Adaptive Re-use · Adaptive Reuse · Art · Artists · Artworks · Attachment to place · Belonging · Cascades Female Factory · Collective Memory · Colonialism · Community identity · Convicts · Cultural and Heritage Tourism · Cultural Heritage · Cultural icon · Grief · History · History of Emotion · Hobart · Hope and loss · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Placemaking · Public art · Sense of place · Social History · Stories · Storytelling · Uncategorized · Women's history · Women's stories

Public art in Hobart tells the story of female convicts in Van Diemen’s Land

Public art has been used in Hobart to reveal stories of female convicts that have been hidden in the shadows for decades on the Hobart waterfront and at the Cascades Female Factory.

1968 Sydney Region Outline Plan · 1973 New Cities Campbelltown Camden Appin Structure Plan · Airds · Attachment to place · Belonging · Camden · Camden Story · Campbelltown · Elderslie · History · Hope and loss · Land releases · Landscape · Landscape aesthetics · Leppington · Local History · Local Studies · localism · Lost Sydney · Macarthur · Mount Annan · Mount Gilead · Narellan · Oran Park · Place making · Regionalism · rural-urban fringe · Ruralism · Sense of place · Storytelling · Sydney's rural-urban fringe · The Oaks · Town planning · Transition zone · Uncategorized · Urban development · Urban growth · Urban history · Urban Planning · urban sprawl · Urbanism

Sydney’s urban fringe: a transition zone of hope and loss

Sydney’s rural-urban fringe is a site of winners and losers. It is a landscape where dreams are fulfilled and memories are lost. The promises of land developers in master-planned suburban utopias meet the hope and expectations of newcomers.