Appin · Art · Attachment to place · Belonging · British colonialism · Campbelltown Art Centre · Collective Memory · Colonial frontier · Colonialism · Commemoration · Community identity · Cowpastures · Cowpastures Bicentennial · Cultural Heritage · Dharawal · Governor Macquarie · Heritage · History · Landscape · Landscape aesthetics · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Placemaking · Public art · Sculpture · Sense of place · Settler colonialism · Settler Society · Stereotypes · Storytelling · Uncategorized

The Cowpastures Bicentennial, Governor Hunter and the Appin Massacre: the memory of the Cowpastures

I often wondered why the cultural material representative of the Cowpastures appeared to have been 'forgotten' by our community. The list of cultural items is quite an extensive include: roads and bridges, parks and reserves; historic sites, books, paintings, articles; conferences, seminars, and workshops; monuments, memorials and murals; community commemorations, celebrations and anniversaries.

Aesthetics · Art · Attachment to place · Belonging · Camden · Colonial Camden · Colonial frontier · Colonialism · Commemoration · Cowpastures Bicentennial · Cultural icon · Dharawal · Family history · Festivals · Frontier violence · Governor Macquarie · Heritage · Historical consciousness · History · Living History · Local History · Local Studies · Memorial · Memorialisation · Memorials · Memory · Monuments · Place making · Public art · Settler colonialism · Settler Society · Tourism · War

Cowpastures’ memories in monuments, memorials and murals.

Many memorials and monuments across the Cowpastures landscape commemorate its history and sense of place, with a recent nostalgic turn focusing on the pioneers and European settlement. War memorials are a ubiquitous form of memorialization in the Macarthur region, and public art, historical sites, and cultural heritage also play significant roles. These commemorations can be controversial, especially considering Australia's dark history, and evoke different memories for different people. Additionally, the landscape of the Cowpastures is interpreted in various ways, including as a colonial frontier, government reserve, and English-style landscape. Various memorials, artworks, and historic sites dot the region, contributing to its identity and history.

Aesthetics · Art · Artefacts · Colonial Camden · Cowpastures · Cowpastures Bicentennial · Craft · Crafts · Cultural Heritage · Fashion · Heritage · Leisure · Local History · Local Studies · Memorial · Memorials · Memory · Place making · Placemaking · Public art · Quilting · Sense of place · Settler colonialism · Sewing · Storytelling · Women's history

A Cowpastures memorial quilt

Hanging on the wall in the Camden Library is a quilt, but no ordinary quilt. It is a hand-made quilt that had previously hung in the foyer of the Camden Civic Centre for many years. The quilt celebrated the Cowpastures Bicentenary (1995) and was made by members of the Camden Country Quilters Guild.

Art · Cowpastures · Cultural Heritage · Heritage · History · Local History · Local Studies · Memorial · Memorials · Memory · Monuments · Parks · Place making · Public art · Sculpture · Storytelling · Streetscapes · Uncategorized

Cowpastures Memorial at Narellan

In the plaza outside Narellan Library there is an item public art called the Cowpasture Story.

Art · Attachment to place · Belonging · British colonialism · Camden · Camden Mayor · Colonial Camden · Colonial frontier · Colonialism · Commemoration · Cowpastures · Cultural Heritage · Cultural icon · Frank Brooking · Frontier violence · Heritage · History · Legends · Local History · Local Studies · Macarthur region · Memorial · Memorials · Memory · Monuments · Myths · Parks · Place making · Placemaking · Public art · Sculpture · Sense of place · Settler colonialism · Settler Society · Storytelling · Uncategorized · Urban development

Governor Hunter, a Cowpastures memorial at Mount Annan

The statue of Governor Hunter in the Governors Green Park at Mount Annan is another celebration of the history of the Cowpastures.

1920s · Argyle Street · Artefacts · Attachment to place · Camden · Camden Story · Collective Memory · Cultural Heritage · Engineering Heritage · Engineering History · Heritage · Highways · History · Hume Highway · Infrastructure · Living History · Local History · Local Studies · Memorial · Memorials · Memory · Mileposts · Monuments · Place making · Public art · Re-enactments · Roads · Service utilities · Storytelling · Technology · The Great South Road · Tourism · Transport · transport history · Travel · Travellers · Utilities · Wayfinding

Mileposts captured the distance of the past

The white concrete mileposts in Camden, remnants of the Hume Highway, mark distances to destinations like Sydney and Mittagong. Originating from Roman times, these posts were part of a 1934 initiative to standardize road markers in NSW, aiding both travelers and road maintenance. They reflect Camden's cultural and engineering heritage.

Agriculture · Art · Attachment to place · Belonging · Camden Story · Colonialism · Cowpastures · Cultural Heritage · Cultural icon · History · Landscape · Local History · Memorial · Memorials · Monuments · Oran Park · Parks · Place making · Placemaking · Public art · Settler colonialism · Settler Society · Storytelling · Tourism

Cowpastures memorial, Oran Park

The story of the Cowpastures can be told in many ways including through public art. At Oran Park an art installation of a herd of bronze cows is one approach to storytelling.

Agricultural heritage · Art · Colonial frontier · Colonialism · Cowpastures · Cultural Heritage · Dharawal · Education · Frontier violence · Heritage · History · Local History · Local Studies · Memorials · Memory · Monuments · Picton · Pioneers · Place making · Public art · Schools · Sculpture · Settler colonialism · Storytelling

Cowpastures Memorial, Picton

The Picton Cowpastures Memorial mural is the first memorial to the historic Cowpastures and its Wild Cattle in the Macarthur region.

Adaptive Re-use · Aesthetics · Architecture · Argyle Street · Attachment to place · Business · Camden · Camden Gasworks · Camden Story · Communications · Community identity · Cultural Heritage · Cultural icon · Electricity · Engineering Heritage · Gas · Gothic · Heritage · Historical Research · Historical thinking · History · Industrial Heritage · Infrastructure · Living History · Local History · Local Studies · Memory · Myths · Place making · Public art · Sense of place · Service utilities · Storytelling · Streetscapes · Technology · Town planning · Urban Planning · urban sprawl · Urbanism · Utilities · Water

Mundane objects tell an interesting story

Utility covers are mundane objects that tell interesting stories about the past in an area. Others consider then to be a form of street art and street aesthetic.

Aesthetics · Art · Artists · Artworks · Attachment to place · Belonging · Camden Art Group · Camden Public School · Camden Realism · Camden Story · Campbelltown · Campbelltown Art Centre · Community identity · Cultural Heritage · GLAM Sector · Heritage · Historical consciousness · Historical thinking · Landscape · Landscape aesthetics · Living History · Local History · Macarthur region · Memory · Place making · Public art · Realism · Sense of place · Stories · Storytelling · Tourism

Exploring Camden Realism: Art as storytelling

Camden Realism is an art style emerging in the Macarthur region, characterized by storytelling through representational artworks. Artists like Nola Tegel and Patricia Johnston, influenced by Alan Baker, capture local history and change. Exhibitions at Campbelltown Arts Centre showcase their work, reflecting the evolving landscape and community identity.