Adaptive Re-use · Adaptive Reuse · Art · Artists · Artworks · Attachment to place · Belonging · Cascades Female Factory · Collective Memory · Colonialism · Community identity · Convicts · Cultural and Heritage Tourism · Cultural Heritage · Cultural icon · Grief · History · History of Emotion · Hobart · Hope and loss · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Placemaking · Public art · Sense of place · Social History · Stories · Storytelling · Uncategorized · Women's history · Women's stories

Public art in Hobart tells the story of female convicts in Van Diemen’s Land

Public art has been used in Hobart to reveal stories of female convicts that have been hidden in the shadows for decades on the Hobart waterfront and at the Cascades Female Factory.

Aesthetics · Art · Artists · Artworks · Attachment to place · Belonging · Camden Art Group · Camden Public School · Camden Realism · Camden Story · Campbelltown · Campbelltown Art Centre · Community identity · Cultural Heritage · GLAM Sector · Heritage · Historical consciousness · Historical thinking · Landscape · Landscape aesthetics · Living History · Local History · Macarthur region · Memory · Place making · Public art · Realism · Sense of place · Stories · Storytelling · Tourism

Exploring Camden Realism: Art as storytelling

Camden Realism is an art style emerging in the Macarthur region, characterized by storytelling through representational artworks. Artists like Nola Tegel and Patricia Johnston, influenced by Alan Baker, capture local history and change. Exhibitions at Campbelltown Arts Centre showcase their work, reflecting the evolving landscape and community identity.

Aesthetics · Architecture · Attachment to place · Built heritag · Built Heritage · Camden · Camden Built Heritage · Camden Modern · Camden Modernism · Community building · Community identity · Cultural Heritage · Cultural icon · Elderslie · Heritage · Historical consciousness · History · History of a building · History of a house · House history · Housing · Housing styles · Landscape aesthetics · Local History · Lost Camden · Modernism · Place making · Placemaking · Sense of place · Social History · Stories · Storytelling · Town planning · Urban development · Urban growth · Urban history · Urban Planning · urban sprawl · Urbanism

Mid-Century Modernist Homes in Elderslie

In the 1960s, modernism significantly influenced the community of Elderslie, where miners sought contemporary homes. Innovative house designs reflected mid-20th-century trends, including American Ranch styles. Australian architects, like Robin Boyd, contributed to housing projects across the country, merging modern aesthetics with traditional Federation-style homes. These trends influenced the design of local mid-century housing style, resulting in a unique urban landscape.

Attachment to place · Belonging · Business History · Camden · Camden Story · Campbelltown · Campbelltown Story · Community identity · Cultural Heritage · Cultural icon · Heritage · Historical consciousness · Local History · Local newspapers · Local Studies · Macarthur · Macarthur region · Myths · Narellan Story · Newspapers · Picton · Place · Place making · Placemaking · Sense of place · Stereotypes · Stories · Storytelling · Sydney's rural-urban fringe · Tourism · Urban development · Urban growth · Urban history · urban sprawl · Urbanism · Village

Westies, Bogans and Yobbos. What’s in a name?

The article explores regional identity in Sydney's Macarthur district, focusing on the communities of Campbelltown, Camden, and Picton. It discusses the strong local attachment to identity, which is challenged by perceptions of western Sydney as a cultural wasteland. Jeff McGill’s criticism of regional labeling sparked significant community response, revealing a conflict over identification and stereotypes. While Macarthur's regionalism reflects urban expansion, it struggles for acceptance amidst historical, cultural, and emotional ties that residents hold with their distinct localities.