This article discusses the concept of a "country town idyll" in Camden, an idealised version of a country town from an imagined past that uses history to construct imagery based on Camden's heritage buildings and other material fabrics. The paper delves into the origins of the idyll, examines its development, and investigates its validity in its contemporary context. It shows how its supporters have used history as a community asset to remake Camden's identity and explore how the 'country town idyll' has been used variously as a political weapon, a marketing tool, and a tourist promotion.
Category: Placemaking
Camden, the making and re-making of familiar places
This presentation at the WEA-RAHS Seminar Series on 28 October 2009 at History House, Sydney, explores the conflict between urban expansion and the desire to preserve Camden's identity as a country town. It delves into the tension between nostalgic ideals and the reality of modern development in the area.
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Public Art, Young Women Artists Have Something to Say
Young women artists from the Camden area have had their artworks on public display in a program called Something to Say. The art installations were located outside the Camden Council administration building at Oran Park NSW from late 2023 to early 2024..
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Public art in Hobart tells the story of female convicts in Van Diemen’s Land
Public art has been used in Hobart to reveal stories of female convicts that have been hidden in the shadows for decades on the Hobart waterfront and at the Cascades Female Factory.
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Types of Mid-Century Modernist Housing in Camden
This blog post discusses the types mid-century houses of the Camden NSW area that were built as part of the economic growth and development created by the Burragorang coalfields. These houses were built between the Second World War and the early 1970s, have a variety of residential architectural styles are located south of the town centre, in Elderslie and at Narellan.
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An embroidered silk postcard for Millie at Christmas 1916
A postcard from Frederick for sister Millie During the First World War, local soldier Frederick Kelloway sent his sister, Millie, an embroidered silk postcard to celebrate Christmas and New Year at home in 1916. The front of the embroidered silk postcard that Frederick Kelloway sent his sister Millie in 1916. (KCordina 2023) Millie’s great-granddaughter Kellee… Continue reading An embroidered silk postcard for Millie at Christmas 1916
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Camden Material and Colour Guide, a heritage building guide
Camden Material and Colour Guide In 2023, Camden Council published the Camden Material and Colour Guide. The guide was the initiative of the Camden Council Heritage Advisory Committee. The aim of the guide The Material and Colour Guide aims to provide a handy guide for owners of heritage buildings with practical tips on working with… Continue reading Camden Material and Colour Guide, a heritage building guide
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Memorial plaque to Jennifer Eggins, a founder of local tourism
A local identity Outside John Oxley Cottage, Camden Visitor Information Centre at 46 Camden Valley Way Elderslie, is a memorial plaque with a story to tell of local identity, Jennifer Eggins, and her legacy that still echoes across the district. Jennifer Eggins is one of the founders of the local tourist industry. The plaque was… Continue reading Memorial plaque to Jennifer Eggins, a founder of local tourism
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Camden Library and Museum public art
Collaborative efforts The 2007 Camden Library and Camden Museum redevelopment project resulted in a community collaboration to create a mix of public artworks. The collaboration process was led by Camden Council Cultural Development Coordinator Angela Pasqua. Participants included school children, TAFE students, artists and sculptors. The artworks were commissioned by Camden Council.. The efforts have… Continue reading Camden Library and Museum public art
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Narellan Library Murals, a wall of public art
There are two colourful mural artworks along the Queen Street frontage of Narellan Library. These artworks were commissioned by Camden Council in 2017 as a collaboration between mural artist Mandy Salter and the area's young artists as part of a Youth Participation Public Art Project.
