Agency · Agriculture · Agriculture history · Attachment to place · Belonging · British colonialism · Camden · Cawdor · Cobbitty · Colonial Camden · Colonial frontier · Colonialism · Community identity · Cowpastures · Cowpastures Estates · Cowpastures Gentry · Cultural Heritage · Cultural icon · Denbigh · Economy · Elderslie · England · Farming · Georgian · Gothic · Harrington Park · Heritage · History · Hope and loss · House history · Indigenous Heritage · Johm Macarthur · John Oxley · Kirkham · Landscape · Lifestyle · Local Studies · localism · Macarthur · Maryland · Menangle · Myths · Picton · Pioneers · Place making · Placemaking · Sense of place · Settler colonialism · Settler Society · Storytelling · The Oaks · Urban growth

The Cowpastures’ English-styled-gentry and their private villages

A certain type of self-styled-English gentry created a landscape in their own vision in the Cowpastures.

Agriculture · Art · Attachment to place · Belonging · Camden Story · Colonialism · Cowpastures · Cultural Heritage · Cultural icon · History · Landscape · Local History · Memorial · Memorials · Monuments · Oran Park · Parks · Place making · Placemaking · Public art · Settler colonialism · Settler Society · Storytelling · Tourism

Cowpastures memorial, Oran Park

The story of the Cowpastures can be told in many ways including through public art. At Oran Park an art installation of a herd of bronze cows is one approach to storytelling.

1920s · Architecture · Attachment to place · Camden Park House and Garden · Camden Story · Carpentry · Colonial Camden · Colonial frontier · Colonialism · Cowpastures · Craft · Cultural Heritage · Cultural icon · Economy · Engineering Heritage · Farming · Heritage · History · Industrial Heritage · Lifestyle · Local History · Local Studies · Lost trades · Memory · Modernism · Pioneers · Place making · Ruralism · Sense of place · Settler colonialism · Stereotypes · Storytelling · Traditional Trades

Traditional trades, the legacy of Camden’s carpenters

Carpentry, vital in Camden for centuries, began with Aboriginal bush carpentry using local materials for survival. European settlers adopted this craft, creating simple structures and relying on ingenuity. Formal carpentry evolved with guilds and apprenticeships, maintaining traditional techniques and tools, shaping Camden's architectural landscape with lasting quality.

1920s · 1973 New Cities Campbelltown Camden Appin Structure Plan · Aesthetics · Agriculture · Attachment to place · Belonging · British colonialism · Camden · Camden Council · Camden Story · Camden Town Centre · Cobbitty · Colonial Camden · Colonial frontier · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · Curtilage · Denbigh · Dharawal · Economy · Edwardian · England · Farming · Frontier violence · Georgian · Gothic · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Interwar · Landscape · Landscape aesthetics · Living History · Local History · Local Studies · Macarthur · Memory · Menangle · Modernism · Place making · Ruralism · Sense of place · Settler colonialism · Storytelling · Town planning · Urban growth · Urban Planning · Victorian

Camden Heritage Conservation Area – an English-style village in the Cowpastures

The Macarthur private village of Camden was located in the English style countryside of the Cowpastures countryside with its gentry estates and villages. Founded in 1840 it was all part the British imperial imperative and the settler colonial project that came with it.

Adaptive Re-use · Architecture · Attachment to place · Australia · Belonging · British colonialism · Camden · Camden Historical Society · Colonial Camden · Colonial frontier · Colonialism · Community identity · Convicts · Cultural Heritage · Cultural icon · Elderslie · England · Farming · Georgian · Governor Macquarie · Heritage · Historical consciousness · History · History of a house · House history · Landscape · Living History · Local History · Local Studies · Macarthur · Memorials · Memory · Myths · Place making · Sense of place · Settler colonialism · Storytelling · Tourism · Travel

John Oxley’s anchor lost for 34 years

New evidence has emerged challenging previous conclusions about the John Oxley Memorial anchor in Camden. The anchor, a memorial from the British naval authorities, was lost for 34 years before being relocated for public access. John Oxley, an important colonial figure, has multiple commemorations in New South Wales related to his historical significance.

Aesthetics · Art · Attachment to place · Belonging · Camden · Colonial Camden · Colonial frontier · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · England · Farming · Floods · Frontier violence · Georgian · Gothic · Heritage · Historical consciousness · Historical Research · History · Landscape aesthetics · Living History · Local History · Local Studies · Macarthur · Memory · Myths · Place making · Ruralism · Sense of place · Settler colonialism · Storytelling

Charles Tompson, a colonial diarist of the Cowpastures

A colonial diarist of the Cowpastures, Charles Tompson.

Aesthetics · Architecture · Art · Attachment to place · Belonging · British colonialism · Built heritag · Camden · Camden Park House and Garden · Camden Story · Camden Town Centre · Church History · Churches · Collective Memory · Colonial Camden · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · England · Farming · Gothic · Heritage · Historical consciousness · Historical Research · History · Landscape aesthetics · Legends · Living History · Local History · Local Studies · Macarthur · Memorialisation · Memorials · Memory · Monuments · Myths · Place making · Ruralism · Sense of place · Settler colonialism · Settler Society · Social History · St John's Church Camden · Symbolism · Tourism · Victorian · Women's history

St John’s Church, a contested sacred site in the historic landscape of the Cowpastures

A contested sacred site in the historic landscape of the Cowpastures. St John's Church wants to sell a former horse paddock to fund a new worship centre against community opposition.

Aesthetics · Architecture · Attachment to place · Camden · Camden Museum · Colonial Camden · Colonialism · Community identity · Cowpastures · Cultural Heritage · Cultural icon · Edwardian · Farming · Festivals · First World War · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Interwar · Landscape aesthetics · Living History · Local History · Macarthur · Memory · Monuments · Place making · Ruralism · Second World War · Sense of place · Settler colonialism · Town planning · Urban growth · Urban Planning · urban sprawl · Urbanism · War · War at home

What is Camdenโ€™s heritage, does it really matter and what does it mean?

What is Camdenโ€™s heritage, does it really matter and what does in mean?

British colonialism · Camden Museum · Colonial Camden · Colonialism · Community identity · Convicts · Cultural Heritage · Elizabeth Farm · Farming · Georgian · Gothic · Governor Macquarie · Heritage · History · Landscape aesthetics · Local History · Macarthur · Myths · Place making · Settler colonialism · Victorian

Celebrity author at Camden Museum

Author Michelle Scott Tucker recently spoke at the Camden Museum about her new book Elizabeth Macarthur A Life at the Edge of the World

Aesthetics · Attachment to place · Australia · British colonialism · Cawdor · Colonial Camden · Colonialism · Community identity · Cowpastures · Cowpastures River · Cultural Heritage · Cultural icon · Governor Macquarie · Heritage · Historical consciousness · Historical Research · Historical thinking · History · Landscape aesthetics · Local History · Local newspapers · Myths · Nepean River · Newspapers · Place making · Sense of place · Settler colonialism

Exploring the Cowpastures region: the early history of a settler society

The Cowpastures region, named by Governor Hunter in 1795, reflects a culturally constructed landscape stemming from the 18th century. Originating with wild cattle from the First Fleet, it evolved into a significant colonial area intersecting Indigenous history. The region's identity waned by the late 19th century but is celebrated today for its historical legacy.