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Public art at Campbelltown brightens up the Queen Street precinct

Murals brighten up dull spaces around town

Keep your eyes open in central Campbelltown for inspiring public art installations that brighten up dull spaces around the town.

The Campbelltown Arts Centre, in conjunction with Campbelltown City Council and the NSW Government, have a program to re-invigorate the city centre using public art.

A screenshot of the public art webpage on the website of the Campbelltown Arts Centre. Each of the seven public art projects has a dedicated webpage with detailed descriptions of the artworks, what the artist was trying to achieve and the installation specifications. (CAC, 2023)

Public art positively affects the community and people’s self-esteem, self-confidence and well-being. Campbelltown Arts Centre has created a public art website to assist people in this process and shows several murals around the Queens Street precinct.

This blog has promoted the benefits of public art in and around the Macarthur region for some time now. There are lots of interesting public artworks around the area that are hidden in plain sight. This blog has highlighted the artworks and other artefacts, memorials and monuments that promote the Cowpastures region.

An exciting local example is the Campbelltown Campus of Western Sydney University is a vibrant sculpture space.

The public art program of the Campbelltown Arts Centre and Campbelltown City Council is creative, innovative and inspirational. It is playful yet takes a serious approach to a contemporary problem, urban blight.

Urban blight hits a once-vibrant retail precinct

Campbelltown’s urban blight originates in the 1973 New Cities of Campbelltown Camden Appin Structure Plan and the creation of the Macarthur Growth Centre.

The cover of the New Cities of Campbelltown Camden Appin Structure Plan (State Planning Authority of NSW, 1973)

These urban planning decisions came from the 1968 Sydney Regional Outline Plan of the NSW Askin Coalition Government.

Sydney-based planning decision created tensions between Campbelltown City Council and the Macarthur Development Board around what constituted the city centre. The Queen Street precinct, supported by the council, gradually declined in importance as a retail area as newer facilities opened up.

Queen Street could not compete with the new shopping mall Macarthur Square opened in 1979 by the Hon. Paul Landa, Minister for Planning and Environment in the Wran Labor Government.

High-value-added retailing deserted the Queen Street precinct and became populated by $2-shops and op-shops.

Campbelltown’s sense of place and community identity has taken a battering in the following decades.

Reinvigoration of the Queen Street precinct

The public art program at the Campbelltown Arts Centre is trying to ameliorate the problems of the past through community engagement in art installations.

In 2022 Mayor George Griess said

The murals would enhance the local streetscape and make the area more welcoming to residents and visitors.

“The first mural is located at one of the entrances to the CBD and will add a new element to our public domain,” Cr Greiss said.

“It’s important that works to the Queen Street precinct enhance the current amenity to build pride among residents and make the area more attractive to people visiting our city,” he said.

https://www.campbelltown.nsw.gov.au/News/CBDmurals

The mayor referred to an art installation created by Campbelltown street artist Danielle Mate ‘Raw Doings’ in Carberry Lane. The Arts Centre website states:

This vibrant and bold artwork comprises many shades of blue and purple, and is inspired by aerial views of Country and the Australian landscape.  

https://c-a-c.com.au/raw-undoings/

The mural ‘Raw Doings’ by street artists Danielle Mate was commissioned by Campbelltown City Council in 2022 (Document Photography/CAC 2022)

 In 2022 the Campbeltown City Council commissioned ‘Breathing Life / Bula ni Cegu / Paghinga ng Buhay’ by artists and designers Victoria Garcia and Bayvick Lawrance.

The Arts Centre website states:

 ‘Breathing Life’ is a celebration of Campbelltown’s thriving Pacific community, and the extensive connections between people, plants, animals and all living things.

https://c-a-c.com.au/breathing-life/

The mural ‘Breathing Life’ by artists Victoria Garcia and Bayvick Lawrance in 2022 and was commissioned by Campbelltown City Council (Document Photography/CAC 2022)

In 2012 Campbelltown City Council commissioned a mural board across the bus shelters at Campbelltown Railway Station supervised by Blak Douglas in Lithgow Street called ‘The Standout’. The art installation is the work of 28 artists across 70 panels with a full length of 175 metres.

The Arts Centre website states:

The Standout pays homage to the Dharawal Dreamtime Story of the ‘Seven Eucalypts’, and Douglas’ previous photographic series of deceased gums standing alone within landscapes and casting shadows within urban facades.

https://c-a-c.com.au/the-standout-by-blak-douglas/

The ‘Stand Out’ mural by Blak Douglas is located in Lithgow Street Campbelltown along the bus shelters outside Campbelltown Railway Station. The work was commissioned by Campbelltown City Council in 2012. (Black Douglas/CAC 2012)

The public art installation ‘Three Mobs’ by Chinese-Aboriginal artist Jason Wing was commissioned by Campbelltown City Council in 2022. The mural is located on Dumersq Street and Queen Street, the south side of the 7Eleven wall, and features a rainbow serpent as an intersection of cultures.

The Arts Centre public art website states:

Aboriginal culture reveres the rainbow serpent as the creator of all things on Earth. Chinese culture understands serpents to be a symbol for luck and abundance, and a highly desired zodiac sign.  

https://c-a-c.com.au/three-mobs/
Three Mobs mural by artist Jason Wing in 2022 commissioned by Campbelltown City Council (Document Photography 2022)

So what is public art?

Camden Council defines public art as:

Defined as any artistic work or activity designed and created by professional arts practitioners for the public domain, Public Art may be of a temporary or permanent nature and located in or part of a public open space, building or facility, including façade elements provided by either the public or private sector (not including memorials or plaques).

Public art can….

  • make art an everyday experience for residents and visitors
  • take many forms in many different materials and styles, such as lighting, sculpture, performance and artwork
  • be free-standing work or integrated into the fabric of buildings, streetscapes and outdoor spaces
  • draw its meaning from or add to the meaning of a particular site or place.
https://yourvoice.camden.nsw.gov.au/public-art-strategy

Why does public art matter?

On the website Americans for the Arts (2021) it states:

Public art humanizes the built environment and invigorates public spaces. It provides an intersection between past, present and future, between disciplines, and between ideas.

https://www.americansforthearts.org/sites/default/files/PublicArtNetwork_GreenPaper.pdf

The paper maintains that public art has the potential to reinvigorate public spaces and add to their vibrancy. It states:

Throughout history, public art can be an essential element when a municipality wishes to progress economically and to be viable to its current and prospective citizens. Data strongly indicates that cities with an active and dynamic cultural scene are more attractive to individuals and business.

https://www.americansforthearts.org/sites/default/files/PublicArtNetwork_GreenPaper.pdf
The statue of Elizabeth Macquarie by artist Tom Bass in Mawson Park in the Campbelltown CBD on Queen Street. The statue was commissioned by Campbelltown & Airds Historical Society in 2006 and cost $75,000. (Wikimedia)

What is the purpose of public art?

The Association for Public Art (2023) website says:

Public art can express community values, enhance our environment, transform a landscape, heighten our awareness, or question our assumptions. Placed in public sites, this art is there for everyone, a form of collective community expression. Public art is a reflection of how we see the world – the artist’s response to our time and place combined with our own sense of who we are.

associationforpublicart.org/what-is-public-art/

Public art can be found in the most unusual places. In this case, this is a statue of a boy at Emerald Hills Shopping Centre Leppington. The statue memorialises the St Andrews Boys Home that once was located on the Emerald Hills land release site. (I Willis 2021)

To continue the story of Campbelltown, this is an excellent overview by local author Jeff McGill with many fascinating images of past and present times. (Kingsclear Publication, 2017)

Updated 17 May 2023. Originally posted on 16 May 2023 as ‘Public art at Campbellton brightens up a dull space’.

https://doi.org/10.17613/546c-t984

Art · Attachment to place · Belonging · British colonialism · Camden · Camden Mayor · Colonial Camden · Colonial frontier · Colonialism · Commemoration · Cowpastures · Cultural Heritage · Cultural icon · Frank Brooking · Frontier violence · Heritage · History · Legends · Local History · Local Studies · Macarthur region · Memorial · Memorials · Memory · Monuments · Myths · Parks · Place making · Placemaking · Public art · Sculpture · Sense of place · Settler colonialism · Settler Society · Storytelling · Uncategorized · Urban development

Governor Hunter, a Cowpastures memorial at Mount Annan

Governors Green Heritage Park, Mount Annan

Hidden out of the way in the back streets of Mount Annan is a memorial to Governor Hunter.

This memorial is located in the Governors Green reserve in Baragil Mews, Mount Annan.

The view of the entrance off Baragil Mews to Governors Green Heritage Park at Mount Annan with the statue of Governor Hunter in the distance. The park is set in a bush reserve adjacent to residential housing. (2022 IW)

This is another hidden and largely forgotten memorial to the Cowpastures in the local area.

A bronze statue of Governor Hunter is at the centre of a circular colonnade with artworks celebrating the Cowpastures.

The land developer AV Jennings commissioned Lithgow sculptor and artist Antony Symons (1942-2018) in 1995 to construct the work.

The view of the statue of Governor Hunter as you approach it from Baragil Mews. The statue is at the centre of a circular colonnade with other parts of the artwork on the fencing. (IW 2022)

Governor Hunter and the Cow Pastures

The story of the Cowpastures begins in 1787 with the First Fleet and HMS Sirius, which collected 4 cows and 2 bulls at the Cape of Good Hope on the way out to New South Wales. After they arrived in the new colony, the stock escaped within 5 months of being landed and disappears.

In 1795 the story of the cattle is told to a convict hunter by an Aboriginal, who then tells an officer and informs Governor Hunter. Hunter sends Henry Hacking, an old seaman, to check out the story. After confirmation Governor John Hunter and Captain Waterhouse, George Bass and David Collins headed off from Parramatta, crossing the Nepean River on 17 November 1795. They find good farming land covered with good pasture and lagoons with birds. After climbing a hill (Mt Taurus), they spotted the cattle and named the Cowpastures.

Governor  John Hunter marked area on maps ‘Cow Pasture Plains’ in the region of Menangle and elsewhere on maps south of Nepean.  The breed was the Cape cattle from the First Fleet, and the district was declared out of bounds to all by 1806; the herd had grown to 3,000.

British colonialism and a settler society

Governor Hunter was part of the settler society project and the country’s dispossession of First Nations people. Hunter was a representative of British imperialism and how it implemented its policies on the colonial frontier of New South Wales.

The Cowpastures was a site of frontier violence and the displacement and dispossession of Indigenous land in the early 19th century.

Governor Hunter Statue

The statue of Governor Hunter in Governors Green Reserve at Mount Annan. The statue was commissioned by land developer AV Jennings and Lithgow sculptor Antony Symons was engaged to complete the artwork in 1995. (2022, I Willis)

Plaques below the Governor Hunter statue

The plaque on the plinth at the base of the Governor Hunter statue celebrates the reserve’s opening in 1995. (2022, I Willis)

Plaque inscription

Governor’s Green Heritage Park was presented to the people of Camden by AV Jennings and was officially opened by the Mayor of Camden Councillor FH Brooking on the 6th April 1995 in celebration of the centenary year of the discovery of the herd in 1795 at Cowpastures Camden.

Camden Mayor Frank Brooking

Frank Brooking served as Camden’s mayor from 1993 to 1997. Mr Brooking was a motor dealer whose business was located on the corner of Cawdor Road and Murray Streets and sold Morris and Volkswagon brands. Frank was a community-minded person who volunteered for the Rural Fire Service, Camden Rotary Club, Camden Show Society, Camden Area Youth Service and other organisations. He died in 2013 aged 74.

Plaque Governor Hunter statue

A plaque highlighting the history of the decision of Governor Hunter in 1795 to name the Cowpastures. The naming of the site was an act of dispossession of Dharawal country. Hunter was an agent of the British Colonial Office and its imperial interests in the settler society project of New South Wales. (2022, I Willis)

Plaque inscription

Governor John Hunter (1737-1821), Governor of New South Wales September 1795 – November 1799.

‘On the evening of my arrival…, I was directed to the place where the herd was feeding,… we ascended a hill, from which we observed an herd…feeding in a beautiful pasture in the valley I was now anxious to ascertain of what breed they were, whether natives… or the descendants of those we had so long lost, but in this attempt we were disappointed by being discovered and attached most furiously by a large and very fierce bull, which rendered it necessary for our own safety, to fire at him. Such as his violence and strength, that six balls were fired through, before any person dared approach him. I was now satisfied that they were the Cape of Good Hope breed…. offspring of these we had lost in 1788, at this time we counted sixty-one in number, young and old. They have chosen a beautiful part of the country to graze in…

Historical Records of Australia, Governor Hunter to the Duke of Portland, 21st December 1795.

AV Jennings.

Other elements of the artwork

Artwork by Antony Symons of a horned cow located on the collonaded surroundings of the Governor Hunter statue (2022, I Willis)

Artwork by Antony Symons of the Cowpastures on the colonnade surrounding the statue of Governor Hunter. The artwork comprises a settlers slab hut, Cumberland Woodland, and a farmer’s cart. The cart carries the artist’s signature. (2022 I Willis)

Artist Antony Symons’s signature is located at the bottom of the cart on the colonnade fencing. (I Willis, 2022)

A regal-looking Governor Hunter in full naval uniform. Hunter held the rank of Vice-Admiral of the Royal Navy and succeeded Arthur Phillip as the second Governor of New South Wales, serving from 1795 to 1800. The artwork was commissioned by land developer AV Jennings who engaged Lithgow sculptor Antony Symons. (I Willis, 2022)

Updated on 21 May 2023. Originally posted on 13 June 2022 as ‘Cowpastures memorial at Mount Annan’

Aesthetics · Argyle Street · Attachment to place · Belonging · Camden · Cultural Heritage · Cultural icon · Festivals · Heritage · Historical consciousness · Historical thinking · History · Jacaranda · Living History · Local History · Local newspapers · Local Studies · Macarthur · Macarthur Park · Sense of place · Streetscapes · Trees · Urbanism

Jacarandas trees in Camden

Camden’s purple haze

Walking around Camden streets, you will see the current flush of purples, mauves, lilac and lavender along Argyle Street, Broughton Street, John Street, and Macarthur Park.

Jacaranda tree in bloom in Argyle Street Camden outside colonial Commercial Bank building (I Willis, 2020)

People are entranced by the magic of the town’s ‘sea of lavender’ as Peter Butler from Sydney’s Royal Botanic Gardens has described the lavender haze at the Sydney gardens.

Jacarandas cause excitement amongst locals (Macarthur Chronicle, 5 November 2013)

Blooming jacarandas are regularly featured on the front page of local newspapers. (Macarthur Chronicle (Camden Edition), 5 November 2013)

Blooming jacarandas provide a purple carpet after a November shower and, in 2006, caused an unholy fuss in the local press.

What is all the fuss about?

 The Camden Chamber of Commerce proposed removing and replacing 33 jacaranda trees in Argyle Street with Manchurian pear trees in 2006. The chamber suggested that shopkeepers ‘take responsibility for their maintenance’. (Macarthur Chronicle, 24  October 2006)

The Argyle Street jacarandas, planted in 1927, showed the effects of age, pollution, compaction and other problems.

The Camden mayor, Chris Patterson and Deputy Mayor David Funnell wanted to know if the community supported their replacement. He posed the question in the press: Should Camden Council replace Argyle Street’s jacaranda trees?

The answer was loud and swift.

Mayor Patterson said, ‘People stopped me on the street, rang the council and my mobile phone, to give me their views’.

‘The overwhelming response has been the jacarandas should stay, but people want the council to give them some more love and care’.

Jacaranda blooms in Argyle Street in November (2019 I Willis)

A flood of letters

The Camden press was ‘flooded with letters’, and 90% of ‘our internet poll’ wanted to trees to stay.

Letter writer M Goodwin felt the removal of the trees was ‘frivolous and unnecessary’, and Ian Turner did approve of their removal. Bob Lester had mixed views; Mrs B Thompson said the council should attend to their health, and Kylie Lyons agreed. The sentiment of many was best summarised by L Jones of Cobbitty, who said, ‘The jacaranda trees are stunning in full bloom and should not be replaced’. (Macarthur Chronicle, 31 October 2006)

Camden resident Irene Simms started a petition, and the council commissioned a report on the state of the trees by arborist David Potts. Maryann Strickling felt that the trees were part of the town’s cultural heritage and wrote, ‘The jacarandas in Argyle Street are integral to retaining the heritage of Camden’s landscape’ (Camden Advertiser, 7 November 2006).

The letters in the local press kept coming, and a letter from Elizabeth Paparo was headed ‘Purple rain is a part of our history’ and felt ‘When the bloom of the Jacaranda tree is here, Christmas time is near!’. (Macarthur Chronicle, 14 November 2006)

The Potts report was presented to the council in 2007 and stated that the trees were ‘expected to live long and healthy lives’. (Camden Advertiser, 15 August 2007)

The fuss over the trees has continued on and off, and in 2018 several local business people organised the Jacaranda Festival, which has gained considerable attention in the media.

What is the appeal of jacarandas?

The appeal of the mauve-coloured jacaranda was best summarised by the 1868 correspondent for the Sydney Morning Herald.

This most beautiful flowering tree is a native of Brazil, and no garden of any pretensions can be said to be complete without a plant of it. The specimen in the Botanic garden is well worth a journey of 50 miles to see. Its beautiful rich lavender blossoms, and its light feathery foliage, render it the gem of the season. (SMH 5 December 1868)

SMH 5 December 1868

The jacaranda first appeared in Sydney around the mid-1860s. The Guardian newspaper has provided a quote from the Sydney Morning Herald of 1865

An account of the Prince of Wales’ birthday celebrations in the Sydney Morning Herald from 10 November 1865 describes admirers observing well-established trees: “Many enjoyed a stroll through the botanic gardens, which show the beneficial effects of the late rain; some of the most beautiful trees are now in luxuriant blossom, in particular the lilac flower of the Jacaranda mimosifolia is an object of much admiration.”

theguardian.com/environment/2020/oct/22/jacarandas-in-bloom-a-purple-lining-to-2020-share-your-pictures
Jacaranda trees in bloom in Macarthur Park (I Willis 2017)

Sydney’s love of Jacaranda mimosifolia

Sydney Living Museum curator Helen Curran writes that the specimens of Jacaranda mimosifolia, the most common variety in Sydney,

was collected and returned to the Royal Gardens at Kew, England, in about 1818. One early source gives the credit to plant hunter Allan Cunningham, who was sent on from Rio de Janiero to NSW, where he would later serve, briefly, as colonial botanist.

sydneylivingmuseums.com.au/stories/dream-tree-jacaranda-sydney-icon

Sydney Living Museum curator Helen Curran writes that the popularity of the jacaranda in the Sydney area owes much to the success of landscape designer Michael Guilfoyle ‘solved the problem of propagation’. He gave a paper at the Horticultural Society in 1868 and outlined the lengths he went to solve the problems around growing trees in Sydney. Guilfoyle’s Exotic Nursery at Double Bay supplied jacarandas to the ‘city’s most fashionable gardens’ and ‘many gardens in the Eastern Suburbs’. The trees became particularly popular during the Interwar period and flourished in harbourside gardens across Sydney.

The hospital matron

Curator Helen Curran says that the tree’s popularity is partly explained by Sydney Living Museums

One story credits November’s purple haze to the efforts of a hospital matron who sent each newborn home with a jacaranda seedling. A less romantic explanation lies in the fact the trees were a popular civic planting in the beautification programs of the early 20th century and interwar years, right up to the 1950s and 1960s. 

sydneylivingmuseums.com.au/stories/dream-tree-jacaranda-sydney-icon

A host of Sydney Living Museum properties featured a purple and lilac haze in November, including Vaucluse House, Elizabeth Farm and Nowra, Meroogal.

Parts of Sydney attract considerable visitors when the local jacarandas are in bloom.

The Guardian claims Australia’s love of the jacaranda was unlikely. The ultimate expression of love for the jacaranda is in Grafton NSW and the annual Jacaranda Festival.  

Australia’s first jacarandas

The first jacarandas planted in Australia were grown in Brisbane. Dale Arvidsson from the Brisbane Botanic Garden’s states

the first jacaranda was planted in the city gardens in 1864 by Walter Hill. He says, ‘Plants grown from seeds [or] seedlings from this tree were later sent to Rockhampton and Maryborough Botanic Gardens (Queens Park).  

secretbrisbane.com.au/home/2017/9/21/a-very-botanical-state-of-origin

Jacaranda trees in bloom in Menangle Road Camden (I Willis 2017)

Cultivation

Cultivation of the jacaranda is relatively easy in the climate of Eastern Australia. Wikipedia states

Jacaranda can be propagated from grafting, cuttings and seeds, though plants grown from seeds take a long time to bloom. Jacaranda grows in well-drained soil and tolerates drought and brief spells of frost and freeze.

This genus thrives in full sun and sandy soils, which explains their abundance in warmer climates. Mature plants can survive in colder climates down to −7 °C (19 °F); however, they may not bloom as profusely. Younger plants are more fragile and may not survive in colder climates when temperatures drop below freezing.

en.wikipedia.org/wiki/Jacaranda

Sydney’s Royal Botanic Gardens states:

Jacarandas (Jacaranda mimosifolia) species is native to Argentina and Bolivia but can survive and perform well in most temperate parts of Australia. Jacarandas are readily grown from freshly fallen seed and can be considered weedy in some areas.

rbgsyd.nsw.gov.au/Stories/2018/Sydney-s-sea-of-lavender

Not so friendly

Yet a word of warning about the lovely and famous purple tree.

In Queensland, the jacaranda can escape into the bush and become a weed. It out-competes local native plants and forms thickets below planted species.

Brisbane City Council has listed Jacaranda mimosifolia as one of the top 200 weeds in the city area. In Queensland, it was considered naturalised in 1987, escaping domestic gardens.

Jacaranda mimosifolia is considered a weed in many parts of New South Wales and is hard to eradicate once established in an area.

The future of the Jacaranda

University of Melbourne botanist Gregory Moore argues that the Jacaranda has a rosy bluey, indigo, or purple future in urban Australia. Jacaranda mimosifolia is likely to do particularly under the influence of climate change as it gets ‘warmer and drier in place’. He just urges a little caution in rural areas where they have the potential to become ‘weedy’.

Updated 6 June 2023. Originally posted on 18 November 2020 as ‘Camden’s purple haze’

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Campbelltown City Council office extension 1982 – a brutalist addition

The confidence of brutalist office extensions

On 18 September 1982, the Governor of New South Wales, His Excellency Air Marshal Sir James Rowland AC, KBE, DFC, AFC, opened the new brutalist style office extensions for Campbelltown City Council.

Gosford architects Grenfell, Fraser, and Associates designed the office extensions and, when combined with the 1964 building, created one of the most important modernist precincts in the Macarthur region.

Campbelltown Council Admin Building Open 1982Sept16 Cover lowres
The cover of the official programme at the opening of the new administration building in 1982. (CCC)

Unprecedented growth

Mayor Thomas stated at the official opening that the city had undergone ‘unprecedented’ growth and embraced ‘enormous changes’ since 1964. (Official programme)

The city’s population growth had grown from 24,000 (1963) to 43,000 (1974), and by 1980 was 120,000.

The council’s administration was ‘strained to the limit’, and there was a risk of fragmentation of council departments. The architects recommended a new single building to accommodate council staff to avoid this.

The architects presented three sites for the council’s consideration: the existing civic centre site, Camden Road opposite the Campbelltown Catholic Club, and the Macarthur Regional Growth Centre.

Campbelltown Council Admin Buildings 1964 & 1982 Photographer John Nobley CCL 1983
The Campbelltown City Council administration buildings. The 1964 Modernist tower is on the left, and the 1982 Brutalist extension is on the right. The image shows how the architects integrated the design of the 1982 extension on the civic centre site. This image was photographed from Campbelltown Railway Station by John  Nobley in 1983. (CCL Fairfax Collection)

Moral obligation

After considering the three options, the council felt it had a ‘moral obligation’ to the existing Queen Street commercial precinct to remain at the civic centre site.

The new office building would act as an ‘anchor of confidence’, and the site would remain as the northern gateway to the commercial precinct. It would set a standard for future development in the area. (Official programme, 1982)

The council requested the architects design a ‘four-storey administrative building’ of around  2000m2 with an associated pedestrian plaza, landscaping and parking within the civic centre precinct.

In 1980 the civic centre precinct consisted of the 1966 single-floor community hall, the 1971 single-storey library building, a single-story women’s rest centre, a service station, the former fire station and a two-storey ambulance station. (Official programme, 1982)

The council needed to acquire the service station on the corner of Queen and Broughton Streets to complete the project.

Campbelltown Council Admin 1982 Extension9 2020 IW (2) lowres
Campbelltown City Council 1982 brutalist administration building showing the architectural detail and exposed concrete exterior finish to the building. (I Willis, 2020)

Dominant form

The primary design constraint on the civic centre site was the 1964 office tower of 1400m2  containing the council chambers and the administration offices.   (Proposed Civic Centre Development, Grenfell, Fraser and Associates, 1980)

The building completely dominated the precinct and was ‘considered as the major visual element in any design’ because of its height’. The architects described it as a “high rise” curtain wall construction with external sun shading’.  (Proposed Civic Centre Development, Grenfell, Fraser and Associates, 1980)

Architects Grenfell, Fraser and Associates felt that the new building extension had to integrate with the 1964 office tower in a functional and aesthetically pleasing fashion.

Campbelltown Council Admin 1982 Extension7 2020 IW (3) lowres
The architectural detail of the Campbelltown City Council 1982 administration building shows the exposed concrete finish to the exterior of the building. (I Willis, 2020)

The spirit of the past

The architects stated that the design of the new building extensions and its ‘scale, proportion and detailing’ recognised ‘the legacy of the district’ :

‘The “colonial” pitched roof on the new extensions reflects the graceful simplicity of colonial architecture, and the simple proportions, “depth” façade detailing and pitched roof echo the features of “old” Campbelltown buildings’. (Official programme, 1982)

Campbelltown Council Admin 1982 Extension12 2020 IW (2) lowres
A perspective of the Campbelltown City Council 1982 administration building with the pedestrian plaza in front of the building. The roofline is visible on the top level of the building. (I Willis, 2020)

The building design inspired Mayor Thomas to draw on the past and ‘old Campbelltown’ as an inspiration for his address.

The new building was a metaphor for the area’s pioneering spirit.

The mayor stated that the new building illustrated how the spirit of the Campbelltown pioneers had not ‘suppressed the basic community character of Campbelltown’s early days’.

‘The spirit of the hardy pioneer bred of early settlers is woven into the fabric of our history and community life of today’, he said.

‘The City of Campbelltown has an ancient heritage in terms of the nation’s history, and this is being matched by a vital modern record of achievement’, said the mayor.

Mayor Thomas said

The wisdom and vision of another progressive Governor of this State, Lachlan Macquarie, almost 160 years ago, formed the nucleus of the closely-knit community which continues to grow in size and stature. The spirit of the hardy pioneer breed of early settlers is woven into the fabric of our history and community life of today. (Official programme)

Scale, proportion and detailing

The new office building was set at the rear of the civic centre site and kept a ‘lower profile to Queen Street, consistent with the general two-storey nature of the older buildings’.  This design provided ‘an intermediate scale’ to help its integration with the existing higher 1964 building.   (Official programme, 1982)

The building materials for the project ensured that the external finish blended ‘aesthetically with existing buildings and landscape and are architecturally pleasing’, and the ‘finishes are dignified, tastefully chosen and dignified’. (Official programme, 1982)

The proposed building used reinforced concrete as the main structural element, with ‘precast concrete with exposed aggregate finish’ to the exterior walls with anodised aluminium window frames.  The internal walls were concrete blockwork with cement rendering.

The new design ‘provide[d] a building of similar bulk possessing a horizontal fenestration opposed the vertical nature of the existing building’ to act as a ‘counterfoil’ to the 1964 office tower. (Proposed Civic Centre Development for Campbelltown City Council feasibility study. Grenfell, Fraser and Associates, 1980)

At the end of the design phase, the architects believed the proposed scheme was both ‘aesthetically and materially adequate’ and ‘integrated functionally and aesthetically’ with the civic auditorium. (Proposed Civic Centre Development for Campbelltown City Council feasibility study. Grenfell, Fraser and Associates, 1980)

Campbelltown Council Admin 1982 Extension5 2020 IW (2) lowres
Campbelltown City Council 1982 administration building showing the architectural detail and the exposed concrete exterior finish. (I Willis, 2020)

Brutalist style

The monolithic presentation of the office building extension with a rigidly geometric style and large-scale use of poured concrete was representative of brutalist-style architecture.

Brutalism grew out of the early 20th-century modernist movement that is sometimes linked with the dynamism and self-confidence of the 1960s. The characteristics of the style are straight lines, small windows, heavy-looking materials, and modular elements with visible structural elements and a monochromic colouring.

The brutalist style appeared in the post-war years in the United Kingdom and drew inspiration from mid-century modernism. The style represented the new town movement and appeared in modernist UK cities like Milton Keynes. Brutalism was common in the Sydney area in the late 1960s and 1970s and an integral part of the 1973 New Cities of Campbelltown, Camden, Appin Structure Plan.

The New Cities Plan 1973[1]
The cover of The New Cities of Campbelltown, Camden, Appin Structure Plan 1973 (The State Planning Authority of New South Wales)

Consequently, the Campbelltown area has several brutalist-style buildings, including Airds High School (1974), Glenquarie Shopping Centre (1975), Campbelltown TAFE College (1981), Macarthur Square (1979), Campbelltown Hospital (1977), and Campbelltown Mall (1984).

Conclusion

The new 1982 office extension reflected how the winds of change from population growth had reshaped the Campbelltown area since the construction of the 1964 modernist office tower.

Campbelltown Council Admin 1982 Extension4 2020 IW (3) lowres
Campbelltown City Council 1982 Administration building showing the exposed concrete exterior. (I Willis, 2020)

Acknowledgements

The author would like to acknowledge the assistance the local studies librarians at the Campbelltown City Library provided in completing this blog post.

Updated on 8 May 2023. Originally posted on 10 June 2020.

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Airds Shopping Mall: The retail centre hope forgot

The sad side of mid-century Modernism

Recently I came across an article about the future of the Airds shopping mall in the Macarthur Chronicle headed ‘Dilapidated centre set to be transformed’. It stated:

A wrecking ball could be swinging towards a dilapidated shopping village. The grand plans propose to demolish Airds Village shopping centre, on Riverside Drive, and replace it with a $21 million centre.

Airds Shopping Centre redevelopment Macarthur Chroncile 2020Apr1

 

A story of decay and neglect

The imminent demolition of the decaying and neglected Airds shopping mall is a sad indictment of the dreams of many and the ultimate demise of the 1970s Macarthur Growth Centre.

The shopping mall is an example of urban decay in the middle of our local suburbia. It is a failure of modernism and the town-planning utopia of city-based decision-makers.

The decay at Airds is not unusual and symbolic of more significant trends in global retail where shopping malls are declining.

The current dismal state of affairs hides the issue that in the mid-20th century, Campbelltown’s civic leaders had great hope and optimism for the area’s development and progress.

Airds Shopping Centre Frontage from Walkway underpass 2020 IW lowres
The front view of the Airds Shopping Centre framed by  the underpass at Riverside Drive Airds (I Willis, 2020)

Progress, development, and Modernism

There were grand plans for Campbelltown as a satellite city within the New South Wales state government’s County of Cumberland Plan.

Local confidence saw the construction of the 1964 modernist council chambers and, in 1968, the declaration of city status, electrification of the railway and the announcement of the Sydney Region Outline Plan by the state government.

Influenced by the British New Town movement, the city was incorporated in the State Planning Authority of NSW’s 1973 New Cities of Campbelltown Camden Appin Structure Plan.  This later became the Macarthur Growth Centre, administered by the Macarthur Development Board.

Airds Shopping Centre Front from footpath with grass 2020 IW lowres
The unkempt state of the surrounds at the Airds Shopping Centre in Riverside Drive Airds (I Willis 2020)

Radburn – a ‘foreign country’

Airds was one of several ‘corridor’ public housing suburbs following the American Radburn principles.  The Airds shopping centre was built as part of the 1975 Housing Commission of New South Wales subdivision of ‘Kentlyn’, renamed Airds in 1976.

The Radburn principles were applied to five public housing estates developed by the Housing Commission of New South Wales in the Campbelltown area between 1972 and 1989. The other four estates were Macquarie Fields, Claymore, Minto and Ambervale.

The design concept originated from Radburn in New Jersey in 1928 and reflected the optimism of American modernism around the motor car and consumerism.

Houses were developed ‘back-to-front’ with a front-facing walkway or green open space and the back door facing the street. This meant a separation of pedestrians and cars, with a large communal open area centred on the walkways between the rows of houses. This resulted in a streetscape with rows of high blank fences enclosing backyards.

Travis Collins from the University of New South Wales argues that the Radburn principles were initially designed for aspirational upper-middle-class areas and their desire for a garden suburb where pedestrian walkways and common areas linked across the estate. These areas were expected to be the centre of neighbourhood life without needing a car.

Airds Shopping Centre Interior Signage 2020 IW lowres
The interior walkway into the middle of the Airds Shopping Centre (I Willis 2020)

Radburn watered down

The suburb of Airds, and other Campbelltown public housing estates, started off with grand plans that evaporated over time due to: changes of government; cost-cutting; abolition of government instrumentalities; and neglect. This resulted in a ‘watered down’ Radburn vision.

The public housing estates did have extensive open space, which was true to Radburn principles. Yet there were compromises, and the Housing Commission built townhouses, that were counter to the  Radburn concept.

The tracts of open space became wastelands of neglect and vandalism that were poorly provisioned and maintained by the Housing Commission, with a lack of privacy and security. The back lanes and streets were isolated, lacked security and resident surveillance and were sites characterised by dumped rubbish and graffiti.

The estates were populated with single-parent families, who suffered from high levels of social exclusion, unemployment, and low incomes.

Airds Shopping Centre Interior2 2020 IW lowres
The interior space of the Airds Shopping Centre (I Willis 2020)

Radburn failures

Collins argues that the Radburn principles were a failure, and contributing factors included: poor surveillance of the street by residents because of high rear fences fronting the street, anti-social behaviour along the walkways and open space areas, and the low socio-economic status of residents.

The failure of the Radburn scheme was finally recognised by the authorities in the early 2000s. They acknowledged that: the design was unsuitable for concentrated public housing estates; they created confusing neighbourhoods with unsafe walkways, poor car access, and poor surveillance of open space; the poorly constructed housing stock became run down and dilapidated; the housing stock was infested with termites. These issues were reflected in Airds and the shopping mall from the mid-1970s.

Airds Shopping Centre Frontage from Walkway 2020 IW lowres
Approaching the front of the Airds Shopping Centre from the underpass at Riverside Drive Airds (I Willis 2020)

Memories of hope

In the 1970s, I taught at Airds High School, adjacent to the shopping mall, and my memories are mixed. Young people, who came from dysfunctional backgrounds, yet their resilience allowed them to rise above it, grow and mature into sensible young adults. This process is supported by the life experience of former Airds resident Fiona Woods (Facebook, April 2020), who grew up in Airds in the 1970s and 1980s. She says:

I have the best memories of Airds, especially that shopping centre. Riding our bikes to buy lollies.  Growing up in Airds in the 70s was very communal. I loved it. I arrived at Airds in 1977 when I was 3 and lived there until 1984. I went to John Warby [Public School]. There was such a strong sense of community. My mum met her best friend when they moved into their new houses in Airds. They have been friends for over 40 years and still speak daily.

Fiona tells the story of her sister, who taught at Airds High School in the 1990s. She found the teaching experience challenging, as I did 20 years earlier, yet the youngsters were confident, grounded and without airs and graces.

Similarly, I found Airds’ school children had a refreshing unsophisticated innocence generated by difficult circumstances. They were unpretentious, and you quickly knew where you stood with them teaching in a classroom that was always full of unconfined energy. You always had classroom ‘war stories’, and this is where I did my ‘missionary work’.

Bogans galore and more

The Airds shopping mall is a metaphor for what happened to Campbelltown between the 1970s and the present. It represents the collision of modernism and neoliberalism in place. The optimism of the 1960s contrasted with the despair of the 1980s.

The shopping mall is a metaphor for the stereotypes linked with the geographical term ‘Western Sydney’ and the use of terms like ‘bogan’ and ‘westie’. Typified by Sydney’s latte line where city-based decision-makers dealt with suburbs west of the latte line as a foreign country. In 2013 Campbelltown journalist Jeff McGill took exception to the ‘bogan’ characterisation of the Campbelltown area by the Sydney media.

Gabrielle Gwyther put it this way:

Derogatory labeling of residents of western Sydney was aided by the social problems and cheap aesthetic of large-scale, public housing estates developed in the 1950s at Seven Hills, followed by Green Valley and Mount Druitt in the 1960s, and the Radburn estates of Bonnyrigg, Villawood, Claymore, Minto, Airds and Macquarie Fields in the 1970s.

Airds Shopping Centre Gate Entry 2020 IW lowres
The side security gates at the Airds Shopping Centre Riverside Drive Airds (I Willis 2020)

De-Radburnisation

These failures were acknowledged in 1995 with the state government’s public housing renewal projects and their de-Radburnisation through the Neighbourhood Improvement Program.

At Airds, this is partly responsible for the re-development of the shopping centre as outlined in the Macarthur Chronicle.

Updated 12 May 2023; Originally posted 11 April 2020

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The Camden district in 1939

The Camden District 1939

The Camden district can be hard to define and has changed over time. Dr Ian Willis conducted research in the mid-1990s to determine the extent of the Camden district at the outbreak of the Second World War. This was part of his post-graduate studies at the University of Wollongong on the effect of the Second World War in Camden.

Map Camden District 1939[2]
Map of the Camden district in 1939 showing the extent of the area with Camden in the east. The silver mining centre of Yerranderie is in the west. (I Willis, 1996)
 

The boundary of the Camden district could be: an arbitrary line on a map based on a political decision; a natural region; an idea in someone’s mind; the delivery round of a Camden business; the geographic circulation area of a Camden newspaper; the emotional attachment of a person to a general area called Camden; the catchment area of a special event in Camden; the membership of a Camden organisation; the social networks of people who live in the Camden area; or any combination of these.

 

From historical research I have conducted I have found the boundary of the Camden district to a moveable feast. By the 1930s it took in an area of 1180 square kilometres and a population of around 5000. The result is on the attached map. It is a combination of the factors outlined above.

 

Origins of the Camden district

The concept of the Camden district was set in motion by 1827 when the early pattern of the early land grants had determined the road network. This process was re-enforced by the arrival of the tramway in 1882, the road traffic along the Hume Highway going to Goulburn, and the movement of silver from Yerrandarie and coal from the Burragorang Valley to the Camden railhead. As a result, the town became an important transport interchange and centre for economic activity for a district, which extended out to Burragorang Valley and Yerrandarie.

 

By the 1930s the growth of the town had attracted additional businesses and the town had become the centre for government services and community organisations. The town was a meeting place for local people and acted as a stepping off point to the rest of the outside world.

Cover  Pictorial History Camden District Ian Willis 2015
Front Cover of Ian Willis’s Pictorial History of Camden and District (Kingsclear, 2015)

 

The district’s population came together on Sale Day (still Tuesdays) to meet and do business. The livestock sales were the town’s busiest day of the week  The annual Camden Show was (and still is) always a popular attraction and people came from a wide area to compete and exhibit their crafts, produce and livestock.

 

Daily life in the Camden district is recorded in the two local newspapers

District life was reported in detail in Camden’s two newspapers, the Camden News and the Camden Advertiser, which were widely circulated in the area. Camden businesses had customers from all over the local area. Some had regular delivery runs that reached to Burragorang Valley and beyond.

 

Since the 1930s many things have happened. The largest change has been the growth in population, and the town and district are now part of the Greater Metropolitan Area of Sydney. Despite this, the district still has a discernable identity in the minds of local people.

1973 New Cities Plan

The creation of The new cities of Campbelltown, Camden, Appin: structure plan (1973) was one of the most profound changes to the Camden district. The New Cities proposal was part of the 1968 Sydney Region Outline Plan developed by the State Planning Authority of the Askin Liberal government and became a developers’ dream.

The New Cities Plan 1973[1]
The New Cities Plan 1973
 

Current planners, bureaucrats, businesses, and residents need to have an understanding of this local identity and build on the opportunities that it presents.

Today the Camden district is part of the Macarthur region.

Macarthur regional tourist guide
Macarthur Regional Tourist Promotion by Camden and Campbelltown Councils

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The Rotolactor, a Menangle milking marvel

A rotating wonder

One of the largest tourist attractions in the local area in the mid-20th century was a local milking marvel known as the Rotolactor.

Truly a scientific wonder, the Rotolactor captured people’s imagination at a time when scientific marvels instilled excitement in the general public.

In these days of post-modernism and fake news, this excitement seems hard to understand.

Menangle Rotolactor Post Card 1950s
Menangle Rotolactor in the 1950s Postcard (Camden Images)

What was the Rotolactor?

The Rotolactor was an automated circular milking machine with a rotating platform introduced into the Camden Park operation in 1952 by Edward Macarthur Onslow from the USA.

Part of agricultural modernism, the Rotolactor was installed by the Macarthur family on their colonial property of Camden Park Estate to improve their dairying operations in the mid-20th century.

The idea of a rotating milking platform was American and first introduced in New Jersey in the mid-1920s.

Camden Belgenny Farm Rotolacotor Model2 2018
Camden Belgenny Farm Rotolactor Model 2 model in 2018 (I Willis)

The 1940s manager of Camden Park, Lieutenant-Colonel Edward Macarthur Onslow, inspected an American Rotolactor while overseas on a business trip and returned to Australia full of enthusiasm to build one at Camden Park.

The Menangle Rotolactor was the first in Australia and only the third of its kind in the world.

Camden Belgenny Farm Rotolacotor Model3 2018
Camden Belgenny Farm Rotolactor Model 3 display in 2018 (I Willis)

The rotating dairy could milk 1,000 cows twice a day. It held 50 cows at a time and was fed at as they were milked. The platform rotated about every  12 minutes.

The Rotolactor was a huge tourist attraction for Menangle village and provided many local jobs.

In 1953 it was attracting 600 visitors on a weekend, with up to 2000 visitors a week at its peak. (The Land, 27 March 1953)

Town planning disruption

In 1968 town planning disrupted things. The Askin state government released the  Sydney Regional Outline Plan, followed by the 1973 New Cities of Campbelltown Camden Appin Structure Plan, which later became the Macarthur Growth Centre in 1975.

The structure plan did recognise the importance of the Rotolactor and the cultural heritage of the Menangle village. (The State Planning Authority of New South Wales, 1973, p. 84)

These events, combined with declining farming profits, encouraged the Macarthur family to sell out of  Camden Park including the Rotolactor and the private village of Menangle.

The Rotolactor continued operations until 1977 and then remained unused for several years. It was then purchased by Halfpenny dairy interests from Menangle, who operated the facility until it finally closed in 1983. (Walsh 2016, pp.91-94)

Community festival celebrates the Rotolactor

In 2017 the Menangle Community Association organised a festival to celebrate the history of the Rotolactor. It was called the Menangle Milk-Shake Up and was a huge success.

Menangle Promo MilkShake UP
Menangle Milk Shake Up Community Festival, organised by the Menangle Community Association in 2017 (MCA)

The Festival exceeded all the expectations of the organisers from the Menangle Community Association when it attracted over 5000 people to the village from all over Australia. (Wollondilly Advertiser, 18 September 2017)

The Menangle Community Association Facebook page described it this way:

A true country event like in the old days. So many visitors came dressed up in their original 50s clothes, and all those wonderful well selected stall holders. It was pure joy.

Despite these sentiments, the event just covered costs (Wollondilly Advertiser, 5 April 2018)

The festival’s success was a double-edged sword for the organisers from the Menangle Community Association.

Urban development

The festival’s success demonstrated to local development interests that Rotolactor nostalgia could be marketized and had considerable commercial potential.

The Menangle Community Association attempted to lift the memory of the Rotolator and use it as a weapon to protect the village from the forces of urban development  and neo-liberalism

Menangle land developers also used the festival’s success to further their interests.

Developer Halfpenny made numerous public statements supporting the restoration of the Rotolactor as a function centre and celebrating its past. (The Sydney Morning Herald, 22 December 2017).

Menangle Rotolactor Paddock 2016 Karen
Menangle Rotolactor in a derelict condition in 2016 (Image by Karen)

The newspaper article announced that the site’s owner, local developer Ernest Dupre of Souwest Developments, has pledged to build a micro-brewery, distillery, two restaurants, a farmers market, a children’s farm, a vegetable garden, and a hotel with 30 rooms.

In 2017  the state government planning panel approved the re-zoning of the site for 350 houses and a tourist precinct. Housing construction will be completed by Mirvac.

Mr Dupre stated that he wanted to turn the derelict Rotolactor into a function with the adjoining Creamery building as a brewery next to the Menangle Railway Station.

He expected the development to cost $15 million and take two years. The plan includes an outdoor concert theatre for 8000 people and a lemon grove.

Facebook Comments 6 August 2021

Reply as Camden History Notes

  • Bev WatersonRemember it well. My parents would take us there quite regularly.

JD GoreyThanks Elizabeth Searle ! I’ll show him! He’ll be interested for sure!! 👍

 Elizabeth SearleJD Gorey, The pilot was asking about this during our trip to the farm. He may be interested in the article 👍Originally posted 19 July 2019. Updated 6 April 2021.

Facebook comments 9 May 2023

  • Craige Cole I remember travelling from our family dairy farm on the far south coast to visit the Rotalactor in the late 60s and recall the total awe of my parents. I know that visit was the catalyst for us installing a new more efficient dairy setup.
  • Julie ClarkeMy dad worked on the rotolactor.

Updated 9 May 2023. Originally posted on 19 July 2019.

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Going to London

Going to London

Thousands of young single Australian born women travelled to London and beyond from the mid-to-late 19th century.  This pilgrimage, as historian Angela Woollacott has called it, was a life-changing journey for these women. They were both tourist and traveller and many worked their passage throughout their journey.

Suters Archive Travel Diary5 2019 SSuters lowres
A typical trip diary kept by the young women who travelled to London in the 1950s as they explored the world. They were both tourist and travellers as they broke stereotypes and gender expectations in Australian and the UK. (S Suters)

 

Their travels illustrate the links between metropole and the periphery, between the settler societies and the imperial centre that have been little explored by scholars of history. These young women were both insiders and outsiders, both colonials and part of the heritage of colonizers. The dichotomy of their position provides an interesting position as they explored the transnational relationship between Australia and the UK.

These women occupied a space between metropolitan centre of London and their shared British heritage and notions of England as ‘home’ yet at the same time they were outsiders in England and other parts of the British Empire that they visited in Colombo and Aden.

There has been some recent scholarship that explores the Australian diaspora in the United Kingdom around issues of imperialism, expatriation, globalisation, national identity and overseas citizenship.

London Tower of London 2006 PPikous-Flckr
The Tower of London was a popular tourist attraction for young Australian born women who travelled to London and beyond. These women acted as both tourist and traveller in their journey of exploration.  (P Pikous, 2006)

 

In the 19th century colonial born women from well-off families went husband-hunting in England. By the early 20th century the list of women travelling to the United Kingdom started to include creative-types including actors, writers, artists, musicians, and singers. One of the most famous being Dame Nellie Melba.

In the mid-20th century following the Second World War young working women from modest backgrounds started to explore the world and head for London.  There were a number of Camden women who undertook this journey during the 1950s that are the subject of a history project.

Travelling to London

Dr Ian Willis explores the transnational journey undertaken by these in paper accepted at the 2019 Australian Historical Asssociation conference in Toowoomba and the 2019 Redefining Australia and New Zealand at the University of Warsaw.

38th Australian Historical Association Conference 2019, Local Communities, Global Networks, University of Southern Queensland, Toowoomba, 8-12 July 2019.

Title of Paper

Tourist or traveller: the journey of an Australian country girl to London in 1954.

Abstract

In 1954 Shirley Dunk, a young country woman from the small community of Camden in New South Wales, exercised her agency and travelled to the United Kingdom with her best friend and work colleague, Beth Jackman. This was a journey to the home of their forefathers and copied the activities of other Camden women. Some of the earliest of these journeys were undertaken by Camden’s elite women in the late 19th century when they developed imperial networks that functioned on three levels – the local, the provincial and the metropole.

This research project will use a qualitative approach where there is an examination of Shirley’s journey archive complimented with supplementary interviews. The archive consisted of personal letters, diaries, photographs, scrapbooks, ship menus and other ephemera and was recently presented to me. It was a trove of resources which documented Shirley’s 12 months away from home and, during interviews, allowed her to vividly relive her memories of the journey.   Shirley nostalgically recalled the sense of adventure that she and Beth experienced as they left Sydney for London by ship and their travels throughout the United Kingdom and Europe.

The paper will attempt to address some of the questions posed by the journey and how she reconciled these forces as an actor on a transnational stage through her lived experience as a tourist and traveller. Shirley’s letters home were reported in the country press and were reminiscent of soldier’s wartime letters when they acted as tourists in foreign lands.

The narrative will show that Shirley was exposed to the cosmopolitan nature of the metropole, as were earlier generations of local women who journeyed to London. The paper will explore how Shirley was subject to the forces of urbanism, modernity and consumerism at a time when rural women were presented with representations of domesticity and other ‘ideal’ gender stereotypes.

 

Camden Shirley Rorke Beth Jackman 1953 Clintons SRorke_adjusted
Two Camden women who headed for London in the mid-1950s were Shirley Dunk and her best friend Beth Jackman. This image  shows their workplace in the Clintons Motors Showroom at 16 Argyle Street, Camden where they both worked at sales assistants in 1953.   (S Rorke)

 

2nd Biennial International Conference on Redefining Australia and New Zealand, Changes, Innovations, Reversals, University of Warsaw, Warsaw, Poland, 16-17 September 2019.

Title of Paper

An Australian country girl goes to London.

Abstract

In 1954 a young country woman from New South Wales, Shirley Dunk, exercised her agency and travelled to London. This was a journey to the home of their forefathers and copied the activities of other country women who made similar journeys. Some of the earliest of these journeys were undertaken by the wives and daughters of the rural gentry in the 19th century when they developed imperial networks that functioned on three levels – the local, the provincial and the metropole.

This research project will use a qualitative approach where there is an examination of Shirley’s journey archive complimented with supplementary interviews. The archive consisted of personal letters, diaries, photographs, scrapbooks, ship menus and other ephemera and was recently presented to me. It was a trove of resources which documented Shirley’s 12 months away from home and, during interviews, allowed her to vividly relive her memories of the journey.   Shirley nostalgically recalled the sense of adventure that she experienced as she left Sydney for London by ship and her travels throughout the United Kingdom and Europe.

The paper will attempt to address some of the questions posed by the journey and how she reconciled these forces as an actor on a transnational stage through her lived experience as a tourist and traveller. Shirley’s letters home were reported in the country press and were reminiscent of soldier’s wartime letters home that described their tales as tourists in foreign lands.

The narrative will show that Shirley, as an Australian country girl, was exposed to the cosmopolitan nature of the metropole, as were earlier generations of women. The paper will explore how Shirley was subject to the forces of urbanism, modernity and consumerism at a time when rural women were presented with representations of domesticity and other ‘ideal’ gender stereotypes.

 

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A 1950s country girl goes to London

Warsaw conference presentation

University of Wollongong historian Dr Ian Willis will present a paper at the University of Warsaw in September later this year. The conference is the 2nd Biennial International Conference on Redefining Australia and New Zealand Changes, Innovations, Reversals.

The paper will tell the story of Camden girl Shirley Dunk on her first visit to London with her travelling companion Beth. Both young women had the adventures of their lives and Shirley recalls the journey with great fondness and nostalgia. The journey was a life changing experience for both your women from an Australian country town.

The title of the presentation is An Australian country girl goes to London.

Abstract

In 1954 a young country woman from New South Wales, Shirley Dunk, exercised her agency and travelled to London. This was a journey to the home of their forefathers and copied the activities of other country women who made similar journeys. Some of the earliest of these journeys were undertaken by the wives and daughters of the rural gentry in the 19th century when they developed imperial networks that functioned on three levels – the local, the provincial and the metropole.

This research project will use a qualitative approach where there is an examination of Shirley’s journey archive complimented with supplementary interviews. The archive consisted of personal letters, diaries, photographs, scrapbooks, ship menus and other ephemera and was recently presented to me. It was a trove of resources which documented Shirley’s 12 months away from home and, during interviews, allowed her to vividly relive her memories of the journey.   Shirley nostalgically recalled the sense of adventure that she experienced as she left Sydney for London by ship and her travels throughout the United Kingdom and Europe.

The paper will attempt to address some of the questions posed by the journey and how she reconciled these forces as an actor on a transnational stage through her lived experience as a tourist and traveller. Shirley’s letters home were reported in the country press and were reminiscent of soldier’s wartime letters home that described their tales as tourists in foreign lands.

The narrative will show that Shirley, as an Australian country girl, was exposed to the cosmopolitan nature of the metropole, as were earlier generations of women. The paper will explore how Shirley was subject to the forces of urbanism, modernity and consumerism at a time when rural women were presented with representations of domesticity and other ‘ideal’ gender stereotypes.

Read more about Australian expatriates in London in the 1950s who were made up of artists, writers, actors and musicians.

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Elderslie, a suburb on Sydney’s fringe

A history of continuity and change

Elderslie is a suburb of Camden, the traditional land of the Dharawal people.  It lies on the southern end of the Camden Municipality, 62 km southwest of Sydney, on the rural-urban fringe.

Elderslie borders the Nepean River to the west, Narellan Creek to the north, Camden By-Pass to the south, and Studley Park Golf Course to the east. The population at the 2001 census was 2,638.

Elderslie Autumn Scene Camden Valley Way 2014 (IWillis)
Elderslie Autumn Scene Camden Valley Way 2014 (IWillis)

Under Governor Macquarie’s stewardship, the area now known as Elderslie was the site of several smallholder land grants along the Nepean River between 1812 and 1815.

One large grant was given to John Oxley, a member of the colonial gentry, in 1816. He called it ‘Ellerslie’, although by 1828, he had changed it to ‘Elderslie’. Oxley’s grant was one of the five large estates in the Camden area that used convict labour.

Elderslie can lay claim to the first building in the Camden area. This was a small hut erected at the Nepean River crossing, after the 1803 visit of Governor King, for the government man who looked after the cattle in the Cowpastures.  It is reported that the hut was still in existence in 1822.

View of the Government Hut at Cowpastures, 1804. State Library of NSW SSV1B / Cowp D / 1
View of the Government Hut at Cowpastures, 1804. State Library of NSW SSV1B / Cowp D / 1

The village of Elderslie was planned along the Great Northern Road (now Camden Valley Way) with a subdivision and sites for a church, parsonage and marketplace.

A post office was opened in 1839 – and closed in 1841 when it was moved to Camden. Several village blocks were sold by auction in 1841; three months after the Elderslie land sales, the village was effectively overwhelmed by land sales across the river in Camden.

The first church in Elderslie was St Mark’s Anglican Church, built in 1902 of plain timber construction. The church is framed by a substantial 150-year-old camphor laurel tree and has only ceased functioning in recent years.

This charming image taken by John Kooyman in 1998 shows St Mark’s Church of England and the hall at the rear of the church under the shade of the magnificent camphor laurel tree. (Camden Images)

Hilsyde is one of the more significant homes in the Elderslie area and was built in 1888 by Walter Furner, a local builder. Several significant cottages were owned by the Bruchhauser family, who were viticulturists and orchardists in the Elderslie area, as were the Fuchs, Thurns, and most recently, the Carmagnolas.

Viticulture has been re-established at Camden Estate Vineyards on the deep alluvial soils of the Nepean floodplain. There were plantings of mixed varieties in 1975 by Norman Hanckel, and in the 1990s, these had been entirely converted to Chardonnay, which best suited the soil and climate of the area. Grapes for wine had previously been grown in this location by Martin Thurn, one of the six German vinedressers brought out by the Macarthurs of Camden Park in 1852.

Table grapes were grown throughout the Elderslie area and sold in the Sydney markets. Vegetables were grown on the floodplain adjacent to Narellan Creek by Sun Chong Key, one of several Chinese market gardeners in the Camden area, in the first half of the 20th century. Apart from farming, the floodplain and surrounding areas have been subject to extensive sand mining for the Sydney building industry.

Elderslie was the first stop after Camden on the tramway between Camden and Campbelltown, which began operations in 1882. The locomotive (affectionately known as Pansy) had 24 services each weekday, including passenger and goods services.

Observant travellers to the area can still make out the earthworks of the tramway on the northern side of Camden Valley Way along the floodplain. The tramway operated until 1963, when several branch lines in the Sydney area were shut. The tramway, which ran beside the Hume Highway between Elderslie and Camden, was often closed due to flooding.

Little Sandy with footbridge across the Nepean River at Camden c.1950. This area on the Nepean River was always a popular swimming spot. Diving board in foreground. (Camden Images)
Little Sandy with a footbridge across the Nepean River at Camden c.1950. This area on the Nepean River was always a popular swimming spot. Diving board in the foreground. (Camden Images)

Swimming became one of Elderslie earliest organized sporting activities after the Nepean River was dammed in 1908 with the construction of the Camden Weir. Water backed up behind the weir for four kilometres through the Elderslie area and provided relatively deep water suitable for swimming. The Camden Aquatic Sports Carnival was organized in 1909 and attracted over 1000 spectators, and this was the location of the Camden Swimming Club in the 1920s.

There were two popular swimming holes at Kings Bush Reserve and Little Sandy, where the Australian Army built a footbridge during World War II (and there is still one in that location today). By the 1950s, increasing river pollution put pressure on authorities for a town swimming pool, which was eventually opened in Camden in 1964.

In the 1950s and 1960s, the growth of coal mining contributed to local population growth and demand for residential land releases on farmland adjacent to the floodplain.  This created a need for education facilities and led to the establishment of Mawarra Primary School (1972) and Elderslie High School (1976).

A view of John Oxley Cottage, which is the home of the Camden Visitors Information Centre at 46 Camden Valley Way, Elderslie. The late 19th-century Victorian workman’s cottage is now located in Curry Reserve. The silhouette was moved to this location from John Oxley Reserve on Macquarie Grove Road at Kirkham. (I Willis, 2020)

Elderslie was also identified as part of the growth area for Greater Sydney, initially as part of the Macarthur Growth Centre Plan (1973), then the Metropolitan Strategy (1988) and most recently in the Cities for the 21st Century plan (1995). Some of these land releases caused concerns over air quality issues and deteriorating water quality in the Hawkesbury-Nepean River, and consequently, they were deferred until 2005.

In the most recent Elderslie land releases, developers have commodified the rural mythology and imagery of ‘the country town’ and associated rural vistas, with names like ‘Camden Acres’, ‘The Ridges’ and ‘Vantage Point’. These values have attracted ‘outsiders’ to the area, hoping to find places where ‘the country still looks like the country’. Part of this imagery is found in Elderslie’s older residential streets, a picture in November when the Jacarandas provide a colourful show of purple and mauve.

One of Elderslie’s most notable residents was possibly the Australian poet and actor Hugh McCrae (1876-1958). He lived in River Road in the 1930s and occasionally after that. He was a member of the Sydney Bohemian set, a friend of Norman Lindsay and a member of the Camden elite: for example, local surgeon Dr RM Crookston and his wife, Zoe. McCrae wrote about the local area in works like ‘October in Camden’ and ‘Camden Magpie’. He was awarded an OBE (1953) for services to Australian Literature.

Henry Patterson and his family lived in a cottage in Elderslie, now the Tourist Information Centre. (M Patterson)

References

A helpful summary of secondary sources on Elderslie can be found in the Camden Bibliography.

Atkinson, Alan, Camden, Farm and Village Life in Early New South Wales, Melbourne, Oxford University Press, 1988.

Mylrea, PJ, Camden District, A History to the 1840s, Camden: Camden Historical Society, 2002.

Camden History, Journal of the Camden Historical Society.

Updated 18 April 2023. Originally posted on 24 June 2016.