The Burragorang Valley is one of those lost places that people fondly remember from the past. A place of the imagination and dreaming where former residents fondly re-tell stories from their youth. These places create powerful memories and nostalgia for many people and continue to be places of interest. They are localities of myths and legends and imminent danger yet at the same time places of incredible beauty.
One of these people is artist Robyn Collier who tells her story this way:
The Burragorang Valley is the picturesque valley that was flooded in the 1950s to make way for a permanent water supply for the growing city of Sydney. What was once a thriving valley of guest houses, farms and other small industries no longer exists. Residents were forced to leave their precious valley, livelihoods were lost, people dispossessed with only a small compensation. The homes and buildings were demoloshed the land stripped of vegetation. That Valley is now called Lake Burragorang. I have been fortunate enough to have had a very long history with what is left of this beautiful area – a history I thought I had left behind 30 years ago.
Robyn Collier was taken on a journey back to the valley in recent years and this prompted to create a number of works of arts. She writes that it is a
It has been a journey I never thought I would ever make again – and yet, here it is.
Robyn created an exhibition of her works in 2018 and her memories of the valley.
In 2006 Radio National examined the loss of the valley to the Europeans who had settled there over the decades. The notes that support the radio programme state:
In the 1930s and 40s, NSW was experiencing a bad drought, and during the war years planning began in earnest for the building of Warragamba Dam. The site of the dam meant that the 170 residents who called the Burragorang Valley their home would need to leave, either because their properties would be submerged by the dam’s waters or because they would be cut off from road access.
Although protest meetings, petitions and deputations to local members of parliament called for the dam to be stopped, it went ahead regardless. Throughout the 1950s, the Sydney Water Board bought up properties in the area or resumed land that was needed for the catchment area. Houses were pulled down and the valley cleared of trees and vegetation in preparation for the completion of the dam in 1960.
The Burragorang was also a popular holiday spot and was renowned for its guesthouses, where Sydneysiders could come for a weekend to go horse-riding and bushwalking and attend the many dances that were on offer. However, by the 1940s, city planners were already talking about one of the most pressing issues facing Sydney – the provision of a secure water supply – and the Burragorang Valley was earmarked as the site for a new dam.
The Gothic nature of the Burragorang Valley
Gothic is a term that has been applied to many things from art to landscape to architecture. The Gothic novel is one expression of this genre and Lauren Corona has written that
The Gothic novel was the first emergence of Gothic literature, and was sometimes referred to as the Gothic romance. These kinds of novels were characterized by elements of horror, suspense and mystery. Gothic novels attempted to find understanding through exploring the darker side of life. They often contained ruined old buildings, wild landscapes, good and handsome heroes, terrified heroines and, of course, an evil character. Arguably the most famous Gothic novel is Mary Shelley’s ‘Frankenstein.’
Gothic architecture usually refers to the large medieval cathedrals that were build across Europe between 12th and 16th centuries. These imposing and grand buildings have special religious and spiritual meaning to the history of Christianity. Gothic architecture usually includes abbeys, churches, castles, palaces, town halls, guild halls, universities and smaller buildings. The style appeals to the emotions and the powerful grandeur of these buildings.
Gothic places possess a duality of beauty and grandeur combined with evil and danger. That is their attraction. Mountain areas are typical of this with their soaring grandeur and risk of imminent death.
It is these characteristics that can be drawn out in the wild grandeur of the Burragorang Valley with its soaring cliffs and breath-taking vistas that create a magnificent natural landscape. There is also the sense of danger from frequent floods, secret gorges, isolation and difficulty of access.
The Burragorang Valley has captured the hearts of many folk over the years and stories have been told about the area from the Dreamtime.
Some of the early photographs of the Valley hint at the Gothic nature of the area. Here one image that expresses some of these characteristic of the Gothic – the picturesque and the dangerous:
The many visitors to the Valley were attracted by the Gothic elements within the landscape. One example from 1941:
It is these characteristics that made the area a popular tourist destination during the Interwar years of the 20th century. Many of the Europeans settlers built guesthouses and accommodation for visitors from Sydney and beyond.
It is not often that the historian can get a view into the past through the lens of the present in real time. I was able to this in Camden New South Wales recently at a photo shoot for the History Magazine for the Royal Australian Historical Society.
Photographer Jeff McGill and author Laura Jane were the participants in this activity. We all walked along Camden’s historic main thoroughfare, Argyle Street, which still echoes of the Victorian period. Our little group made quite a splash and drew a deal of attention from local women who swooned over the ‘gorgeous’ vintage dress worn by Laura Jane.
Mid-20th century enthusiast Laura Janes lives the lifestyle in dress, makeup and hairstyle and made the perfect foil for her History article on Sydney fashion, the David Jones store and their links to the fashion house of Dior. Laura Jane modelled her 1950s Dior style vintage dress in front of Camden’s storefronts that were reminiscent of the period. With matching handbag, gloves, hat, hairstyle, stiletto heels, and makeup she made a picture to behold captured by Campbelltown photographer Jeff.
Laura Jane encompasses the experience of the country woman going to town when Camden women would dress-up in their Sunday best to shop in Camden or catch the train to the city.
A city shopping expedition would entail catching the Pansy train at Camden Railway Station, then change steam trains at Campbelltown Railway Station, then another change at Liverpool Railway Station from steam train to the electric suburban service for Central Railway Station in Sydney. The suburban electric trains did not arrive at Campbelltown until 1968.
City outings for country women often happened around the time of the Royal Easter Show when the whole family would go to the city. The family would bring their prized horses and cattle to compete with other rural producers for the honour and glory of winning a sash. While the menfolk were busy with rural matters their women folk would be off to town to shop for the latest fashions for church and show balls or to fit out the family for the upcoming year.
Country women from further away might stay-over at swish city hotels like the up-market elegant Hotel Australia near Martin Place. These infrequent city outings were a treat and a break from the drudgery of domesticity and women would take the opportunity to combine a shopping trip with a visit to see a play or the Tivoli theatre.
The intrinsic nature of the city outings for country women were captured by the Sydney street photographers. They operated around the Martin Place, Circular Quay, Macquarie and Elizabeth Street precincts and are depicted in an current photographic exhibition at the Museum of Sydney.
The images of the Sydney street photographer captured of moment in time and their most prolific period was during the 1930s to the 1950s. The country woman would be captured on film as she and a friend wandered along a city street. They would be given a token and they could purchase a memento of their city visit in a postcard image that they could purchase at a processing booth in a city-arcade. The Sydney street photographer captured living history and has not completely disappeared from Sydney street.
Laura Jane, whose lifestyle encompasses the mid-20th century, in an expression of the living history movement in motion. The living history movement is a popular platform for experiencing the past and incorporates those who want to live the past in the present, aka Laura Jane, or relive it on a more occasional basis as re-enactors who relive the past for a moment. There are many examples of the latter at historic sites in Australia, the USA, and the UK.
The Camden photo shoot was an example how a moment in time can truly be part of living history where the photographer captures a glimpse of the past in the present. An example of how the present never really escapes the past.
The Art Deco Pub is an iconic part of country town Australia and there are some that have survived intact despite the tendency to tear them down.
One of the these pubs is located at Dungog, the Royal Hotel.
Tucked away in the quiet backwaters of the Upper William’s River Valley Dungog is a sleepy little town with an interesting present and a more interesting past.
The Royal Hotel is the fourth pub on the site and was rebuilt in an Art Deco style in 1939. This hotel has survived the waves of redevelopment that have struck the large urban areas. Luckily urban gentrification has not made it to this part of the world yet.
According to the Dungog Historical Society the first hotel on the site was a single storey timber construction in 1850 built by Alexander Donaldson. This was replaced by a two-storey rendered brick building in a Victorian Georgian style which had a shingle roof and a upper balcony. Initially known as the Durham hotel is was later called the Royal. This building was demolished in 1912 and rebuilt in a Federation style.
The pub is indicative of better times for the town when the dairy industry was in full bloom from the 1890s and city investors saw a future in these rural communities. The town had a small building boom in the 1930s with a number of fine homes built with a new Catholic Church and bank buildings. The construction of the Chichester Dam in the 1920s created a prosperous time for the town.
The six o’clock swill and 6 o’clock closing drove the hotel design. It is typified by an efficient delivery of beer to customers in the shortest possible time. The bar area is tiled and can be hosed out after closing for ease of cleaning.
Six o’clock closing laws encouraged an endemic culture of binge drinking that was only re-enforced by licencing restrictions that were not overturned in New South Wales until the 1960s.
These type of Australian hotels like the Royal differ markedly from their British ancestry which were cosy and family friendly.
The typical Australian hotel, like the Dungog Royal Hotel, is two storeys high with accommodation upstairs and a spacious bar area downstairs.
The Royal Hotel is an imposing structure at 80 Dowling Street, the town’s main commercial street and thoroughfare. The hotel is typified by its clean efficient lines and utilitarian design with the paint-on-glass artwork and branding and advertising. These are an iconic part of the history of commercial design and artwork in Australia.
The Royal has typical rounded Art-Deco curved façade with added decorative elements. The classic influence of modernism. The hotel had a commercial kitchen and a flash dining room to serve the latest in moderne dishes to its country clients.
Tooth & Co had a significant expansion programme in the Interwar period and purchased a number of breweries and hotels. In the Lower Hunter Valley it acquired the Maitland Brewing Company in 1913 and a Newcastle brewery in 1921.
Tooth’s hotels were tied to the brewery to sell only Tooths product. This anti-competitive practice was banned in the 1970s.
Tooth & Co used architects Copeman, Lemont and Keesing to design the hotel, which they also did with many hotels of this period particularly in the Sydney area. The hotel builders were Field and Roach.
On completion of rebuilding in 1939 the hotel was a two storeyed brick structure with a fully tiled ground floor exterior and an asbestos sheet roof. The architectural style is known as P. & O. Ship Style because of its similarities to ocean liner forms.
In 1939 the Saloon Bar was described as
View of stools in front of a curved linoleum-topped bar faced with rectangular tiles. The room has a linoleum floor, walls partially tiled with square tiles, wall fans and spherical lights hanging from the ceiling. On the counter beneath a shelf light is a cash register and there are advertisements attached to the shelves for Tolley’s Hospital Brandy and for Skee Whiskey.
The public bar area is described as
View of curved linoleum-topped bar faced with rectangular tiles and in the background, the door to the Parlour. The room has a linoleum floor, walls partially tiled with square tiles, a wall clock and spherical lights hanging from the ceiling. On the counter is a cash register and there are a number of advertisements on the walls, including a poster reproduction of a pub painting by R. Weuban.
Campbelltown and surrounding areas have lost much in the way of their local heritage. Does anyone care and more to the point does anyone notice?
Heritage is what the community considers of value at present and is worthy of handing on to the next generation. It is a moveable feast and changes over time. What is important to one section of the community is of no value to another. And so it is with different generations of the one community. Many regret the loss of building from the past yet there were others who did not miss any of these buildings. This story clearly illustrates this trend.
The loss of Campbelltown’s heritage is part of the story of the urban growth of the town and surrounding area. Starting with the 1948 Cumberland Plan then the 1968 Sydney Region Outline Plan of which 1973 New Cities Structure Plan was a part. These plans set a path for a growing community and generated hope for some and loss for others. Campbelltown like other communities has gone through loss and renewal, and some are only interested in the new. Yet the need and yearning for a clear view of the past is part of the human condition where people need to honor and respect their ancestors and what did and did not achieve.
Andrew Allen has started to detail the loss of Campbelltown heritage buildings that coincided with a period of incredible urban growth the Campbelltown LGA in his history blog The History Buff. This blog post details just some of the buildings that have been lost. There have been many others as well.
Lost Buildings of Campbelltown
Marlows Drapery Store, Campbelltown
Retailing in Campbelltown has changed over the decades. There has been a transition from the family store to the mega-malls of today. One family store was Marlow’s Drapery Store.
Andrew Allen writes:
The demolition one quiet Sunday morning in 1981 of an old curiosity shop divided Campbelltown. The shop was built in 1840 and was once owned by former mayor C.J. Marlow who used it as a drapery. It stood between Dredge’s Cottage and the old fire station and Town Hall Theatre.The last owner of the building was Gladys Taylor.
Bradbury Park House, Campbelltown
Andrew Allen writes:
In 1816 Governor Macquarie gave a grant of 140 acres to Joseph Phelps who sold it to William Bradbury the following year. Bradbury Park House was built on this land in 1822.The house was located about 140 metres opposite where the town hall is located in Queen Street. Unfortunately Bradbury Park House was demolished in 1954.
Leameah House, Leameah
Leumeah House at 2 Queen St, Campbelltown (cnr Queen Street and Campbelltown Road) was constructed in 1826. The house was owned by the Fowler family for many years and Eliza Fowler lived there in the 1880s after marrying Joseph Rudd. John Warby was given a 260 acre land grant in 1816 which he called Leumeah. His house was demolished in 1963, but his old stable and barn still exist. Part of the site is now known as Leumeah Stables also known as Warby’s Barn and Stable which were constructed around 1816.
Andrew Allen writes:
Just south of the original Woodbine homestead, and adjacent to the old Sydney Road (since renamed Hollylea Road) there once stood an imposing landmark, Keighran’s Mill. John Keighran purchased the site in 1844 and in 1855 built the mill on the banks of Bow Bowing Creek. Percy Payten was the last member of the Payten family to own the mill. In 1954 he offered the mill to the Campbelltown and Airds Historical Society. The historical society also didn’t have enough funds at the time for its restoration. In 1962 the mill was dismantled and the stone was used in the building of the RAE Memorial Chapel at the School of Military Engineering at Moorebank, which opened in 1968.
Woodbine Homestead, Woodbine
While James Payten was living at Leppington Hall in 1873, he bought Woodbine – the remains of John Scarr’s early farmhouse – as a new family home.The homestead stood on Campbelltown Road (Sydney Road), just north of the bridge, which crosses the railway line.
James Payten and his wife, Sarah (nee) Rose, shared their home with her brother, Alfred Rose and his family. Rose died in 1951 and her aging Woodbine cottage was demolished in the 1960’s.
Ivy Cottage, 31 Allman St, Campbelltown
Some of the buildings that have been lost in Campbelltown have religious connections. One those is Ivy Cottage.
Andrew Allen writes:
Local storekeeper William Gilchrist purchased land in Allman Street and built Ivy Cottage on it for his brother, Rev. Hugh Gilchrist, a Presbyterian minister appointed in 1838 to take charge of Campbelltown and many other surrounding towns. The cottage became the Presbyterian Manse and served as such until about 1882. The cottage was demolished in the 1960s.
The Engadine, cnr Broughton & Lindsay Streets, Campbelltown
The Engadine was built in 1924 by Minto grazier Kelvin Cuthell and designed by local architect A.W.M. Mowle.
Mowle lived at the family farm of Mount Drummond at Minto. He enlisted in the Australian Flying Corps in 1915 with the rank of Lieutenant and returned in 1918. In the 1920s he lived in 44 Wentworth Road, Burwood. In 1926 he supervised renovations, additions and painting of a weatherboard cottage in Campbelltown and in 1929 supervised the construction of shop and residence (SMH).
Kelvin Cuthell married Daphne Woodhouse in 1924 and moved into The Engadine. Kelvin Cuthel died in 1930 and after Daphne died in 1945, her sister Iris moved into the house, remaining there until her death in the 1970s. The house was demolished in 2012.
Milton Park, Ingleburn
Built in 1882 by hotelier David Warby. By 1909 it was owned by Thomas Hilder, manager of the silver mines at Yerranderie in the Burragorang Valley. Later this century it fell into disrepair and the owner, Campbelltown Council, demolished it in 1992 after being unable to secure a financial offer for the building.
Rosslyn House, Badgally Road, Claymore
Marie Holmes writes that she believed the house to be built in the 1860s. Samuel Humphreys purchased two lots of land from William Fowler in 1882 which included the land and house. The house was in the hands of the Bursill family for much of the 20th century.
Andrew Allen writes:
In 1970 the property was sold to the State Planning Authority who in turn transferred it to the Housing Commission for the development of Claymore suburb. The house was left vacant, fell into disrepair and was damaged by fire in the mid 1970s. It was demolished in the late 1970s.
Silver Star Garage, Queen Street, Campbelltown
Charles Tripp operatted the Silver Star Garage on the corner of Queen and Dumaresq Streets, Campbelltown. The Tripp family operated a variety of businesses on the site. In the 1880s there was a blacksmith and wheelwright shop, hired horses and sulkies and operated a mail coach. After the First World War the business changed to sell and service motorbikes, and later serviced motor cars and sold petrol. In the 1920s he sold radios and broadcast radio programmes from the store. The garage was still operating commercially in the 1940s. The premises were demolished in 1966.
Hotels are an ancient institution offering hospitality for the traveller. They provided comfort and shelter, a place to do business, a place to create wealth, a meeting place and a place to rest. In the past they have provided warmth, safety and a good meal from the elements. Hotels in Campbelltown did all of this and their loss has been a tragedy to many from the local community. Some of the hotels that are no longer with us include these listed here.
Royal Hotel, Cnr Railway and Hurley Streets, Campbelltown
The Royal Hotel was originally known as the Cumberland Hotel in the 1880s and became the Royal Hotel in the 1890s. Between 1899 and 1905 the licencee was Thomas F Hogan. Between the 1920s and the 1970s the premises were owned by Tooth & Co. The Royal Hotel was demolished in 1986 and suffered the fate of many heritage icons in Campbelltown and elsewhere.
Andrew Allen writes
The hotel was demolished in the pre-dawn hours of Sunday morning July 6, 1986. Newspaper reports described how at 5.30am council workmen first set up safety barriers around the hotel. By 6am a massive Hitachi caterpillar-tracked back hoe commenced clawing the building down and by evening most of the remains had been removed from the site. Council needed to widen Hurley Street and unfortunately the Royal Hotel was in the way of this.
Lacks Hotel, Cnr Queen and Railway Streets, Campbelltown
Lacks Hotel was located on the corner of Queen and Railway Streets and over the years was part of the complete re-development of Railway Street.
Andrew Allen writes:
Built by Daniel Cooper in 1830 as the Forbes Hotel, in 1901 it was refurbished and renamed the Federal Hotel. The license was transferred to Herb Lack in 1929 and it became Lack’s Hotel. After Herb’s death in 1956, his son-in-law and daughter Guy and Tib Marsden took over. Lack’s Hotel was demolished in 1984. A modern commercial building including a modern tavern now take its place.
Jolly Miller Hotel, Queen Street, Campbelltown
Hotels continued to disappear from the Campbelltown town centre. The buildings might still exist but they changed to other uses for other purposes. One of those was the Jolly Miller Hotel.
Andrew Allen writes:
The Jolly Miller Hotel was built in the late 1840s at the southern end of Queen Street opposite Kendall’s Mill. The hotel was opened by George Fieldhouse who had followed his convict father to New South Wales in 1828. George’s two sons William and Edwin Hallett opened a general store next to the hotel in 1853. This building, which later became the offices for the Campbelltown and Ingleburn News, is still standing opposite McDonald’s restaurant in Queen Street.
Campbelltown continues to grow and renew. Some of that renewal is high quality and other parts of it will disappear with time and be completely forgotten. A clear view of the past is necessary to understand the present. It provides a perspective to life and the human condition. People have a yearning for their story to be told by those who come after them. They want to be remembered and want to leave a legacy. This blog post is part of the Campbelltown story and is attempting to tell Campbelltown’s past.
The 1880s police station was demolished in 1988 after ceasing operations in 1985 when it became too small for the growing Campbelltown population. The new police station was build on an adjacent site in Queen Street.
Andrew Allen writes:
The police station was built in typical late nineteenth century style for police stations. It had cast iron brackets decorating its ten verandah columns. To the north of the station were the cell blocks and stables. These cell blocks were linked to the courthouse in Queen Street by a tunnel. A police sergeant’s residence was situated next to the station until it was demolished in 1970.
New Book on Lost Campbelltown
The Campbelltown and Airds Historical Society has published a book of Lost Campbelltown (2018). The author of this great read is The History Buff blogger Andrew Allen who gives an excellent account of the built heritage that has been lost in the Campbelltown area. The book is 99 pages in full colour in an A4 format. The author outlines the stories of 61 buildings that have been demolished in the local area over the past 100 years. The buildings were a mixture of grand Victorians to humble slab and timber workman’s cottages. They range across the Europeans presence in Campbelltown and cover the Victorian, Edwardian, Interwar and Mid 20th Century periods. Modernism has much to answer for around their destruction along with the planning decisions linked the 1948 Cumberland Plan and the 1968 Sydney Region Outline Plan and the Three Cities Structure Plan that went with it.
The book is available from Campbelltown and Airds Historical Society and Campbelltown Library.
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