbers beam spans;
making a total length of 403 feet;
the bridge deck was seven feet higher than the 1860 timber truss bridge deck;
construction was supervised by the Bridge Branch of the NSW Public Works Department;
Flood time was an exciting time for rail passengers going to Camden. When the bridge closed, railway passengers got an exhilarating boat ride across the flooded Nepean River. The train would stop at Elderslie Railway Station, climbing aboard the railway rowing boat. Passengers would take their lives in their hands and be ferried across the flooded river by the boatman. The rowing boat was given the Camden Municipal Council in 1889 (Pictorial History Camden: 87)
A notable part of Camden’s modernism that has disappeared is the Drive-In movie theatre. The Narellan Gayline Drive-in Movie Theatre was one of the famous attractions in the local area between the 1960s and 1980s, located on Morshead Road, Narellan (now Narellan Vale).
Along with rock ‘n roll, transistor radios, the bikini, the mini-skirt, it marked the baby boomers’ lifestyle. Always popular with teenagers and young families. The Drive-In movie theatre was a defining moment in the Camden District for a 20th-century culture based around the icons of the period: cars and movies.
Drive-in Movie Theatres
Robert Freestone writes that the Drive-In theatre arrived in New South Wales in 1956, and by the 1970s, there were 14 drive-ins in the Sydney area, including the Gayline. The Drive-In was a ‘signifier of modernity with its twin imperatives of consumption and comfort in the motor car’s private space.
The Drive-In reflected the US’s growing influence in the 1950s, the force of suburbanisation and the democracy of car ownership. The first Drive-In theatre in Australia was the Burwood Drive-In in Melbourne in 1954. The first Sydney Drive-In was the MGM Chullora Twin Drive-In which opened in 1956 by Premier Cahill. In the 1970s, there were more than 300 drive-ins across Australia.
In New South Wales, Drive-Ins came under the control of the Theatres and Public Halls Act 1908-1946 and were heavily regulated compared to Victoria under the Theatres and Films Commission. Freestone argues states New South Wales planning restrictions Drive-Ins could not be closer than 4 miles to each other, they had to be accessed by a side-road, away from airports, and positioned so as not to distract passing traffic.
During its heyday, the Drive-In was very popular. It was very democratic, where an FJ Holden could be parked next to a Mercedes Benz. The Drive-In was a relaxed, laid back way to see the movies. The whole family went to the movies, including the kids. Parents could have a night off and not have to clean up, dress up or hire a baby-sitter. Families took blankets, quilts, and pillows, and when the kids faded out, they slept on the car’s back seat. A young mother could walk around with her new baby without disturbing other patrons.
The Narellan Gayline Drive-In Movie Theatre
Ted Frazer, the owner/operator of the Gayline Drive-In, was a picture showman. The Frazers had cinemas on the South Coast, at Scarborough and Lake Illawarra. At Scarborough, they operated the Gala Movie Theatre. It was established in 1950 and had sessions on Wednesday, Friday, and Saturday nights and Saturday matinee. The family ran movies in the local progress hall at Lake Illawarra.
Terry Frazer said,’ ‘We were the only family-operated Drive-In. Greater Union or Hoyts ran all the others in the Sydney area’.
Terry Frazer considered that the business was successful over the years that it operated at Narellan. He said, ‘It was a family business, and my son did some projection work. The kids worked in the shop, as did our wives.
The high point of the Drive-In’s success was in the early 1970s. Terry’s brother Kevin Frazer and his wife Lorraine Frazer were in the business from the early 1970s. He says:
As a family business, we had separate jobs, and you did not interfere with others.
The Gayline showed a mixture of movies. When patrons rolled in, they put the hook-on-window-speaker and occasionally drove off with it still attached after the movie finished.
Some Drive-Ins closed down in the 1970s, yet the Gayline survived. When daylight saving was introduced moved to later starts. Like other Drive-Ins, during the 1980s, it dished up a diet of soft porn and horror movies to compete with videos and colour TV. In 1975 colour TV had an effect, but a more significant impact was the introduction of video in 1983-84. It contributed to killing off the Drive-Ins. Terry thinks that apart from videos Random Breath Testing, which became law in NSW in 1985, also had an effect.
Terry Frazer said
Things went in cycles. The writing was on the wall in the early 80s. We knew it was pointless to keep going full-time, and we only operated part-time, on Friday and Saturday nights. We had family working in the shop. We eventually closed in 1990. Land developers were making offers to Dad for the site. Dad built a house in 1971. It was a cream brick Cosmopolitan home in Gayline Ave, and it is still there.
Ted Frazer located the Drive-In at Narellan because it was to be within the ‘Three Cities Growth Area’ (1973) of the 1968 Sydney Region Outline Plan (1968), and the land was a reasonable price.
The opening night was in November 1967, and the first movie was Lt Robin Crusoe USN [Walt Disney, 1966, Technicolor, starring Dick Van Dyke, Nancy Kwan]
Terry Frazer recalls
We could fit in 575 cars. The surface was asphalt, and we were always patching it. It was part of the maintenance of the site. We had to have a licence for motion pictures.
The screen, according to Terry Frazer, was made from zinc anneal sheeting. Mr Frazer recalls
Rivetted together on a rear timber frame. All mounted on a steel frame made by a local engineering company. A crane hoisted it up. On either end, there were cables and shackles, with a platform with safety rails that you manually wind up with a handle up the front of the screen. You would use it to clean the screen or repaint it white. I painted the screen with a roller.
The speakers had a volume control and a small speaker. The family brought in Radio Cinema Sound in the mid to late 1970s. The customers had a choice of old-style speaker or radio as not all cars had radios. Terry Frazer would go around all the speakers on Fridays and check for sound quality. There were redback spiders under the concrete blocks that had the speaker post. Terry recalls:
Before the end of the show, he would remind patrons to put the speakers back on the post before leaving. Some would still drive off with them attached. The Drive-In had a PA system through the speaker system.
Mr Frazer stated
Sessions started at 7.30 pm, except in daylight saving when it was 8.30pm. In busy periods we had double sessions – 7.30pm and midnight. Always two features. I always had the lighter movie on first and the feature on the second half. In the 1980s, we still had a double feature.
Terry Frazer recalls:
For the midnight session there could be a queue down Morshead Road out onto Narellan Road waiting to get in. It was a horror movie session from 12.00am to 3.00am. On some popular Saturday nights, we may not be able to get all the cars in. At one stage in the 1970s, we considered having two sessions 7.00pm and 10.00pm. We would advertise sessions in the Sydney papers under the Greater Union adverts every night of the week. We would run adverts in the local papers each week.
Movies and Slides
The feature films could be a long movie, for example, Sound of Music, Great Escape. They had an intermission cut into the movie.
Terry Frazer remembers:
We changed the movie programme on Thursdays. We dealt with MGM, Paramount, 20th Century-Fox and Columbia. They were all around the city. You would go to each one to pick up the [film] print. Some of these amalgamated later on. Paramount and Fox were off Goulburn and Elizabeth Streets, Columbia at Rozelle. My father, Ted Frazer, would go in early to book the programme, and I would drop off the old programme.
You would hope it was a good print, otherwise, I would have to repair the film by doing joins. I used a brush and cement, and later we went to tape. You would make a perfect joint. You would join up the trailers and a short feature. You would hook them into the front of the spool to make less changeovers.
If a movie went well, it would run for 2-3 weeks if the print was not booked out anywhere else. There were usually a lot of prints, so if a movie went well, you could keep a print for another week.
For the big movies, the city cinemas got first release. We could get lessor movies as first release and run with other features.
Terry Frazer observed that
as an independent [screen] we got a reasonable go at it. For the lessor movies, we paid a certain figure. Top movies were worked on a percentage basis, 50:50, 60:40 [of takings]. Some companies would check the number of cars at the Drive-In by sending representatives out. One independent movie producer, Ably Mangles, came out to check the number of cars. He was on a percentage basis.
Independent movies were popular. Glass slides were provided by David Koffel, the advertising agency, as a finished product.
Terry Frazer was the projectionist and recalled:.
The slide projector was a carbon arc slide projector. The movie projector was an English Kalee 35 mm projector. It had a carbon arc feed mirror for its light source. It had a manual feed. You had to thread up each spool which would last 20 minutes. There were two movie projectors and one slide projector. You would load one up, ready for the next one to start.While the movie was running, you would go out to the rewind room and manually rewind the spool for the next night’s screening.
Terry Frazer remembers:
We had glass slides showing advertising during intermission and before the show. We would run 70 glass slides showing adverts for local businesses. Local business would buy advertising. The local representative of the advertising agency would go around local businesses. The advertising agency was David Koffel. There was good money from advertising to local businesses. Later the advertising agency changed to Val Morgan.
The experience of the Drive-In is the strongest memory for regular moviegoers. People rarely talk about the movie they saw but can remember with great detail the whole experience of the Drive-In.
Memories flood back for baby-boomers of the rainy night when they tried to watch the movie with the windscreen wipers going. Or the car windscreen was fogging up. Or the winter’s night when the fog rolled in from Narellan Creek. Or the relaxed ambience of a balmy moonlit summer’s night.
The smell of the food, the sound of the cars, the queues to get in, the walk for hotdogs and drinks. The night out with the girlfriend and the passionate night’s entertainment. Orr the night out as a youngster with the family dressed as you were in pyjamas and slippers.
The Gayline Drive-In was not only attractive to young families; it offered local teenagers freedom from the restrictions of home. Many local teenagers had access to cars and found the Drive-In an ideal place for a date and some canoodling and smooching. It was quite a coupe to get Dad’s car and show off to your mates or the girlfriend. The Drive-In was a place to see and be seen. It was a big deal.
One of the favourite lurks of teenagers was to fill the boot of the car with people so they did not have to pay. Once inside, they were let out. If you drove a station wagon, you reversed the car into the spot and lay in the back of the wagon, wrapped up in a blanket. Others would bring their deck-chairs, put them in the back of the ute, enjoy a drink and a smoke, and watch the movie.
The Drive-In movies offered an experience, whether at the snack bar which sold banana fritters, hot dogs, battered savs, Chiko Rolls, popcorn, chips, choc-tops, ice-creams, Jaffas, Minties and Hoadley’s Violet Crumble. The Narellan Gayline Drive-In had a large screen, a projector booth, a children’s playground, and a large parking area.
Terry Frazer recalls:
Mum controlled the shop and kitchen. In the early 1970s, she had 7-8 working in the shop. Later on, there was only one permanent girl. In the 1970s, the restaurant had 8-10 tables. Mum would cook T-Bone steak with salad and other dishes. Originally Mum made steak and fish dinners for a few years. Then she went to hot dogs, hamburgers, toasted sandwiches, banana fritters and ice-cream, which was very popular fish and chips.
Steak sandwiches were popular, Chiko rolls later on. They were quick and easy. Mum would pre-prepare the hot dogs and hamburgers. She would make what she needed based on how many came in the gate. At the break, everyone (patrons) would rush down to the shop and queue up 6-7 deep and wanted quick service.
We had snacks, chocolates, and popcorn. The only ice-creams were choc-tops because the margins were bigger. Drinks were cordial and water in paper cups. There were good margins. We were the last to change over to canned soft drinks. Most Drive-Ins did the same.
Customers could sit in the outside area and watch the movie from the building. A handful of patrons would walk in. Usually, local kids sit in front of the shop and watch the movie- all undercover.
The shop did fabulous business until the US takeaways arrived. McDonalds and KFC [arrived in the mid to late 1970s in Campbelltown and] changed things. Customers would bring these takeaways or bring their own eats.
Mrs Alma Rootes
One of the regular workers in the shop and kitchen was Alma Rootes. She was a kitchen hand and shop assistant from 1967-1975 until she became pregnant with her fourth child.
Mrs Rootes recalls:
I worked in the kitchen and served at the counter. We did fish and chips, hamburgers, banana fritters and Pluto pups (a battered sav) and other things such as lollies. People would come into the shop before the movie was screened to buy fish and chips. Fish and chips went really well. They would have their dinner. We would pre-prepared food for sale before the interval. It wasn’t easy; there would always be a rush at interval. I would work on hot food.
We made hundreds and hundreds of ice-creams. They had a chocolate coating. You would scoop out the ice-cream out of a drum-type container. You would put a small scoop in the bottom of the cone and a bigger one on the top and dip in the warm chocolate. The chocolate was in a stainless steel bowl. Mrs Frazer always wanted to give value for money [referring to the two scoops]. We would do this before interval. The banana fritters were battered bananas, deep-fried and sprinkled with icing sugar.
On Friday and Saturday nights, Mr Frazer would help on the counter in the shop with the lollies. There would be 2-3 working in the kitchen. On quiet nights Mrs Frazer would run things on her own. There was another lady. Her name was Lyn, I think. Kevin would come out and work in the shop if there was a rush. Sometimes the movie would start, and we would not be finished serving. The customers could see out of the shop to the screen. After the show, we would clean up.
The shop had a glass front facing the screen with two doors for entry to the sales area. There was a counter at one end were lollies and ice-creams, in the middle was hot food. There was a door behind the counter to the kitchen. The kitchen had counters down either wall, with a deep fry at one end.
I have lived at Bringelly for around 50 years. I originally came from Lakemba. I was paid the wages of the day. I enjoyed my time there. It was a good place to work. Driving home was not good. Sometimes there would be huge fogs. Alan (husband) would take the kids, and they would sometimes drive me home.
I thought I had better go when I got pregnant. Alan [Alma’s husband] said that Mrs Frazer was concerned she would slip in the kitchen or have an accident as Alma was so heavy (pregnant). Mrs Frazer was concerned about her insurance position. The Frazers gave me a silver teapot when I left in 1975 [photo].
Terry Frazer remembers:
Some of the patrons would like to have a drink. Terry recalls a group of blokes in the late 1960s who came in a top table truck. They parked the truck and got out their folding chairs, and had an 18-gallon keg. I think they finished the keg. It was hard to tell.
You would get guys on motorbikes. We had all sorts of patrons, stories that you could not print. We had a bucks party one night.
In the early 1970s, there were panel vans that were carpeted and done up. The young fellows would reverse into position and open the doors to watch the movie.
The Drive-In was a good night’s family entertainment. It was a full night’s entertainment for families. There was a kid’s playground. Mum and Dad could watch the movie. The regulars were young families who could not afford baby sitters. They would pile the kids in the car in their pyjamas and come to the Drive-In.
Terry Frazer recalls:
that they would always say, the Drive-In was one business that added to the population growth of the area. There was a lot of making out [and pashing] amongst the young couples who were regulars.
Patrons could get out of their cars and go for a walk. People wandered around.
At Easter, there were church meetings. They constructed a huge stand in front of the screen. It went on for 3-4 years in the early 1970s [a trend copied from the USA]. It was a Drive-In church. The Frazers could not recall which church group.
There were car shows in the 1970s.
An independent movie was made at the Drive-In. They set up the rails and so they could move along to set a scene. Some scenes in the movie were shot at Thirlmere. A local, Lyle Leonard, had his car in it. They shot a number of scenes at the Drive-In. I cannot remember the name of the movie.
In wet weather, we waited until it was really wet and would tell the patrons to come to the shop, and we would give them a pass for the following night.
We could get completely fogged out. The light beam could not penetrate the fog. We would close up and give a pass for the following night. It was worst in April and May.
People would come from a long way for a certain movie in really bad weather you would give them a refund.
Lyn Frazer recalled that if it was drizzling, patrons would rub half an onion onto the windscreen, and you could see.
Narellan township in 1967 [when we set up] only had 6 shops. There was always a takeaway next door to the current cheesecake shop [on Camden Valley Way]. There was only a very small shopping centre.
<All that is left of the Narellan Gayline Drive-In a street sign. (I Willis, 2008)>
The Gayline Drive-In eventually closed down, like many in the Sydney area, when residential development at Narellan Vale started to grow, and the land was more valuable as real estate.
Unfortunately, lifestyles have changed, and people prefer the comfort of suburban movie theatres at Campbelltown and shortly at Narellan. However, the tradition of outdoor movies and all their attractions for young families and teenagers are not dead in our area.
Outdoor movies have made a come back in the local area as they have in other parts of Sydney. There have been movies under the stars at venues like Mt Annan Botanic Gardens and Macarthur Park.
Nell Raine Bruce Such fun times we had there. Before we could drive we would walk and sit on the veranda of the cafeteria and watch the movie. The good old days, wish it was still there. (Facebook, 22 June 2015)
Eric Treuer I remember going there thinking that the drive-in was for gays. I was very young at the time. Lol (Facebook, 22 June 2015)
Gail Coppola Had great times there. Listening to the movies and the cows lol (Facebook, 22 June 2015)
Jan Carbis Went there many times….great memories (Facebook, 22 June 2015)
Adam Rorke My lawyers have advised me to say nothing….. (22 June 2015)
Chris Addison What is it now houses kids used to love going there (22 June 2015)
Justin Cryer I remember going out to here with the whole family hahaha wow (22 June 2015)
Graham Mackie Saw smokie and the bandit there as a kid (22 June 2015)
Jan Carbis Went there many times….great memories (22 June 2015)
Robert Rudd Movie news that’s for sure gots lots of oh doesn’t matter (22 June 2015)
Dianne Bunbury We had one in Horsham when I was growing up in – 1960s era. (22 June 2015)
Robert Waddell Watched Convoy with a few other families, as us kids played on the swings.ET was the last movie I saw there, it was great because families used to enjoy spending time together back then, El Caballo Blanco, Bullens Animal World, Paradise Gardens all family activities all closed now because of these so-called social networks, play stations, Xboxes, etc the family unit has broken down and it’s a very big shame.Have a BBQ with your neighbours take your kids on picnics enjoy the family time it’s over too quickly people life is too short by far!!. (23 June 2015)
Kay Gale Great nite out was had many years ago wow (23 June 2015)
Graham Mackie Saw smokie and the bandit there as a kid (23 June 2015)
Jacque Eyles The midnight horror nights! Loved it (23 June 2015)
Vicki Henkelman The Hillman Minx and pineapple fritters life were good !! I also had a speaker in the shed for years oops! (23 June 2015)
Meg Taylor Soooo many memories (23 June 2015)
Kim Girard Luved it great times (23 June 2015)
Robert Waddell Watched Convoy with a few other families, as us kids played on the swings.ET was the last movie I saw there, it was great because families used to enjoy spending time together back then, El Caballo Blanco, Bullens Animal World, Paradise Gardens all family activities all closed now because of these so-called social networks, play stations, Xboxes, etc the family unit has broken down and it’s a very big shame.Have a BBQ with your neighbours take your kids on picnics enjoy the family time it’s over too quickly people life is too short by far!!. (23 June 2015)
Kerry Perry Bring back the good times movie, chick, and food (24 June 2015)
Julie Cleary We would back the panel van in and watch in comfort… So fun! (24 June 2015)
Mick Faber Great memories at the Drive-In. 12 of us snuck in one night in the back of a mates milk van. More of a party than a movie night. (24 June 2015)
Kathleen Dickinson Holy geez I think I even remember where that used to be! Lol (23 June 2015
Matthew Gissane We went down through Camden for a Sunday drive last … er … Sunday, and anyhow, we followed the Old Razorback Road up to Mt Hercules. A fabulous vista from up there. Didn’t see the Gayline though. 23 June at 22:39
Greg Black wasn’t aware of the Gayline,… I do like Camden and the surrounding areas, nice countryside (in the ’60s used to go there with m & d to watch the parachutin’…) 23 June at 23:39
Greg Black Some of the patrons would like to have a drink. Terry recalls a group of blokes in the late 1960s who came in a tabletop truck. They parked the truck and got out their folding chairs and had an 18-gallon keg. I think they finished the keg. It was hard to tell. 23 June at 23:46
Anthony Ayrz I remember it well,,,,, thought it was called Skyline….. full of houses now,,,,, can still pick put exactly where it was…. I was about 7 when my parents took us there a few times….. remember going to the Bankstown one with my parent’s friends in the boot…. and we got away with it!!!! 22 June at 21:28
Alison Russell That brings back memories I used to live behind the Drive-In it looks like the photo is taken from our old house which sadly has just been sold and will be knocked down but what fun we had there as kids and all the sneaky ways we had to get into the Drive-In
Colleen Dunk Moroney Often went in in the boot so we didn’t have to pay 😲😇 the guy in the white overalls was Neville, used to tap on your window and say “movie news”, giving away movie newspapers. always scared the crap out of me lol. I loved the Drive-In.
Lauren Novella I remember sneaking in the boot just to save a few bucks!!!!! Lol. Who even watched the movies….. It was more like a mobile party…😆
Sharon Land Memories remember Alison Russell when we had to go to the outdoor loo and if an R rated movie was on we were supervised outside my mum and dad lol
Andrew Carter-Locke We used to get in the boot of my cousins XY falcon. Back in the day you always got a backup film before the feature. I remember “Posse”, being better than “Jaws”.
Wayne McNamara Many mems….watching people drive off ….still connected….and the guy in the white overalls at the entrance…
On 18 September 1982 the Governor of New South Wales His Excellency Air Marshal Sir James Rowland AC, KBE, DFC, AFC opened the new brutalist style office extensions for Campbelltown City Council.
Gosford architects Grenfell, Fraser and Associates designed the office extensions and when combined with the 1964 building created one of the most important modernist building precincts in the Macarthur region.
Mayor Thomas stated at the official opening that the city had undergone ‘unprecedented’ growth and embraced ‘enormous changes’ since 1964. (Official programme)
The city’s population growth had grown from 24,000 (1963) to 43,000 (1974) and by 1980 was 120,000.
The council’s administration was ‘strained to the limit’, and there was a risk of fragmentation of council departments. To avoid this, the architects recommended a new single building to accommodate council staff.
The architects presented three sites for the council’s consideration: the existing civic centre site; Camden Road opposite the Campbelltown Catholic Club; and the Macarthur Regional Growth Centre.
After considering the three options, the council felt that it had a ‘moral obligation’ to the existing Queen Street commercial precinct to remain at the civic centre site.
The new office building would act as an ‘anchor of confidence’, and the site would remain as the northern gateway to the commercial precinct. It would set a standard for future development in the area. (Official programme, 1982)
The council requested that the architects design a ‘four-storey administrative building’ of around 2000m2 with associated pedestrian plaza, landscaping and parking within the civic centre precinct.
In 1980 the civic centre precinct consisted of the 1966 single floor community hall, the 1971 single-storey library building, a single-story women’s rest centre, a service station, the former fire station and two-storey ambulance station. (Official programme, 1982)
For the completion of the project, the council needed to acquire the service station on the corner of Queen and Broughton Streets.
The primary design constraint on the civic centre site was the 1964 office tower of 1400m2 containing the council chambers and the administration offices. (Proposed Civic Centre Development, Grenfell, Fraser and Associates, 1980)
The building completely dominated the precinct and was ‘considered as the major visual element in any design’ because of its height’. The architects described it as a “high rise” curtain wall construction with external sun shading’. (Proposed Civic Centre Development, Grenfell, Fraser and Associates, 1980)
Architects Grenfell, Fraser and Associates felt that new building extension had to integrate with the 1964 office tower in a functional as well as aesthetically pleasing fashion.
The spirit of the past
The architects stated that the design of the new building extensions and its ‘scale, proportion and detailing’ recognised ‘the legacy of the district’ :
‘The “colonial” pitched roof on the new extensions reflects the graceful simplicity of colonial architecture, and the simple proportions, “depth” façade detailing and pitched roof echo the features of “old” Campbelltown buildings’. (Official programme, 1982)
The building design inspired Mayor Thomas to draw on the past and ‘old Campbelltown’ as an inspiration for his address.
The new building was a metaphor for the area’s pioneering spirit.
The mayor stated that the new building illustrated how the spirit of the Campbelltown pioneers had not ‘suppressed the basic community character of Campbelltown’s early days’.
‘The spirit of the hardy pioneer bred of early settlers is woven into the fabric of our history and community life of today’, he said.
‘The City of Campbelltown has an ancient heritage in terms of the nation’s history, and this is being matched by a vital modern record of achievement’, said the mayor.
Mayor Thomas said
The wisdom and vision of another progressive Governor of this State, Lachlan Macquarie, almost 160 years ago, formed the nucleus of the closely-knit community which continues to grow in size and stature. The spirit of the hardy pioneer breed of early settlers is woven into the fabric of our history and community life of today. (Official programme)
Scale, proportion and detailing
The new office building was set at the rear of the civic centre site and kept a ‘lower profile to Queen Street, consistent with the general two-storey nature of the older buildings’. This design provided ‘an intermediate scale’ to help its integration with the existing higher 1964 building. (Official programme, 1982)
The building materials for the project ensured that the external finish blended ‘aesthetically with existing buildings and landscape and are architecturally pleasing’, and the ‘finishes are dignified, tastefully chosen and dignified’. (Official programme, 1982)
The proposed building used reinforced concrete as the main structural element, with ‘precast concrete with exposed aggregate finish’ to the exterior walls with anodised aluminium window frames. The internal walls were concrete blockwork with cement rendering.
The new design ‘provide[d] a building of similar bulk possessing a horizontal fenestration opposed the vertical nature of the existing building’ to act as a ‘counterfoil’ to the 1964 office tower. (Proposed Civic Centre Development for Campbelltown City Council feasibility study. Grenfell, Fraser and Associates, 1980)
At the end of the design phase, the architects believed that the proposed scheme was both ‘aesthetically and materially adequate’ and ‘integrated functionally and aesthetically’ with the civic auditorium. (Proposed Civic Centre Development for Campbelltown City Council feasibility study. Grenfell, Fraser and Associates, 1980)
Brutalism grew out of the early 20th-century modernist movement that is sometimes linked with the dynamism and self-confidence of the 1960s. The characteristics of the style are straight lines, small windows, heavy-looking materials, and modular elements with visible structural elements and a monochromic colouring.
The brutalist-style appeared in the post-war years in the United Kingdom and drew inspiration from mid-century modernism. The style became representative of the new town movement and appeared in modernist UK cities like Milton Keynes. Brutalism was common in the Sydney area in the late 1960s and 1970s and an integral part of the 1973 New Cities of Campbelltown, Camden, Appin Structure Plan.
Consequently, the Campbelltown area has several brutalist-style buildings including Airds High School (1974), Glenquarie Shopping Centre (1975), Campbelltown TAFE College (1981), Macarthur Square (1979), Campbelltown Hospital (1977), and Campbelltown Mall (1984).
The new 1982 office extension reflected how the winds of change from population growth had re-shaped the Campbelltown area since the construction of the 1964 modernist office tower.
The author would like to acknowledge the assistance provided by the local studies librarians at the Campbelltown City Library in the completion of this blog post.
In 1964 the Campbelltown-Ingleburn News ran a banner headline on its front page, SYMBOL OF PROGRESS. The newspaper announced the opening of a new council administration building as part of a proposed civic centre precinct in the town centre.
The newspaper headline was a statement of faith in the confidence of Campbelltown and its planned declaration as a satellite city by the state government.
The eight-storey office building was the tallest structure in the town centre and was visible from all parts of the area. The top floors provided a ‘bird’s eye’ view over central Campbelltown and completely dominated its surroundings.
The Campbelltown Council office building is an outstanding example of a mid-century modernist high-rise office tower in the Macarthur region. Unfortunately the hopes and dreams of local decision makers who approved its construction were dashed in later decades.
A metaphor for a community on the move
The new administration building was a metaphor for Campbelltown’s growing confidence in the 1960s and the town’s future.
The building symbolised the hopes and dreams of planners and administrators and the immense changes that were to engulf Campbelltown over the following decades.
At the official opening on 28 November, 1964 Campbelltown Mayor TK Fraser felt that the town was on the verge of something special. He said,
At the threshold of the most dynamic period in the history of its area, Campbelltown Municipal Council, imbued with a strong sense of purpose and complete confidence in the future, has provided this imposing Administrative Building’.
The building, the first stage of a Civic Centre which will cater for the needs of a rapidly expanding community, stands as a practical demonstration of the confidence with which Council faces the future convinced that this area, steeped in history, at present of unsurpassed rural charm, will develop, in the near future, into a thriving Satellite City. (Official programme)
The administration building was developed under the guidelines of the County of Cumberland Scheme. It was part of an existing Campbelltown civic precinct that included the ambulance station and courthouse, and adjacent to the police station and railway station.
Alderman Percival, the vice-chair of the council Civic Centre committee, maintained that the building’s design catered for the anticipated administration by the council as a satellite city. The status of a satellite city was part of the proposed decentralisation by the County of Cumberland with Campbelltown’s projected population to grow to 200,000. (Construction, 11 September 1963)
Planning for the new office building had begun in 1961 when the school of arts building provided inadequate to accommodate council staff. Initially housed in the old town hall council staff had moved out into the school of arts after the 1948 amalgamation with Ingleburn Municipal Council.
‘The move into the new 1964 building was not without criticism’, said Alderman Percival. He argued that the council’s progression with the project was a ‘considerable moment’ for the municipality.
He said, ‘It was a necessary demonstration of confidence in the municipality by Council’. (Campbelltown Ingleburn News, 1 December 1964)
The architects agreed and said that the size, height and position of the building emphasised ‘the importance and dignity of Local Government function in the affairs of the city’. The two-storey atrium in the vestibule added greater emphasis to the building’s importance because of its aesthetic features including ‘sculptured central column, cascades and pool’. (Construction, 11 September 1963)
Campbelltown’s future assured says Deputy Premier at official opening
The New South Wales Minister for Local Government and Deputy Premier PD Hills officially opened the building on 28 November 1964.
Minister Hills re-assured the council that the state government was about to make Campbelltown a self-contained satellite city beyond the Green Belt of the Cumberland Plan.
Mr Hills said, ‘Campbelltown is a thriving urban centre set in rural surroundings, but so close to Sydney metropolis that it largely acts as a dormitory-area for a workforce which finds its employment in the metropolitan area’.
‘It will be necessary to create accommodation within or close to the County of Cumberland, but outside the Green Belt, for an additional 300,000 people every eight years’, he said.
‘This means that we must have beyond the Green Belt but within 30 to 50 of Sydney a series of satellites which will be self-contained in the local sense but yet regionally associated with the metropolis’.
The minister said, ‘In the selection of sites for such development, the Campbelltown area is an obvious choice’. (Campbelltown-Ingleburn News, 1 December 1964)
Storm clouds gather of the planning horizon
The decision by Campbelltown Municipal Council to build the new office accommodation was based on the direction and security provided by the state government’s County of Cumberland plan.
Unfortunately for the council, the New South Wales had abolished the County of Cumberland in December 1963 twelve months before the opening of the new building.
The state government had removed the security of the existing planning framework on which the council had initially been based its decision to proceed with the new building.
Yet the minister continued to re-assure Campbelltown Council of its position at the opening of the administration building in November 1964. (Campbelltown-Ingleburn New, 1 December 1964)
The rosy future of Campbelltown spoken about by the minister and the mayor was not quite as secure as they might have presented it to the community.
Upbeat statements by the mayor and minister encapsulated the elements that eventually foreshadowed dark clouds gathering on the Campbelltown planning horizon.
In the end the storm clouds that gathered around the planning processes rained down on the Campbelltown area in the late 1970s and early 1980s, creating much angst for many in the community.
An important local icon
While the contested nature of the planning regime gave many in Campbelltown severe heartburn in the late 1970s and early 1980s, the city was left with an iconic mid-century moderne marvel.
Designed by Sydney architects Davey, Brindley and Vickery in an Internationalist style the office building is a rare intact example in the area of this type of architecture in the local area.
The building retains much of its 1964 integrity with its clean lines and minimalist non-maintenance finish and functional design with the use of concrete, brick, glass and aluminium materials.
The office building is an essential marker of mid-20th century Campbelltown and a statement of intent by a council that felt that the town had a secure future as a Sydney satellite city.
A moderne architectural gem
Sydney architects Davey, Brindley and Vickery stated that the ‘sharp vertical lines’ of eight-storey building had a steel-encased frame and was built on piles with reinforced concrete floors connected by two high-speed lifts.
The International modernist design style had steel, glass and mass-produced materials as the main characteristic. The rooms had the full expanse of the width of the building with its clean lines supported by dull and shiny surfaces. (Campbelltown Ingleburn News, 1 December 1964)
A feature of the building was the entrance vestibule with a two-storey open atrium, which contained a floating stairway over an indoor garden. On the east side of the vestibule was a cast bronze multiplane historical mural by Bim Hilder mounted on a high exposed aggregate wall. (Campbelltown Ingleburn News, 1 December 1964)
The north wall of the foyer was faced with black marble with contrasting white marble door jamb and scag-terrazzo floor. The architects noted that the two primary colours were black and white, which compared with the red cedar-lined ceiling under the mezzanine level. (Campbelltown Ingleburn News, 1 December 1964)
The stairs to the first level were black scag-terrazzo with a black anodised aluminium balustrade with clear glass panels. On the first floor, the panelled cedar walls contrasted with contrasting black and white colouring. (Campbelltown Ingleburn News, 1 December 1964)
The architects stated that the building was finished in non-maintenance materials. The exterior charcoal colouring of the building contrasts with a black anodised aluminium building. The sun-blades were heavy baked enamel with infill walls of dark brick. (Campbelltown Ingleburn News, 1 December 1964)
The 1964 International modernist building created quite a precedent in the small country town of Campbelltown, where the local community leaders were confidently predicting a bright future.
I would like to thank the Local Studies Librarians at Campbelltown City Council Library for their assistance in the completion of this post.
In the Camden village, James and William Macarthur named streets after themselves and their supporters. They include John Street, Macarthur Road, Elizabeth Street, Edward Street, Broughton Street, Exeter Street, Oxley Street, Mitchell Street. The Macarthur family and funded the construction of St John’s church on the hill and donated the surrounding curtilage.
The village was strategically located at the Nepean River ford where the first Europeans crossed the river. By the 1820s the river crossing was the main entry point to Macarthur brothers’ Camden Park Estate, the largest gentry property in the area.
The situation of the village on the Great South Road re-enforced the Macarthur brothers economic and social authority over the countryside.
The river crossing was one of the two northern entry points to their realm of Camden Park Estate, the other being at the Menangle. Menangle later became another private estate village.
The Macarthur village of Camden would secure the northern entry to the family’s Camden Park estate where the Great South Road entered their property. By 1826 the river ford was the site of the first toll bridge in the area.
None of this was new as the river crossing had been the entry into the Cowpastures reserve declared by Governor King in 1803. The site was marked by the police hut in the government reserve at the end of the Cowpasture track from Prospect.
English place names, an act of dispossession
The Camden village was part of the British imperial practice of placing English names on the landscape. The name of the village is English as is the gentry estate within which it was located – Camden Park.
English place names were used in the area from 1796 when Governor Hunter names the site the Cow Pastures Plain. The Cowpastures was a common grazing land near a village.
Under the aims of the colonial settler project, as outlined by Patrick Wolfe and later LeFevre, the new Europeans sought to replace the original population of the colonised territory with a new group of settlers.
Hunter’s naming of the Cowpastures was the first act of expropriation. Further dispossession occurred with the government reserve, and later Governor Macquarie created the government village of Cawdor in the centre of the Cowpastures.
The Europeans seized territory by grant and purchase and imposed more English place names in the countryside, and created a landscape that mirrored the familiarity of England.
The colonial settlers brought Enlightenment notions of progress in their search for some kind of utopia.
The Macarthur private venture village was located in a landscape of self-style English gentry, and their estates interspersed with several small villages.
The gentry estates and their homestead and farm complex were English style village communities. One of the earliest was Denbigh (1818).
The oligarch-in-chief was Camden Park’s John Macarthur.
The Europeans used forced labour to impose English scientific farming methods on the country.
On the left bank of the Nepean River were the gentry estates of Camden Park along with Brownlow Hill. On the right bank were the gentry properties of Macquarie Grove, Elderslie, Kirkham and Denbigh and several smallholders.
The village of Stonequarry was growing at the southern limits of the Cowpastures at the creek crossing on the Great South Road. The village was located on the Antil’s Jarvisfield and later renamed Picton in the 1840s.
The picturesque Cowpastures countryside greeted the newly arrived Englishmen John Hawdon from County Durham. In 1828 Hawdon became the first person to put in writing that the Cowpastures area reminded him of the English countryside when he wrote a letter home.
The progress and development of the country town
The Enlightenment view of progress influenced the Macarthur’s vision for their Camden village. They sought to create an ideal village community of yeoman farmers and sponsored self-improvement community organisation including the School of Arts.
The architectural styles of the town centre shine a light on the progress and development of the Macarthur village. The architectural forms include Georgian, Victorian, Edwardian, Interwar moderne, Mid-20th century modern, and Post-modern.
The town centre served a host of functions for the community that are indicated by the types of land use in a country town. These include commercial, government, open space, industrial, transport, residential, religious, agricultural, amongst others.
The country town idyll and the appearance of heritage
Urban growth and the loss of rural countryside has encouraged a nostalgic desire for the past. This process had led to the evolution of the Camden, the country town idyll.
The heritage of the town centre is what the community values from the past that exists in the present. It is made up of tangible and intangible heritage, as well as multi-layered and multi-dimensional. The town centre story can is a timeline with many side shoots or a tree with the main stem and many branches.
Camden time traveller and the town centre
The living history of the town centre is evident at every turn. At every corner. A visitor can be a time-traveller into the past. A view along the main street is a view into the past.
There are many locations in our local area where a person can be a time-traveller into the past. The traveller can be a participant in the area’s living history, ‘simply by being present’.
These memories are a moving personal account of a childhood growing in Airds in the 1970s and 1980s.
This story from former Airds’ resident Fiona Woods acts a counterpoint to stories of despair and loss from these suburbs. In many ways, Airds was a suburb on the fringe of the world. Many residents were living on the edge and faced many challenges.
At the moment many Australian’s have felt a heightened sense of anxiety and need a little hope. Since the bushfires on Australia’s East Coast from September 2019 there are many grim stories.
The uncertainty and lack of control have continued into the Covid crisis, and many feel despair and at a loss. Fiona’s story provides a ray of sunshine in today’s shadows.
Fiona uses memory as a way of explaining the meaning of past events and peoples involvement in them. She has not created a meaningless collection of unrelated facts.
Fiona says, ‘Everyone has a story. It’s easy to think of our ancestors as names on a page or a black and white photograph of well-dressed, ‘serious people’.
‘But behind those images is a life that has been lived through both adversity and celebration. With love and pain and all that goes with being human. So many stories that have been untold’.
Fiona’s memories are about a suburb where some residents succeeded and others did not.
This is Fiona’s story and how hope can win through in the end.
Growing up in Airds
Growing up in a housing commission estate is not something that traditionally elicits feelings of pride and success. But for me, it does just that. I moved into Airds in 1977, when I was three years old.
My dad had suffered a traumatising work accident, one that would leave him with debilitating, lifelong injuries. My parents already had three small children and were expecting a fourth.
I can only imagine how difficult it would have been for them – Dad was in and out of the hospital, and Mum didn’t drive. Here was where their neighbours stepped in, and my earliest memories of the community began.
Back then, neighbours weren’t just people you waved to from the driveway. They were people you could count on, whether it be for food or childcare or even a simple chat over a cup of tea.
I grew up as part of a village, where a lady in my street took my sisters and me to our first gymnastics lessons. I developed friendships that have stood the test of time. I have even taught alongside my closest childhood friend, an experience that is something I treasure.
I laugh with my siblings that we can never shop with Mum in Campbelltown – she remembers everyone who lived remotely near us. But for her, it was the friendship she struck up with her new neighbour the day they both moved in that is the most special.
A friendship that has lasted for over 43 years. It still involves daily coffee catch-ups and phone calls.
I started Kindergarten at John Warby Public School, where I learned more than just academics. It was during this time that I experienced how the love of a teacher extends beyond the classroom.
I truly believe it was these experiences that led me to join the profession. I had so much to give back. I remember some of these teachers visiting our home to check in on our parents and even drive them to appointments.
They really took the home-school connection to a new level! I will be forever grateful for the investment they made in us and their belief that we would all succeed.
Living in Airds during the late 70s and early 80s was a time where friendships were built, and people stuck together. It was the freedom of riding bikes with friends until the street lights came on, building makeshift cubbies and performing concerts for the neighbours.
I can still remember the excitement of walking to the local shops with my sisters to buy a few groceries for Mum. The constant search for ‘bargains’ in the hope there would be twenty cents leftover to buy some mixed lollies.
To this day, I still can’t resist a markdown and resent paying full price for anything. Lollies aside, the mere act walking to the shops was an adventure. Teetering along with the giant concrete snake and pretending we were on a secret journey.
Our simple life ensured we had opportunities to use our imagination and explore the world around us, creating memories with our neighbours and friends.
But life wasn’t always easy. I remember eating dinner and seeing my parents eat toast because there wasn’t enough to go around.
By this stage, they were raising five children, including my youngest brother, who rarely slept for more than an hour each night. He became a case study for professors looking into hyperactivity disorders.
That was little comfort to my mum, who was also Dad’s primary carer, living on minimal sleep and a frugal budget. Yet she showed up every day, always reminding us about the power of education and instilling a true love of learning in us all.
What we lacked for in material possessions was made up by so much more. We learned to be resilient and grateful, and we learned to be kind. We continue to work hard in our chosen fields, always considering how we can help others.
One of the proudest moments for our parents was seeing all five children graduate from university. That and the ongoing pride they feel for their thirteen grandchildren, who love their Nan and Pop like no one else.
The roots that were planted back in those early days have been tended with such love and care.
Those trees continue to flourish, branching out into wonderful opportunities. I am forever grateful for the foundations my childhood was built upon.
And I proudly tell everyone about where it is I came from.
Daniel DraperFantastic story Eric Kontos, I am also a Proud Airds Boy moving their in 1977. My mother still lives in the same house. I always said growing up in Airds built character. We had a fantastic childhood and explored every part of the George’s River bushland. They where great days!
Frank WardWhat a great story and I have come across so many great similar accounts of growing up in Campbelltown and the estates.
Noting Fiona’s record that she and all her siblings got to go to University makes me particularly proud of the work my late sister Joan M Bielski AO AM who was a teacher but she devoted her life to the promotion of equal opportunity for women in education, politics and society. Her main work was to change the education system so that women got access as when she started at Uni only 25% of women got to Uni and then mainly in teaching now ove 56% of all graduates are women and more women are in political powerful positions This pandemic has been another example of the value of an educated female workforce as they have been on the frontline of this war on the virus so we can only hope that the government will give them equal pay instead of empty words that usually flow from the PM
Sam EganLove this, my family moved to airds in the late 70s, I started at John warby public, we moved when I was 7 or 8 to St Helens park, changed schools. 30+ years later after ending a long relationship i was set up on a date, who just so happened to be the boy who lived across the road from us at airds, who I used to walk to school with every day. His mom still lives in the same street. 15 years later and our own little boy we love going to visit, after all those years you realize how strong that little community is.
Leonie ChapmanWhat a fabulous article and account of the old days.
I grew up there from about 1978 and went to Briar Rd PS and then St Pats.
I have so many fond memories and close bonds that I made back then and still am lucky to have today
I have always been proud of my roots, especially the early beginnings of growing up in housing commission. You don’t need riches to be surrounded by love, hope and a desire to succeed.
I am honoured that my story was shared on the blog of local historian, Dr Ian Willis. I thought I’d share it with you all ❤
Tracey Seal WagstaffThank you for sharing this beautiful story Fiona Woods. I also grew up in Airds in the 70’s & 80’s I can honestly say that your story is just the same as many of us. Your words reflect the same community spirit of my upbringing in Airds where everyone had each others back. My mums house was like a halfway house everyone was welcome and the front door was always open to all. Those where the days. Riding in the streets, building jumps, having dance concerts, this was the way of life. We still have longtime friends from our neighbourhood that we still have contact with today after 40 years…
Wilfred J PinkGreat story and well deserved recognition Fi. Congratulations mate.
Linda HuntOh Fiona. This bought a tear to my eye. Beautiful words that ring so true. Life growing up in this neighbourhood is truly one to remember. Thank you. I’m happy I was able to read this on this day.
Patricia O’BrienAbsolutely gorgeous. What an outstanding view of the many children grew up in Airds. Two of my own children were brought up in Airds and also went to John Warby and they are both school teachers. So proud of how all my children grew up to be people who respect their families and friends.
Deborah LittlewoodOh Fiona, what an amazing story. Brings back so many wonderful memories with your beautiful family. I love so much that our friendship is as close as it was all those years ago. Us ‘Airds chicks’ certainly did ok for ourselves.
Deborah LittlewoodFiona Woods my favourite part of your story ❤️.
I always remember your mum did so much for everyone else and now you and your daughters are exactly the same. Always putting everyone else before yourselves.
Raylene NevilleNaw, that was beautiful x
I was a housing commission kid too! I remember that we had a blue fridge!
Jeff WilliamsPretty good writing for a teacher! 🙂 I love waiting for people bagging out housing commission and then letting it be known I grew up there!
Valeska SpratfordJeff Williams the classic old John Warby PS uniform. Little do people know that this low-socioeconomic school gave us free dental and some of the best memories of our lives. C’town represents. . . . .Airds 4Eva 😉
Cass BienBeautiful! I also grew up in Housing Commission, we had great neighbours too and I met my best friend at 8 yrs old, still besties today. So grateful for these times. xx Your story is lovely. 😊
Caf AirsGreat story showing what family, community and education can achieve.
Melissa SalterBeautiful words Fiona, it is a true depiction of many of us “Airds” kids of that era, great community and John Warby was definitely a major part of all of our success
Fiona WoodsJeffrey R Williams thanks Dad. And thanks for always believing in us and for never giving up on us, even when we made mistakes and stupid decisions in our lives.
We knew we could always count on you and Mum.
I can even laugh now about how you joked about karma when I cried to you about the horror of having 3 teenage girls 😂
Noleen SpencerGreat job , we also came from humble beginnings, not much money but plenty of love to go around , we appreciated every little blessing and was always taught it cost nothing to smile and to lend a helping hand. I’ve always said to my children , you don’t have to be the best , you just have to try your best .
Louise CounsellThat was moving. Your family was so rich in the things that mattered
Cathy HarleFiona, you had the very great privilege of growing up in a home full of love and values with your sisters and brothers, and each one of you have instilled those values in your own children – you can all be very proud of yourselves 💕
Harder Karen IanBeautiful and well written Fiona and as auntie Noleen said, we also come from a large family, one income earner, little money and a lot of bad health issues but there was also plenty of love and we always appreciated what little we had. I am so grateful for everything and for how all of our beautiful children turned out, I am I only very sad our dear mum and dad didn’t live long enough to see how all their beautiful grandchildren turned out. Your mum and dad did such a good job raising such a beautiful family and I can clearly see you are all doing the same with your own families. Much love 😘😘❤❤
Salome Mariner BorgI love this so much! 💙
So well articulated that I could just feel the love and could picture everything as if it were a movie..actually, why not turn it into a movie ☺️👌
Thanks for sharing xx
JoJo AxeWill always be thankful for our humble beginnings and everything our families have done for each other. That beautiful special friendship like no other that our Mum’s have, the joy and support they give to one another is amazing. Something to be very grateful for 😘
Amy LouThank you for sharing this. An inspiring story with some aspects that remind me of my own childhood. ❤️
Michelle HalloranLove your story Fiona. Thank you so much for sharing! Eplains why you are such an amazing teacher and person 🤗 We moved into a housing commission place at Ambarvale in 1981 when I was 6, the neighbours were awesome their too! So many great memories growing up there. Freedom to roam the neighbourhood on our bikes, visiting 5 or 6 friends on a Saturday, Mum and Dad having no idea where I was until I arrived home before dark! Sadly it’s a different world now.
Stephanie ComptonThat story is beautifully written. I can really feel your heat’s journey and the feel of family and community… which has helped make you the amazing woman and mother you are today! xoxo
Recently I came across an article about the future of the Airds shopping mall in the Macarthur Chronicle headed ‘Dilapidated centre set to be transformed’. It stated:
A wrecking ball could be swinging towards a dilapidated shopping village. The grand plans propose to demolish Airds Village shopping centre, on Riverside Drive, and replace it with a $21 million centre.
A sad story of decay and neglect
The imminent demolition of the decaying and neglected Airds shopping mall is a sad indictment of the dreams of many and the ultimate demise of the 1970s Macarthur Growth Centre.
The shopping mall is an example of urban decay in the middle of our local suburbia. It is a failure of modernism and the town planning utopia of city-based decision-makers.
Local confidence saw the construction of the 1964 modernist council chambers and in 1968 the declaration of city status, electrification of the railway and the announcement of Sydney Region Outline Plan by the state government.
The Radburn principles were applied to five public housing estates that were developed by the Housing Commission of New South Wales in the Campbelltown area between 1972 and 1989. The other four estates were Macquarie Fields, Claymore, Minto and Ambervale.
The design concept originated from the town of Radburn in New Jersey in 1928 and reflected the optimism of American modernism around the motor car and consumerism.
Houses were developed ‘back-to-front’ with the front of the house facing a walkway or green open space and the back door facing the street. This meant that there was a separation of pedestrians and cars, with a large communal open area centred on the walkways between the rows of houses. This resulted in a streetscape consisting of rows of high blank fences enclosing backyards.
Travis Collins from the University of New South Wales argues that the Radburn principles were initially designed for aspirational upper-middle-class areas and their desire for a garden suburb, where pedestrian walkways and common areas linked across the estate. These areas were expected to be the centre of neighborhood life without the need for a car.
Radburn watered down
The suburb of Airds, and other Campbelltown public housing estates, started off with grand plans that evaporated over time due to: changes of government; cost-cutting; abolition of government instrumentalities; and neglect. This resulted in a ‘watered down’ Radburn vision.
The public housing estates did have extensive open space which was true to Radburn principles. Yet there were compromises and the Housing Commission built townhouses that were counter to the Radburn concept.
The tracts of open space became wastelands of neglect and vandalism that were poorly provisioned and maintained by the Housing Commission with a lack of privacy and security. The back lanes and streets were isolated, lacked security and resident surveillance and were sites characterised by dumped rubbish and graffiti.
The estates were populated with high numbers of single-parent families who suffered from high levels of social exclusion, unemployment, and low incomes.
Collins argues that the Radburn principles were a failure and contributing factors included: poor surveillance of the street by residents because of high rear fences fronting the street; anti-social behaviour along the walkways and open space areas; and the low socio-economic status of residents.
The failure of the Radburn scheme was finally recognised by the authorities in the early 2000s. They acknowledged that: the design was unsuitable for concentrated public housing estates; they created confusing neighborhoods with unsafe walkways, poor car access, and poor surveillance of areas of open space; the poorly constructed housing stock became run down and dilapidated; the housing stock was infested with termites. Some of these issues were reflected in Airds and the shopping mall from the mid-1970s.
Memories of hope
In the 1970s I taught at Airds High School adjacent to the shopping mall and my memories are mixed. Young people who came from dysfunctional backgrounds, yet their resilience allowed them to rise above it, grow and mature into sensible young adults. This process is supported by the life experience of former Airds resident Fiona Woods (Facebook, April 2020) who grew up in Airds in the 1970s and 1980s. She says:
I have the best memories of Airds, especially that shopping centre. Riding our bikes to buy lollies. Growing up in Airds in the 70s was very communal. I loved it. I arrived at Airds in 1977 when I was 3 and lived there until 1984. I went to John Warby [Public School]. There was such a strong sense of community. My mum met her best friend when they moved into their new houses in Airds. They have been friends for over 40 years and still speak daily.
Fiona tells the story of her sister who taught at Airds High School in the 1990s. She found the teaching experience challenging, as I did 20 years earlier, yet the youngsters were confident, grounded and without airs and graces.
Similarly I found Airds school children had a refreshing unsophisticated innocence that was generated by difficult circumstances. They were unpretentious and you quickly knew where you stood with them teaching in a classroom that was always full of unconfined energy. You always had classroom ‘war stories’ and I said that this is where I did my ‘missionary work’.
Bogans galore and more
The Airds shopping mall is a metaphor for what happened to Campbelltown between the 1970s and the present. It represents the collision of modernism and neoliberalism in place. The optimism of the 1960s contrasting with the despair of the 1980s.