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Cultural and Heritage Tourism in Camden: Unveiling a $6.4 Million Per Year Industry

Cultural and heritage tourism adds $6.4 million a year to the local economy. The Camden Museum and the Alan Baker Art Gallery add over $1.7 million annually.

Adaptive Re-use · Aesthetics · Architecture · Art · Attachment to place · Australia · Built heritag · Camden · Camden Story · Church History · Churches · Community identity · Cultural Heritage · Cultural icon · Curtilage · Georgian · Gothic · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Landscape aesthetics · Lifestyle · Living History · Local History · Local Studies · Macarthur · Memory · Monuments · Myths · Place making · Placemaking · Ruralism · Sense of place · Social History · Storytelling · Streetscapes · Trust · Victorian · Weddings

Why does the sale of a local church create community angst? What is going on?

The sale of church land has sparked community angst, particularly at St. Paul's Anglican Church in Bankstown. The proposed heritage listing has led to concerns about redevelopment and closure. Similar issues have arisen in Tasmania, where the sale of local churches has evoked strong emotional and historical attachments. The opposing views between churchgoers and non-churchgoers present an unresolved ethical dilemma.

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Camden Rose Festival 1968: history and festivities

The Camden Rose Festival, founded by JW Hill, celebrated the 1960s' prosperity and optimism. The festival included a street parade, wheelbarrow derby, art exhibition, and a masked ball. The event attracted significant community participation and raised funds for Camden District Hospital. The festival reflected the spirit of the post-war years and local community engagement.

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Exploring Camden’s Railway Heritage: Pansy and Its Timeless Stories

The Camden branch line, with its famous locomotive Pansy, holds a special place in the memories of locals and visitors. Operating from 1882 to 1963, it served as a lifeline for the community, transporting goods, passengers, and even wartime heroes. Despite its eventual closure, remnants of the line can still be seen today.

1968 Sydney Region Outline Plan · 1973 New Cities Campbelltown Camden Appin Structure Plan · Aesthetics · Airds · Architecture · Attachment to place · Campbelltown · Collective Memory · Community identity · Cultural Heritage · Cultural icon · Economy · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Housing · Landscape · Lifestyle · Living History · Local History · Local Studies · localism · Lost Sydney · Macarthur · Macarthur Growth Centre · Malls · Memory · Mid-century modernism · Modernism · Myths · Place making · Placemaking · Retailing · rural-urban fringe · Sense of place · Shopping · Stereotypes · Storytelling · Streetscapes · Supermarkets · Sydney · Town planning · Urban Decay · Urban development · Urban growth · Urban history · Urban Planning · urban sprawl · Urbanism

Airds Shopping Mall demolition, the unmet expectations of mid-century modernism

The Airds shopping mall's future encapsulates the decline of mid-century modernism in the midst of urban neglect. Once a symbol of optimism, the area's decay reflects broader global trends in retail. From failed Radburn principles to public housing challenges, the mall's history mirrors the clash of modernism and neoliberalism in Campbelltown. Despite the despair former residents report that they recall happy memories and stories of hope growing up in the area.

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Narellan ‘Gayline’ Drive-In Movie Theatre, a touch of modernism

The Narellan Gayline Drive-In Movie Theatre in Camden was a defining feature of the local 1960s-1980s culture, offering a relaxed, family-friendly movie experience. The drive-in's success peaked in the early 1970s but eventually closed in 1990 due to changing lifestyles and real estate development. It provided a memorable experience for many local residents, offering a nostalgic look back at a bygone era.

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Public art in Hobart tells the story of female convicts in Van Diemen’s Land

Public art has been used in Hobart to reveal stories of female convicts that have been hidden in the shadows for decades on the Hobart waterfront and at the Cascades Female Factory.

Architecture · Attachment to place · Built heritag · Camden · Camden Story · Community identity · Country town · Cultural and Heritage Tourism · Cultural icon · Heritage · Leisure · Local Studies · Lost Camden · Macarthur Country Tourist Association · Media · Memorial · Memorialisation · Memorials · Memory · Monuments · Placemaking · Sense of place · Storytelling · Tourism · Women's history · Women's stories

Memorial plaque to Jennifer Eggins, a founder of local tourism

A local identity Outside John Oxley Cottage, Camden Visitor Information Centre at 46 Camden Valley Way Elderslie, is a memorial plaque with a story to tell of local identity, Jennifer Eggins, and her legacy that still echoes across the district. Jennifer Eggins is one of the founders of the local tourist industry. The plaque was… Continue reading Memorial plaque to Jennifer Eggins, a founder of local tourism

1930s · Aesthetics · Cabaret · Cultural Heritage · Cultural icon · Entertainment · Film · History · Music history · Storytelling · Symbolism · The Arts · Theatre · Uncategorized

Billie Holiday on stage at the Belvoir Street Theatre

Review: Lady Day at Emerson’s Bar and Grill by Lanie Robertson. Musical Arrangements by Danny Holgate. Belvoir St Theatre, 14 September – 15 October 2023. Theatre performance with heart I recently attended a theatre performance with a strong humanitarian message at the Belvoir Street Theatre in Surry Hills. The show was a combination of cabaret… Continue reading Billie Holiday on stage at the Belvoir Street Theatre

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‘Fibro Majestic’: A Celebration of Mid-Century Housing at Campbelltown Arts Centre by Catherine O’Donnell

The "Fibro Majestic" exhibition at Campbelltown Arts Centre celebrates the historical significance of fibro housing in Australia, highlighting its role in post-war society. Artist Catherine O'Donnell's work reflects on the nostalgia, memories, and social contexts surrounding these humble structures, transforming perceptions of an architecture once deemed unattractive.