Dr Crookston's house and garden in Camden has been revitalized into an entertainment venue, preserving its rich history. New owners Shane and Rhiannon Smith manage this adaptive reuse, offering various activities that enhance heritage tourism. The estate now fosters local pride while contributing to economic growth, transforming the once-closed site into a vibrant community asset.
Category: Cultural and Heritage Tourism
Explore Belgenny Farm: A Journey Through Time 2024
The 2024 Back to Belgenny festival showcased living history at Belgenny Farm, featuring reenactments, traditional trades, and various activities such as sheepdog trials and guided tours. The event included a demonstration by Governor Macquarie’s regiment and highlighted the farm's historical significance, providing visitors with an immersive glimpse into colonial agricultural life.
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Denbigh Open Days: Exploring Historic Colonial Farm
Denbigh, a significant colonial farming complex in Australia, recently opened its gardens to the public for a rare charity viewing. The property, with a dark history of conflict and anxiety, reveals layers of history from dispossession of Aboriginal lands to dairying and urban invasion. Denbigh's fortified structures reflect the fear and violence of the Cowpastures frontier.
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Cultural and Heritage Tourism in Camden: Unveiling a $6.4 Million Per Year Industry
Cultural and heritage tourism adds $6.4 million a year to the local economy. The Camden Museum and the Alan Baker Art Gallery add over $1.7 million annually.
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Camden Art Prize, a new exhibition at the Alan Baker Art Gallery celebrates a local institution
The Camden Art Prize was initiated in 1975 as an acquisitive art prize aiming to create a collection. This collection now includes over 200 artworks and has been on display at the Alan Baker Art Gallery. The prize has had many notable judges and dignitaries present at its exhibitions. Some of the winning works are on display in a new exhibition at the gallery.
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Yearning, Longing and The Remaking of Camden’s Identity: the myths and reality of ‘a country town idyll’.
This article discusses the concept of a "country town idyll" in Camden, an idealised version of a country town from an imagined past that uses history to construct imagery based on Camden's heritage buildings and other material fabrics. The paper delves into the origins of the idyll, examines its development, and investigates its validity in its contemporary context. It shows how its supporters have used history as a community asset to remake Camden's identity and explore how the 'country town idyll' has been used variously as a political weapon, a marketing tool, and a tourist promotion.
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Public art in Hobart tells the story of female convicts in Van Diemen’s Land
Public art has been used in Hobart to reveal stories of female convicts that have been hidden in the shadows for decades on the Hobart waterfront and at the Cascades Female Factory.
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An embroidered silk postcard for Millie at Christmas 1916
A postcard from Frederick for sister Millie During the First World War, local soldier Frederick Kelloway sent his sister, Millie, an embroidered silk postcard to celebrate Christmas and New Year at home in 1916. The front of the embroidered silk postcard that Frederick Kelloway sent his sister Millie in 1916. (KCordina 2023) Millie’s great-granddaughter Kellee… Continue reading An embroidered silk postcard for Millie at Christmas 1916
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Camden Material and Colour Guide, a heritage building guide
Camden Material and Colour Guide In 2023, Camden Council published the Camden Material and Colour Guide. The guide was the initiative of the Camden Council Heritage Advisory Committee. The aim of the guide The Material and Colour Guide aims to provide a handy guide for owners of heritage buildings with practical tips on working with… Continue reading Camden Material and Colour Guide, a heritage building guide
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Celebrate Camden 93, a spring festival
In 2023, Camden celebrates the 30th anniversary of the Celebrate Camden 93 spring festival, initiated by the Camden Chamber of Commerce to boost tourism. Despite initial sponsorship issues, the event drew over 100,000 attendees and was deemed a success. Subsequent festivals struggled with community support, leading to its eventual discontinuation.
