Appin · Art · Attachment to place · Belonging · British colonialism · Campbelltown Art Centre · Collective Memory · Colonial frontier · Colonialism · Commemoration · Community identity · Cowpastures · Cowpastures Bicentennial · Cultural Heritage · Dharawal · Governor Macquarie · Heritage · History · Landscape · Landscape aesthetics · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Placemaking · Public art · Sculpture · Sense of place · Settler colonialism · Settler Society · Stereotypes · Storytelling · Uncategorized

The Cowpastures Bicentennial, Governor Hunter and the Appin Massacre: the memory of the Cowpastures

I often wondered why the cultural material representative of the Cowpastures appeared to have been 'forgotten' by our community. The list of cultural items is quite an extensive include: roads and bridges, parks and reserves; historic sites, books, paintings, articles; conferences, seminars, and workshops; monuments, memorials and murals; community commemorations, celebrations and anniversaries.

Aesthetics · Art · Attachment to place · Belonging · Camden · Colonial Camden · Colonial frontier · Colonialism · Commemoration · Cowpastures Bicentennial · Cultural icon · Dharawal · Family history · Festivals · Frontier violence · Governor Macquarie · Heritage · Historical consciousness · History · Living History · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Public art · Settler colonialism · Settler Society · Tourism · War

Cowpastures’ memories in monuments, memorials and murals.

Many memorials and monuments across the Cowpastures landscape commemorate its history and sense of place, with a recent nostalgic turn focusing on the pioneers and European settlement. War memorials are a ubiquitous form of memorialization in the Macarthur region, and public art, historical sites, and cultural heritage also play significant roles. These commemorations can be controversial, especially considering Australia's dark history, and evoke different memories for different people. Additionally, the landscape of the Cowpastures is interpreted in various ways, including as a colonial frontier, government reserve, and English-style landscape. Various memorials, artworks, and historic sites dot the region, contributing to its identity and history.

Aesthetics · Art · Artefacts · Colonial Camden · Cowpastures · Cowpastures Bicentennial · Craft · Crafts · Cultural Heritage · Fashion · Heritage · Leisure · Local History · Local Studies · Memorial · Memorials · Memory · Place making · Placemaking · Public art · Quilting · Sense of place · Settler colonialism · Sewing · Storytelling · Women's history

A Cowpastures memorial quilt

Hanging on the wall in the Camden Library is a quilt, but no ordinary quilt. It is a hand-made quilt that had previously hung in the foyer of the Camden Civic Centre for many years. The quilt celebrated the Cowpastures Bicentenary (1995) and was made by members of the Camden Country Quilters Guild.

Aesthetics · Attachment to place · Australia · British colonialism · Cawdor · Colonial Camden · Colonialism · Community identity · Cowpastures · Cowpastures River · Cultural Heritage · Cultural icon · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Landscape aesthetics · Local History · Local newspapers · Myths · Nepean River · Newspapers · Place making · Sense of place · Settler colonialism

Exploring the Cowpastures region: the early history of a settler society

The Cowpastures region, named by Governor Hunter in 1795, reflects a culturally constructed landscape stemming from the 18th century. Originating with wild cattle from the First Fleet, it evolved into a significant colonial area intersecting Indigenous history. The region's identity waned by the late 19th century but is celebrated today for its historical legacy.