Category: Aesthetics

St John’s Church, a contested sacred site in the historic landscape of the Cowpastures
Aesthetics · Architecture · Art · Attachment to place · Belonging · British colonialism · Built heritag · Camden · Camden Park House and Garden · Camden Story · Camden Town Centre · Church History · Churches · Collective Memory · Colonial Camden · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · England · Farming · Gothic · Heritage · Historical consciousness · Historical Research · History · Landscape aesthetics · Legends · Living History · Local History · Local Studies · Macarthur · Memorialisation · Memorials · Memory · Monuments · Myths · Place making · Ruralism · Sense of place · Settler colonialism · Settler Society · Social History · St John's Church Camden · Symbolism · Tourism · Victorian · Women's history

St John’s Church, a contested sacred site in the historic landscape of the Cowpastures

camdenhistorynotes4 Comments

A contested sacred site in the historic landscape of the Cowpastures. St John's Church wants to sell a former horse paddock to fund a new worship centre against community opposition.

History Magazine photoshoot for RAHS captures a window into the past in Camden
20th century · Advertising · Aesthetics · Art · Attachment to place · Australia · Camden · Camden Story · Community identity · Costume History · Cultural Heritage · Cultural icon · Dairying · Dress history · Entertainment · Farming · Fashion · Fashion History · Festivals · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Hotels · Interwar · Landscape aesthetics · Leisure · Lifestyle · Living History · Local History · Local Studies · Memory · Mid-century modernism · Modernism · Motoring History · Moveable Heritage · Myths · Pageant · Place making · Placemaking · Railway · Re-enactments · Retailing · Ruralism · Sense of place · Shopping · Stereotypes · Storytelling · Streetscapes · Sydney · Theatre · Tourism · Transport · Women's history

History Magazine photoshoot for RAHS captures a window into the past in Camden

camdenhistorynotes

A photo shoot for the History Magazine of the Royal Australia Historical Society at Camden NSW captures a window into the past.

Davey & Olsen, Dungog: an interwar garage
Adaptive Re-use · Aesthetics · Architecture · Attachment to place · Built heritag · Business History · Community identity · Cultural Heritage · Cultural icon · Dairying · Dungog · Farming · Heritage · Historical consciousness · History · Interwar · Local History · Memory · Modernism · Motoring History · Place making · Retailing · Sense of place · Streetscapes · Tourism · Transport · Urbanism

Davey & Olsen, Dungog: an interwar garage

camdenhistorynotes

A country town interwar garage is a fine example of early motoring history in Australia. Dungog has a number of motor garages with many elements that show their origins from the Interwar period.

Newcastle modernism delights
Adaptive Re-use · Aesthetics · Anzac · Architecture · Art · Attachment to place · Community identity · Convicts · Cultural Heritage · Cultural icon · Electricity · First World War · Heritage · Historical thinking · History · Interwar · Memorials · Memory · Modernism · Monuments · Newcastle · Place making · Second World War · Sense of place · Streetscapes · Town planning · Urban Planning · Urbanism · War

Newcastle modernism delights

camdenhistorynotes

Newcastle modernism delights around the Civic Park precinct include the War Memorial Cultural Centre, NESCA House, Northumberland House and the former Salvation Army Men's Hostel.

Gardens: a special place
Aesthetics · Art · Attachment to place · British colonialism · Camden · Camden Community Garden · Camden Park House and Garden · Camden Produce Market · Camden Town Farm · Campbelltown Art Centre · Colonial Camden · Colonialism · Community Health · Community identity · Cultural Heritage · Cultural icon · England · Entertainment · Fashion · Festivals · Heritage · Historical consciousness · History · Landscape aesthetics · Leisure · Living History · Local History · Macarthur · Memorials · Memory · Monuments · Moveable Heritage · Parks · Picton · Place making · Public art · Sense of place · Settler colonialism · War

Gardens: a special place

camdenhistorynotes

The gardens of the Macarthur region are a special place for wellness and wellbeing. The provide a quiet and contemplative landscape for relaxation and thought.

An afternoon of art may offer serotonin mood boost, welcome distraction from chronic pain
Aesthetics · Art · Camden Museum · Community Health · Community identity · Cultural Heritage · Heritage · Historical consciousness · Historical thinking · History · Living History · Local History · Memory · Monuments · Moveable Heritage · Place making · Sense of place · Theatre

An afternoon of art may offer serotonin mood boost, welcome distraction from chronic pain

camdenhistorynotes

An afternoon of art may offer serotonin mood boost, welcome distraction from chronic pain

What is Camden’s heritage, does it really matter and what does it mean?
Aesthetics · Architecture · Attachment to place · Camden · Camden Museum · Colonial Camden · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · Edwardian · Farming · Festivals · First World War · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Interwar · Landscape aesthetics · Living History · Local History · Macarthur · Memory · Monuments · Place making · Ruralism · Second World War · Sense of place · Settler colonialism · Town planning · Urban growth · Urban Planning · urban sprawl · Urbanism · War · War at home

What is Camden’s heritage, does it really matter and what does it mean?

camdenhistorynotes2 Comments

What is Camden’s heritage, does it really matter and what does in mean?

Whiteman commercial buildings in Camden, an example of adaptive re-use
Adaptive Re-use · Aesthetics · Architecture · Attachment to place · Burra Charter · Business · Business History · Camden · Camden Town Centre · Collective Memory · Colonial Camden · Community identity · Country town · Cultural Heritage · Cultural icon · Economy · Edwardian · Entertainment · Family history · First World War · Heritage · Historical consciousness · Historical Research · History · Interwar · Living History · Local History · Local Studies · localism · Memory · Modernism · Place making · Placemaking · Retail history · Retailing · Ruralism · Sense of place · Shopping · Small communities · Stereotypes · Storytelling · Streetscapes · Tourism · Urban development · Urban growth · Victorian

Whiteman commercial buildings in Camden, an example of adaptive re-use

camdenhistorynotes2 Comments

The Whiteman's General Store, a historic Victorian colonial building in Camden, has been successfully repurposed through the Burra Charter principles of adaptive reuse, maintaining its architectural integrity. Operating continuously for over 135 years, it now houses various retail and professional outlets, contributing significantly to the town's charm and community identity.

An art exhibition of war and peace
Aesthetics · Anzac · Art · Camden · Community identity · Cultural Heritage · First World War · Landscape aesthetics · Memorials · Memory · Place making · Sense of place · Streetscapes · War · War at home

An art exhibition of war and peace

camdenhistorynotes

An art exhibition of war and peace with Camden artists Greg Frawley and Roger Percy.

Public Art and Well-Being at Campbelltown Lakes
Aesthetics · Architecture · Art · Artists · Attachment to place · Belonging · Campbelltown · Community identity · Community work · Craft · Cultural Heritage · Design · Education · Entertainment · Fashion · Heritage · Landscape · Landscape aesthetics · Leisure · Living History · Local History · Local Studies · localism · Macarthur · Monuments · Moveable Heritage · Parks · Place making · Placemaking · Public art · Sculpture · Sense of place · Storytelling · Symbolism · Tourism · Urbanism · Western Sydney University · WSU Campbelltown

Public Art and Well-Being at Campbelltown Lakes

camdenhistorynotes5 Comments

The 8th Western Sydney University Sculpture Award and Exhibition features 23 artworks globally, including Denese Oates' Xerophyte Forest, a steel representation of future plants. The beautiful lakeside setting enhances the sculptures' aesthetic, positively impacting community well-being. The exhibition runs from 4 May to 3 June 2018, attracting students and staff.